Regardless of your feelings about the series finale, one cannot argue that Game of Thrones failed to leave a lasting mark on the collective TV viewing audience around the world. Even if you are not a Game of Thrones fan, I think you can still enjoy the photos and descriptions here since I’m telling my story, not JRR Martin’s. I enjoyed the books a lot (wish he’d finish!) and I like most of the TV show as well, even many parts that diverged greatly from the books. However, this is not a blog about a TV show, it is about Ireland: the museum exhibit in Belfast, and the outdoor landmarks which would are enjoyable on their own, minus the CGI and regardless of their attachment to the show.
Game of Thrones Touring Exhibition: Belfast
At the time I was in Ireland, the GoT Touring Exhibition was in the TEC in Belfast. I understand that it was in Belfast from April – September of 2019. I was told that there will be some part of the exhibit which will permanently stay in Belfast due to it size, but as I write this, there’s zero information on the TEC website because it’s all closed due to Covid-19. Additionally, the exhibition’s tour schedule is currently suspended for the same reason. I’d love to be able to tell you where to go to see it, but I can’t.
Warning: there are SPOILERS. If for some reason you are living under a rock and haven’t seen season 8 (or already had it spoiled for you) and still want to experience that… uh, experience, then maybe just look at the pictures or skip to the outdoor part of the GoT sightseeing.
I booked tickets well in advance because I was warned it might be sold out and we were on a bit of a schedule. There’s plenty of parking at the TEC and a place to get a cup of coffee and a snack in the lobby. It was such a relief to have an indoor activity on a rainy day. I got there before opening because I wanted to be in the door before the crowds arrived. There weren’t actually that many people there, but I’m still glad I went early because it was filling up by the time we left about 3 hours later.
The exhibit hall was enormous. It was divided into smaller rooms by theme and there was a suggested path to follow. There was a plethora of information about every item on display as well as knowledgeable staff everywhere, most of whom had worked on the show when it was being filmed and had personal on set anecdotes to share about the actors or scenes. Generally all of them were happy to have had the experience which made it nice to have the staff share fandom and enthusiasm.
Photos were allowed everywhere, but flash photography was forbidden and the lighting was very low, so most of my photos did not turn out terribly well, I’m afraid. Honestly, you can see wide shots of the costumes and props in the show, so the impressive part of the exhibit is being able to look at the close up details involved in the dresses, jewelry, weapons and other props that are never seen on screen, or shown for only fractions of a second. There are so many more things in the exhibit than I can show here, in part because no one wants to see that many photos and the rest because so many of my photos turned out blurry or dark or both.
The display starts by introducing the houses of Westeros and their relationships and fealty with a dazzling array of flowcharts accompanied by a variety of common or popular character costumes for the main houses.
It moves next into an area that replicates the Stark family crypt at Winterfell. I was told by the guide for this portion that these statues would not be moving on with the exhibition tour since they were too large and fragile. The room was dark and the statues lit moodily as though by torch light. It was a fun effect to walk through, but a frustrating one to photograph.
The third module gets into the further houses such as those of Dorne and the Iron Islands as well as Stannis Baratheon’s unholy union with Melisandre.
The fourth section is arguably the best. It’s a room full of dragon skulls, the very same ones Tyrion finds while under the palace in Kings Landing that belonged to the Targaryans of days past. I have rarely been so sad about low lighting, but it did make the skulls feel a little creepy and alive, and lived experience is always better than a photo. The skulls are seriously dinosaur sized. The smallest one could probably bite me in half, and the largest could swallow me whole. Standing up. Without opening it’s jaw all the way. So incredibly cool.
Following the dragon skulls were all things Mother of Dragons. Daenerys’ most iconic costumes and jewelry as well as models of the dragon eggs and baby dragons.
There’s an interactive display of the temple of the Faceless Men. Arya trained there, learning deep ancient secrets of how to assassinate people and then NEVER USED THEM. *sigh The display is still cool. You can pose for a photo and have your face digitally added to the wall of faces.
Next up is the Wall where John Snow joins the Night Watch to protect the realms against the coming of the Night King and his horde of walking dead that kill all the Dothraki and then… shatter?… when Arya stabs him, not using her Girl Has No Name skills in any way… ugh. Look at the shiny costumes!
The final display is the Iron Throne in King’s Landing with some of the later season costumes arrayed around it. In addition to all the beautiful set pieces and costumes, there are several interactive stations where you can pose with Arya’s sword Needle, John’s sword Longclaw, the Wall (a cute trick with mirrors to make it look like you’re holding on to a rope for dear life), and the Iron Throne itself. You can walk both forward and backward through the display, so I was able to double back and have a closer look at a few things. All in all, a lovely experience combining museum quality displays and fantastical world building.
On the way out, one of the staff told us to keep an eye out in the parking lot for the King’s Landing set. He implied that one day it might be open to the public as part of a permanent exhibit, but not yet. I tried to find any information about it online, but again, since tourism is closed, there’s no telling if or when the full size set that was used to film the burning of King’s Landing in season 8 will ever be a public attraction or not.
The Film Locations
A large number of the stunning landscapes of the show are part of Northern Ireland. There are scads of websites dedicated to helping people find and enjoy GoT filming locations. Many of the locations are empty fields where this or that battle was filmed, while others had significant CGI added in post production. There are specialized tours where you can play dress up and act out scenes from the show. There’s even a very expensive opportunity to spend some time with the actual animals who played the Stark children’s direwolves.
*The photos that follow are a mix of screenshots from Game of Thrones and my own photos of the locations I visited for comparison and contrast.*
Dark Hedges
This was probably the shortest stop and yet the most beautiful. The Dark Hedges were a popular site in Northern Ireland even before the show. They also have the honor of being one of the only locations that was not CGI enhanced and are therefore quite recognizable as the King’s Road in seasons 1 and 2, as well as the place where Arya Stark escaped from King’s Landing.
From the outside, the dark hedges just look like a little stand of trees in between two large fields. The short stretch of road runs through a private farm, and although the patient farmer has to put up with tourists on the public road, he also seems to have a good sense of humor about the situation. Busloads of tourists come through both on Game of Thrones themed tours and on regular tours of the area because it’s famous for more than just it’s show appearance. As a result, parking is scarce. There was supposedly a parking lot some distance away, but everyone simply parked on the side of the road that ran perpendicular to the hedges. There’s not supposed to be any cars on the hedge road itself, but of course there are always people who think the rules don’t apply to them.
It’s a short stop for most tours, so if photography is your goal, you might want to go on your own. I only spent about 30 minutes there and took a lot of photos which I was eventually able to parlay into a version that makes it look totally empty! Yay, photoshop? Otherwise, it’s very easy to see how true to life this set is between the show and the reality.
Downhill Demesne & Mussenden Temple
Here is the filming location of Dragonstone in Season 2. Downhill Strand is the place where the seven gods of Westeros were sacrificed by Lady Melisandre. Dragonstone was the ancestral home of House Targaryen and current stronghold of the Stannis Baratheon. The scene in question is filmed at night on the beach below, so there’s no real way to see it in the show. Nonetheless, it seems that the tourism board has installed statues of the seven on the beach for eager fans to see. I didn’t make it down to the beach, but rather came through the Downhill Demesne gardens and grounds. If you want to see the beach, I think the A2 road goes there pretty directly.
We entered via Bishop’s Gate and enjoyed the gardens with a variety of flowering bushes and trees, water features and stonework. Following the trail, we came upon an open area where the ruins of the old manor stood. Finally, walking all the way to the cliff edge, I found Mussenden Temple. Contrary to it’s name, it was never a temple, merely modeled after one. It was in fact a library. It is possible to enter the “temple” during the day, but by the time we arrived it was locked up for the night.
Dunluce (again)
I did not actually realize it at the time, since it didn’t show up on my initial searches for GoT locations, but Dunluce Castle was also Pyke Castle of House Grayjoy on the Iron Islands. I had to look it up and it turns out this is one of the locations that was extreme CGI. I would say more that Dunluce was the inspiration rather than the location, but hey, you gotta start somewhere. I wrote more about Dunluce in my description of the Causeway Route.
Castle Ward
This was one of the places I was most looking forward to seeing, and turned into the greatest disappointment. It’s advertised as “the real life Winterfell” and while it was technically the place where Winterfell was filmed… CGI.
In all fairness, one of the reasons I did not enjoy the stop was that we were experiencing some of the hardest and most vicious rain of the entire trip that day. Ireland kind of always rains. For some reason, I thought that was like Seattle rain which is really just heavy mist and no native Seattlite owns an umbrella (at least not for rain). I had a travel umbrella and I had rain booties to keep my shoes dry and I thought that would be enough. Mostly it was. There was one terrible soaking I got while on a ferry, but other than that, I’d been mostly dry or at least only merely damp.
Not so this day. The rain was opaque. It was as though the sky was trying to be the sea. In addition, the signage for where to go and park in the sprawling acreage of Castle Ward is not clear. I followed the signs for Winterfell and wound up in a very small parking lot which in retrospect might have been staff parking, but we were so lost by then that I just gave up and parked anyway. (Now I know we should have parked at the Shore Parking Lot, but it was not obvious in any way when we drove in that day) It turned out to still be a long walk from the trail head to the actual “Winterfell” area, and on a beautiful day, or even a merely drizzly day it probably would have been a lovely walk through the National Trust. It’s still very pretty, but it was harder to appreciate while wet.
Another reason I think I was disappointed is that I’ve been to Hobbiton in New Zealand. There are plenty of LOTR locations you can visit there that are just unchanged landscape and like Northern Ireland, they are beautiful and worth seeing, just… not like the movies. Hobbiton, on the other hand, was purpose built (twice) for the LOTR and Hobbit movies. Although the farmer who owned the land originally didn’t want permanent structures, after seeing the huge influx of tourism money, he decided to keep them after all.
Thus, walking around Hobbiton, you feel like you are THERE. I knew that most of the locations I visited for GoT were not altered for the show or for tourism, but Winterfell was so highly advertised as this great experience, like being in Winterfell, stepping into the show, that I imagined it would be at least a little like Hobbiton, and give me a sense of being at the Stark family home.
When I finally arrived at “Winterfell” I felt very let down. It looked like a reconstructed historical village, the kind that kids take school field trips to see. I expect that it was meant to be a replica of the original Castle Ward. It wasn’t ugly or anything, it just wasn’t at all like Winterfell.
There are a ton of pay to play style activities at the Winterfell center. You can take an archery class, an axe throwing class, rent a bicycle and tour the park while wearing a cape and a special GoT messenger bag that purportedly takes you to 20 different filming locations within the grounds, most of which are “this tree” or “that field”. I don’t want to diminish from anyone who enjoys this kind of experience. If that is your jam, rock on. For me, a place has to be cool for more than just being the canvas on which CGI was painted. In addition, I was traveling with an older person who simply wasn’t up for lots of hikes or bikes.
I wanted to simply see the grounds and enjoy the castle. The thing is… it’s not really there. The closest you come is one short tower and part of a wall that kind of look like Winterfell if you squint. In the courtyard there were a dozen or so cars and a huge tent, which made getting decent photos of the type that are shown on the website nearly impossible. This is the closest angle of any building that I found to resemble the castle on the show (show: top, reality: bottom). The resemblance is there, but the feel was lacking.
In addition to the experience selling shops, there was a small art gallery and a gift shop. I spent a long time hiding in the replica ruins of an old mill waiting for another torrent to pass long enough to walk again. The rain was so extensive that the ground was almost entirely underwater.
It just goes to show that managing expectations is extremely important. I think I would have been able to overlook the disappointment of either the weather or the failure to be anything like Winterfell, but I wasn’t able to overcome them both and I left feeling profoundly damp in shoes and spirits.
Inch Abbey
Thankfully, that day I had one more GoT location to visit, and it was the ruins of an old abby, which it’s almost impossible for me to feel let down by. The scene is where Robb Stark’s bannermen rallied to their leader after taking victory (and Jaime Lannister prisoner) at the Battle of the Whispering Wood. While Winterfell had made the cut onto my list because of my (mistaken) belief that it would be a grand immersive experience, Inch Abbey made the list just for being old ruins.
The first traces of a sacred building on this site go all the way back to 800 C.E., although it is thought that the monestary of Inis Cumhscraigh (as it was called at the time) was mainly earth and wood, so little of it remains today. The beautiful stonework remains that makes this site stand out were not built until 1180-88. It remained an active catholic monastery until 1542 when Henry the Eighth left the Catholic church because he wanted a divorce and then forced everyone under his rule to become Church of England.
The rain had eased back significantly, and one of the local tour bus drivers even offered us spare ponchos as his passengers were offloading. The tour group was rather amusing, and seemed to be having an absolute blast. They were equipped with cloaks and replica swords which appeared to be blunt steel, not plastic or wood. The tour guide, like many of those working on GoT tourist sites, had been an extra on the show and enjoyed telling stories from being on set.
They all gathered together and, at the guide’s prompting, everyone bent the knee to one lady, swords aloft and shouted “the queen in the north!”, echoing the original scene in which Robb was named such for the first time, but with a nod to the fact that Sansa (at that time) had taken up her brother’s title. I didn’t reach the group in time to catch that pose, but I did happen to get another that shows off their costumes and props. Once the group photos were over, they had a few minutes to go and take individual poses around the ruins before being herded back onto the bus.
At one point the guide expressed a thought that had not occured to me as a fan, and I want to share that as well. I think a lot of fans were disappointed by the final battle of Winterfell because it was SO DARK (among other things, so many other things). The guide for the group that was at Inch Abbey that day had been an extra in the final battle and talked about the extreme conditions that the cast and crew worked in: not sleeping, being wet and cold all the time, running up and down over and over again until they were just physically wrecked. It was something he put a lot of work into and it was really hard for him to turn around and face the criticism online.
I still think the shows writers, producers, and cinematographers FAILED in every way for that scene, but I now I also think about all the people who didn’t have any creative control, or any idea what the final product would look like who were just excited to work on such a popular and groundbreaking show. In addition, the tragedy that is season 8 has not stopped most fans from continuing to love the series, the characters, and the world of Westeros. We complain a lot online, but I think it’s important to use fan voices to say thanks as well. So, thanks to all the cast and crew who worked their asses off and had no control over what happened in the scripting and editing process.
The group didn’t stay long, and soon we had the ruins to ourselves and I was able to tramp around with impunity, my umbrella enough to keep the now light rain off. The ruins themselves are stunning, and I think that the rain brought out the beautiful contrast of the stones and the grass that would not have been as strong on a sunny day. The stones themselves are fascinating as you can see the remnants of interior structures long since crumbled and it was exactly the kind of film location I had been hoping to see combining real life beauty with my fandom.
Inch Abbey was the final stop on both my Game of Thrones self-tour, and the Northern Ireland portion of the road trip. We tried to go to Newgrange on the way back to Dublin, but there was a series of unfortunate events involving Germans and cars (why is it always Germans I have car problems with?) that only Lemony Snicket could possibly narrate which prevented us from doing so. I did learn that you have to go there and put your name on the wait list in person. You can’t make reservations ahead of time and you can’t go without signing up… so. This seems like an event that it might be easier to do with a tour group than on your own. Maybe next time? Meanwhile, I hope you enjoyed my sojourn through Northern Ireland, and I hope you’ll continue to join me as the story takes me back into the south.
However, when Finn saw Benadonner crossing, he realized the giant was much bigger than he previously thought. He fled the coast, retreating into his home. His wife Sadhbh (omg Gaelic, amirite?, that’s probably pronounced “Saive”, maybe?) heard what he’d done and quickly dressed her husband up as a baby.
Gallivantrix 