Fall in Korea

During my first two years in Korea, I took almost every opportunity to go to a festival or event. In large part, it was because as an EPIK teacher, I had very short holidays, so I spent my weekends seeking fun. Now that I have great big holidays, I find I’m saving my money for those long trips abroad. Plus, it is a bit repetitive to go to the same festivals and events each year. This year, my favorite tour group, Enjoy Korea, changed up the line-up on their fall foliage trip, so instead of going to the DMZ and Seoraksan, we would visit a famous penis park, a coastal railway, and Seoraksan- a mountain that’s quite large enough to visit twice and see totally different sights. I decided to sign up, and as luck would have it, some other ladies I know from around the country also signed up so we got to hang out together. Although it was a lot of riding in buses, the weather was everything we could have asked for, and I had a lovely time.


Haesingdang Penis Park (해신당 공원)

It is a constant source of curiosity and amusement among the foreigners that in such a conservative country as Korea there are multiple overtly sexual and outright pornographic sculpture parks. I visited the famous Love Land on Jeju Island a few years ago, and so I was curious to see the similarities and differences with that very modern invention and what was ostensibly a more historical park at Haesingdang.

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The legend of Haesingdang has some inconsistencies, but basically there was a young maiden who’s fiancee (new husband? she’s supposed to be a virgin, though so they can’t have been married long) is a fisherman and through a series of unfortunate events he ends up leaving her on a large rock rather far from the shore (perhaps to harvest the edible seaweed?) while he takes the boat to fish, promising to return for her at the end of the day. However, a horrible storm arises and he is unable to fetch her and she drowns.  The next day, there are no fish to be had, nor any the day after that. The people believed that the spirit of the drowned maiden was ruining the fishing.

Here’s where it gets extra confusing. There’s a group of three statues up on the hill overlooking the ocean that are supposed to be a part of the legend. The are very… um… priapic. I’m unclear as to whether they were masturbating into the sea, or simply showing this poor virgin girl what a good dick looks like. Many versions of the myth also state that it was a man urinating into the ocean that caused the spirit to be appeased and the fish to return, and anyone who knows the function of a prostate knows you can’t urinate when you’re .. um.

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All the legends agree that it was the sight of a penis that made this virgin maiden relent and bring back the fish… I guess she was really horny? I don’t really know. Since then, the locals carved several wooden phalluses to put along the seashore and twice a year they have a religious festival to show big wooden penises to the maiden in the sea.

It’s really hard to get any hard data about this park or the statues in it. It’s likely that the myth and the rituals are hundreds of years old, but given the near total destruction of everything in that region during the Korean War, it is highly unlikely that those are genuine historical statues. More than likely they are modern reproductions and best guesses combined with truly modern art pieces like the golden penis on the stairs that was made in 2006, and a row of new statues that seems to be growing one penis a year down the path (the latest one was dated 2019).

Most of the museum looks like it was either made in the 70s or by someone aesthetically stuck there. The fishing village museum included a series of arrows leading nowhere past some large fake aquariums (plastic fish, no water) and a large diorama of a historical fishing village, plus some interactive video games and “fishing” toys.

There are plenty of photo ops where you can sit on a giant penis, or sit on a bench and look like a large erect penis and hanging balls are sprouting from between your legs. There’s a small temple dedicated to the maiden who drowned in the legend. And there’s about 50 or so wooden carvings of exaggerated penis shapes, or people with penises for heads, or penis totem poles. A star attraction is the 12 zodiac animals in penis pillars.

Aside from the overwhelming collection of dick, there is a stunning view of the sea from the top of the stairs which is in my opinion, one of the best parts of the whole park. You can actually see the rock from the legend in this photo. There’s a statue of the maiden on the rock you can see with binoculars.

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Normally conservative and reserved Koreans take these kind of parks as a place to cut loose. Although no one did anything inappropriate like public exposure, there’s plenty of lewd gestures and old ladies laughing while their husbands look a bit uncomfortable. It’s not all bad for the guys, though, they get to pose next to unrealistic dicks and dream.

Yonghwa Coastal Rail Bike (삼척 해양레일바이크)

Also known as Samcheok Costal Rail Bike, it’s the same thing because there is only one rail bike in all of Korea.

“the one and only coastal rail bike in Korea and it runs on 5.4km-long double tracks through beautiful rocks and special type of pine trees called Gomsol (Bear Pine)”

I love the coast. Sandy beaches, rocky shores, sweeping cliffs, I don’t care I love it all. So when I heard this trip was going to include a leisurely hour long rail bike up the coast, I was pretty stoked. Now, I won’t say that this wasn’t hilarious fun, but if you’re expecting an hour of beautiful ocean views you will be disappointed.

A rail bike is basically a little car that is mounted on rail tracks and powered by pedaling. Thankfully, these cars had real seats and we were not mounted on bicycle style seating. Myself and the other short person had a very hard time both sitting and reaching the pedals, but with 4 people working on it, and some motorized assistance, the trip is not especially exerting.

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The beach that we left from (Yonghwa) is quite pretty, but it is dominated by the rail bike station, and by the time we pedaled out of the building we only had a few moments of beach before we were leaving it behind. The beautiful view of the sweeping coastline is also partially obscured by those special pine trees and a fence. I had hopes that with the better part of an hour still to go, we would get more sea views, but the next part of the ride took us into a tunnel.

There was some distinctly Korean attempt to make the tunnels more interesting by adding colored lights and some neon underwater scenes, all set to strange 80s music in English. I think it would have been ok for a short tunnel, but it soon became droning and repetitive. My peaceful, sunny, seaside bike ride had turned into some hellscape of neon, concrete and bad club music. I didn’t even think about taking video at the time, so I’m borrowing my friend’s which is unforgivably shot vertical… sorry! I did at least replace the horrible 80s music with something less aggressive.

I know there’s probably no way we could have stayed outside in the mountainous terrain, but I feel like there is much more they could have done to make the tunnel more enjoyable. I was so relieved when it ended… only to have us go into a second tunnel! In the end, I’d say we spent at least 1/3 of the “coastal” ride underground.

Another 1/3 was spent outside with little to no view of the sea. We saw some cute pensions (a kind of Korean hotel), and a few resort attractions, and even a large sculpture of a battleship covered in some found art objects (I was moving to fast for a decent pic). The woods were randomly dotted with the leftover remains of the summer glamping (glam+camping) season, a few heavy machines, and a LOT of debris.

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I know we had like 3 typhoons in three weeks and the coast did get a bit messed up, but it really seemed like zero effort had been made to collect the rubbish. There was a brief stop at a little “rest area” after the tunnels and the beach there was pretty and clean, but we had only a few minutes to enjoy it before we were rushed back to the rail bikes and sent on our way.

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Although you and your group pedal yourselves, there’s not any wiggle room to slow down to see nice things or speed up to get past boring things because it seemed like 50 cars were on the tracks at the same time and although we’d been told to keep 10m between cars, it was often closer to 2. On the plus side, when we passed a group coming the other way, it was a lot of fun because they were excited to see a large group of foreigners and we got lots of greetings, big smiles, and high fives in passing.

Overall, I’d say it’s a fun but silly way to spend an hour, and not a calm bike by the sea. As long as you go into it knowing what you’ll get, it’s worth it.

Seorak Mountain and the Fall Foliage

Also known as Seoraksan, san simply means “mountain”, Seorak is one of the premier places in Korea to take in the fall foliage. It’s pretty far north, and close enough to the sea that you can see the ocean from the peak on a clear day. Plus, it’s elevated. This means that the conditions for beautiful leaf colors are really promising. It’s a little like driving up to Connecticut for Americans.

I went once three years ago and had a gray drizzly day which made the leaf colors really pop, but made the sweeping views pretty much a misty, uh, mystery… I also struggled a lot with the ajuma and ajoshi (Korean’s of a certain age) who all showed up in their special hiking clothes and walking sticks and charged up the path like it was a race to the top. I personally wanted to meander and enjoy the trees, take some pictures, admire the little details. They wanted to walk. Quickly. I was elbowed so frequently that it made it almost impossible to enjoy anything, let alone obtain any sense of serenity. I was almost knocked off the mountain (down a steep ravine) and when I slipped and fell on some wet rocks, people just shoved past me instead of giving me room to stand up or heaven forbid, helping. I did not want a repeat of this experience this year.

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I am spoiled by the PNW mountain hikes which are quiet and often very private. I love forest bathing in Japan, and the peaceful mountainside temples. There is a temple at Seoraksan, but it’s a bit tricky to find. On my first visit, I managed to get a ticket to ride the cable car up and from the crowded platform, I followed a small trail with signs I recognized from the Chinese characters up and around to a small temple. There was no one else around, and I finally got some of the peace and serenity I was looking for. I was very much looking forward to visiting that place again.

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This year, we had amazing weather. The sun was shining, the sky was blue, and it was just warm enough not to need a jacket but not hot enough to make us sweat. Upon arrival, we charged straight for the cable car ticket office only to find that everything was sold out until 3pm. Our bus was leaving at 4, and we couldn’t reasonably expect to get up and get back unless we rushed, which was counterproductive to my reason for going -eg to relax and meditate in that beautiful temple. I suppose we could have tried to race up for the chance to see the clear weather view, but neither my friend nor I were particularly interested in stress or speed that day.

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I think that the park is gorgeous in any weather, but I’m glad I got to see it in the sun. I’d like the chance to hike it one day, but clearly the fall foliage isn’t the right time for me. It makes me think of the mountains I climbed in China, Tai Shan and Hua Shan. There were certainly other people climbing those days, and I was inevitably the slowest, but the Chinese were so much more relaxed about going around me, some liked to stop for a chat or a photo, but even those in a hurry didn’t run me down. It’s been a recurring issue for me in Korea that I feel like the frog in Frogger any time I’m anywhere crowded. I really don’t think it’s only crowds as other large cities, even mega cities like Beijing and Tokyo do not have these problems. It can make it a struggle to go to an event here knowing that being shoved around all day will definitely be part of it.

My goal for this trip was to try and find the part of the park that wasn’t going to make me play elbow dodge-em. We decided to stick to the less popular paths that wandered the foot of the mountains and just to enjoy ourselves and take a million photos. It was lovely. There were still a lot of people on the “boring” trails, but with only one or two hiking-gear clad racing groups it was easy to step aside and let them by. The rest of the people on our path seemed to share my idea that it was a lovely day for a stroll. Plus the walkways were smooth and wide, so there was plenty of space to go around / step aside and no risk of being knocked off a steep slope!

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I got to spend a long time with the giant Buddha and even go to the small temple beneath it which had not been open the first time I visited. It wasn’t quite the same as my mountain peak temple, but it was nice to soak in the beautiful chanting and just still my breath and mind for a while. There was a monk inside performing a ceremony. It seemed like visitors could donate to the temple to have a prayer recited for them. I hadn’t realized it while I was above ground, but the chanting we were hearing all around the statue wasn’t a recording. It was the monk below chanting live. If you’ve never had a chance to hear a Korean Buddhist chanting, here’s a sample:

Most of the colors were higher up the mountains, we could see them from where we were, but still declined to hike up. Instead, I scampered off the path after the lone red tree or orange branch and ended up with a lot of close up photos. The effect of the sunlight streaming through the colored leaves was so stunning that I really didn’t mind that being my primary subject.

We came upon a clearing near the river about the time we were ready for a break. I sat down on the rocks overlooking a beautiful little valley view and just enjoyed life for a while, the trees made a perfect picture frame for the mountains beyond. When I had a bit of energy back, we climbed a little down to into the river bed. My friend actually went out on a huge rock in the middle of the river for photos, but I settled with a rock that was a bit closer to shore.

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Next we explored the large (aka main) temple in the park. It had beautiful carvings of flowers on the buildings and bright blue ceramic tiles on the roofs. I think that my best overall landscape photo of the day came from a small grassy knoll just behind the temple compound. Bonus, I got to refill my water cup at the sacred mineral spring! Along the way, I also found several balanced rock towers left by previous tourists, any number of glittering spiderwebs, a few really beautiful spiders that hadn’t given up for the fall yet (they hibernate in the cold, I think because I never see them), and even a stray mushroom patch.

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We walked a short way past the main temple toward the base of another arduous uphill hike. We had no intention of going up, but we thought it might be nice to walk along and see what else was on ground level. I’m glad I did because we found the Legend of Ulsanbawi Rock. The hike we were avoiding would have taken us up to this famous rock, but we could see it pretty well from the ground that day.

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According to the legend, a looooong time ago, the gods ordered all of the rocks to gather together to create the 12,000 peaks of Geumgangsan. Also sometimes spelled “Kumgang”, this is the most famous mountain in North Korea. Obviously the myth predates the 38th parallel. However, it’s only about 50km (30 miles) north of Seoraksan. Ulsanbawi was a very large and heavy rock, travelling from Ulsan, about 350km (217 miles) from Kumgang. He had only got as far as Seoraksan when it became dark and he laid down to have a rest. The next day when he awoke, he learned that Kumgang was all finished being made, and he was no longer needed there. However, he was too ashamed and embarrassed to return home to Ulsan, so he curled up on Seoraksan and has remained there until this day.

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On the way back from our low ground view point of Ulsanbawi, we found yet another small temple, and passed a number of beautiful bridges criss-crossing the rivers. Lunch was only slightly challenging as we looked for a keto-option. I had hoped for the famous seafood pajeon for myself, but there was such a large back order at the restaurant, they said it would take over 30 minutes. I ate bibimbap instead, and it was still delicious sitting on the patio staring out at the mountains as a backdrop.

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We rushed to grab more last minute photos of the park entrance we had raced by on our arrival (hoping to get those cable car tickets), and made it back to our tour buses with about 1 minute to spare. It wasn’t an action packed adventure, but it was almost everything I could have hoped for. I was still a little sad about the cable car situation, but I saw so many other beautiful things, and I didn’t get run into by a speeding ajuma even once.

Myths & Tales from China 04

Last time we read about Shen’nong dedicating his life to identifying all the plants in the world to help humanity grow and thrive. Now Shen’nong has won the title of Flame Emporer and changed his name to Yan Di. He must fight for the fate of his kingdom against a newcomer, Huang Di. Make no mistake, the outcome of this battle will determine the history of all China!


Huang Di Battles Chi You

Around at the same time as Flame Emporer Yan Di there was another ruler called Huang Di, the Yellow Emperor. Because he was born on the shore of the Ji waters and lived on Xuan Yuan Hill, he used Ji for his family name and Xuan Yuan as his given name, so he is also called Yuan Huang Di. While they fought over territory, the tribes of Huang Di and Yan Di had three great battles at Banquan near Zhuolu (in Hebei). In the end, Yan Di was defeated; he retreated to the South and ruled there.

There was a Tribal Chief under Yan Di’s command with a cruel and warlike nature named Chi You. Under his command were eighty-one brothers. Each one had the head of a man and the body of a beast. They had copper heads and iron foreheads, and four eyes and six arms each. They were not only good at making weapons, but their magical power was also very strong. Chi You often tried to persuade Yan Di to face Huang Di again in battle and take back the land they had lost. However, Yan Di did not have the heart to make the common people suffer such calamity so he did not listen to Chi You’s suggestions. Chi You became angry; he ordered his people to craft a large number of weapons, and to gather Feng Bo (wind god), Yu Shi (rain god), and the Kuafu Tribes-people and go immediately to challenge Huang Di.

Huang Di had a kind nature, and was unwilling to fight. He pleaded with Chi You for a truce, but Chi You didn’t listen at all and attacked the border again and again. Having no other choice, Huang Di personally led his soldiers into battle and prepared to fight Chi You.

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Huang Di first ordered his Great General, the Dragon Ying Long to attack. Ying Long could fly and spray water from his mouth. When he entered the battle, he flew up into the air, then, occupying the high ground, he sprayed water. In the blink of an eye, a huge flood surged forth and crashed in great waves towards Chi You. Chi You quickly sent out Feng Bo and Yu Shi. Feng Bo blew up a fierce wind that filled the sky, Yu Shi gathered up all the water that Ying Long sprayed and sent it crashing back down on Huang Di’s own troops. Ying Long could only spray water, he couldn’t collect it, so as a result of this attack, Huang Di was defeated and had to surrender.

Before long, Huang Di once again lined up his troops to fight Chi You. Huang Di lead his soldiers from the front, rushing into Chi You’s lines. This time, Chi You used magic. He spat out billows of smoke and fog so that Huang Di and his troops were completely covered. Huang Di’s men could not tell one direction from another. Trapped this way in the smoke and fog, they could not get out to fight again. At this critical moment, Huang Di looked up and saw the Big Dipper in the sky and was inspired. That same night he quickly made a device that would face Southward no matter what. Then he was able to lead his army out and rejoin the fight.

In order to inspire his army to their full strength, Huang Di decided to use the beat of an army drum to raise morale. He heard that in the East China Sea there was a floating mountain, and on this mountain lived a beast called Kui, the one legged demon of the mountain, whose howling voice was like a peal of thunder. Huang Di sent some men to go and capture Kui and use its hide to make the drum. Huang Di further sent people to go and capture the Thunder Beast of Thunder Pond and take his big bones to make a drumstick. When this Kui-hide drum was struck, its trembling sound would reach five hundred miles, and several hits in a row could make the sound reach three thousand and eight hundred miles. Huang Di also used eighty cow-hide drums, and greatly roused his army’s strength. In order to completely defeat Chi You, Huang Di called specially on his daughter Nu Ba to help fight. Nu Ba is the goddess of drought; she specializes in collecting clouds and stopping rain.

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Huang Di gathered his troops, and once more entered into battle with Chi You. Both armies were poised for battle when Huang Di gave the order to beat the war drums. Immediately the sound shook Heaven and Earth. When Huang Di’s soldiers heard the drums, their courage doubled, but Chi You’s soldiers were frightened by the sound and their spirits sank. Chi You saw the circumstances were grave, so together with his own 81 brothers they began to unleash their magic powers, and fought ferociously in front of the troops. 

Huang Di saw that Chi You truly could not be dealt with in this way, so he had Ying Long spew forth water. Chi You had no way to defend against it and was knocked off his horse by the blast. He hastily dispatched Feng Bo and Yu Shi to fire up a campaign of fierce wind and torrential rain right in the middle of Huang Di’s forces. The face of the earth was suddenly flooded, the situation was desperate. Just then, Nu Ba entered the battle. She cast a spell, and from her body radiated a wave of heat. Wherever she went, the wind stopped and the rain vanished; her head was like a scorching sun. Feng Bo and Yu Shi had no strategy left, and ran away in a great hurry. Huang Di lead his troops forward into a huge battle. Chi You was defeated and ran away.

Chi You could fly through the air, and also could run so fast over sheer cliffs and rock faces that it was just like flying. Huang Di seemed unable to capture him. He chased Chi You into the middle of Jizhou. There, Huang Di had a sudden insight, and ordered his men to beat the Kui-hide drum with all their might nine times in a row. Chi You’s spirits sank immediately. He could no longer move and was captured by Huang Di.

Huang Di ordered his men to put a wooden collar and shackles on Chi You, and then let them cut off his head. After Chi You died, his shackled body was thrown onto a desolate mountain top, where it transformed into a grove of maple trees. Each leaf was covered with the spots, just like the blood spattered on the collar and shackles.

After Huang Di defeated Chi You, the vassals all venerated him as the Emperor, son of Heaven. Huang Di lead the common people, turned wild lands into farmland, settled the lands of Central China, and established the foundation of the Cathay peoples.


NOTES:

Cathay may refer to all of China, or simply the northern parts of China.

Huang Di is also known as the Yellow Emperor and is credited with being the first true Emperor of China (there is no historical evidence he existed, but he is mythologized as a human and not a god). He is credited with inventing most of the trappings of complex civilization including writing, mathematics, and astronomy.


Xing Tian Dances the Ganqi

Among Yan Di’s troops was a man called Xing Tian. He greatly revered Yan Di and followed him everywhere. Xing Tian and Chi You were alike. After Yan Di retreated to the South he tried his best to persuade Yan Di to send the army for revenge; however, Yan Di remained unmoved. When Chi You was fighting Huang Di in the North, Yan Di would not allow Xing Tian to help him, and Xing Tian became very depressed.

Later, Xing Tian heard that Chi You was defeated and had his head cut off. He was unable to hold back the grief in his heart and decided to kill Huang Di in order to avenge all of Yan Di’s people. He secretly left Yan Di. In his left hand he carried a shield and in his right hand he wielded a broad ax, then he ran like the wind to Xuan Yuan Hill. The whole way, he crashed through the mountain passes set up by Huang Di one after another and went straight to launch an attack on the front gate of Huang Di’s palace.

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When Huang Di heard that Xing Tian had broken through his mountain passes one after another and was rushing in to kill them all, he was very surprised. He picked up his double edged sword at once and went out to personally face Xing Tian in single combat. Just as he came out of the palace gate, Xing Tian’s broad ax rushed down at him, Huang Di barely dodged to avoid it. Xian Tian hurled insults at Huang Di while ferociously brandishing his broad ax. Huang Di also brandished his sword back. They clashed sword against ax high in the clouds, back and forth, fighting with all their might, fighting so hard that black clouds rolled forth making a dusky patch between Heaven and Earth.

They fought for three days and three night and still could not determine a winner. Huang Di gradually began to weaken, but Xing Tian was young and vigorous, and while brandishing his broad ax, the more he fought, the braver he became. Huang Di knew that this kind of bravado could be a disadvantage, so when he saw an opening, he sliced his sword at Xing Tian’s neck. There was a snapping sound — Ka Cha! — and Xing Tian’s head was chopped off, fell to the ground and bounced up three feet, then rolled — gu-lu-lu — to the foot of the mountain.

Xing Tian felt the base of his neck where his head no longer was and panicked. He crouched down and felt around on the ground with his hands. As a result, the trees that reached into the sky and the towering rocks were swept aside by his giant hands. They all snapped off and shattered one after another, filling the air with smoke and dust and sending fragments in all directions.

When Huang Di saw that Xing Tian had lost his head but had not died he stared dumbstruck. He worried that Xing Tian would find his head and reattach it to his neck, so he raised up his sword and split open Changyang Mountain with all his might. With a loud rumbling sound –hong-long-long — Changyang Mountain was split in two, Xing Tian’s head rolled — gu-lu-lu — into the opening, and the big mountain immediately closed back up.

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Xing Tian stopped and crouched there blankly. He knew his own head was already buried in the mountain and could not be brought out again. But he was not resigned to defeat in this manner, he felt angry beyond compare, and suddenly erupted in astonishing power. He sprang up fiercely, used the two nipples on his chest for eyes and his bellybutton for a mouth, gripped his broad ax and raised his shield, and proceeded to slash wildly at the air.

Who knows how long this went on before Xing Tian finally used up all his energy and collapsed like a mountain, his hands still tightly gripping his ax and shield. Huang Di was so moved by his loyalty and perseverance that he commanded that Xing Tian would be buried under Changyang Mountain.


Chinese onomatopoeia or 象声词 (xiàng shēng cí):

You may have noticed some sound effects in the last story. I didn’t make them up, they came that way in the original text. If you’re curious –

咔嚓一 ka chaaaa!
gu-lu-lu
隆隆 hong-long-long

Finally Writing About Ireland

I have published something like 6 posts that are distinctly NOT about Ireland since I got back this past summer. Usually that would be because I was hard at work chronicling my adventures and polishing each post into a sparkly gem, but this time… it’s not. This post is going to be the start of the Ireland Chronicles, however, I’m going to take some time at the beginning to talk about a personal issue, so for those who are just here for the tourism, please feel free to skip down to the second segment. 


Why Aren’t You Writing About Ireland Yet?

It’s starting to feel like I can’t go traveling with anyone really important to me. I’ve now had two close relationships disintegrate after a trip, while the travels I take with friends who are less close have been great. I don’t define “relationship” as only romantic or sexual, by the way. I happen to think that any degree of association can be a relationship (work relationship, teacher-student relationship, my favorite barista relationship, etc). In this case I am talking about people with whom I felt a long term and deep emotionally intimate connection.

In reality, those close relationships were never actually healthy, and the constant close exposure of travelling together simply put them under a microscope until it was impossible to deny the core problems. As I learn about healthy relationships and boundaries, I find that it’s easy to spot the red flags in a new person, but almost impossible to drag myself out of denial with a person I’m significantly attached to. When you’re so used to something being a certain way, even if that way is awful, it just seems normal, and the abnormal situation of long international trip can cast it into sharp relief.

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In this case, I think I was most of the way out of the fog of denial before we actually embarked, but the plans had been made and the money spent, and I genuinely hoped that a nice, low stress holiday would reduce the big problems that I was still blaming on things like job and life stress. The only thing that could have made that more sarcastically apt is if we’d gone to Egypt instead of Ireland and I could really make some d’Nile jokes. I suppose I’ll have to settle for Blarney jokes instead.

I know in my heart of hearts that a single vacation cannot ruin or fix any relationship, it can only blow the truth up to billboard sized letters. However painful the experience was, I’m glad it happened because I think it’s better in the long run to identify unhealthy relationships so that we can either work to make them healthy or if that’s impossible to walk away. However, it makes it hard to write about a holiday when the memories are either good memories tainted by loss or just plain old bad memories. It’s like that movie, Inside Out, when Sadness touches all the memories and they turn blue and sad forever.

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When I wrote about the Philippines I did my best to simply leave out any and all references to the person I was with, treating it like a blank space in the narrative and jumping around the timeline to avoid describing the personal details of arguments and emotional clashes. I think it helped, too. The memories of that relationship are still painful, but now I can look at the experiences I had in the Philippines and remember the joy I took from them, happily recommend the island, and even think positively about going again someday.

I’m going to try to take the same approach with Ireland, yet at the same time, I don’t want to paint this in some kind of idyllic holiday life. Those who read this blog often know that I don’t like fake-positive online life, but I struggle to balance my need to be honest about the challenges I face with my desire to share only the best and most delightful experiences. I’ve been putting off writing about Ireland explicitly because I don’t want to think about the hurtful parts, and yet I think it’s vital to my gratitude practice and to my remembering self that I take the time to tease out the good parts and keep them alive.

So here’s the disclaimer: I’m cutting out all the personal negative experiences, I’ll only be including things that could happen to any traveler or group based on regular travel challenges. It could result in a choppy or unbalanced story, but that’s just how it has to be. My life is far from perfect, but I’m trying my best to be better.

Without any further ado… Irish Road Trip

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Renting a Car

I enjoy road trips when I’m getting out of a city. I love public transit and happily take buses and trains on most of my excursions, but I had some lovely experiences driving in the US, and later in Germany, France, New Zealand and Sweden. When I choose to get a car it’s because I want more freedom to go to places that are off the beaten track, way outside the city, or just generally hard to get to. Ireland is no exception.

When I was planning my trip, a friend of mine told me that he and his wife had done an Irish road trip about 20 years ago, before there was any kind of highway system at all. Although there is a large intercity highway system today, most of the things we wanted to see in the countryside were still on the old roads (more on that later).

In case you’re curious about renting a car, we used EuropeCar. I looked at a few local rental places, but it seems that there are a fair number of hidden fees with those places that can add up and be frustrating and expensive. By opting for a larger company, we got a real price quote up front and the process of picking up the car was much smoother. I was initially irritated that they were trying to up-sell us the “full coverage” insurance (quite expensive) at the pick up. I was extremely tired from running around Paris all day and a delayed flight into Dublin, so all I wanted was to get to our hotel. When we were standing there it felt like a scam sell, and I was very dubious.

The regular minimum insurance covers any scratches or dings that are less than a 2 Euro coin size (it’s a law) so the car companies can’t charge tourists for tiny chips, dings and scratches that occur in the normal course of driving. It also covers a minimum amount of liability in case you damage someone else’s car or property, or have to go to a hospital. There was a high deductible, but to me, it seemed worth it not to pay a few hundred more in insurance. However, since I wasn’t the one paying, we got the full coverage, and after I saw the driving conditions in the countryside, I was very glad that we did. To sum up, if you want to drive anywhere other than the cities and highways, get the extra insurance. If you want to stay in the cities and highways… ride the bus.

Driving in Ireland

The first thing to mention here is that driving in Ireland is done on the left side of the road, and that the driver’s seat is on the right side of the car… completely backwards from the US where I learned to drive. Lucky me, this wasn’t going to be my first time driving left as I’d had a chance to learn in New Zealand some three years previously. Nonetheless, I still spent a good portion of the first few days just reciting “left side, left side, left side” under my breath the whole time.

You also need to know how to use a roundabout, which is a complex system of yielding and merging that is supposed to be safer and more efficient than traffic lights. Basically, anyone already on the roundabout has right of way over anyone trying to join it. Interestingly, some of the busiest roundabouts at major highway interchanges also included traffic lights because otherwise no one would ever get on.

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The road signs are pretty good, written in both English and Irish, and the streets often have painted arrows to help you remember your lane, and also let you know which lane to be in if you want to turn or go straight. There were a few times that the signs an Google Maps did not agree and I got a bit tangled up, but it never took more than a few minutes to sort out.  Except Coleraine (pronounced call-rain) in Northern Ireland, which is a hellhole of one way roads and inaccessible streets. My Google travel history looks pretty linear everywhere else, but in Coleraine it looks like a Gordian knot. Don’t get sucked in, drive around.

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There’s only one more very important note about driving in Ireland which is that outside the cities and arterial highways, the roads are typically only one car wide, but accommodate two way traffic. Even in the villages with two lane roads, there are so many cars parked along the roadside that traffic is reduced to a single lane’s width. In a lot of places, they are also lined closely with thick hedges, deep ditches, or stone walls meaning you have zero shoulder room. Two way traffic includes other normal sized cars, tour buses, farm equipment, and livestock.

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On the one hand, it can be a relief driving these roads because there’s no need to worry about left-side or right side. On the other hand, when you meet oncoming traffic, your knuckles immediately whiten on the steering wheel as you try to figure out how not to have a head on collision.

The good news is that the locals are very used to this. There are a fair number of turn outs on the most narrow roads, and often there is *just* enough room for two cars to pass on the single lane if we’re both willing to rub up against the shrubbery. Once I realized that the vast majority of other drivers were polite, careful, and familiar with the process, I did relax a little bit. As intimidating as these roads can be, it’s worth it to drive them because a lot of little hidden gems can only be accessed this way.

Public Transit in Cities

While we were in Dublin, we were actually able to simply walk everywhere we wanted to go by getting a room next to Trinity College. The main tourist district is quite tightly packed and walk-able, but if you want to go a little further or it’s just too rainy, there’s a great system of buses and trams. However, paying for these modes of transit are unnecessarily complicated. Fares change based on where and when you board and exit, so you can easily end up paying the maximum if you don’t know how to navigate the system.

The easiest way around this is to get a LEAP card. There’s a few ways to do this, but the simplest is to walk into nearly any convenience store and buy one. They cost about 5 Euro and are re-loadable. Fares are automatically calculated if you tap in AND tap out, plus you get a fare discount for using the card instead of cash. I wasn’t able to get the reloading app to work for me, but it’s very easy to reload at any number of grocery shops and convenience stores.

There is a tourist LEAP, but I’d shy away from that one because of the limitations. They are technically unlimited travel, but they only apply to city transit (and a few airport options). Generally, visitors to Ireland want to see the countryside or travel to more than one city, and the LEAP doesn’t cover that. The LEAP is good for most major cities (NOT Derry or Belfast as that is a different country), so I think the top-up card is the way to go.

Please note that the LUAS tram system is a bit unique. There is a post at the tram stop OUTSIDE the tram where you need to tap your LEAP card BOTH before you get on and AFTER you get off. If you don’t tap when you leave, you’ll be charged the maximum fare! I was a bit thrown off by the tapping posts being at the stops rather than inside the tram, but it did make boarding more efficient. I used this in Dublin.

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I used buses in Galway. With a bus you need to tell the driver what stop you plan to get off BEFORE you tap your LEAP card. The driver will program your fare and then you can hold your card to the reader. It takes much longer than the tram, but the drivers are generally pretty nice about it. Just make sure you use Google Maps or similar to know the name of your stop before you board. Again, failure to do so means a much larger fee.

Traveling Outside the Cities: Public Bus and Tour Bus

If you do want to travel to another city, there are great and affordable inter-city bus options. I used CityLink. You get a slight discount for booking online. The drivers don’t generally require a printed ticket, so you can book online from your phone or hostel no problem. You can also buy tickets at the bus stations in each city.

Finally, another great way to see Ireland without a car is to join tour buses that leave from the major cities and head out to the countryside. I personally did this twice: once from Dublin to the Wicklow mountains, and once from Gallway to Kylemore Abbey.

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I shopped around using Viator to compare deals and I found that a LOT of agencies overcharge or misrepresent their tours. Read the details carefully. One of my day trips from Galway was to go out to Inishbofin. I did find a “tour” but it was nothing more than the public bus (CityLink) and the public ferry. They wanted to charge three-four times the cost of those tickets and didn’t even offer a guide to help you find the bus/ferry!

Long story short, if you can use the public transit to get someplace, do it. If there is no public transit, then make sure you pick a reputable tour company with plenty of positive reviews for the tour you are interested in. You can find the links for the tours I went on here:  Kylemore Abbey with Galway Tour CompanyWicklow Mountains with Gray Line Dublin.

If you do choose to join one of these tours, please be aware that not all the buses offer all the amenities. WiFi, charging ports and the like are hit or miss, but the seats are comfy and the drivers are very entertaining. I would recommend bringing lots of snacks or even a pack lunch as the timing doesn’t always allow you to eat when you’re hungry or both eat and sight see. They also have deals with some random tiny towns that they stop in for lunch. There’s usually only one place to eat, so it can get crowded or expensive.

Planning the Route

We had decided on a basic road trip itinerary before arriving. I think it’s important on any time sensitive vacation to schedule a certain amount of things. I like to schedule where I’ll sleep, as well as breakfast and dinner (lunch can be on the fly unless there’s a special reason to schedule it). I like to schedule one or two things in a day and also leave myself room to change, rearrange, add or subtract. The schedule for Ireland was unusually tight because my travel companion had a very long bucket list and while I might go back one day, it’s unlikely they will, so I tried hard to accommodate them. Even with a tight schedule, I don’t like to buy tickets in advance unless they’re likely to sell out so that I have the freedom to change things around as needed.

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Our schedule was also based on not doing more than about 4 hours of car time a day. It’s a holiday after all, there’s no point in spending all day driving. As a consequence, there were a couple places we visited just because we needed to stop. No regrets, though, even the small out of the way places were awesome. Our final road map looked like this:

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Finally, the end of the trip we spent in Dublin, so we returned the car and used the excellent buses or just walked from our very central hostel next to Trinity College.

After 16 crazy busy days, my travel companion returned home, and I had a much more slow paced week spent between Dublin and Galway where I relied on coach bus tours and public transit to enjoy myself.


EXPANDED 3 WEEK ITINERARY

For those who either want a sneak preview or need some ideas to plan your own Irish holiday. You could use this in all or part:
two week drive -day 1-14
one week drive: South = day 2-6+12&13 or North = 11-7 (backwards) + 12&13
one week Dublin/Gallway no-car experience – 12, 13, 15, 16/17 combo, 18, 19, 20/21 combo

Day 1:
arrived very late at Dublin airport, picked up car, stayed in a hotel near the airport

Day 2:
Irish National Stud
Leap Castle (haunted?)
Sol y Sombra Tapas, Killarney

Day 3:
Kerry Ring
(ancient stone forts, sheep, waterfalls, chocolate, and prehistoric fossils)

Day 4:
Fungie the Dingle Dolphin & the cliffs of Star Wars

Day 5:
Inis Oir (of the Aran Islands)
Doolin Cave
Traditional Music House

Day 6:
Lough Key: castle in a lake + treetop walk
Seaweed Baths @ Enniscrone

Day 7:
Belleek Pottery
Derry: Bog Murals, Guild Hall, Peace Bridge
Downhill Demesne

Day 8:
Giant’s Causeway
Carrick-a-Rede Bridge
Dunluce Castle

Day 9:
Bushmills Distillery Tour
The Dark Hedges
Glenarm Gardens
Glenariff Waterfall

Day 10: Game of Thrones Day
Belfast TEC: GoT Exhibit
Castle Ward (aka Winterfell)
Inch Abbey

Day 11:
Newgrange
return car to Dublin Airport
Pub Crawl in Temple Bar
This is the day we were supposed to go to Newgrange, but had a “zero damage” accident with a German family in the parking lot and ended up doing police and insurance reports instead, then had to leave to get the car back to Dublin on time.

Day 12:
Viking Splash Tour
Dublin Walking Tour
The walking tour was cancelled last minute, but we were so tired that neither of us actually minded and we spent the afternoon resting.

Day 13:
Trinity College Library & the Book of Kells
The Museum of Archaeology
The Museum of Natural History, aka “The Dead Zoo”

Day 14:
End of two week version, companion departed from Dublin airport
As the person doing the 3 week version, I took this day to rest and do laundry.

From this point, the schedule is FAR more relaxed… and I really needed it after so much fast paced adventuring. I also did the final week on public transit or tour groups.

Day 15:
Wicklow Mountains and Glendalough (GrayLine)

Day 16:
Bus to Galway
Honestly, you could do more, but I was enjoying the slow pace life.

Day 17:
Downtown Galway + unexpected Pride march

Day 18:
Kylemore Abbey (Galway Tour Group)

Day 19:
Inishbofin Island (public transit)

Day 20:
More downtown Galway… really good Irish food.

Day 21:
Bus back to Dublin airport and fly home.

Myths & Tales from China 03

As the Gods withdraw from creating the earth, the age of great heros begins. Demi-gods and great sages who challenge the gods and the natural world to bring specialized knowledge of technology and medicine to improve the lives of humanity, lifting us from stone aged hunter-gatherers into the metal-working, agrarian societies that lead to greater civilizations and achievements.


The Story of Fuxi

A very long time ago, there was a country called Huaxu. The people who lived there were happy and long lived. Their lives were not that different from the Daoist Immortals. One day, a beautiful young Huaxu maiden was out strolling in the forest near Thunder Lake when she unwittingly wandered into the domain of god of Thunder. She saw a giant footprint on the ground and she was very curious. She held out her foot next to the giant print to see the difference in size. The instant she set her own foot into the giant footprint, the air was filled with the rumbling sound of thunder, and giant passed over her head then disappeared in a flash.

The Huaxu maiden took fright and ran back. She didn’t expect that after that day her belly would begin to get bigger, but ten months later she gave birth to an adorable baby boy. She named him Fuxi.

From the time he was little, Fuxi was smart and talented. Once he chopped down a small paulowina tree, trimmed it, and strung it with fifty strings. He called it a Se Harp and when he began to play it, it made melodious sounds that were very beautiful to hear. 

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One day, while Fuxi was playing music, a peal of thunder arrived from far away. He raised his head and thought to himself, “I have heard it said that my father is the god of Thunder that lives in Heaven. I too should go to Heaven and see him. Yes! Some people say that there is a tree called Jian Mu in the Southeast, it is extremely high and large, only if I climb that can I reach the Heavenly Court of the Immortal gods!” Thus, Fuxi took his Se Harp and departed Huaxu to begin his search for Jian Mu.

Fuxi headed out towards the Southeast. The more he walked, the more desolate it became. One day, he saw a group of starving people hitting a bison in order to kill it for food. They pulled the meat off a piece at a time, dripping with blood, and stuffed it into their mouths and ate it. Seeing them act this way, Fuxi was extremely astonished.

When he arrived at the banks of Blackwater River, Fuxi saw a person standing in the river grabbing at fish. When a small fish passed by, the person immediately pounced on it, but actually pouncing on thin air they were swept into the torrent and were carried away by the water in the blink of an eye. Fuxi saw this and felt very sad.

Fuxi walked and watched, walked and watched until he met the goddess Sunu. He then went up and asked, “Excuse me, but may I ask, do you know the way to Jian Mu which leads up to Heaven?” She answered his question with one of her own, “Are you so unsatisfied staying upon the Earth? What are you doing looking for Jian Mu?” Fuxi answered, “In order to go up to Heaven! In Heaven waits my father, the god of Thunder!”

“Very well, I will tell you where to find Jian Mu, but remember, when you climb up Jian Mu, you must on no account turn and look down!” When Sunu finished speaking, she pointed her finger. Fuxi followed her pointing finger and as expected, he saw a giant tree, unmatched in size by any other, growing straight into the sky. It was surely Jian Mu.

In order to show his gratitude, Fuxi loosed the Se Harp from his back and gave it to Sunu. After that, he began to climb Jian Mu. This was a very strange tree, the bark was very smooth and difficult to climb. Fuxi didn’t dare to be even a little bit careless, and slowly, slowly pulled himself up. Meanwhile, Sunu sat down under the tree and used the Se Harp to play some music. The sound that traveled up to Fuxi’s ears was very soulful, like it was expressing all the woes of the mortal world. He listened and listened and was soon distracted. Not paying attention, he slipped a long way down the tree.

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Fuxi quickly pulled himself back together and continued climbing upward. At the very moment he climbed to the highest branch of Jian Mu, the music Sunu was playing echoed through the skies, forlorn and filled with sorrow.  Fuxi was afraid; he forgot the warning of Sunu and turned his head to look back downwards. This time he was ruined. He felt nothing but the sky and earth spinning, and all of a sudden he fell down.

Fuxi, bearing his pain, began to get up from the ground. He yelled out, “Sunu!”, but she was nowhere to be seen. At that moment, the waves in Blackwater River rose suddenly and issued forth a rare and mythic creature. The creature said, “You have fallen from Heaven. It was not Sunu that caused you to be distracted, but your own reluctance to leave the mortal world!” When Fuxi heard this he was quite amazed, and decided not to climb Jian Mu again.

Thus, he came into the East, and there he established a kingdom. He taught the people how to hunt, how to domesticate wild animals, how to use string to weave nets, and he taught the people to use the nets to catch fish and birds. Ever since then, people have not had to go hungry and their lives are much better than they were before.


Shen’nong Tries All the Plants

In ancient times the five crops and the weeds all grew together, medicinal plants and all the flowers bloomed in one place. No one could clearly distinguish which plants could be eaten or which ones could be used to treat illness. The common people were dependent on hunting for their livelihood, but the more they hunted the birds that flew the air, the fewer they became; and the more they hunted the beasts that walked on the ground, the rarer they became. People often went hungry. And if someone got a rash or got sick, then there was no way to treat them, and people could only look on helplessly and wait for the them to die.

The tribe’s chief, Shen’nong considered the situation of the suffering of ordinary people and he felt pain in his heart and mind. He decided to find crops that could sate hunger and herbs that could be sued to treat illness for his people. He lead several of his subjects, setting off from Mt. Li and walking towards the Northwest. They walked and walked, they walked for seven times seven or forty-nine days. They arrived at a place where the peaks of high mountains met and canyons ran into one another. Growing atop the mountains were strange plants and unusual grasses that they could smell even from very far away. Shen’nong was extremely happy and led his people into a canyon until they reached the foot of a large mountain.

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This mountain stuck straight up into the sky, and all four sides were steep cliffs. The cliffs were overgrown with moss, and rivulets of water slid down them. He saw without a ladder to heaven they could not ascend. His subjects pleaded with him to let it be, to return home with haste. Shen’nong resolutely shook his head. He looked up and down the high mountain, carefully sizing it up then thought hard. Suddenly he spotted several golden monkeys following along high old hanging vines and moving horizontally between the cliffs and climbing the trees that grew there. Shen’nong had an idea!  He called for his people to come then had them chop wood, cut vines, and build a shelf frame that leaned against the cliffs. Every day they built another layer no matter if it was windy and rainy, or snowing and freezing, they never stopped working. They built constantly for one year until they reached the mountain top.

Shen’nong carefully, cautiously climbed up the wooden frame up the mountain. Wow! The top of the mountain was truly a world of flowers and grasses, Shen’nong was very excited. He called to his people to guard against attacks from wolves, tigers, panthers or other animals. He himself picked flowers and plants and put them in his mouth to taste them. By day, he led his people around the mountain top tasting plants; by night, the people lit a bonfire, and he would sit by the fire and record in detail his discoveries of the day: which ones are bitter and which sweet, which ones can sate hunger and which can cure illness. He wrote it all down clearly and distinctly.

Once, he put a very strange looking plant into his mouth and began to chew, immediately he became dizzy and fell to the ground. His subjects rushed to help him up. He was at once aware that he was poisoned, but he was already unable to speak. He could only feebly point at the bright red reishi mushroom ahead and then point to his own mouth. One subject understood his meaning, and quickly fed him the reishi mushroom. After Shen’nong ate the reishi, he felt instantly refreshed, and the poisoned miasma melted away all at once. He quickly told his people to record the poisonous plant, as well the healing reishi. Even though this time they averted disaster, his subjects worried that this way of tasting everything would sooner or later be dangerous, so they begged him to go back down the mountain. But as before, he resolutely shook his head.

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When he finished tasting all the plants on one mountain, Shen’nong went on to another mountain to keep tasting, until his footprints were stamped all over the mountain range. Finally, he tasted wheat, rice, millet, corn and a whole bunch of edible beans and later these became known as “the five crops”. He also tasted three hundred and sixty-five types of medicinal herbs and wrote “Bencai Jing”, the classical book of Traditional Chinese Herbal Medicine.

Years flew by in the blink of an eye, Shen’nong was about to carry the herbs he had picked and the seeds he had gathered down the mountain when he discovered that the wooden frames they had built had grown roots. During the long days, they had unexpectedly grown into a sea of trees. While Shen’nong was trying to figure out how to get down the mountain, a flock of red-crested cranes flew by in midair and carried him and the subjects at his side up into the Heavenly Court. In later years, people will come to give Shen’nong the title of Flame Emperor Yan Di. 

Art, Food, and Parks in Paris

The majority of the August 2019 was spent in the Irelands, but I decided that I wanted to spend a few days in Paris on the way. You can’t really fly direct from the US to Dublin (without forking over a fortune). Connecting flights go through Heathrow or CDG. Any excuse to visit Paris. I know it’s very stereo-typical, but apparently I’m more basic than I want to admit: I love Pumpkin Spice Lattes and Paris is one of my favorite cities on Earth.


Where All Good Food Goes When It Dies

Pardon my mangling of Oscar Wilde’s famous quote, but this was the thought I had the first time I had a meal in France (not actually Paris yet, since I was on a road trip from Prague and my first stop was in Metz: photo album). I have not had any disappointing food experiences in France at all. I have been trying to figure out how to afford to live and work in France doing nearly anything just so I could have daily access to the food. Since I haven’t yet figured that out, I am having to make do with an annual pilgrimage to see my favorite art and food stops.

I was only able to spend a few days in Paris this time around, so it was mostly a food oriented excursion. I wanted to get a full range of food experiences from fine dining to street food. The first dinner was at a beautiful souffle-centric restaurant called Le Souffle which serves a three course menu of entirely souffles. I was a bit apprehensive that it might be textually monotonous, but they serve each course with some sides like salad or croquette, and the main course was a mild cheese souffle with the beef bourguignon in a side dish so you could pour the meat and sauce into the souffle, breaking up the taste and texture. For dessert, I was torn between chocolate and creme brulee… I love both, but the idea of a creme brulee souffle was too intriguing to pass up. My only regret was an inability to finish everything.

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I got to have just “regular” (amazing) French food in a nice neighborhood bistro. I got to have breakfast at my favorite chocolaterie: Angelina’s. This place has arguably the best hot chocolate, and the breakfast pastries were exquisite. I got some “fast food” at Paul’s, and a picnic lunch from the Marche d’Aligre which included this fantastic “blue” cheese. It’s actually a Tomme duBerry a la lavande. It’s a mild, uncooked, pressed cow’s milk cheese that’s colored blue and flavored with lavender and rosemary. With some lemon olives, fresh bread, ripe apricots, and a lemon tart for dessert it was a magical meal in the park.

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I could go on and on about the food in Paris. Many people have. I was going to say I have, but it turns out that for some reason I never actually wrote about my first time in Paris, and when I wrote about the second trip, I wasn’t very food focused because of the extreme heat wave going on at the time ruining my appetite. Perhaps the next time I go, I’ll actually dedicate myself to taking good food photos and notes so I can do a proper foodie write up of all my favorite places.

Let’s Go For a Walk

Since I never actually wrote about my trip in 2015, all the main Paris attractions that I did on the first trip never actually made it into the blog: Eiffel Tower, Père Lachaise cemetery, Sacré-Cœur, the Champs-Élysées with Arc de Triomphe, the Place de la Concorde and the beautiful Tuileries Garden.

If you happen to be in Paris when the weather is nice, these are all wonderful places to go. In 2018, I went on a cycling tour and I have almost no photos and less memory about what we saw because it was 37°C and I didn’t bring enough water. The moral here is, don’t force yourself to see the beautiful outdoor attractions if you aren’t going to be able to enjoy them. There’s plenty of museums and indoor / covered activities like street markets. I made it to the March d’Aligre on this last visit which not only had plenty of wonderful fresh food on offer, but also had a rambling rummage sale of old and lost things.

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I personally think that places like the Eiffel Tower (photo album), the Champs-Élysées, the Arc de Triomphe (photo album), and the Place de la Concorde are all things you could go and see one time for a few minutes and check that off the Paris bucket list. They just aren’t that exciting… Although, it was fun to realize that I’ve now seen the matched set of obelisks that reside in Paris and Luxor respectively. The one in Paris was given to France by Muhammad Ali Pasha, Ruler of Ottoman Egypt in exchange for a French mechanical clock in 1832. It’s twin still stands outside the temple of Luxor.

Notre Dame (photo album) is a place that I would have recommended as a one and done, however, since the fire, I’m not sure this stands true any more. I personally will be interested to see how it looks in a few years. Regardless, unless gothic architecture is your jam, it’s not worth more than a couple hours one time. It is totally worth that, because it’s a very beautiful structure, but it can be very crowded and I think it’s a little overhyped since there are a few hundred (thousand?) churches around Europe that are very very similar. But you’re in Paris, so you might as well.

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The Père Lachaise (photo album) could easily be several days of wandering through a stunning gothic mausoleum laden park taking endless photos of the natural and the macabre. Plus, lots of famous graves like Oscar Wilde and Jim Morrison. If you’re really into the dead, I think the Catacombs are a great indoor option, although I highly recommend a skip the line ticket because when we went, people were waiting 3+ hours for a tour. Also, while the above ground cemetery is definitely good for repeat meandering visits, I think that the catacombs are a single visit attraction unless you REALLY love bones.

The Sacré-Cœur (photo album) as a church is on my “one and done” list, but as a beautiful part of Paris is on the repeat visit list. The views from the top of the hill are absolutely stunning, and the culture around Sacré-Cœur is fascinating: from the roving “vendors” selling anything and everything on the steps to the famous Place du Tertre where local artist are painting and selling beautiful original works of art direct to the public.

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Last but not least, the Tuileries Garden is a large green space between the Louvre and the Musée de l’Orangerie. It’s a beautiful place to have a stroll any time of year. There’s wide open green spaces, chairs placed freely around the fountains, shady tree lined pathways, little bistros and of course a bit of a fun park at one end with a giant ferris wheel. I love to come here when I need a break between sights to enjoy the day and people watch.

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Paris Art & Feminism

I wrote a broader piece about my experiences in these two museums (d’Orsay & l’Orangerie) from my visit in 2017. In this essay, I’m going to focus on a temporary exhibition in the l’Orangerie about cubism and the unexpected feminist moment I found there.

In case it was never obvious before, I do consider myself a feminist (no I don’t hate men, no I won’t use the term “equalist”, yes I have lots of reasons. This Bustle article sums them up nicely if you want to read more). I’m constantly frustrated by the way in which all the historical artists, musicians, scientists, writers, politicians, philosophers… everything … of any note or record are almost always men. White men. Old. White. Men.

It’s not because old white men are better at these things. It is because the women who did them were suppressed. They were put down in their own lifetimes. Their work was stolen by men who took the credit. Their work was copied by men who took the credit. They were just written out of history. By the men who write history books.

Women are supposed to cook for the family, but only men can be great chefs? Women have historically been expected to spin, weave and sew yet fashion is a man’s business? Art forms that men can’t steal are just demeaned, like embroidery or textile crafting. It’s nice this is finally starting to break down in the 21st century, but we still don’t have enough of a balance in the way we teach and promote artists in mainstream culture. Adding women artists to the public consciousness doesn’t mean removing male artists, and it’s high time we start.

Many of the artists and composers and even authors on my “love it” list are dudes. I’m not going to stop enjoying their work just because I’m adding female artists to my worldview. I don’t know if I would have identified with any female artist growing up simply because I wasn’t ever exposed to any. I don’t think we have room for a limited number of artists in our lives. I think the more art the better. While we’re at it, maybe start adding non-eurocentric art and POC artists too, like Robert S. Duncanson (1821–1872) who was an African-American man who escaped to Canada during the Civil War and taught himself to paint.

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The museums in Paris, in particular the l’Orangerie, have been trying to have more women artists on display. Last time I was there in 2018 it was Helen Frankenthaler. I wasn’t that into her art because I am not a fan of abstract impressionism, but I was really happy to see her in an installation that included Rothko and Pollock. The museum talked a lot about her life and the challenges she faced being a woman in the highly sexist art scene. She was talented, dedicated and prolific yet she’s not discussed when most people talk about this period of art history.

This time, the featured woman artist was much more personally to my liking and I became much more invested in her art and identity. I am only human, and tend to spend more time and energy on the things that personally interest / impact me. If you’ve never seen her work before, then it is my distinct pleasure to introduce you to the art of Marie Laurencin.

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“Marie Laurencin (1883-1956) initially studied porcelain painting, before going on to study drawing at a school in Paris and at the Academie Humbert. She was part of the circle of friends at the Bateau-Lavoir known as the “Picasso gang”, and it was here that she met the poet Guillaume Apollinaire with whom she had a passionate and stormy affair.

Attracted to Fauvism for a time, Marie Laurencin, the “Cubist Muse”, simplified and idealized her forms under their influence. From 1910, she preferred a palette of pastel tones, particularly grays and pinks. She went on to discover the painting of Goya in Spain.

In 1920, she began to paint the willowy, ethereal female figures that she would return to later in paintings with pastel tones, evoking a magical world. She painted portraits of famous Parisian figures, and designed stage sets, for the Ballet Russes in particular. Through this, she became interested in metamorphosis, bringing together two of her favorite themes: young women and animals.”

— Informative sign at l’Orangerie

It’s not that Laurencin or  Frankenthaler have been erased. They have (short) Wikipedia pages and it’s not hard to find their paintings online. Before the internet, however, they were virtually invisible to anyone who was not an art history student. Artists like Pollok and Picasso have had hundreds of books, movies, and t-shirts made about their lives and art. They’re referenced frequently in pop culture and have been made to stand as the premier examples of their art eras.

Picasso was a womanizer, an abuser, a narcissist and highly misogynistic. This isn’t just my opinion. It’s well documented. Yet we treat him and his work as sacrosanct as though it is the ONLY example of cubism in all of history. I’m not suggesting we bury the male artists just because they’re jerks, however I think it’s time we start taking a look around and who else might be worthy of historical preservation and artistic praise.

Honestly looking around the museum that day, there was plenty of Picasso on display. It isn’t that impressive.. OK cubism did all this great stuff for “art” and the advancement of creativity, but he wasn’t the only one. I found his works that day to be coarse and overly focused on women as sexual objects. I’ve had a chance to go back through a photo collection of his body of work and I think that whoever curated that particular display may have been selecting for contrast, and I acknowledge that wasn’t a universal trait. However, that day, it was jumping out at me that he was painting women as breasts with a body and maybe a face attached.

Even though Picasso insisted on referring to her as a Cubist Muse or “Our Lady of Cubism” Laurencin didn’t think of her art as cubist, but rather more impressionist. She’s still classed as a cubist artist to this day because art historians would rather listen to how the men defined her rather than how she defined herself.

Despite all this feminism, Laurencin didn’t paint women for empowerment. She also thought they were beautiful. “Why should I paint dead fish, onions and beer glasses? Girls are so much prettier,” she once said.

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To me it seemed that she focused on their beauty rather than their ability to please a male gaze/touch. Her paintings reached out and grabbed me despite their pastel colors and watery images. The idea that a women could paint women because they are pretty the way flowers or rainbows are pretty rather than because they stir the passions of men. There have been a few queer male artists in the well documented side of history that painted beautiful women in an absence of sexual desire, but mostly you get people like Raphael who literally made up non-existent sex goddesses to paint out of the most attractive parts of the hundreds of ladies he seduced. Really early photo-shopping of models, I guess?

It isn’t to say that Laurencin didn’t sexualize women at all. Apparently she was known for attending sapphic parties “comprised of lesbian and bisexual women socialized and discussed links between female desire and creative production”. If anything she was likely bi- or asexual since her long term relationship with Guillaume Apollinaire is well documented. However, if she did sexualize women in her paintings, it serves to highlight the extreme difference in what a male and female sexual gaze focuses on.

Regardless of Laurencin’s sexual orientation, the sapphic parties weren’t lesbian orgies. The hostess and participants of those parties were early first wave feminists seeking to own their desire and creative power at a time that most women were expected to stay home and raise a family. For context, the suffragette movement in France was happening at the same time (1909-1945).

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It doesn’t surprise me to learn in retrospect that she was a feminist and (probably) queer. I didn’t really know any of this while I was standing agape in the museum wondering how it was that Picasso had been shoved down my throat my whole life while I had never once seen these ethereal and graceful monuments of feminine self-celebration. All I knew was that they were beautiful and yet strong. They were made by a woman for women (Coco Channel, above, was one of her more famous clients) and that they showed beauty within a wholly feminine framework.

For a longer and more comprehensive story of her life, I recommend this website:

https://www.theartstory.org/artist/laurencin-marie/life-and-legacy/

Myths & Tales from China 02

Welcome back to the ancient pre-history mythology of the Middle Kingdom! In our first installment, Pangu created the earth and heavens from a giant cosmic egg and Nuwa – the half serpent goddess – created mankind from droplets of mud to ease her loneliness. However, much like the Greek myths focus on the Titans and Gods a while before the age of man begins, so too does the Chinese pantheon get up to some tricks before humans get to start running the world.


Gong’gong Attacks Mt. Buzhou

Gong’gong is the god of water, in charge of the seas, the great rivers, the lakes and the ponds. He is the son of the fire god Zhurong, and grew up looking like Nuwa with the head and torso of a man and the body of a snake. He had an irritable disposition. Often while strolling through the Court of Heaven, everywhere he went, he found the other gods annoying. Sometimes, on pretext of going on an inspection tour of his territorial waters, he would even go to the Human world and stir up trouble.

The person that Gong’gong was least able to get along with was is own father, fire god Zhurong. Zhurong often rode in a cloud chariot pulled by two dragons when watching everything. He also had a very irritable disposition, and furthermore, he couldn’t stand to see his son Gong’gong’s behavior and actions.

One day, father and son began to quarrel over who knows what, back and forth, the more they quarreled, the more terrible it became. Afterwards, Gong’gong went so far as to pull out his axe and take a swing at his father. Zhurang angrily picked up a weapon to face him.

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The two of them tread upon the clouds, sword against axe. The fighting was exceptionally fierce; three days and three nights passed with no clear winner. Gradually, Gong’gong little by little was unable to hold his own, and he retreated to the human world. He arrived below Mt. Buzhou, and in a moment would be defeated by Zhurong.

Unexpectedly, Gong’gong fell to the ground and immediately collected and blended the waters of the rivers, lakes and oceans, and with a strength that could topple mountains or overturn seas, he pressed them all down upon Zhurong. Zhurong glanced up, immediately spouted spirit fire, and roasted Gong’gong. Some of the great waters doused part of the raging inferno, but the fire was truly too big, and the waters of the seas and rivers got cooked up hot. Gong’gong got a little nervous, and Zhurong spouted flames even more fiercely and the waters of the seas and lakes cooked until they began to boil. If this cooking goes on, all the water on the earth will be cooked dry!

Gong’gong’s defeat had come. Zhurong rode his dragon chariot back. Gong’gong’s belly was full of anger he had nowhere to vent, so then he flew into the air and rammed ferociously, head first into Mt. Buzhou, wanting to die. There was only heard a huge sound that shook heaven, Mt. Buzhou was cut off at the middle, and the mountain began to crumble and collapse with a rumble-rumble, but Gong’gong wasn’t damaged in the slightest.

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Mt. Buzhou pierces straight into the skies. Originally, it served as one of the pillars that support Heaven, so when it was struck like this by Gong’gong and suddenly broke, it caused the appearance of Heaven and Earth to change. The sky collapsed in one corner, exposing a black hole, the Sun, Moon and Stars all changed places, at the same time slipped toward the northwest. The earth was crisscrossed with cracks, floodwaters overflowed and fires spread, and the people we caught up in this catastrophe…

Nu Wa Mends Heaven

Gong’gong had angrily struck Mt. Buzhou and knocked it over, causing a huge hole to appear in the Western sky. The earth of ancient China had suddenly split open in long stretches of deep ravines, flaming infernos burned on without dying, vast floods flowed without rest, and ferocious wild animals came out of the forests and attacked the good and honest people.

When Nuwa saw the children she had created with her own hands suffering disaster, she became extremely flustered, and resolved to repair the hole in Heaven. She searched everywhere for something that could be used to repair Heaven. One day, she came to a river’s edge and discovered that the river contained many multicolored stones which were astonishingly beautiful.

Therefore, she dug out a giant furnace in the earth and set a huge frame for a pot beyond compare on the surface. Afterward she selected several of the multicolored stones from the river and placed them into the pot. She lit a spirit fire and slowly simmered them for seven times seven or forty-nine days. Finally the pot of stones boiled until it was all thick like congee. Nuwa then used these melted stones of all five colors to mend the hole in Heaven, and brilliant multi-colored sunset hued clouds appeared in the Northwest. 

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Nuwa smiled gratefully. But very soon she became anxious again, Mt. Buzhou had crumbled, and now the Northwest corner of the sky had nothing to hold it up, what if there was another collapse, that could still happen! Thus, she went into the Eastern Sea, grabbed a turtle that was bigger than a mountain, took its four legs and put one at each of the four corners of the earth, supporting the four sides of heaven and earth.

However, the disaster had not come to an end, there was still a black dragon going out and causing trouble every day, hurting and eating people everywhere, damaging crops, doing many bad deeds. The people hated and feared him. After Nuwa heard this, she went into the water, captured the black dragon and lifted up her jeweled sword to kill him. Afraid, the black dragon quickly begged for forgiveness. Nuwa thought and then said, “Alright then. You go to a river in the North and there you must guard the waters for the benefit of the people!” The black dragon thanked Nuwa and flew away.

The disaster was finally over. Nuwa’s children on Earth, the men plowing and the women weaving, working at sunrise and resting at sunset, were living happy lives. Later generations of people praised Nuwa for her accomplishments, creating humankind and repairing Heaven, and affectionately refer to her as Mother Nuwa.

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This statue in Yucheng is of Nuwa repairing the sky and it is one of many similar around China.

Vincent and Me

I know I said I was going to tell you about Ireland, but… We passed through Paris for a few days on the way because CDG is in the middle of everything and I love Paris. Another visit to the Musee d’Orsay got me thinking about the impressionists I love, especially Van Gogh. So, this post isn’t about Ireland OR Paris, it’s about my experience at the Van Gogh Museum in Amsterdam.


In the summer of 2018, I passed through Amsterdam for a single day. You can read about the rest of the day here, but this post is dedicated 100% to the Van Gogh Museum.  It was such an inspiring and emotional experience for me that I paused to take notes about my thoughts and feelings as I was walking through the collection. Usually, I write reflections afterward, but my mind was racing with insights and inspirations so fast, I was afraid I might forget. I mentioned in my essay about the Musee d’Orsay how connected I feel to Vincent, but it wasn’t until I toured this museum in Amsterdam that I really understood the depth of my feelings.

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I didn’t include this in my original stories about that summer because I wanted to watch the movie “Loving Vincent” before I finished writing it. I finally got that chance when it turned up on Netflix for a short run earlier this year. The movie was beautifully hand painted in Van Gogh’s signature style, but I was surprised to find it’s almost entirely about his death rather than his life. The point of view character is charged with delivering a letter and gets caught up in the mysterious circumstances of Vincent’s supposed suicide.

I’ve always loved Van Gogh, and it seems everything I learned about him at that museum only made me love him more.

The Museum

The museum is so crowded. I had the very earliest time slot available and I still felt hemmed in by bodies. I went backwards from his death on the third floor to his youth on the ground level. I’m glad I started at the top because after 3 hours of wandering the displays, I felt all itchy skinned at having to deal with mountains of bodies, mostly focused on their audio tours, and many trying to take photos even though it’s not allowed except at special photo-op areas. Even then, the museum took my photo for me, and sent it later by email.

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That was a big contrast over the d’Orsay. There everyone queued up to snap photos of famous painting (yeah, me too), while in Amsterdam, people are just clumped around, usually plugged into headphones and oblivious to the presence of other visitors. I’m not sure which is better/worse. I think it would just generally be better if it were less crowded. It’s hard to get time with a painting when being jostled and stepped around. I’m glad everyone wants to experience the art but it feels like it looses something to my “oh my God get the humans off me” response. I can’t even imagine how it is during “peak” times.

I’ll talk about the main displays in a moment, but one little fun mention is the tactile sunflowers near the gift shop. Art museums are not usually targeted to the blind or visually impaired, but someone had created  a reproduction of the famous sunflower painting that can be touched. Along with touch, the senses of sound in the form of violin music with amplified sounds of the flower growing, blooming and dying (listen below), and the sense of smell with some sunflowers in a box. Interestingly, it was not only the smell of the flower but the smell of the painting as well. It’s not a part of Vincent’s art, but I thought it was an amazing way to experience art in a new way.

On to Vincent — backwards.

He died July 29, 1890, two days after receiving a bullet wound to the torso, possibly self inflicted.

Auvers-sur-Oise (May–July 1890)

 The works at the end of his life were frenzied like he knew his time was almost out of time, and he had to get as many paintings done as possible. He finished 75 paintings in 70 days, many of which are his most famous works: like Wheat Fields with Crows in Amsterdam, or Church at Auvers in Paris. There is impatience in the brush strokes and they looked massively different from a few feet away and across the room.

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The way he is attracted to the colors of night, the intense deep blue of the sky on days it gets so blue it becomes dark. The blue and pale gold of all his wheat fields that is a color scheme I would live inside if I could. He did scores of these kind of blue and gold themed paintings during his last days, but it wasn’t the first time he hit on the intensity of those countryside colors.

Saint-Rémy (May 1889 – May 1890)

Although Starry Night and Almond Blossoms were both made during this time, the paintings on display for this part of his life are drab compared to his other colors. Almost painfully dominated by brown and dark green with pale skies. He was in pain and unable to escape.

Part of the display in the museum here are audio recordings of some of his letters. We could pick up an ear piece and listen. I was entranced. Listening to his letters I could hear my own thoughts, yearning for something best called “religion”. He says that he doesn’t go to church, but he goes outside at night to look at the stars and the sky that is cobalt blue. He muses about color, that all things appear colorless when looked at too closely (sand, water, air), but that doesn’t make it true. He talks about his friends: that the bonds of friendship are one of the best things in life even if we resent those bonds in our times of depression.

I don’t know the best way to explain it other than to say his words resonated with me on a very deep level. I think we all struggle to be understood in some way and in a moment when you realize someone you admire and respect understands the way you think and feel, what’s more, understood it long before you were born… I suppose it could make someone feel less special or unique, but for me it’s like finding a friend across not just space, but also time.

Arles (1888–89)

This is where Vincent painted the famous Sunflowers, and where many people feel he truly found his voice as an artist, taking what he’d learned and finally becoming free. Van Gogh’s treasured friendships also started here where he sought an artists commune and cultivated a joyful and supportive relationship with several painters. They frequently sent letters, sketches, and even paintings to one another the way that we sent Snapchats and Memes across social media today. There is a painting by Gauguin of Vincent painting sunflowers. It is an imagination since Gauguin was not present when the sunflower paintings were made, but it reminded me of the “taking a picture of someone taking a picture” fashion in modern photography. It seems friends play the same games with images whenever they can.

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Vincent asked Paul Gauguin and Émile Bernard to each send him a portrait of the other. Instead, they sent self portraits but had a portrait of the other hanging on a wall as part of the background.  It’s such a wonderful and lighthearted sense of humor. Sadly, Gauguin was such an arrogant ass that he never granted his true friendship, and instead left Vincent always chasing after his affection and respect, contributing to his anxiety and depression, and to his eventual mental breakdown, self-mutilation, and hospitalization. I don’t like Gauguin for a lot of reasons, this is really just one more.

On the other hand, Paul Signac, a neo-impresionist I only recently discovered in 2018 and one who has rocketed to the top of my all time favorite paintings list, visited Vincent in the hospital twice while Gauguin was busy avoiding him, so that’s nice to know.

Paris (1886–1888)

Moving to Paris was the best thing he could have ever done. Watching him develop his color palette reminded me of the first time I realized I was allowed to paint whatever colors I wanted. I didn’t have to make it realistic. It was so freeing and I finally started to like some of my paintings. Looking at his early bright-color works they all have an awkward, exploring feeling which is quite different from the bold and confident colors later.

He used a grid for perspective, which was a thing I struggled with, and he spent years doing just drawings because he wanted to focus on shapes and poses. He didn’t only consider them sketches but full works of art which he signed. I did very much the same thing. He also had a brief but torrid love affair with Japanese culture in 1887, and that was the first foreign culture I was drawn to before I really went full globe trotter. I have never been able to afford as much paint and canvas as I want, and the advent of digital photography and graphic design gave me a much cheaper way to pursue my artistic inclinations.909px-Vincent_van_Gogh_-_Bloeiende_pruimenboomgaard-_naar_Hiroshige_-_Google_Art_Project

While many of his artist friends preferred to paint from imagination, Vincent  preferred to paint from life. I wonder what he would have thought of color photography. It’s a way to capture a scene, a moment of light and color. Modern digital effects even allow us to manipulate the colors and light of a captured image. You can make a blue sky bluer, or over-saturate the colors of a cafe at night… I think he might have enjoyed it?

The Netherlands (1881-1885)

At the outset of his artistic career, he was trying to create a look that was popular at the time and that he genuinely admired, that of artists like Jean-François Millet and Jules Breton. Millet and Breton (left) were famous for dark and drab paintings of peasant life. They were very stark and brutal depictions of what life was like for poor and hard working, technically lovely, but emotionally ugly. Of course, art historians refer to this style of painting as revealing “the beauty and idyllic vision of rural existence”. I think that’s only true if you’ve never been poor. VanGogh (right) was determined to be like them.

He did an enormous body of work sketching local peasants and farm workers, the centerpiece of which is The Potato Eaters (below). It’s all done in the same color palette and mood as Millet and Breton, but the faces look almost cartoonish in his effort to capture feelings over accuracy.

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Seeing his still life of fruit in all brown tones, I was shocked to see it was Van Gogh and not Millet’s or Breton. 

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Just looking at the church in Nunes (left) next to the church in Auvers (right), you can see the change and growth. Yes, I promise, they’re both Van Gogh, but from drastically different stages of his artistic development.

I don’t know if he liked it, but it’s definitely a period of drab and dark colors maybe the landscape was more drab or maybe it was the influence of being near his father. He stayed enamored of Millet (left) for most of the rest of his life, and recreated many of those idyllic, pastoral scenes in his own brightly colored impressionistic style (right).

Life Before Painting (1853-1881)

It’s said that his mother never recovered from the loss of her firstborn child and that her relationship with Vincent was strained, but he was also recorded as being a “serious, quiet and thoughtful” child. His father was a minister, and two of his uncles were art dealers. He tried both careers with little success. His father was constantly disappointed in his inability to make it as an adult. Perhaps it was his time as an art dealer that made him try his hand at creating art, and why he spent so much time and effort trying to replicate the style and subject of the famous and successful artists of the time.

Reflections

Going backwards was an interesting choice. I realize that I, like most people, love best his works from 1888-1890. It seems like such a brief time span, but he practiced art for less than 10 years before he died. It is astonishing the amount of work he produced. When people say “practice” this is really what they mean. On the other hand, he was constantly trying to improve, so the fact that he clearly did is a testament to his devotion to self cultivation.

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Watching him evolve was a rushing, intimate roller-coaster of creativity and self-expression under difficult circumstances. He didn’t have formal art training, but taught himself by studying others. He experienced enormous frustration that his attempts to imitate the respected artists he was familiar with failed. Eventually, he found a community of like minded people and permission to explore color and shape on his own in Paris. It was the beginning of finding his own true self, and yet it destroyed his mind to the point that he landed in the hospital more than once. And yet, that Parisian community is what would sustain him in the form of letters, art exchanges, and the oh-so-important stability that even distant friends can offer. 

There’s a misconception that great artists are never appreciated in their own time, but that’s simply untrue. Most famous artists throughout history were superstars of their own day, like Hollywood actors and TV stars today. That Vincent never gained any recognition or respect until after his death was likely a contributing factor to his suffering in life.

Did he kill himself? Maybe. I know that the episode of Dr. Who where Amy and the Doctor visit Vincent is one of my favorite. That it helped me process the suicide of my own dear friend to realize that we can do everything right to be supportive and yet mental illness can still take someone away as surely as cancer. “Loving Vincent” made me question his death all over as suspicious information came to light regarding the gun, the wound, and the strange behavior of the people in Auvers. Officially, his death is still ruled a suicide, but his life remains a brilliant and sad mystery in many ways. According to his brother who was there at the end, Vincent’s last words were: “The sadness will last forever”

In some ways I’m glad I did not read about his life when I was younger. If I’d discovered all our similarities at the age of 20 I might have developed a complex. I might have worked less hard to get help and spent more time glorifying what was happening to me. Instead, when I learned that we shared a diagnosis, I was content just to know there was someone else with my brain trouble.

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I remember when things were very bad thinking that if cutting my ear off would make it stop, I would gladly do so, but Vincent had already proven it wouldn’t work. I could understand the feelings that drove him to see the world in colors and swirls, that drove him mad enough to drink and self-harm, that landed him in an asylum and eventually dead. I understood the sentiment, but I didn’t know anything else about him beyond a few paintings and his suicide. Back then, I looked only at his art and at the very most well known facts about his life and felt a connection.

Now that I’ve learned more details, from his family life, to his progress through art, to his views on the universe and human relationships? I’m blown away by it.

I’m not trying to say I’m channeling van Gogh, but I’ve always felt a kinship with him. I didn’t move to Paris and join an artist commune, so I don’t have a tiny fraction of his nearly 1,000 finished works. I probably never will, because I was able to manage my state of mind better, whether from support of my community or improved medical care, who can say. The end result is that I got it under control and now I not only have a lot more responsibilities than Vincent did, I have also avoided multi-year stretches of confinement under a doctor’s care. Despite this divergence, I can say that trying to be “normal”, “acceptable”, or “popular” in his own lifetime was something he desperately wanted and could never achieve is a feeling I know all too well.

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You can see photos of the complete works of Vincent Van Gogh on this wiki.

You can explore the collection at the Van Gogh Museum in Amsteram here.

Myths & Tales from China 01

Have you ever wanted to know about the myths and legends of another culture? How are they similar or different from your own? What are the stories that everyone knows as well as we Westerners know Noah’s Ark or Little Red Riding Hood? Well, now’s your chance to find out. In one of my language learning fits, I purchased some children’s fairy-tale books on a trip to China and spent many restless, dictionary-filled hours translating them into English. 

Please keep in mind, I didn’t write these, I’ve only translated them.  It’s a little sad to think about now, because I did all this work at a time before Google Translate. Just for giggles, I plugged the Chinese in to the translator and, to be honest, I was expecting word salad, but it came out pretty smoothly. This is my translation, not Google’s, but it really puts my efforts as a language learner and teacher into perspective that Google 2019 did in 0.3 seconds what took me several hours in 2010.

Once upon a time, I dreamed of turning it into a kind of bi-lingual children’s book series with mini language lessons, but the publishing just isn’t happening. Oh, why lie, I haven’t even tried. So, here it is — blogger style.


Pangu Splits the Sky and Earth

In a far distant age, a time immemorial, the Universe was like a huge egg the like of which had never been seen before nor since.  From the pitch blackness inside was born the ancestor of all mankind, Pangu. 

After sleeping inside the Egg for 18,000 years, Pangu finally awakened. He opened his eyes and looked all around, but he could see nothing besides the darkness. All over his body, from head to foot, he felt hot and dry. He wanted to stretch out his muscles, but he was so tightly caught up in the Egg that he couldn’t even move an inch. Just breathing was becoming more and more difficult.

Pangu became very angry. Effortlessly, he took hold of the ax at his side and brandished it at the darkness before his eyes, chopping it in two — Crash! After a burst of deafening sound, the pieces of Primordial Chaos gradually began to separate. Those parts which were clear and light slowly rose upward and became the Sky. Those parts that were murky and heavy sank down little by little and became the Earth. All around, it became brighter and brighter. Pangu suddenly felt clear and refreshed.

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Sky and Earth were separated, but Pangu was worried that they could still rejoin. Therefore, he spread both his feet apart and raised both his hands, and pushed against the Sky. Every day the Sky rose  by ten feet, and every day the Earth sank by ten feet, and Pangu grew bigger and taller along with them.

No one knows how many years passed, until finally the Sky could not go any higher nor could the Earth go any deeper. By this time, Pangu had exhaused all the strength in his body. He let out a long sigh, lay down on the Earth, and closed his eyes. This great hero died, but his body did not fade away at all. His left eye became the Sun, his right eye became the Moon, and his hair became the Stars. His four limbs and body became the Five Sacred Mountains, his blood became the rivers and lakes, his skin became ten thousand miles of fertile land, and his bones became the trees and flowers. His teeth became the rocks and metals, his marrow became bright pearls, his sweat became the rain and dew, and his last breath became the wind and clouds.

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Pangu used his life and his whole body to create a beautiful world, and set aside a vast and limitless treasure for future generations.


Nuwa Creates Mankind

Pangu had established the Sky and the Earth and used his body to make the Sun, Moon and Stars, as well as the Mountains, Rivers, Grasses and Trees. The murky air that remained between Earth and Sky slowly transformed into the Insects, Fish, Birds and Beasts, bringing life into the deathly still World.

One day, the goddess Nuwa who had the head and torso of a woman, but the body of a snake, was traveling along this lush and verdant open country. She looked all around: up and down the mountain range, along the swiftly flowing rivers, at the plants striving for splendor, at the hundreds of birds singing as they flew through the sky, at the beasts galloping across the ground, at the fish frolicking in the water, and at the tiny insects jumping in the grass. Ordinarily, it would be said that the World was already quite beautiful, but overall she felt a kind of loneliness she couldn’t express.

At a loss, she sat beside a pond and looked at her own reflection in the still water. Suddenly, a leaf floated down into the pond, and the stillness of the water was full of ripples that made her reflection start to sway and rock. She suddenly realized why she wasn’t happy: there was no other kind of creature like her in the world. She thought about this, then immediately swept up some clay from the bank of the pond. Next, using her own reflection as a guide, she began to shape it. She kneaded and kneaded the clay, and when she was done it was a very small thing that looked more or less like herself. It also had five senses and seven qiao, as well as two hands and two feet. After she finished her work, she placed the thing on the ground where it unexpectedly came to life. Nuwa was truly happy and she shaped many more. She called these tiny things “Humans”

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The humans gathered around Nuwa, cheering and frolicking for joy; they were extremely lively. Nuwa’s lonely heart all at once became nice and warm. She thought she would make everywhere in the World have Humans, so she shaped one, and another one. But after all, the world is so big. She worked for ages, until both hands were numb from the work, but the little humans she shaped were still too few upon the face of the big Earth. She thought that going about it this way would never work. Just then, she broke off a handy nearby vine, extended it into the quagmire, dipping it in the mud, then shook it towards the dry ground. The result was that the little drops of mud each became a tiny person that looked just like the ones she had shaped using her hands. This was not only faster, but created more at once. Nuwa saw this new method was quite effective, and she sprinkled the mud with increasing energy until the whole of the Earth was full of people. 

Nuwa then made it so Men and Women could get married and raise children so that humankind would continue on from that time to this.

Expat life: When “Home” Is a Holiday

Settling into school life and hoping for the summer to end as quickly as possible. I’m enjoying the new group of students and happy to see some of my best kids from the spring back in my class for part 2. I’m also working up the steam to start my next major research project which will hopefully be the key to the next big chapter of my story. Until then, I’ll continue on with the story of my July in America. As promised, this one’s all marshmallow.


Originally I was going to try and squeeze all my US stories into a single post, but I thought people might get “wall of text” fatigue. It’s true that the “worst things” post was a bit longer, but this one has better pictures ;P

The Best

Despite the months of stressful bureaucracy and anxiety inducing news stories, once I actually arrived in Seattle I had a pleasantly surprisingly nice time. I managed to avoid all the Nazi rallies, mass shootings, bad weather, or other catastrophes. I stayed with my friends who I traveled in Europe with last summer, and who were kind enough to also lend me a spare car. In an all too brief 16 days, I was able to reconnect with some of the best people in my life. Words cannot express how grateful I am.

In regards to headline news problems, I think in large part, I was just lucky (with a small dose of white privilege). It turns out that I just happened to miss the Nazi rallies and mass shootings which happened either right before I arrived or right after I left… it’s like having good weather or something, which I also had because thankfully the west coast was not on fire this year… tho it appears the southern hemisphere is instead?

My last visit to Seattle was only 9 days. I was sick from root canal and kikuchi, and working on emptying my storage unit in a way that would make Marie Kondo proud. I was not in a good space physically or mentally. Despite these hurdles, 2017 helped me to realize I didn’t need to be afraid of returning to Seattle, that the people who hurt me there couldn’t reach me anymore.

This trip (2019), I only had two real “errands” and so was able to take more time to really devote to spending with friends. Sometimes I forget just how important that really is. I live my life at the end of a very long line that ties me to Seattle and gives me stability. I was starting to feel my anchor line fray and now it’s repaired with all the love. I wasn’t lost or breaking, but perhaps dragging a bit. Now I feel stronger and more buoyant, ready to face another year or two of expat challenges out here at the end of my kite string.

Moments and Memories

I got to be in the US for July 4th for the first time in 5 years. I had a beautiful brunch cooked by friends, visited a local backyard party in the afternoon, got to see some friends. The fireworks show I went to was put on by some friends way up in the Snoqualmie mountains and was highly enjoyable. Plus, I got to geek out with people about my ideas and research in a new and exciting way. 

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I got a lovely camping trip near Mt. Baker with some gourmet s’mores and just enough rain to remind me where I was but not enough to ruin the night. My friend brought her boys along and they spent the evening picking huckleberries and later we taught them how to be “dragons” using their breath to keep the fire going strong. ❤ PNW 

I got to visit my friend’s new farm, see all her beautiful and delicious plants, snuggle with the baby bunnies and chase the baby chickens around with a camera. It never occurred to me to use peacocks as guard animals, but it turns out they’re way better than dogs at watching the skies for raptors like eagles or hawks, which in the PNW are a bigger threat than coyotes or wolves.20190708_175710

I got to sit in a living room in my PJs and trade silly YouTube videos and teaching anecdotes. That may sound mundane but when you’ve spent several years socializing exclusively in bars and cafes it’s a huge relief to just chill with ppl with whom you have mutual caring.

I got to eat all the foods I miss: Mexican, Ethiopian, Seattle-style Pho, large American style chunks of beef. At the mexican restaurant we told the waiter I hadn’t had any good mexican food for years because there were NO MEXICANS where I lived… he was so deeply perplexed, unable to imagine a place Mexicans had not yet migrated to until I explained it was Korea. I also got homemade goodies.20190703_094405.jpg

I got to have a whole weekend of the best sunny sailing days and bbq nights in my memory. A couple years back, some very good friends of mine (really amazing people, too) finally fulfilled their dream of selling their house and moving on to a boat. I didn’t realize it, but apparently it had been over a year since they took their home out for a sail before my visit, and as he says it, unless  you go sailing, it’s really just a very small and inconvenient house.

The weather was amazing, calm and sunny (ok, maybe not as windy as we’d like for a sail, but excellent for relaxing). We puttered around the Puget Sound and watched the other boats and abundant wildlife like harbor seals, porpoises and even a couple humpback whales. In the evening back at the dock, we grilled up steaks and burgers with fresh summer corn and talked and laughed well into the darkening hours. I had two days with two different groups because so many people wanted to come along we couldn’t fit them all one one sail. I got to meet some kids, and I got to introduce some of my favorite ppl to each other for the first time. The whole weekend felt like one amazing gift.20190713_143906.jpg

Finally, I got to karaoke it up with my fav singers and watch friends on the outs make up. Way long ago, we had a standing Tuesday night Karaoke event which has since fallen by the wayside except when I come to town. My flight left Seattle on Wednesday afternoon, so that last Tuesday I was in town, we brought back the tradition. Not everyone could come, so we had an earlier event the week before which was much smaller, but allowed 2 ppl I love to talk for the first time since a messy online fight and to make up!66668387_10219151571557527_1426599298904096768_n (1)

At a karaoke night we sing our fav songs from back in the day, and do silly duets, and generally have a great time. Even when it’s not as dramatic as a friendship restored, I love watching ppl who haven’t seen each other in months or years come together again and catch up because they’re both coming to see me. Most of all, I love that our last song is a group sing of Bohemian Rhapsody. It was the “choir” song in general, but some time in the last 5 years it has become the “farewell Kaine song” and it feels like nothing so much as an arcane Bacchanalian ritual as ALL my friends in the bar get up on a tiny stage and circle around me to sing this 6 minute absurdist mini-operatic aria to/with me. It’s actually a palpable feeling of love and support I find stunning. 

I know that none of the people I visited with live that way all the time any more than I do. I felt a little like the Doctor whirling into town for a wild adventure, and at the same time I felt like I was living in one of those quintessential “last summer before everyone goes to college” Hollywood movies where the days are an endless succession of ever more wonderful and heartwarming experiences. We’ve all returned to our daily grind lives, but for two beautiful weeks it was really a golden summer.20190714_203512_2

In Dixie Land

From Seattle, I went on to Memphis to visit with family. To be honest that was much less a “one last summer” movie and much more a “home for the holidays” movie but in July instead of December. That might sound cute, but take a minute to actually think about those movies… Ironically, I had actually suggested we do a Christmas in July event because I miss the heck out of my traditional American holiday foods, but in the truest spirit of “home for the holiday” movie tropes, it was planned for and never executed.

Comedic family drama aside, I did have plenty of good experiences:

My sister and I FINALLY got the tattoo I designed for us when her daughter was born (in 2011). We wanted to get it at the same time rather than doing it in separate cities, and it’s taken all this time for us to be in the same place with the time, the money, and the health (apparently you can’t get a tattoo while nursing) to finally get it done! And with all that, her tattoo artist is also her daughter’s uncle (there’s some by-marriage of her father’s sibling in there somewhere, I’m honestly not quite sure how he’s her uncle and I’m her aunt, but we are not related at all).

I gave the niblings all their accumulated gifts and my niece was very gracious about all of them, but my nephew who is a bit younger and still lacking in social graces was unimpressed by all but the car shaped pencil case. I mean, he always said thank you, but there was a clear difference in his level of enthusiasm once we got to the car shaped gift.

I got to dye my niece’s hair! Super exciting bonding experience there, as you know I love the crazy color in my hair. She wanted purple, and because she’s still a bit young, her mom and I decided on an ombre so that we wouldn’t be putting any of the chemicals near her face. She was a real trouper about sitting still (although playing the new She-Ra on my tablet probably helped), and all the showers she had to have, but in the end she was very happy with it. I later heard her teaching her brother how to be Bo to her She-Ra… wait till they find out who She-Ra’s real brother is…

20190721_145646.jpgI also had a chance to catch up with the girl that saved me from my own misguided desire to be “preppy” in high-school. She could not have been more grunge/alternative if she’d walked out of a Nirvana album. We were thrust together as locker partners by happenstance and eventually I got some JNKOs and flannel and we became great friends. We lost touch after the birth of her first kid, but found each other on Facebook last year and she took the opportunity to drive me all over backwoods Mississippi where I got to enjoy the woods, wash up in a ground pump (icy cold fresh water!), eat at a diner that was stuck in 1956 (prices too, I think) and learn all about what she’s been up to in the decades we were out of touch.

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*Internet life disclaimer: yeah, this post is dedicated to all the nice and good experiences, but that doesn’t mean it’s always sunshine and roses. Never compare your real life to someone’s online life… even your own.


Over the next few months I am going to be working on posting all about my trip to both Irelands. Given that I’m going to also be working on teaching and researching, I’m not sure how much time I’ll really have for writing. To keep you entertained, however, I plan to be releasing a series of Chinese folk tales I translated several years ago. I once intended to make them into bilingual children’s book with short language lessons, but it’s been close to a decade and I don’t think it’s happening, so you might as well enjoy the fruit of my efforts in the form of traditional Chinese stories in easy to read English.

Expat Life: Nothing Simple Is Ever Easy

Those of you following along with the Facebook or Instagram may recall that I spent most of July in the “good old” US of A. I can’t write quite as much about visiting home as I do when I’m on an adventure, but I’d still like to open a little window into my life. In the next two posts, I’m going to share the ups and the downs of travel in the US as an expat. Because I like to finish on a high note, I’m going to start with the downs first. It’s OK to laugh, schadenfreude is healing.


Why Go to America?

Although there are a lot of wonderful things about America, recently I struggle to recall what they are. I have no intention of moving back, and I don’t really dream of “visiting home” with any kind of heartfelt nostalgia. Mostly it scares me.

I have a lot of anxiety about visiting America. I will admit that not a small amount is fueled by the news: will I have to punch a Nazi? Will border patrol get unreasonable about letting me in? Or out? What will I do if I’m adjacent to a mass shooting? What if I need healthcare? It’s enough to drive a sane person crazy, and I’m not terribly sure I started on the “sane” side of the goal line to begin with. So why go at all? Glad you asked.3821492016_7b1a758042

It’s our favorite game: Bureaucracy!

The main reason I needed to return to America this summer (as opposed to exploring Iceland or something) was to renew my driver’s license (DL). I needed a new license so I could drive in Ireland in August, and so I can vote in the upcoming 2020 elections. 

What’s the Word for Negative Serendipity?

Of course, I came to this conclusion through a hilarious series of unfortunate events. When I went online to try and fill out the application form for an IDP (International Driving Permit), I realized I could NOT FIND my DL! Anywhere! I remembered having it on the way back into Korea from Malaysia in February, so I knew I hadn’t lost it in some random country, but I could only imagine it fell out of my wallet in a taxi or shop in Korea and was gone forever.

The Other Bad News

Back to the DL. So there’s me in a panic because we’re planning a ROAD TRIP for Ireland, and my mom does not know how to drive on the left. I HAVE to have a DL, and according to recent EU laws, an IDP too. I go back to the WA DOL website to replace my license and it says I’m in range to renew, so I think “hey, might as well”. I go to renew only to find out that I have to come in person every OTHER renewal… so that 2 year lottery really bit me in the bum. The good(ish) news is that I have the ability to get to the US before Ireland. The bad news is that WA has the licenses printed out of state and they take 2-4 weeks to arrive by mail. Only. By. Mail.

Sidenote: I never was able to get anyone in the DOL or DMV or USPS to explain to me how a homeless person gets a license. What if you’re living out of your car? Even if you don’t drive, the license is the primary source of ID in America used for benefits, employment eligibility and voter registration. Yet one more untenable obstacle to make a path out of poverty impossible.

The OTHER bad news is that according to the internet the EU is taking this IDP thing pretty seriously. It used to be you could just show up with a US DL and rent a car, but laws change, I guess. So it’s looking like I could be in big trouble for not getting the IDP and I have to have a valid DL in hand to get an IDP. So. I applied online for a replacement DL (still expires in 12/19) to be sent to my friend’s house where I’m staying in WA so I can pick up up when I arrive, then go first to AAA to get the IDP with the soon to expire DL then run over to the DOL to renew in person and get a DL that I won’t have to show up in person again for 12 more years.

Except. It can’t be that easy.

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The Problem with the Post Office

The DL is returned as undeliverable and shredded. I’m told if you aren’t “registered” with the post office, then your official gov’t mail will not be delivered. I thought that mail would be delivered to the address written on the envelope, silly me. Now we’re registering with the post office. (BTW, when I did the DL renewal back in 2016, this was not an issue. The postal service delivered it to my friend’s house with nary a qualm. Clearly this rule is optional.)

Regardless, you’d think it would be easy enough for me to just have this sent to the address that the post office has on file for me, right? No again! My US apartment is a shitty run down poor-ppl apartment, so the mailbox is not safe AND frequently the mail carriers deliver mail to the wrong box, or just decide not to deliver it. This happened so often while I was residing in the US, that I started having anything I cared about sent to my office instead.

In addition, there’s no way to “register” multiple addresses with the USPS. In the end, I did a temporary address change for the period of time necessary to accomplish this and had the DL sent out again.

In the end, I got it all to work, and I got my updated DL and my IDP and then literally no one in Ireland even cared about the IDP. The rental company and the guard (name for Irish police) were only and exclusively interested in the American licence. So much for getting your info from the internet? But seriously, don’t take my word for it if you’re going to drive abroad it’s better to follow the laws as written, even if the locals don’t enforce them.

What’s Up Doc?

Since I now had no choice but to visit America, I had this dream of seeing my primary care provider (another weird American eccentricity that doesn’t exist here) to get refills for my prescriptions that are either uncommon or not available here in Korea (not illegal, just not here). I go to a sliding scale clinic in Seattle because when I was poor and unemployed (which in America means also uninsured) it was the only place I could afford at 15$ a visit. When I got insurance, I kept going there so they could bilk my insurance company for as much money as possible to put toward their operating budget. My care provider of many years actually left America shortly after I did and joined DRs Without Borders (cool!) which sort of means the only health care professional that knows anything about me is AWOL. But at least the office has records, right?

But if any of you have heard anything about American health care it’s about the cost. Some of the (if not THE) most expensive health care and prescription drugs IN THE WORLD. In order to afford it, I would need insurance.

l-35426-usa-accessible-healthcare-we-dont-do-that-here-e1567743486654.jpgI have great coverage in Korea, but it is ONLY in Korea. Generally speaking, traveler’s insurance DOES NOT cover the country you reside in… or the one you are a citizen of. You know, in case those are different. Even though I live, work, and am insured in Korea, traveler’s insurance policies would not cover me in the US because of my citizenship. Foreigner’s visiting America can get traveler’s insurance. People who live in the US can get regular insurance. But Americans who live overseas? Well, heck, that should only be military personnel, no private citizen could POSSIBLY want to live overseas and come home on holiday while still being exempt from medical bankruptcy! /sarcasm

Some expats can get insurance when going home by signing up for a short term insurance plan. Because of the way that insurance is linked to employment, a lot of these are available for ppl who are between jobs, but often exclusive to ppl who are between jobs, such that, if your insurance has lapsed for too long, you are not eligible. There are still some generic short term insurance policies around, but it turns out that’s another state by state law and it’s not allowed in WA state.

Sometimes I really do think that the countries of the EU have a more stable and interchangeable system of rules than the states in America. I don’t really understand how you can have health insurance in only one state. I wonder in retrospect what would have happened if I’d signed up for short term insurance in another state and then presented it in WA… probably I would have been told I was out of network.

With regular “short term” plans off the table, and regular travel insurance ineffective, I found exactly ONE expat insurance plan for my situation: short term visit to my country of citizenship but not residence. However, it excluded so much (pre-existing conditions, reproductive health, most prescription medicine, the list goes on) that it was basically useless. All too often people buy these policies without realizing what they don’t cover.

1280px-Healthcare_costs_to_GDP_OECD_2015_v1In the end, I decided against getting an additional plan. I have good US car insurance, so anything involving a car (even me as a pedestrian) would be covered by that, anything else would probably be covered in liability. For things like a cold/flu it’s cheaper to go to a drug store than a doctor anyway, and for emergencies? Well, car, crime, and accident would be covered and that basically leaves things like aneurysms, and I decided that if that was going to happen, it’s just my time. ‘Murica!

The Price of a Pill

I was able to see the doctor in Seattle, and after some awkward explaining of my situation re: employment, income, and insurance they decided to give me the sliding scale rate. I have to say I was pretty happy with the way they treated me overall, the doc was invested in my whole well-being not just “why are you here today” and was happy to help me get refills that would last me until my next bi-annual visit. The challenge came in filling those.

Even if I had gotten that expat health insurance it wouldn’t have covered the prescriptions. I found a website called “GoodRx” that does coupons (oh the insane dumbness of THAT process) and was able to cut the cost down. This still ended up being a multi-week, multi-state process because they could only use the coupon on 2 doses a day and I needed 8. I ran out of time in WA and had to finish in TN, and good on those pharmacy reps for going the extra mile to help me, but ffs would it KILL the US to just sell prescription drugs at affordable rates? I bought the same medication in Thailand for pennies on the dollar what it cost even WITH the coupon in the US. The only reason I didn’t do that again is that factoring in the airfare to Thailand it ends up being more, and I’m not planning on being there any time this next year or two.

COSTCO-SIZE ME

On the other hand OTC drugs are sold like gummy bears over there. In Korea, I have trouble getting basic things like acetaminophen, naproxen, and ibuprofen, as well as Sudafed and Claritin. In some cases they need a doctor and have to be refilled CONSTANTLY because the Korean docs don’t give long prescriptions. In other cases you can buy them at the pharmacy OTC, but like 5 pills at a time. I’ve actually had Drs prescribe Tylenol that is weaker than the American OTC stuff I had at home. Maybe the locals who haven’t been overexposed and built up some kind of pain med immunity can get away with that, but I cannot.

Plus, whatever weak-ass decongestant they sell here cannot attack the portal to the mucus dimension that opens in my face when I get sick. Only that good pre-meth ingredient Sudafed stands a chance. Hence, my desire for Costco sized bottles of all of those meds, and in the case of Sudafed, however much I can buy before I end up on a meth-cooker watch-list. The last refill I got was 2-4 years ago (I got a couple on the 2017 visit but some were from 2015). One short trip to Costco with my mom later and I was 100% restocked for under 50$.

Ladies and gents, the US pharmaceutical economy:

2 years of birth control = 500$

2 years of the top three NSAIDS + allergy meds +cold meds = 50$

This is what I did from April until July. I fought with banks, government offices, and healthcare providers because the US does NOT want it’s citizens to live abroad, or travel, or be healthy.

The “ex” in Expat = extra paperwork, extra hassle, I swear.Expat-Problems


Had enough of complex bureaucracy, crazy international systems, and general complaining? Me too! Stay tuned for the next episode where we explore all the happy and wonderful things I got to experience on my visit to my homeland. Good friends, good family, good weather, good food, so much goodness it will turn your brain to sugar! Coming soon: Expat life: When “Home” is a Holiday.