France

Tasting Touraine

/ Gallivantrix / Leave a comment

Welcome to the 4th and final post about my 5 week sojourn in Tours, France. Saving the best for last, it’s all about the wonderful food and drink I managed to sample. It’s hard to go wrong with any French cuisine, but there are a nearly infinite number of local and regional specialties to try. Food production in France is heavily protected and you will often see products labeled either AOC or AOP (Appellation d’Origine Protégée, and Appellation d’Origine Contrôlée). The labelling applies to food like cheese, wine, and certain cured meats, as well as any other regional specialty. AOP is more broadly European, while AOC is explicitly French (I think?). My understanding is that the regulations for AOC are a little more strict, but both guarantee that the product is made with the standards set by the region to preserve the integrity of the product and taste. This includes everything from where the animals can be raised, what they can be fed, how they can be milked (or slaughtered), where the fruit can be grown, the genetic strain of the produce, the time and method of harvesting, and all of that before you even get to how the food is then processed, packaged and stored! They take their regional specialties very seriously here.

My school was just off the main square in Old Tours and so I got to walk through it every day. I would go to local boulangerie for breakfast and/or lunch, sampling a wide array of pastries and sandwiches. My favorite sandwich in France remains the butter, salami, and cornichon on baguette, but I have enjoyed an array of sandwiches with versions of butter, pork products, cheeses, and even smoked salmon. There are also a lot of restaurants on the square, everything from traditional French to dumplings, sushi, tacos, burgers, and even an Afghani restaurant! Tours is both a tourist town and a university town, so it’s full of variety. 

Bakeries

A simple bakery (boulangerie) may have 10+ different types of bread which are baked fresh every day and must follow the strict laws for quality and freshness. Bread must be baked on the premises where it is sold, and may only contain 4 main ingredients (flour, water, salt & yeast) with the exceptional addition of seeds, nuts, dried fruits, or chocolate. Because it is made without preservatives, the bread must be eaten with a day or two at most.

Boulangerie also sell pastries (patisserie), which includes everything from simple croissant and pain au chocolate to various types of tarts and cakes, all of which must also be fresh and preservative free. The best part about boulangerie is the freshness and quality of the food, but following that, the prices are very reasonable. A baguette is often less than 1€, and other types of bread are weighed out by the kilo. Treats like a pain au chocolate (often called a chocolate croissant in English) are usually a between 1-1.50€, and more complex desserts like tarts and cakes between 3-4€ per serving. Thirdly, the boulangerie do not restrict food sales to lunch and dinner hours like restaurants. They sell food from open to close. In addition to bread and sweets, they offer sandwiches and savory pastries like quiche at any time (before 7pm). This is especially useful for tourists who may not be accustomed to restaurant hours in France where no food is served between 3-7pm.

I visited a boulangerie pretty much every day for a sandwich and pastry. It can be a lot of fun to try all the different options, and see the interpretations of the same dishes from one bakery to the next. Many even offer a fixed menu of a sandwich, drink, and less expensive pastry (like an eclair) for 6-7€.

In addition to all the pastries I got at various bakeries around town, my school is also partnered with a pastry school, so sometimes we got extra treats from the pastry students. One week, a German couple were attending classes with us in town to visit their daughter who owns a patisserie and they brought boxes of her fine pastries to share with us. Another night, the sister pastry school hosted a party with tables laden with canapes and tiny bite size pastries. Heaven!

The one local pastry specialty is called Nougat of Tours. It’s not a nougat at all, it’s a cake. Specifically a “travel cake” made for easy transport and meant to stay fresh for several days (unlike bread and most other pastry which really needs to be eaten the same day).

In my quest for culinary experiences, I bought one to try, but I was a bit underwhelmed. It’s a cake with almond flour, dried fruits and apricot preserves, which should be lovely, and it’s definitely as good or better than most things you’d find in a US bakery, but after the beautiful apricot tarts and apple turnovers ate which were buttery and bursting with fruit and just the perfect amount of sweet with a hint of salt… This cake landed on the candy side of too sweet, and because the fruit used is dried and or in jam form, it lacks the pop of acidity and brightness in other fruit desserts. The cake itself was a bit dry (maybe that’s the “travel” quality?) but otherwise a nice texture.

After a couple of initial assessment bites, I ended up finishing it with some Comté cheese (a hard aged cheese that is rather sharp) which may or may not be blasphemous but it took the edge off the sweetness.

On my very last day of classes, the school’s field trip included a final trip to the pastry school where the students were sharing the results of their final exams. The five desserts we were privileged to taste included an excellent cheesecake with a grapefruit coulis, a chocolate cake, a chocolate flan (very new experience for me!), a strawberry cream tart with fresh mint, truly an inspired combination, and very most specially, an award winning 5 texture vanilla gâteau. This last creation is the brainchild of Chef Angelo Musa, who had come to the school as a guest instructor. It’s called the 100% Vanille and is served at high tea at the restaurant La Galerie inside the Hôtel Plaza Athénée in Paris where it sells for 21€ a pop!

Restaurants

I don’t go to restaurants that often when travelling because they are more expensive, but they are fantastic and invariably both better and cheaper than any in the US. Years ago, I discovered the joy of the set menu (formule or prix fixe) where you can get an appetizer, main dish, and dessert for a fixed price by choosing from a more limited menu. In fact, you can usually find this combination for 25-30€ depending on where you are, and unless you have your heart set on a particular dish, the set menu that is chosen by the restaurant each day represents the food they most recommend and may even be based on fresh products they found in the market that morning. Ordering from the menu a la carte can set you back 50-60€ for the same amount of food! And don’t forget, in France, taxes and services are included in the price of the meal, so you don’t need to worry about tacking on an additional 20-30%.

I found a restaurant close to my school here in Tours that offers a lunch menu of main dish plus dessert for just 13.90€! I had steak lunches a few times as a break from my boulangerie sandwiches. It’s not a Michelin experience or anything, but it never ceases to amaze me how easy it is to get good quality, well prepared food at extremely reasonable prices in this country. I enjoyed the desserts outside the patisserie, too. My long time favorite is the cafe gourmand, which features a selection of small bites of the restaurant’s daily dessert alongside a cup of espresso. There were also a number of ice cream and gelato shops with interesting flavors like raspberry-bergamot and rose.

Cheese

One of the best ways to explore local food specialties is to find ‘the Hall” (les Halles). It’s an indoor market space, like a mall but for high quality food vendors. In my second week, I discovered Les Halles. There I began my education in the food products local to the area, especially the cheese. The prices tend to be higher than the Carrefour (a grocery store), but the products are amazing and less expensive than eating at restaurants every day. It’s a good compromise that enables me to indulge in fantastic local products without breaking the bank.

The region around Tours is called Touraine, so you can see certain products labelled this way if they are local specialties. I started my cheese journey with Sainte-Maure de Touraine. It’s a light and creamy cheese made from goat’s milk (don’t knock it because you had bad chevre in another country). I fell head over heels in love with it and went back for more three times. Interestingly, the second time I bought it from a different shop and it was different! I had thought that the AOC/AOP labelling would mean that the products were all the same, but then I learned a whole new set of information about cheese.

Soft cheese made from raw milk (not pasteurized) does a wild thing as it ages… it liquifies. The French people I talked to about this did not approve of my use of the description of liquid, apparently it’s called creameaux (which I thought meant “creamy”?) In any case, you can see the clear differences in the textures of the younger Sainte-Maure and the slightly older one. I had to do some Googling to make sure my cheese hadn’t gone off (it hadn’t), but when I ate it, I was surprised to find that the flavor had also changed. The younger cheese with a single texture was light and slightly woodsy. The more aged version was significantly stronger with a more pungent flavor. I felt that I could eat the young cheese on its own, but I wanted some bread to support the older and stronger version. During the few days it took me to devour my log of cheese, I noticed it got runnier each day. Online reviews of the aged soft cheese (correctly called “ripe”) said that the more ripe (runnier) the better, but acknowledged that it was still a matter of personal taste. When I went back for my third purchase, I was able to ask the vendor about it, and he told me there are actually 3 ages for the Sainte Maure. I never even tried the oldest version! I guess that means I have to go back some day.

Since it’s not legal in the US to make soft cheeses from raw milk, I had never in my life encountered such a thing as “ripe” cheese. I’ve had aged hard cheeses aplenty and even taken a workshop in Amsterdam about the process, but it took some effort to learn to dive in to the runny soft cheese and enjoy it.

In addition to the Sainte-Maure, I also tried Brossauthym, a local sheep cheese made with thyme. It’s very very soft and has a wild toasted grain flavor alongside it’s rich and complex creaminess. It’s also a local specialty with strict rules. The sheep kept in special pastures with local grasses and wildflowers to graze on, and they aren’t even milked during lambing, limiting the supply to half the year. My piece was largely one texture when I cut the rind, but within a few days, it too was ripening and the flavor changed little by little. By the last day, at least half of the remaining cheese had oozed out of the rind and pooled at the bottom of the waxy cheese paper I stored it in.

Pouligny St Pierre is another goat cheese, but it’s pyramid shaped. The exterior of the one I purchased was very soft to the touch, not soft as in the opposite of firm, but soft like you want to pet it. It was a bit unnerving because “velvety” is supposed to be about mouthfeel, not touch when it comes to food, but peaches are kind of fuzzy and they taste good, so I went for it. It has a similar creamy nutty flavor to the Sainte-Maure but a bigger punch than the unripened version, enough so that after my initial taste, I decided it also needed to be eaten with bread.

The last local cheese I tried was Couronne Lochoise. Although it has a distinctive ‘crown’ shape, it is otherwise very similar in texture and flavor to the young Saint Maure. I enjoyed it immensely on its own, with fruit, and with bread.

I did eat some non-regional cheeses as well such as Comté and Tomme, but these are cheese which can have a lot of variety depending on how they are made and aged. They are not soft cheeses, so the aging process results in saltier more intense flavors getting drier the longer they age. Also, since they are hard cheeses, it is likely to be easier to find them outside of France because import requirements for hard cheese are generally easier than for soft. If you happen to be able to find either in your local cheese section, I highly recommend trying them out.

This cheese is a 3 year aged Comté. I found it hard to describe the flavor, but apparently so does everyone else. It’s a little creamy, a little nutty, a little salty, and goes with anything. Check out a professional description here: Link

Other non-Touraine cheeses I tried while in Tours include Grand Causses, which is variety of Tomme made from sheep’s milk, 3 months aged, fruity, nutty, woodsy, and firm; and St Nectaire Fermier Du Marechal, a cow cheese, pressed, and cellar aged, with mushroom, cream, straw flavors.

I also had a couple of cheese failures. My first grocery trip in Tours I bought some Pont-l’Évêque. I got this thinking it was in the same family as brie or camembert, but it was far too “stinky cheese” even for me. The online flavor profile is described as “pronounced, rustic farmyard”. Farmyard is right! The other cheese I tried but didn’t like was Fumaison, a smoked sheep cheese, which should have been great because I love both those things, but I couldn’t enjoy it. At first I thought it was just the crust/rind that had a flavor I disliked. It tasted almost like melted plastic, so much so I thought I accidentally ate part of the plastic wrap on my first bite. I tried it without the rind, and it was less immediately “nope”, but not actually a flavor I enjoyed.

I also learned some interesting things about cheese vocabulary and etiquette on this trip. French has a LOT more words to describe cheese than English does. My teacher gave me a vocabulary worksheet on my last day as a little souvenir. There’s also some pretty strict rules about eating a shared cheese at any kind of event. Different shapes of cheese must be cut in different ways and with different tools, partly in deference to the texture, but mostly to make sure that everyone gets a fair share of the best part of any cheese: the middle.

Wine

France is obviously famous for wine, but this is an expensive hobby. I looked into trying a wine tour, but most are over 100$ and require you to get yourself out to the countryside and back. I’ll keep looking, but until then, I’m mostly just sampling things by getting a glass at a restaurant, or other random encounters.

I am not a sommelier. I do not speak the language of wine flavors, so when people go on about notes of cherry or whatnot, I get a bit glassy-eyed. I love learning about the techniques of wine-making and I appreciate that there are complex flavors across different varieties, regions, and ages which people train for years to be able to distinguish and discuss, and I think that’s an amazing part of the human experience, but… I also sometimes just want to drink delicious wine.

I’m not a fan of wines which are very sweet or very dry, I prefer a middle range. I also do not like wines which may be described as “citrusy” (I do not like “citrus notes” in my beer, chocolate, or coffee either, so this comes as no surprise). I often find that wines from California (for one example) are too acidic for my tastes. On of the reasons I fell in love with the Argentinian Malbec was its buttery, velvety taste. So, while I can’t discuss my wine tastes in sommelier terms, I know in general that I’m looking for things which are neither sweet nor dry, that do not have too many tannins, and that never would be described by any citrus fruit. When I say a wine is delicious to me, this is usually what I mean.

I did have a look at the grocery store collection, and some small wine shops, but since I’m tragically under-educated when it comes to French wines, I was rather at a loss. I discovered what I like to think of as my “favorite” French wine several visits ago when I bought a glass with a dinner and was simply blown away. It’s called Viongier, and is a delightful white wine from the Rhone Valley. It’s recently become more popular outside of France, so I’ve seen it in shops in other countries from time to time. 

During my time in Tours, I got to try a Vouvray and two types of Chinon. Vouvray is a range of white wines grown in (surprise!) Vouvray, an area just outside of Tours in the Loire Valley. They make several different types of wines including, sweet, semi-dry, dry, and sparkling. What I had was called the Vouvray Cuveé Silex. Cuveé means vintage, and Silex refers to the stone and clay content of the soil where the grapes are grown, which impacts the final flavor. I was treated to a glass at the party hosted by the pastry school and managed to snap a photo of the bottle for later reference because I liked it so much.

Chinon is another nearby region in the Loire Valley, but it produces mostly red wines. The grape used for the reds is a Cabernet grape grown on clay-limestone or sandy-clay soil (again, affecting the end flavor compared with cabernet grapes grown elsewhere) and the wines are aged in large clay pots inside of local caves. Apparently, the clay jars increase the micro-oxygenation of the wine as it ages which results in a grape-forward flavor. The caves are at a constant temperature which is also necessary for properly aging the wine. I’m told that Chinon wines are popular abroad, so I’ll have to keep an eye out now that I know about it. I had a glass with a steak lunch and felt that it held up well to the rich red meat without being in any way acidic or tannin forward – bold, but mellow.

The other Chinon wine I got to try was a gift of Philippe Brocourt Chinon Chenin, one of the rare white wines from the Chinon region. One of my teachers introduced me to this wine since the vintner is a friend of his. I enjoyed the wine very much, and was surprised to see it listed as both very dry and very acidic when I researched it online. I didn’t feel like it came close to my limit for wine in terms of tannins or acidity, yet the French seemed to think that this was the top level. I tried to find the answer, but the internet tells me American wine is actually sweeter than EU wines. It’s also possible that the wines I buy in US shops have been stored improperly and oxidized, but it seems strange that such a thing would be so pervasive. Or it could be the balance of the tannins and acidity in CA wines is just not to my liking. One day, I may learn how to pick out a bottle of wine based on the description, but I’m afraid today is not that day.

Tasting My Way Around France

When I first started international tourism (about 10 years ago now), I was often too distracted by activities and sightseeing to think of stopping for food. Although my very first trip to France in 2015 was a culinary revelation, it’s taken me a long time to learn how to prioritize food tourism, and not just view eating as something I squeeze in between museums and waterfalls. Being able to stay in Tours for so long gave me a great opportunity to ease my way into understanding local and regional specialties. As my France trip continues to unfold, I look forward to reading about and eating more such delights along the way.

The Châteaux of Loire Valley

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In an attempt to organize my adventures in Tours, this is the 3rd of 4 posts about the city, and it features three of the châteaux in the Loire Valley. There are so many châteaux that there are top ten best châteaux near Tours listicles. Tragically, most of them are not especially convenient to public transit as they were all originally designed to be exclusive country estates. Happily, my school arranged some field trips.

One thing I’m learning while doing follow up research on my visits is that many of these historical sites now have extremely thorough virtual tours with professionally taken photographs where each plant is in peak season and the weather is ideal. There is no way that my photos can objectively compare, and while I may treasure my own photos more than those on a website because they come to me with the memory of me physically being there, I can’t actually think of a reason for any reader to prefer my photos to those professionally taken at the site. My story may be unique because I will not simply tell you the history of a place, but rather my experience of being there and learning that history, but unlike many places I’ve been where I can find little if any information, or even in contrast to when I first came to France in 2015, the museums and historical monuments in France are extremely well documented. 

So, if you’re here and you want to read about my personal experience with these places, then thank you, but also, if you want to know more or see the locations at their absolute best, then I recommend the virtual tours (links below).

Château de Villandry (virtual tour link)

My school host and ersatz guide advised us that the interior of the château is nothing special, and we all agreed we would focus our trip on the gardens. To begin, we actually went up inside the château to climb a creaky staircase to the upper wall and get our first panoramic view of the gardens below. I was quite grateful for this since the website features some very stunning drone photos of the grounds which are planted in elaborate patterns best observed from above.

My guide explained briefly about the history of the design of the gardens below (and since he’s also the of our French language school, he did it in French (albeit very simple French) to help us learn. I double checked my understanding by taking photos of the informative signs and reading the website, but I actually caught most of it. Yay, learning!

Villandry traces it’s origins to the 11th century Colombiers Fortress, but the modern edifice and grounds bears little resemblance to it’s ancestral lineage. The current château is of Renaissance architecture, which means around the mid 1500s. It looks like the first major attempt at decorative gardening was in the 1750s. At that time it was done in the style of a French garden. Then in the 1840s it was changed to the style of an English park. All this time, the property keeps changing hands as well. In December of 1906, a rich American heiress bought the property for her husband, Joachim Carvallo who is responsible for the current structure of the gardens. Later additions were made by their children, and finally the sun garden was added last in 2008.

The gardens are immense. The first division splits the area into three sections: the Kitchen Garden, the Water Garden and the Ornamental Garden. The main view from above and the most striking panoramic view is of the Ornamental Garden. The Love Garden represents 4 types of love: Tender Love: hearts separated by flames of love in the corners of the square with masquerade masks in the center. Passionate Love: broken hearts and a tangled maze. Flighty Love: four fans in the corners for fickleness, horns representing betrayed love, love letters. Tragic Love: blades of daggers and swords used in duels between those fighting over a shared love. To the left is the Garden of Crosses with Maltese Cross, the Cross of Languedoc, and the Basque Cross along with highly stylized fleur-de-lis.

I was quite captivated by this entire notion as it was explained to me, and it made me think of the sort of Regency Era period dramas that show high society engaging in all manner of romantic hijinks. I’ve read histories about the way that fans were used to flirt, about the affairs at court, and about the duels. Then I found out the garden was not installed like this until the early 1900s and I realized that rather than a representation of courtly romantic drama by those who lived it, it was a recreation by a historical fan from a later era. I don’t think that makes the gardens less beautiful in any way, but it is interesting to think of the layers of history that go into famous monuments and tourist attractions. Villandry as a property certainly predated, hosted and then survived after the period of courtly intrigue that dominated the century between 1750-1850, yet the current historical restoration and preservations were not replicas of anything that existed at that time, instead created as tributes or memorials.

We moved rather quickly through the so called Water Garden, as it’s main feature is a reflecting pool. The next area we entered on our way was full of flowers hued in shades of purple, blue, and white. When I caught up with my group in the next area, one staged in shades of red, orange, and yellow, my guide explained that these were the moon and sun gardens respectively. I found the sun garden on the website, but no evidence of the moon garden. It was clearly there, but I can’t find it on the webpage. Instead, there’s a whole other space called the Music Room that I have no memory of seeing, nor any photos of it in my cloud. 

The next main space we walked through was the herbs and medicinal garden, followed by the kitchen gardens. Since it was still early spring, these were a bit sparse, but I was nonetheless enchanted by the geometrical patterns created by the beds for herbs and vegetables. I took a great many photos of the château itself from this angle as well since it looked quite lovely as a backdrop to the gardens. At the time, I felt like we had explored every nook and cranny, but looking a the website afterward I can see there are aspects we did not discover, nor may they have been much worth seeing when not in bloom or harvest.

As with many things here in the Loire Valley, an afternoon at the château gardens isn’t about rushing through to see as many sights as you can; it’s about a stroll through a beautiful environment on a lovely day to enjoy the views and the take the air. Though the courtly days are long gone (and truly, I am grateful to live in modern times), there’s something to be said for “taking a turn around the gardens” as though I were a heroine in a Jane Austen novel. I took many photos of the flowers in bloom, so if you love flowers, check out the slide show below!

Château d’Azay-le-Rideau Castle (the virtual tour link)

While Villandry was all about the gardens, the Château d’Azay has excellent interiors. The grounds are nothing to sneeze at, but they are considerably simpler than the elaborate gardens of Villandry. D’Azay is not quite as old, but has many architectural themes in common since it was also constructed during the renaissance. The French Renaissance King Francis the First established the Loire Valley as his seat of government, and the château was built to honor his reign. The interior was remodeled in the 19th century and eventually acquired by the state in 1905. The walk from the parking lot to the château was through a charming little village.

We started our tour by climbing all the way to the top and getting a view of the architectural engineering from the inside. The roof itself contains 75 tons of slate! A lot of structural work goes into holding up that much weight. The current exhibition is a reconstruction, but it’s done in the same style as the original to preserve the craftsmanship.

As we descended, we entered room after room decorated in the styles of the different eras that the château has existed throughout. The first being the Renaissance room, a faithful replica of the room of the architect’s wife. Although it is fairly simple compared to later rooms, it’s still interesting to see the way people lived. Additionally, at that time, bedrooms were not just for sleeping, but also for socializing and entertaining. Mats made of reeds lined the walls to keep the chill of the stone from overwhelming the room, and there was a small alcove off to one side in which sits a secretary’s desk.

The next room is called Psyche’s Chamber because the ornate tapestries along the walls depict the Greek myth of Psyche which was all the rage at the time. This is followed by the Great Hall. This room was used for hosting feasts and dances, and to be honest, after watching far too many period dramas in film and television, I was surprised at how small it seemed, even when mostly empty.

Following that we crossed through the ante-chamber where visitors wishing to see the King could wait, and the King’s Chamber. A royal suite had to be maintained by pretty much all the nobles since the King could drop by with very little notice and expect to be hosted in style. Apparently Louis XIII stayed there for just two nights in 1619, and yet the room was kept ready for a royal visit at any time.

Jumping starkly forward in time, the next suite of rooms reflect the fashions of the 19th century. The Biencourt Salon was a room for people to relax, talk, and maybe take some light refreshments. The Billiard Room was more of an informal space, featuring a billiard table.

From there we had a peak into the “below stairs” (though not physically below) of the larder and the kitchen. These were quite close to a 19th century style dining room (a contrast to the Great Hall of the Renaissance style). After the dinning room, a final salon-library shows comfortable furniture, musical instruments, and a small collection of books.

A repeating motif in the stonework of the château is the fire-breathing salamander. This was a motif of King Francis I whose motto was “Nutrisco and Extingo” (translated: I feed on the good fire and I extinguish the bad) – a metaphor for pursuing justice and weeding out injustice.

Château du Clos Luce (link)

This was my final excursion in Tours, and I once again went with the language school. Perhaps because of that, we didn’t get to see everything there was to see at this, the final dwelling of Leonardo Da Vinci. The château itself was built in the 1200s, and after a few changes in ownership, it was offered to Leonardo in 1516. Despite his advanced age, he continued to work on projects for the King and to entertain students. He also had a secret tunnel that led to the King’s palace next door which allowed him to meet with fellow artist Domenico da Cortona all the time… in secret… underground… but I’m sure they were just friends.

It’s also interesting to note that when Leonardo finally accepted the King’s invitation to move to France, he brought several of his paintings with him, including the Mona Lisa, which is why that painting resides in the Louvre in Paris rather than in any museum in Italy. The interior of the château is decorated to resemble the time Leonardo lived and died there, and includes replica paintings of the Mona Lisa and The Death of Leonardo da Vinci or Francis I Receives the Last Breaths of Leonardo da Vinci  which depicts the King of France embracing the genius to breathe in the last breath that Leonardo breathes out. It’s worth noting that nothing other than the house itself is likely from the time of Leonardo, and that this is a reproduction for historical and educational purposes, but it’s still interesting to go and see the way that historians think Leonardo was living in the last few years of his life.

The basement of the château is a museum dedicated to the practical and military inventions of da Vinci with small models and detailed explanations of how each worked in theory if not in actual practice.

The grounds outside are beautifully designed to preserve a natural aesthetic with paths and waterworks connecting interactive models of several of da Vinci’s inventions, allowing visitors to see the natural world that inspired him, and to have a hands on experience with his engineering genius. Also, the last photo in the slide show is a breed of rose named “Mona Lisa” which I loved.

When I heard about the variety of château around the Loire Valley, this is the one I wanted to visit most, because I have personally been fascinated with da Vinci since I found out about him as a child. He was so clearly unique, intellectually and socially different from the culture and times that he was born into. As a person who often felt like I didn’t particularly belong, I enjoy seeing others like that in history. Although, over time, I came to understand that the combination of being born male and the patronage system that supported artists allowed people like Leonardo (if anyone can be said to be like Leonardo) to stay economically afloat and pursue their art and invention without the need to worry about where to live or what to eat.

In many ways, he and others like him are nearly mythological, and being able to stand in a room where they slept, or scribbled sketches or ate soup makes them more real, and it’s an experience I am glad to have had before leaving Tours.

The Sights of Tours

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Although I only spent 5 weeks in the city of Tours, France, I feel like I managed to squeeze in quite a lot of sightseeing around my French classes and cheese eating. In an attempt to organize my adventures there, this is the 2nd of 4 posts about Tours and it features attractions which are close to the city center, such as museums, gardens and interesting tourist attractions.

Musée Compagnonnage (The Companion Museum)

This was the first museum I visited in Tours because it was right next to my tram stop. I don’t know what I expected from a place called the Companion Museum, but this was not it. The Companionship (Compagnonnage) were any and all artisans and craftsmen who made things with their hands and then passed the knowledge of their crafts through apprenticeships. As you may imagine, that’s most of professions. It’s something between a secret society and a very strong union. In fact, given the amount of masonic imagery, I’m surprised to find that the museum denies any connection beyond the coincidence of the compass and square.

According to their own legends, the Compagnonnage dates back to the construction of the temple in Jerusalem, known as the “Temple of Solomon”, in the 10th century BC. The colossal project, under the direction of the architect Hiram, would have been led by Soubise and Jacques. Different legends also make these last two monastic and chivalrous characters. Salomon, Father Soubise and Maître Jacques are the 3 legendary founders of the Compagnonnage. However, there’s no archaeological evidence of the Compagnonnage until the 13th century. Incidentally, the Free Masons are not found until the 18th century so if they are linked, the French did it first.

The Compagnonnage includes any industry in which people work with their hands directly to produce things. I was going to try to list them, but the museum website takes a whole page to do so. It’s… a lot. Excluded careers were things like merchants, academics, doctors, architects and engineers (presumably the later because they design things rather than build them. Carpenters and stonemasons, people who implemented architectural and engineering designs, were absolutely included in the Compagnonnage.)

You can read more about the historical ups and downs on the museum website (thanks Google Chrome for auto-translate), but it went fairly strong until WW1 dealt it a near fatal blow. It didn’t really recover until after WW2, and it’s worth mentioning that although they claimed to welcome anyone wishing to improve in their profession, they didn’t agree to admit women until 2004(!) and didn’t actually accept one until 2006. Even though many of the trades historically included into the Compagnonnage were industries which had many women workers including sewing, weaving, laundry, and baking, it seems the society was about more than just teaching skills and protecting workers. Quelle surprise! (by the way, all of the art pieces below are sugar and pastry!)

Despite the overwhelming presence of misogyny throughout the history of Western civilization, I still enjoyed seeing the craftworks and tools of the various trades included in the Compagnonnes. I also believe that the centuries-long tradition of protecting the rights and wages of these workers has likely influenced the French cultural value of workers’ rights and collective bargaining. Did you know that striking is protected under their constitution? That not only can they not lose their jobs for striking, their employers must continue to pay them during the strike? That’s a big accomplishment for the same culture that produced Versailles.

The Hôtel Goüin

This is what happens when you don’t plan in advance and just wing it. You get weird stuff. This hotel is on my walk from the tram stop to my school and I got curious about it, and noticed it’s opening hours were only on Wednesdays and Saturdays. I looked at it very very briefly online and saw that inside was an art gallery with rotating exhibitions. I thought, well I like art galleries, and it’s free, so why not? 

First, let me say, I do think it’s worth it to poke your nose into any free museum in your vicinity. Heck, even any museum under 10$ is likely to be worth a stop to me. I have gone into unexpected museums before, things I ran across that were adjacent to another stop on my journey, and it’s roulette. Also, since I had totally failed in the planning phase of my stay in Tours, I was eventually bound to suffer the slings of ‘wing it”, and only not mind too much because a) it’s 5 weeks, and b) my goal in Tours was not sightseeing – it was French Living.

If you or someone you know is headed to Tours and you happen to be in Old Tours on a Wednesday or Saturday, sure, drop in. However, there’s no need to put it on your bucket list. This summer, the Olympics are being held in Paris, so all of France is in Olympic fever. The Hôtel Goüin being no exception, they decided to offer an exhibition on the Paralympics. In large part, the exhibition was mostly very beautiful and inspiring photographs of paralympic athletes, but the upstairs (no elevator, btw, way to accommodate the athletes being celebrated!) contained not only documentaries, but interactive displays where visitors could “try on” a disability and attempt a sport. … I don’t even know what to write about that, other than, yes, I’m sure that’s what they were for because a museum employee told me about it and smilingly encouraged me to try.

If you are not cringing with me, or are wondering why I am, please check out some videos on YouTube by following this link.

The Musée des Beaux Arts

The third and easily most impressive museum I visited was the Tours Museum of Fine Arts. You can go to France and not visit an art museum, but why would you? I spent about 2.5 hours inside the museum of fine arts. I only took photos of things that struck me in particular, but it was room after room of beautiful stuff. I love looking at oil paintings up close. There’s some things that no photograph can ever capture, the quality of light, the ability for a part of a painting to seem like it’s glowing, the way the brush strokes move the eye, the size (both the enormous paintings and the tiny details). Seriously, even gallery-pro photos rarely do them justice, but if you want to see the museum’s own photographic collection, click here. 

Nonetheless, I cannot paint a picture of a gallery with only words, so I hope you enjoy the pictures I took and that maybe it can inspire you to visit an art gallery in or near your own town. Galleries often have wide collections, and even trade around highly desirable artists so that everyone can get a chance. The Tours museum is not anything so grand as is found in Paris, Lyon, London, or New York, but it still had a Rubens, a Rodin, a Rembrandt, and a Monet alongside many lesser known but still very talented artists from the 14th to 21st centuries.

Garland of flowers and trompe l’oeil, Jan-Philips van THIELEN, mid 1600s
Anonymous copy of the Mona Lisa painted mid 1500s
Mary Magdalene, Matthieu FREDEAU 1642
The Virgin, the Child Jesus and Saint John the Baptist, Eustache LE SUEUR, early 1600s
Portrait of a woman in spring, Workshop of Nicolas de LARGILLIERRE, early 1700s
Diana and her companions resting after hunting, Louis of BOULOGNE 1707
Allegory of the Times, Wealth, Power and Love; Claude VIGNON, mid 1600s
Nude study, Léon BELLY, 1857
Sarah Bernhardt in her Belle-Ilea garden, Georges CLAIRIN, late 1800s
Leaving mass on Easter Day in Labastide-du-Vert, Henri MARTIN, 1915

I recently had to try and explain Queer Coding to some folks and I found myself returning to YouTube to shore up my own understanding and references. One of the videos I watched pointed out that a lot of artists who painted under the totalitarian glare of the capital “C” Church used secret signs in their paintings of religious icons, and imagery out of Greco-Roman mythology to be able to portray scenes of queer love, romance, and eroticism that they could otherwise have been turned over to the Inquisition for. It was a perspective that made looking at many of these paintings from the 14-17th centuries much more entertaining.

I had to put this painting on its own. This is “Panoramic view of Tours in 1787” by Pierre-Antoine Demachy. When I turned a corner and saw this view, I was absolutely stunned because that’s the bridge I ride the tram over every day too and from school and my apartment. It’s actually fairly easy to regognize the major landmarks like the Cathedral on the left, the large white buildings with black roofs along side the road which is the Rue National (those are still holding shops today), and the Tower of Charlemagne as the tallest structure on the right. The artist was able to make the buildings in the distance look larger than they really are, and there are too many trees and new buildings for me to exactly replicate this view with my camera, but I gave it a go.

The lower floor of the museum is where the rotating and seasonal exhibits live. When I visited, it was an exhibit about the history of women called “THE SCEPTER & THE DISTAFF. BEING A WOMAN BETWEEN THE MIDDLE AGES AND THE RENAISSANCE“. Although it did have some generalizations, it mainly focused on France and it’s neighboring European countries and offered examples of illuminated manuscripts and artistic renditions of women as visual aids to the historical records. Anyone who has studied the history of women in the West will be well aware of the issues, but for those who are not, may I recommend the recent re-translation of Simone de Beauvoir’s eminent work, The Second Sex. If you’re on this website, I assume you like to read and so recommend the book, but there are plenty of YouTube videos reviewing and analyzing it. I don’t claim it’s the authoritative book of feminism (it’s got issues), but she does a very good job of assessing the historical condition of women in Western culture.

After I finished inside the museum, I headed outside to look for the pickup spot of the hippomobile. I didn’t make up that word. “Hippo” isn’t just a big African water mammal, it’s actually the ancient Greek word for “horse”. “Potamus” is Greek for “river”, which is how the hippopotamus got it’s name – river horse. Thus, the hippomobile is simply an ancient Greek way of saying horse-car, or horse drawn carriage. I don’t know why the one in Tours uses this name instead of the wildly more common French word “calèche“, but the first time I saw it on the website, I fell in love with the word and I refuse to relinquish it.

The internet further told me that I should catch this wonderful ride in front of “Fritz the Elephant” outside the Musée des Beaux Arts. When I arrived at the museum, a sign outside advertised the ride as picking people up at Fritz the Elephant as well, yet by the time I finished my museum tour, I still had no idea where (or really what) Fritz the Elephant was.

The Story of Fritz the Elephant

In my mind, Fritz would be a statue, or maybe a mural, adjacent to and clearly visible from the museum. Upon exiting the museum, I took a quick walk around the gardens (lord do I love the way the French put gardens everywhere). I found a little food stall, and a playground, and a trombone quartet (very unexpected), but still no elephant. Finally, I went over to a building off to one side that looked like it had been (or might still be) a stable. Lo and behold, there was Fritz in all his taxidermized glory, sheltered from the elements by a roof and plexiglass.

TW animal cruelty: because western civilization didn’t figure out animals had feelings until really recently and this is a story out of history. But also, there’s a silver lining at the end? If you want to avoid it, skip to the Hippomobile section where the animals are treated with kindness and respect.

Around the turn of the 20th century, the Barnum and Baily’s Circus was at its height. You may have been exposed to a glorified version of this with a singing Hugh Jackman, but the real circuses relied heavily on exotic animal shows, and the treatment and training for those animals, including elephants, was cruel and violent. Fritz was in captivity for 35 years, which would have been most of his life considering Asian elephants only live into their late 40s. He was purchased by Barnum in Germany in 1873 and shipped by sea to the US. Sea voyages were especially hard on animals then, since they took a long time, had terrible conditions, and there was no medication available to help the animals with anxiety or seasickness. Many elephants died on such voyages, including several of Fritz’s companions. 

In 1901, the B&B circus headed over to Europe for a continental tour. While in Bordeaux in May of 1902, Fritz began to show signs of agitation and aggression, and so was chained to two other elephants to keep him in check. When the circus reached Tours in June of the same year, the circus offered a parade through town as a way of attracting visitors to the shows. Though the parades were difficult, they were also often the only time the animals had any real freedom of movement. 

For reasons unknown to history, Fritz became enraged during this parade. 35 years of captivity and violent treatment cannot have been without consequences, and whatever the reason, Fritz freaked out and terrified all the local parade attendees. The handler was able to get Fritz under control and on the ground (laying down), but director on site still ordered the elephant put down. As horrible as that is, the method of execution was worse, and yet it’s inhumanity may have been the reason why Fritz became such an important historical symbol. The method used was strangulation with chains and rope. It took more than three hours for Fritz to pass. 

The remains of Fritz were sent off to a naturalist for preservation, and within 8 months the skeleton was installed at the natural history museum, and the taxidermized hide was placed in the former stables at the Musée des Beaux Arts. The press latched on to the story, framing Fritz as a gentle giant and a victim. Wild speculation abounded as to the cause of his rage. Some posited it must have been a lit cigarette burning him, but there is no evidence to support this claim. Regardless, Fritz became a beloved mascot of the city of Tours, and the tragic incident became a pivotal talking point for a growing movement acknowledging animal suffering and animal rights. 

As of my visit, more than 100 French cities ban the use of wild animals in circus shows, and the French government at the federal level has decided to completely ban all use of wild animals in travelling circuses by 2028. If that sounds like a small and late change, you aren’t wrong, but France isn’t behind the times. Most developed (rich) nations are still in the process of passing similar laws, often in patchwork and piecemeal ways, and of course developing nations are struggling enough with human rights, that it is difficult to get them onboard with eliminating animal exploitation which can mean the difference between feeding their own children or not.

I have talked about ethical animal tourism before and how important it is to patronize businesses that prioritize animal welfare because that needs to be seen as a viable economic model in order for more people to follow suit. 122 years have passed since Fritz was strangled to death on the streets of Tours for simply being a wild animal, and that seems like a long time, but we were still going to circuses with mistreated elephants when I was a kid. As short a time ago as 2008 I watched a tiger jump through a ring of fire in China (I didn’t know that would happen when I sat down for the show). Kids on the streets in Africa and SE Asia use baby monkeys they took from the mothers in order to lure tourists into taking and paying for cute selfies. There are still plentiful places that offer swims with captive dolphins or rides on captive elephants as tourist attractions. We love looking at and interacting with animals, but all too often that love is toxic.

Horse-drawn carriages are another great example. I’ve been to developing countries where the horses are near starved, dehydrated, and forced to work without a break in the scorching sun. I recall at one point in Egypt seeing a sign near an area with shade and water troughs that an animal welfare organization had fought to have installed for the horses which carried tourists around the ruins. It’s hard to convince a person who lives in a state of desperate poverty that they need to prioritize an animal when their own children may not have enough. A shorter work-day means less money, and is a big barrier to enforcing any kind of animal rights. Thus it’s up to tourists who take the rides to express a firm requirement that the animals be treated well. Stop paying for rides with badly treated animals and the drivers will change.

Please check your sources. Look for the zoos that have habitats of comfort and preservation (lots of zoos these days are changing their habitats to protect and serve the animals, and they rely more on rescuing animals that wouldn’t have survived in the wild or breeding programs rather than capturing healthy wild animals). Look for animal interactions that protect the animal ambassadors. They exist. Animals that for one reason or another don’t mind interacting with humans on their own terms can be great species ambassadors and inspire humans to better protect the environment, but we have to respect their boundaries and needs. Even the pet cafes can have better treatment of their animals, such as creating spaces where the animals can retreat when they want to, and having highly trained staff around to make sure the animals are safe and comfortable at all times, even if that means disappointing a customer.

We may be past the era of such tragedies as happened to Fritz, but we still have a long way to go to restore the balance between our love for interacting with animals and our ability to respect them.

The Hippomobile

Thankfully, in France, the labor rights are strong, even for horses, and these chevaux have restricted work hours, mandated breaks, days off for extreme weather, and nice digs.

“Our equine friends are given a day off every Monday. The horses that draw carriages in the morning are replaced by another set in the afternoon. The animals take breaks in the shade of the magnificent cedar tree outside the Museum of Fine Arts. The carriage driver decides which route to take depending on the time of day, weather conditions and/or the horses’ energy levels. When the weather is unfavorable to horses, the timetable may be modified or suspended.” — quote from the Filbleu website regarding this service

I joined the first afternoon tour (3:30pm) and although I was a bit disappointed that the weather plastic remained down (it had rained heavily a few days before), I was seated right at the back and could look out the open rear for clear views. I didn’t see a lot of new things because by this time, I’d lived in Tours for over 3 weeks and had done a lot of exploring on my own. However, Old Tours is endlessly charming and the weather that day was simply stunning, so for the price of transit ticket, I happily enjoyed the clip clop of horses hooves while I admired the scenery. 

The Cathedral of Saint-Gatien

This stunning cathedral is right next door to the museum and makes an easy side trip. I may have a love affair with gothic architecture and stained glass. I can’t seem to stop going into cathedrals which are all generally of a similar blueprint, and staring in wonder at the scale and scope of human achievement in terms of really big, really complex, and emotionally moving buildings. I took far too many photos of the different types of stained glass, but I admit that I’m more interested in the colors and shapes than I am in the catechism represented therein, so I can’t tell you what they are supposed to be depicting (though there were dozens of signs explaining each window inside the church).

When I was in the Fine Arts Museum, I found a painting of the cathedral, and did my best to replicate the angle in modern photo form. It may be a silly American thing, but we simply aren’t used to buildings which have stood for centuries, and despite knowing how old the building is (800 years), seeing a 200+ year old painting of the cathedral made it’s age somehow more real.

While I was in the church, the trombone quartet that I had found in the gardens outside the museum showed up to practice with the organist. I love listening to the giant pipe organs! It started out quiet enough so you could hear the trombones, then the organist pulled the stops out (that’s where that phrase comes from, right?) and wham!

The Botanical Gardens

Another thing to love about France is the ubiquitous nature of nature. I mean the public gardens. Although what the French call a garden may be anything from a highly cultivated botanical display to an asthetically designed artistic movement, to a grassy place with a water feature, they are all clean, safe, and well maintained, and above all free to the public.

I wrote about my three gardens in Paris earlier this spring, so while experiencing the long weekend and excellent weather in Tours, I decided to pop in to the Botanical Gardens. I was not disappointed. The bus lets passengers off right at the main entrance to the gardens (although there are multiple entrances because it is such a huge area of land). I started by walking to my right into a maze of botanical specimens. The plants are arranged in pleasing beds and trellises and I suspect at least part of it is in bloom in every season except winter. There were three paths with three different points of view and experiences, and at the far end sat a grand glass greenhouse. Unfortunately, that was closed during my visit, but it was a fairly small part of the overall parc.

As I turned around and headed back towards my entry point along a different pathway, I was treated to entirely different scenery and the sounds of very vocal frogs. I managed to sneak up on one in the water feature and snap a photo before he plonked into the depths. I walked for a while simply admiring the plants and small streams, watching families and couples enjoying picnics in the grass, and then suddenly I came upon the menagerie. Here in the middle of this garden were a small number of animal habitats. I recall seeing the same thing in the Jardin des Plants in Paris and being generally surprised that any free-to-all style park could afford the staff and upkeep for that. 

It is by no means a full zoo, but I feel like it added a layer of beauty but also entertainment and diversion (especially for children). There were some wallabies, peacocks, flamingos, turtles, tortoises, and a lot of farm type critters (chickens, geese, ducks goats, rabbits, and even a pig). Most of the animals were fenced away, but there was a mini-farm where people could go in and get a bit closer. 

At the opposite end, there were two playgrounds with equipment for children to climb and play on, and still more beautiful lawns of grass for people to picnic and nap on underneath the enormous sprawling trees. I left the park feeling tranquil and refreshed with the satisfied feeling that my last weekend in Tours was extremely well-spent.

A Brief Introduction to Tours

/ Gallivantrix / Leave a comment

This is part 1 of a 4 post series about the city of Tours and the 5 weeks I spent there in the spring of 2024. I didn’t set out to come here specifically. At the time I decided what I needed was to go to France, I wasn’t up for the intense labor involved in planning a vacation. Instead, I decided to use French language classes as a way decide where to go and what to do, and then I just searched the internet for a good school with a flexible start date and decent accommodations. That’s how I wound up more or less randomly spending 5 weeks in Tours, France on the banks of the Loire river.

Tours is the largest urban area of the Loire Valley, but even at the most generous standard of counting census, it’s still less than half a million people in the city and all surrounding areas. The city has a well preserved historical district called “Vieux Tours” (old Tours) which is full of old churches and half-timbered buildings giving it a very provincial town / quaint European village aesthetic. Yet, it is also equipped with a very robust and affordable public transit system and a wide array of shops, restaurants, and other entertainments. It even has an IKEA.

On the day I arrived, I went straight from the train station to my accommodation (thanks to my school). The apartment is on a quiet street adjacent to the tram line (convenient), but doesn’t have much around it except other modern blocky apartment buildings. When I looked up the photos on Google maps before arrival, I was very hesitant. I didn’t want to live in an industrial complex, I wanted to experience the quaintness of Vieux Tours! I need not have worried. Although the rows and rows of housing can seem a bit Orwellian at first glance, the reality is that there’s still immense amounts of greenery all over. My balcony overlooks a nice garden and there’s a sports field across the street. The main road is lined with trees and the tram line is grassy. While there isn’t much in a stone’s throw, a quick 10-15 minute ride on the tram drops me in Old Tours, and the lack of restaurants and bars in the neighborhood means it’s quiet when I want to rest.

My first day in Vieux Tours, I was distracted by trying to find the entrance to the school, yet I was still charmed by the half-timber buildings in the Place Plumereau (Plume Square). The building my school is in is actually part of a structure that dates back to the 11th century! Despite the fact that many new additions have been built, you can still clearly see the original masonry and timber in some parts of the classrooms.

This combination of old and new is all over Old Tours. There is a church across the street from my tram stop called Église St-Julien, and although the interior was closed to the public, I was able to walk around to the courtyard and see how the old structure merges with a new shopping complex.

A couple of tram stops down the Rue National from my school stands the Hotel de Ville (the City Hall) and a wonderful place to stroll down tree lined pedestrian avenues. 

Twice, I’ve headed to the outskirts of town, all the way to the IKEA. It was an interesting experience to see the parts of town which are not so quaint and historical as Old Tours, but I still felt like the people living in them could easily head to the cute areas of town for an afternoon whenever they liked. Neighborhoods we passed along the route varied between older building that had been refurbished or repurposed and newer apartment and shopping complexes. Everywhere did a fair job of maintaining green spaces (though perhaps not as lushly as the town center). The demographic changed starkly once I left the touristy areas, but that is hardly surprising. However, at no point did I feel like anything was dirty or unsafe.

One outing, I tried to go to the local fair, but it turned out to simply be too crowded for my liking. On the other, I was heading towards the giant box store complex next to IKEA. I think most countries now have some kind of big box store. The USA has Target and Wal-Mart. South Korea has Home Plus. In many EU places it’s CarreFour. I had been shopping at small local CarreFour Express or CarreFour City shops closer to home and to my mind those shops were plenty big. However, I needed to replace my waterproof phone case in preparation for my visit to Marseille and the only shop in the area that claimed to have any in stock was all the way back IKEA way in the biggest of big boxes. I was honestly shook by how big that store was, and it wasn’t even the only one in the complex, there were restaurants and a home appliance store as well (and the IKEA across the street). It felt like it took 10 minutes to walk from one end to the other without even going up and down any aisles! Yet, there was a bus stop right at the parking lot, which means that you don’t have to have a car to go. A nice touch.

Life in Old Tours felt slow and people seem to focus on enjoying things. Most shops are still closed when I head into my 9am class. Lunch is generally seen as 12-2 when most businesses that aren’t serving food close for at least 90 minutes to allow employees to eat. Every restaurant, cafe, boulangerie, and brasserie has sidewalk seating where people can linger over lunch and a glass of wine. There’s a glacier (ice cream shop) on almost every street. After lunch, businesses reopen between 2-3pm while restaurants close or limit service to drinks only. Dinner hours begin around 7pm when the boulangeries finally close. Even in April the sun wasn’t setting until after 9pm, giving the days a languid summer feeling. There’s simply no need to rush anything.

Unlike other tourist destinations in France where people might feel the need to run around to see all the best famous sights, the main attractions in Tours involve ambling around Old Town or strolling along the river. Although just walking through Tours on a sunny day can feel like you’re in a theme park, there’s more!  There are several museums in the town, and several château (castles / really fancy mansions) in the surrounding countryside. (both to be explored in more detail in future blog posts).

My Life in Tours

Since I’m learning the French Art of Living, my life in Tours is slow paced with a focus on relaxing and enjoying. Most days, I woke up early, had some coffee and a pastry, then went to my class at 9am. The classroom lessons were very casual, and frequently we spent more of the class time conversing in French with small side explorations into vocabulary and grammar as the conversation brings them up. There were activities, worksheets, and games, but no one was pressured to “get through a lesson” or hit target learning goals. I don’t know if that’s helpful for the long term students who are trying to pass official French language tests, but for me as a casual learner, it was ideal. My confidence in speaking French increased massively, and as a result I ended up actually using the vocabulary and grammar that I learned in class.

In just a few weeks, I went from being so obviously nervous at speaking French that every shop clerk took pity on me and spoke in English to being able to have detailed conversations about the differences of certain types of bread or cheese in the shops, and place all my orders at restaurants and shops in French without the vendors feeling the need to switch. I’m by no means anywhere near fluent, but it’s been a real boost of achievement to see my progress. Hopefully when I go to other (larger) cities in France, it won’t all fall apart.

I chose to take only the morning classes so as to have my afternoons free. Most places that are not serving food are closed until 2pm, so I tend to linger over lunch and often socialize with other students. After lunch, I wander around town, possibly to run an errand such as shopping for groceries at Les Halles, or visiting a museum or part of town that seems interesting.

In the evenings and on at least one weekend day, I rest at my rented apartment. I assigned myself a YA novel in French with the help of my dictionary for extra “homework”, and I watched Drag Race France on the France national television website, entirely in French with French subtitles. I also had boring maintenance chores like cleaning and laundry, and of course editing my photos from the day, writing in this blog, or just zoning out to YouTube videos because sometimes you need a good zone.

In addition to learning French and enjoying Tours, I have had to take part of my time to plan the rest of my French holiday. Usually I plan vacations before I get on a plane, but this trip has been … unusual. The reason I generally prefer to plan before leaving is that it’s a real struggle to tear myself away from the experiences to sit down at the computer and do research. This may seem ironic since I’m obviously sitting down at my computer to write this, but a written account of my experiences is a big part of how I process the memories and savor them. It’s a wholly different experience than researching and planning for a future adventure.

Planning vacations is hard work, but something I used to enjoy doing before COVID. I started feeling better about things in general within a few days of arriving here, but it took me about a month to be able to sit down with Google and a spreadsheet and really PLAN. Every time I tried it before, it just felt overwhelming. My friends with ADHD tell me this is their life all the time, and I honestly can’t imagine. I’m so used to being able to do what needs doing, especially if it’s also something I want! It was so frustrating, but once the damn broke, I had one 12 hour marathon day at the computer and I got it all done.

I have hotels, trains, busses, and attraction tickets (where needed in advance) for a week in Marseille, Lyon and Paris each. It may sound like a very “entitled person” problem, struggling to make plans for a vacation, but I’ve said before the only reason I can afford the trips I take is that I spend hours and hours searching for deals and researching free/cheap things to do and see. I’ve seen how much “we’ll figure it out when we get there” costs and I don’t make that much. I was watching a YouTube about the economy, and one of the guests was discussing what it was like to be a person who moved economic classes (from poor to middle) and that there’s aspects of her life now that are “normal” to those raised in the middle/upper middle class that she could never have imagined as a poor person, like being able to change your flight plans, or handle even low level emergencies.

https://youtube.com/watch?v=iifU7rF0hVc%3Fsi%3DyOAGz_NNkR8c7mDY%26start%3D1085

Although my parents were middle class by the time I was born, they themselves were raised poor and changed class. And though they were both college educated, doing better than their parents, there were some years of one-step-away-from-the-trailer-park with my mom as a single parent, and some jobless-homeless-sick years for myself after I moved out. There were ups and downs, but in some ways the repeated downs only served to solidify the idea that the ups were not stable. I spent combined decades living hand to mouth, worrying about the ability to pay rent if my car needed work, needing to stand in line at the food bank, and even begging my friends for a place to stay when I lost mine.

I am still shocked at myself when I can just afford something without stressing about it, and even when planning my holidays I still carefully weigh the cost of an activity against my budget goal (perhaps even too critically). I’m getting better at giving myself permission to have nicer things, but I’m still going to be staying in (all girl) dormitory hostels for three weeks because it saves me something like 900-1,200$ total. Planning and budgeting are essential to make your money go as far as it can whether you’re on vacation or at home. 

At the time of writing this, I am hours away from leaving Tours. I feel content that I’ve seen a good amount of the best Tours has to offer, and even a chance to explore what life is like outside the charm of Old Town, providing some contrast and perspective. Stay tuned for my next 3 posts which detail the sites I visited within the city of Tours, the château of the Loire Valley, and the foods and wines of Touraine that I was able to try while staying here. À la prochaine!

I Want to Learn the French Art of Living

/ Gallivantrix / 1 Comment

Why are you going to France?

It was astonishing how many people asked a version of this question. While it is true that I often travel for a job, I’ve visited 5-6x as many countries for pleasure as I have for work, and until this spring when I decided to stop working in order to take my holidays at a nicer time of the year, no one asked me why. “Because I want to”, was the real answer, but it seemed to confuse people. Other times, I told people I was going for the food, but most who have never been to France simply can’t imagine the food here being that much different. I once counted myself among them, but after my first meal in France, I thought that I had died and gone to food heaven. 

Now that I’ve been in France for a couple of weeks, I know that what I was struggling to find the words to say was that I wanted to go to France to learn the French art of living. The French call this “Joie de Vivre” (Joy of Life), but it is perhaps better translated as “The Art of Living Joyfully”, and it’s a very deep rooted value in French culture. Joie de vivre isn’t about parties or euphoric joy, it’s finding happiness through living. Since arriving in Tours, I have been receiving a swift and enlightening crash course.

Musée des beaux-arts – “La Joie de vivre” (Victor Prouvé, 1904)

Practicing Kindness

I will say again that French people in general are more likely to be kind than rude (I’m sure they can be rude when called for, and that there are some percentage of rude people everywhere, but rudeness is not the default way of life). My first week in town, I had to run errands and do shopping while jet lagged and after my 3.5 hour French immersion class which left my brain feeling like a wet noodle. I could barely make comprehensive sentences in English (my native language) let alone in French. Despite my overt disorientation, every shopkeeper was kind and patient with me, most were even happy to use both French and English with me when I explained I was learning, giving me a chance to practice but also helping when the language was outside my skill.

I have not formally studied French since middle school. I came into this language program with a hodgepodge of random vocabulary and grammar that does not conform to standard learning levels in any way. I am not a quiet student, but I also felt that if I asked about everything I didn’t understand, I would derail the whole class. On my second day, I experienced an intense moment of frustration, and the teacher worked very hard to find out what was confusing me. I wanted to shut down and look it up later in private, but she worked it out with me in class. In the moment, I wasn’t happy to be the focus of so much time and attention, but in retrospect, it was a glorious act of kindness and support on her part. I’ve done the same for my own students, and it’s eye-opening to feel it from the other side.

I also had some disappointment in the apartment when I arrived –the washing machine was broken, and there was no Wi-Fi. In most other places I’ve lived, these kinds of problems were dismissed and I was left to handle them on my own or forced to nag the property manager (my last apartment in Korea was a nice exception, those people were great). I didn’t feel any animosity at the lack of amenities. I had of course emailed ahead of my flight to be sure that I would have access to a washing machine and Wi-Fi (among other things), but my response to the absence of promised resources while traveling abroad is less often anger and more often resignation. 

To my surprise and delight, the owner of the school arranged for me to get 120gb of data for the month so I would be able to do things like make video calls, watch YouTube, and write in my blog. His efforts were above and beyond what he needed to do to meet his obligations to me as a paying student. The landlady came the next day with a repair man to fix the washing machine, so it was working again before I had a full load of laundry. While we waited for the repairman to finish his work, she engaged me in conversation, despite not speaking any English, and was patient and kind with my poor French, repeating things more slowly or finding simpler phrasing. She told me about several beautiful tourist attractions around the area that I look forward to exploring.

It’s hard to believe, but even panhandlers on the street here are nicer. I don’t speak French well and in any case have fallen out of the habit of carrying cash. I have nothing to give them, but even after I tell them this, they smile and ask where I’m from, try to speak some English with me, and wish me a good day.

Receiving Kindness

This is all in stark contrast to my experience in Sénégal where I was promised support and given none, treated brusquely by shopkeepers, and viewed as a walking wallet by most. Even in the US, my job had offered support and fallen short, resulting in an overabundance of stress, and my co-workers (who are nice people) still took a couple months to really warm up to me.

My knee-jerk response to this level of kindness and support was shock. For the first several days, every time it happened, I gawped like an idiot, stunned for a moment before a part of my mind went, “it’s ok, relax, trust, let yourself be supported by your fellow humans not because of prior relationships, not because of obligations, but merely because we are humans together.”

Photo Credit:  www.semtrio.com/

It wasn’t until later when I went to write about my experiences that I realized how much I craved this kind of human connection. I love my friends and family, I enjoy forming relationships with my coworkers, but there’s something deeply healing in looking up from our bubbles and saying “hello fellow human, this world is tough enough, so let’s do our best to make it softer for each other while we’re here”.

A Culture of Joyfulness

By the middle of my second week, it was apparent that the effect of joie de vivre is exponential. When everyone is focused on enjoying the little things, it’s easy to be happy and kind which makes everyone happier and kinder. Joie de vivre isn’t at its best when experienced in isolation, it’s something that needs a majority of people to buy into in order to reach its full potential. I can feel it soaking into me, too. I don’t need or want to run around looking for one exiting experience after another because the everyday life here is good. Not ecstatic, or overflowing with awesome, just persistently good.

Photo Credit: https://www.flickr.com/photos/alicepopkorn/

The other day I gave my seat on the tram to a mother with two younger girls. I enjoyed watching them interact on the trip. The girls were talking about my blue hair, and when they got restless, the mom played “find that body part” (where’s your nose? touch your ears!, etc.) which was also fun for me because I’m not the best at French vocabulary. I was able to relax and enjoy the experience. It made me smile to see their small delights. No one was giving the mom dirty looks for her kids being kids, and the mom didn’t have to be self-conscious about playing with her kids on public transit.

Joy and Other Feelings

Joie de vivre could be compared to the practice of mindfulness, in that one of the goals is to be present in the present. Lingering over a meal, sharing an afternoon with friends, and watching kids on the tram are all wonderful examples of the everyday, but international vacations and once in a lifetime experiences are not excluded. The definition of joie de vivre isn’t what you are doing, but how you are doing it: a lunch without an agenda, a hangout with friends for no reason, an international vacation without the stress of focusing on what could go wrong, or what is waiting for you when you get back.

Joie de vivre also isn’t about being happy all the time. Obviously the French have “negative feelings”, I mean, have you read Sartre? But a range of feelings is the normal human experience. The impression I get is that “pretty good” is the baseline here, and feelings of more extreme happiness, sadness, anger, boredom etc. are all coming from and returning to that. In contrast, when I look at people in the US and a few other places I’ve lived, I see them defaulting to a baseline of “meh” (numbness or boredom) or even a baseline of anxiety and sadness. Image Credit: https://sketchplanations.com

Regardless of what culture they are from, people are capable of feeling a full range of emotions, and a normal human will experience most of them in a lifetime, but living in a culture that forwardly values kindness and everyday joy makes a difference in everyone’s quality of life.

Can Americans Live Joyfully?

My initial answer to the question “Why are you going to France?” was often greeted with the suspicion that anyone going to live in a foreign country and not work for a couple of months just to enjoy things was dangerously decadent. This happened so often that I began to become suspicious of myself. Was I leaving my students and co-workers in the lurch? Would they be ok without me? Could I really justify the expense, not only of the vacation but of the time spent not working? The regular messaging of the culture around me made it harder and harder to be sure I was making the right choice.

There is a tendency in (but not exclusive to) American culture to view any action that is not productive (making money) as frivolous (selfish, useless, a drain). For me, joie de vivre is more likely to involve things that make you happy but don’t make money, nor lead to making money in the future. These are things that you do just because you like them (and that don’t hurt anyone else). I rate this kind of joy as sitting from tier 3-5 of the Maslow’s hierarchy. It’s hard to go after it when you don’t have basic needs met, but I would argue that it’s integral to love and belonging, self-esteem, and self-actualization.

Side Note: money, privilege, poverty trauma, and first world problems. I could write entire essays on these topics, but I am not doing that here. TLDR; I know I have privilege; I know a lot of people genuinely do not have money for travel; I know poverty trauma (for those of us who were either raised in poverty or spent years as adults in poverty) has long-term effects on our spending and sense of worthiness; and I know that being able to afford a luxury that you don’t feel like you deserve is a first world problem. I am using my trip to France as a stand-in for a wide variety of frivolously enjoyable experiences in order to examine why many people struggle with letting themselves fully enjoy things. 

When I started telling people instead that I was going to France to study French, they seemed much more comfortable. Once there was a cultivation of skill involved, it wasn’t just frivolous happiness, it was productive, and that was more socially acceptable. One day as I was hand-wringing about whether I needed to justify my trip to France, someone said to me, “Why are you beating yourself up about this? You deserve this. You can do this without going broke or wrecking your life, so go enjoy it.” It was an extremely succinct account of the two most important obstacles to frivolous (non-monetizable) happiness:  Can you afford this? Have you earned this?

Can you afford this?

Credit: FreePix.uk

It’s a valid question, but I don’t think it’s the only hurdle to frivolous joy. There are many people who do not have travel money, or have other challenges to travel such as health and children, and I’m not suggesting (as I have seen other travel bloggers do) that one can simply manifest global travel with enough bootstraps. Maybe they can’t afford a trip to Paris, but what types of joie de vivre can they afford but are held back from doing because they feel guilty about it?

During my experiences in developing countries where almost no one has enough money, the social values writ large tend to be more focused on “slow living” and finding joy in daily experiences such as community, shared meals, nature, children, and expressing creativity – things that don’t cost much if any money. While people in these cultures may feel guilt about spending money on themselves instead of their family or community, they don’t seem to have any trouble enjoying themselves when it’s not a question of money. Even in Japan and Korea, wealthy countries famous for overworking, I still noticed people placing importance on these types of low cost joys.

Have you earned this?

American culture is embedded with an exchange rate of work for pleasure. You must burn x number of calories to “earn” dessert. You must work x hours to “earn” a break. I talked to people in my income bracket and above who can absolutely afford to travel, but felt that they could never possibly, because they haven’t hit the ever-shifting goal post of “enough work” to earn the pleasure.

The earning in question isn’t financial; it’s the unspoken moral economy. Many Americans have internalized the idea that we don’t really deserve to feel good (at least until we’ve suffered enough to “earn it”, which may mean never). But because we are human, we sneak around with minor infractions we call guilty pleasures while lacking the ability to fully feel the delight these activities should bring because we are too busy feeling guilty and wondering how we’ll be judged.

What will people think? If I eat a second slice of cake? If I skip mowing the lawn to have a nap in the afternoon sun? If I take my kids out of school for a day to drive up to the mountains and splash around in a glacial river? If I leave my spouse to feed themself and the kids and they end up eating Cheerios and ice cream while I have a nice dinner with my friends? If I leave the office when there’s a big project (and there’s always a big project) and my co-workers all have to pick up my slack while I’m tasting wine in the Loire Valley?

Look at the horrible social media backlash that middle and lower income people get for having nice things deemed by society to be “too luxurious”. When they use food stamps to buy steaks instead of rice and beans, or dare to have a new phone, a nice laptop, play video games, drink frilly coffee, eat avocado toast or anything else that might make life bearable, the internet loves to pile on. Grind culture tells us that the one true path to financial success is to have nothing that brings joy, and only to work as much as possible until you can earn your way to a house, a car, and a (maybe once yearly) family vacation to a theme park.

Let me be clear, none of these examples are likely to result in anything bad actually happening, but the real world consequences are not reflected in the imaginary consequences of people who are held back by these thoughts. The extreme version of this is called “catastrophizing” and people who suffer from this type of anxiety (as you might guess) imagine catastrophic results of actions they perceive as risky. The less extreme version is a bunch of people who don’t critically examine what is likely to happen, they just feel the guilt and shame as a gut-level reaction.

A New Way of Thinking

I don’t take these internalized feelings of guilt and shame lightly. They are deeply ingrained in us from childhood, and can feel like an irrefutable pillar of reality. But they need to go. Maybe in the way black mold or an insidious termite infestation needs to go, or maybe in the way a cavity needs to go: knock down a wall, drill a hole, excavate the rot and repair the damage. It isn’t something a person can just do –wake up one day suddenly be free of the pressure of guilt induced by unproductive pleasure. However, I suggest that everyone reading this start the long and difficult process of releasing the weight of these fears and finding the freedom to do things just for fun. 

“[Joie de vivre is] revolutionary because for work-driven, vacation-and-long-lunch deprived Americans, it almost requires brain surgery. Why? Because to make that lunch a moment with a French touch it has to be just for fun, no rush, no agenda. An American [said] that her French women friends, who are physicians, ‘work long hours but find time to meet their friends, take vacations, and indulge in the life part of life, which is as important or perhaps more important to them than work.'”
— Huffington Post, “What is joie de vivre, and why are the French so good at it?”

This isn’t “run away with the circus” advice. I do not advocate joy at the expense of security or community. We still need to be able to answer the question “Can I afford it” with “yes”. Please do not go into debt chasing a consumerism driven idea of happiness (been there, done that, regretted my financial choices). It’s important to balance joy and responsibility, but until we learn what things are truly our responsibilities and what things are the weight of other’s expectations and demands that we have taken on unnecessarily, we won’t be able to say “yes” when asking “Do I deserve it?”

Once we are able to accept that we deserve to enjoy things without having to earn the moral currency to do so, there is a different way of life ahead. 

Paris in the Spring

/ Gallivantrix / Leave a comment

Despite the detour, this is still mainly a travel blog, so without further ado, I bring you a sunny day in April exploring Paris. The romantic ideal of Paris in the spring is perhaps more marketed to lovers, but having been to Paris both in spring and in summer, I can say I have a definite preference. The weather is better, the crowds are fewer, and if you go early enough in the spring, you get cherry blossoms! (For those looking for tips and advice, specific details about transportation and accommodation are at the end).

When I decided that I would spend a couple months in France, I knew I didn’t want to have Paris as my home base for a few reasons. The top being “oh my god it’s expensive”. The next being “it’s full of tourists”, and the last and perhaps most important: I wanted to see other parts of France. Nonetheless, every international flight into France lands in Paris, so although I would start classes in Tours on April 15th, the best price to fly was April 11th (several hundred dollars cheaper than the 12-14th). I decided that I’d rather spend the money in Paris, so I booked a dorm and planned a laid back day of viewing the gardens and eating delicious food.

Breakfast

Refreshed from my flight by a good night’s sleep, I headed into the city center to my favorite breakfast place in Paris: Angelina’s. I have gone to Angelina’s every time I’ve visited Paris for their amazing hot chocolate, even in the worst summer heat wave. For people who have only had packet hot chocolate, I can’t express my sympathies deeply enough. Some of you have been lucky enough to have real hot chocolate made from milk and chocolate (not a powder) and you begin to know the heights to which this beverage can soar. Those of us who have been graced by the chocolat chaud at Angelina’s know the celestial chocolate experience.

The last time I was in Paris in 2019, I made breakfast reservations because we had tickets to the museum and I wanted to make sure we were not rushed to finish eating. It turned out we didn’t need the reservations since most tables were still empty when we arrived. This year, Angelina’s website says they are no longer accepting reservations, and when I arrived, I discovered the otherwise totally empty sidewalk to be teeming with a crowd in line at my favorite breakfast spot. I queued up while I looked on my phone to see if there was some explanation. I was informed by my neighbors in line that the restaurant had recently become TikTok famous, which is why they themselves where there.

I’m never sure how to feel when a restaurant gets influencer famous. Many restaurants have actually been destroyed by fame induced crowds flocking in numbers that their small scale production process simply could not handle. Others have had to reduce the quality of their once famous dishes in order to keep up with the demand. I stood in line thinking that there must be another restaurant in Paris that had really good hot chocolate, and maybe it was time for me to try a new thing, when the line started moving. It only took perhaps 15-20 minutes before I was at my own table. The wait was considerably shorter than I would have expected at a restaurant in Paris. It may be that foreigners are accustomed to eating quickly, and tourists who had made Angelina’s a stop on an otherwise full day of activities were eager to get on.

I was fully prepared to order my breakfast in French (knowing I didn’t need to), and the server was very kind about it. Then I realized that about half the patrons in the dining room were Asian, and were all using English to communicate with the staff. I told my Korean students over and over again that English was the key to world travel, but it strange to see it in action here in Paris after struggling though my bad French on previous visits. Stereotypes about the Parisians persist, yet I have never known them to be anything but kind. It’s possible they appreciate the attempt to speak French more from native English speakers because of the stereotypes about English speakers being monolingual, but they seemed quite content to speak English with me and with every other tourist around.

When my order arrived, I was delighted to discover that despite the newfound TikTok fame, the quality of Angelina’s hot chocolate had not diminished in any way, and that the French cultural value of never rushing a diner at the end of a meal was still going strong. Regardless of the line at the door, everyone seated was fully welcome to spend as long as they liked savoring the thick chocolatey goodness and rich pastries. Bliss!

Jardin des Tuileries

An online search for cherry blossoms in Paris revealed that the largest grove of cherry trees was about 90 minutes on transit from my hostel, and after viewing the blossoms at some of Asia’s biggest collections, I doubted at the mere volume of trees would be a top draw for me in France. Instead, I opted for closer gardens with fewer trees where I could have a lovely stroll with less time in the Metro. My first stop was Jardin des Tuileries, right across the street from Angelina’s.

I like to come to this garden when I’m in Paris no matter what else I’m doing. My first time in Paris (2015), I ended up in Tuileries purely by accident, and ate a glorious sandwich next to a fountain with a view of the Eiffel Tower. It’s a memory that sticks in my mind because I felt in that moment that I had “made it”, that all my repeated struggles towards my dream of global travel and daydream freedom had landed me in this garden, with the best sandwich I’d ever eaten, basking in the sun and watching the Eiffel tower in the distance. I like to come and visit the park and relieve that memory whenever possible.

There were plenty of people, both locals and tourists, enjoying the unseasonably warm sunny spring day in the park. I ambled around and taking photos of the pink blossomed trees, stopping occasionally to take photos for groups who were struggling to use the timer on their phones or get everyone into one selfie. My feet were still swollen from the flight and my back hurt, but none of that could impact the growing sense of ease and contentment I experienced just discovering that I had once again “made it”. I survived the COVID induced lockdowns, I took my years of isolation and I packed them up in a box in the closet and I once again embraced travel for joy.

Jardin des Plantes

The next garden I visited was the Jardin des Plantes, a botanical garden that I had not been to before. It also houses a small zoo, and some indoor exhibits, but I was there for cherry blossoms! Priorities.

When I found the area where the park’s cherry trees grow, I was initially disappointed. It seemed that all the “white” (very pale pink) trees had finished blooming the week before I arrived. There were four darker pink blossomed trees of prodigious size, but they too seemed to be at season’s end. Thankfully, that was an illusion. These enormous trees look full of fading blossoms from a distance, but once you step under the sprawling canopy, you have entered the bower of a magical fairy land. Queen Titania herself might set up a divan there and feel entirely appropriately decorated. 

It was like stepping into a snow globe of pink petals. The branches swept from high above all the way down to the ground, cutting off the view of the outside world. Fallen petals covered the ground as well, resulting in a 360° sphere of pink. I lost track of how much time I spent under just one tree, discovering new delights at every angle I looked or aimed my camera. When the spring breeze came by and the petals fluttered around us like pink snow, everyone stopped their photo posing and gasped in awe.

I visited the other three cherry trees and then branched (haha) outward to look at other plants and flowers. In early spring, there aren’t as many blooming, but I found some other pink trees, some purple irises and a garden with enormous blooms I do not know the name of.

Un Pause

Still jetlagged and walking for hours, I decided to stop at a sidewalk cafe. I couldn’t find any coffee places with seating near the gardens, but I did find a little bistro from which I ordered a delightful craft cocktail. As I sat in the shade of the awning with my drink and watched the daily life of Paris around me, a quote from Anthony Bourdain came to my mind:

“Most of us are lucky to see Paris once in a lifetime. Make the most of it by doing as little as possible. Walk a little, get lost a bit, eat, catch a breakfast buzz, have a nap…Eat again. Lounge around drinking coffee. Maybe read a book. Drink some wine, walk around a bit more, eat, repeat. See? It’s easy.”

― Anthony Bourdain, World Travel: An Irreverent Guide

However much I wish it had not taken me 4 visits to Paris to learn this, I don’t think anyone could have convinced me on my first trip that I shouldn’t be running around trying to see the Arc de Triomphe, the Eiffel Tower, the art museums, the catacombs, the cemeteries, Montmartre, and every other cool thing in Paris. The tourists I talked to in line at Angelina’s and whose photos I helped take in the garden were just as eager to squeeze in as many sights as possible. I can’t blame them, but I’m very grateful that I finally reached a point where I can just enjoy sitting at a sidewalk table with a drink.

Jardin du Luxembourg

My last stop on the way back to my hotel, Jardin du Luxembourg, was also a garden that I had not previously visited. I found it to be much more like a park than a garden with plenty of places to walk and sit and play sports, but fewer flowerbeds or decorative trees. Most of the gardens in Paris have lawns (tapis vert, or green carpets) that are cultivated to within an inch of their lives that no one is permitted to walk or sit on (thank you, Louis XIV). It creates a beautiful landscape, but leaves one yearning to run barefoot in the grass. Luxembourg had many sweeping no-touch lawns, but added a sitting lawn! (There is another good sitting lawn just in front of the Eiffel Tower). Large blocks of soft dark green grass just for lounging around or having picnics on.

Given the beautiful weather that day, all the parks were full, but it was not hard to find a spot to plop down and enjoy the cool green lawn. I watched the people and the pigeons. Every pigeon I had seen all day seemed to be unusually plump and healthy. I’ve seen pictures and videos of show pigeons, but street pigeons are so often sickly and deformed that it’s become a trope, people calling them “rats with wings” or “cooing plague pits”. And yet an animal is only as healthy as it’s ecosystem. If pigeons in New York are malnourished, diseased, and deformed, it is not a result of the natural state of pigeons, but rather a reflection of the life they are forced to live. It really made me think about how much healthier Paris must be as an ecosystem than the vast majority of other dense urban cities I’ve visited. It also gave me a new appreciation for the presence of squab in French cuisine.

La Fin

As the day drew to a close, I realized I had made no plans for dinner, and that the combination of Saturday plus glorious weather meant more people than usual would be going out to eat. From my seat in the grass, I searched online for nearby options and snagged a last minute reservation at a restaurant across the street. Once more, the staff were very friendly and happy to speak in English (where does the stereotype of rude Parisians come from?) I ordered the daily special of duck confit, with a bière picon (a beer mixed with picon, a sweet orange liquor, not available in the US, I’m afraid), and for dessert, a chocolate cake and coffee with bailey’s and Chantilly. I may have gone a little overboard, but it was delightful to sit on the indoor balcony and look out the restaurant’s giant picture window at the garden across the road while dining on top notch food and drink. Not an everyday occurrence, and I think a worthwhile treat to end my day in Paris.

The next day, I repacked my bags and caught the bus to Tours, the small city in the Loire Valley that was to become my home and my school for the next 5 weeks. Stay tuned for more on life in the Loire!

Planes, Trains, & Hotels

If you are interested in the practical side of this trip, this Post Script is for you. Here I have attempted to include some useful information and links about airfare, public transit, and accomodation.

When searching for airfare, I was lucky enough to find an off brand company that didn’t suck called French Bee. Their cheapest package is very similar to Spirit or Ryan (no luggage, no meals, etc.), but the price difference for the upgrade to a more inclusive fare was only about 40$. I ended up with a normal international luggage allowance, an inflight meal, the ability to choose my seats, and the no-fee change policy.

The Paris public transit system is good, but confusing to outsiders. I have an old Navigo card which was still valid and could be topped up, but my research revealed there is now an app which allows you to buy tickets online and scan your phone via RF/NFC rather than having to carry a card and top it up at ticket kiosks. The app for local Paris transit is My Navigo Tickets, and the intercity train system is Bonjour RATP. It is a big improvement since my previous visit. The Navigo app also offers a good trip planner, showing the best transit routes to get from where you are to where you want to be. Sadly, after you find your route, and press the “buy ticket” button, it just takes you to the general ticket page with no indication of what you need for the journey you have planned.

Why does this matter? Paris has 5 zones, and transit tickets are sold in groups of zones. The more zones, the higher the price. I want there to be a way to easily see what zone you and your destination are in, but I haven’t found it. The last time I was in Paris, I just talked to the ticket seller about the places we wanted to go, and she knew what zones I needed. In general, if you’re sticking to the city center, 1-2 is enough, but there are some high demand tourist spots in zone 3. And if you’re staying further out to save on hotels, you may even be in 4-5. Transit to and from the airports and Disney Paris have their own special rates.

Additionally, passes are available by day, week, or month, but the week is Saturday to Sunday, no matter when you purchase it (not 7 days from the day of purchase). Is your head spinning yet? Do you suddenly want a taxi? Well, just remember the taxi rates from the airport are 50$+, but the bus rate is about 12$. Taxis in the city traffic can be difficult to catch, drivers may not speak English, and they may rely on your poor knowledge of fees and laws to overcharge you (this happens everywhere, it’s not unique to Paris). Transit trips cost about 2€ each or a day pass of unlimited rides for about 8€. I like the unlimited rides because I never have to worry about transfers or having to take extra transit if I get lost (which happens at least once a trip).

On to hotels! Paris is definitely one of the top most expensive places to spend a night. Before COVID, my usual travel budget was 100$ a day split 30/30/30 (hotel/food/entertainment) with a small extra cushion. Even then, I couldn’t find a room in Paris for 30$, I couldn’t find a bed in a dorm for 30$! There are a few youth hostels where, if you happen to be a young man, you can bunk down in a 12-16 bed dorm with other young men for around 35$ a night. If you would like a female-only dorm, be prepared for the pink-tax. All-girls dorms cost on average 10$ more than the male or mixed dorms. I stayed in a mixed dorm in Paris once, and it was fine. I was safe. No one was skeezy or anything. But, the older I get the harder it is for me to spend time in dorms. I find I need a private space to decompress at the end of a long day.

In post-COVID inflation-land, room prices in Paris seem to have risen (although to their credit, not as much as US based inflation). The best deal I found was a bed in an all-girls dorm for 50$ a night. (are there cheaper? Yes, but then you start getting issues with cleanliness, quality, safety, and distance from the transit stations). Hotels and hostels are getting better at tricking the algorithms to promote their place in search engines and reservation websites. It’s important to read real reviews (good and bad), see what people liked and didn’t (it might be things that don’t matter to you), and look at a good map to see not just how far the hotel is from a landmark or transit station, but also, how you can get there. 

It can take hours of searching to find a good price, a good location, and a good quality, but the time you spend in advance is worth it not to have unexpected unpleasant surprises after you arrive. My decision to take a dorm bed at the Eklo also related to factors like the photos of the dorm rooms, the reviews by other guests, and the closeness of the bus stop. I knew it would be hard to be really comfortable in a dorm, but I was willing to take it for just two nights.

I ended up eating at the rooftop restaurant for dinner the night I arrived. I am always skeptical of eating in a place so clearly designed to cater to tourists. High end hotels have amazing restaurants, but hostels tend to focus on alcohol and cheap food. The Eklo partners with a small chain restaurant called French Kiss which had a good looking website, and I was too worn out from the flight to go anywhere else. The view was stunning, and the food surpassed my expectations for hostel restaurant fare, and the staff were all friendly and quite fluent in English.

Art, Food, and Parks in Paris

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The majority of the August 2019 was spent in the Irelands, but I decided that I wanted to spend a few days in Paris on the way. You can’t really fly direct from the US to Dublin (without forking over a fortune). Connecting flights go through Heathrow or CDG. Any excuse to visit Paris. I know it’s very stereo-typical, but apparently I’m more basic than I want to admit: I love Pumpkin Spice Lattes and Paris is one of my favorite cities on Earth.

Where All Good Food Goes When It Dies

Pardon my mangling of Oscar Wilde’s famous quote, but this was the thought I had the first time I had a meal in France (not actually Paris yet, since I was on a road trip from Prague and my first stop was in Metz: photo album). I have not had any disappointing food experiences in France at all. I have been trying to figure out how to afford to live and work in France doing nearly anything just so I could have daily access to the food. Since I haven’t yet figured that out, I am having to make do with an annual pilgrimage to see my favorite art and food stops.

I was only able to spend a few days in Paris this time around, so it was mostly a food oriented excursion. I wanted to get a full range of food experiences from fine dining to street food. The first dinner was at a beautiful souffle-centric restaurant called Le Souffle which serves a three course menu of entirely souffles. I was a bit apprehensive that it might be textually monotonous, but they serve each course with some sides like salad or croquette, and the main course was a mild cheese souffle with the beef bourguignon in a side dish so you could pour the meat and sauce into the souffle, breaking up the taste and texture. For dessert, I was torn between chocolate and creme brulee… I love both, but the idea of a creme brulee souffle was too intriguing to pass up. My only regret was an inability to finish everything.

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I got to have just “regular” (amazing) French food in a nice neighborhood bistro. I got to have breakfast at my favorite chocolaterie: Angelina’s. This place has arguably the best hot chocolate, and the breakfast pastries were exquisite. I got some “fast food” at Paul’s, and a picnic lunch from the Marche d’Aligre which included this fantastic “blue” cheese. It’s actually a Tomme duBerry a la lavande. It’s a mild, uncooked, pressed cow’s milk cheese that’s colored blue and flavored with lavender and rosemary. With some lemon olives, fresh bread, ripe apricots, and a lemon tart for dessert it was a magical meal in the park.

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I could go on and on about the food in Paris. Many people have. I was going to say I have, but it turns out that for some reason I never actually wrote about my first time in Paris, and when I wrote about the second trip, I wasn’t very food focused because of the extreme heat wave going on at the time ruining my appetite. Perhaps the next time I go, I’ll actually dedicate myself to taking good food photos and notes so I can do a proper foodie write up of all my favorite places.

Let’s Go For a Walk

Since I never actually wrote about my trip in 2015, all the main Paris attractions that I did on the first trip never actually made it into the blog: Eiffel Tower, Père Lachaise cemetery, Sacré-Cœur, the Champs-Élysées with Arc de Triomphe, the Place de la Concorde and the beautiful Tuileries Garden.

If you happen to be in Paris when the weather is nice, these are all wonderful places to go. In 2018, I went on a cycling tour and I have almost no photos and less memory about what we saw because it was 37°C and I didn’t bring enough water. The moral here is, don’t force yourself to see the beautiful outdoor attractions if you aren’t going to be able to enjoy them. There’s plenty of museums and indoor / covered activities like street markets. I made it to the March d’Aligre on this last visit which not only had plenty of wonderful fresh food on offer, but also had a rambling rummage sale of old and lost things.

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I personally think that places like the Eiffel Tower (photo album), the Champs-Élysées, the Arc de Triomphe (photo album), and the Place de la Concorde are all things you could go and see one time for a few minutes and check that off the Paris bucket list. They just aren’t that exciting… Although, it was fun to realize that I’ve now seen the matched set of obelisks that reside in Paris and Luxor respectively. The one in Paris was given to France by Muhammad Ali Pasha, Ruler of Ottoman Egypt in exchange for a French mechanical clock in 1832. It’s twin still stands outside the temple of Luxor.

Notre Dame (photo album) is a place that I would have recommended as a one and done, however, since the fire, I’m not sure this stands true any more. I personally will be interested to see how it looks in a few years. Regardless, unless gothic architecture is your jam, it’s not worth more than a couple hours one time. It is totally worth that, because it’s a very beautiful structure, but it can be very crowded and I think it’s a little overhyped since there are a few hundred (thousand?) churches around Europe that are very very similar. But you’re in Paris, so you might as well.

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The Père Lachaise (photo album) could easily be several days of wandering through a stunning gothic mausoleum laden park taking endless photos of the natural and the macabre. Plus, lots of famous graves like Oscar Wilde and Jim Morrison. If you’re really into the dead, I think the Catacombs are a great indoor option, although I highly recommend a skip the line ticket because when we went, people were waiting 3+ hours for a tour. Also, while the above ground cemetery is definitely good for repeat meandering visits, I think that the catacombs are a single visit attraction unless you REALLY love bones.

The Sacré-Cœur (photo album) as a church is on my “one and done” list, but as a beautiful part of Paris is on the repeat visit list. The views from the top of the hill are absolutely stunning, and the culture around Sacré-Cœur is fascinating: from the roving “vendors” selling anything and everything on the steps to the famous Place du Tertre where local artist are painting and selling beautiful original works of art direct to the public.

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Last but not least, the Tuileries Garden is a large green space between the Louvre and the Musée de l’Orangerie. It’s a beautiful place to have a stroll any time of year. There’s wide open green spaces, chairs placed freely around the fountains, shady tree lined pathways, little bistros and of course a bit of a fun park at one end with a giant ferris wheel. I love to come here when I need a break between sights to enjoy the day and people watch.

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Paris Art & Feminism

I wrote a broader piece about my experiences in these two museums (d’Orsay & l’Orangerie) from my visit in 2017. In this essay, I’m going to focus on a temporary exhibition in the l’Orangerie about cubism and the unexpected feminist moment I found there.

In case it was never obvious before, I do consider myself a feminist (no I don’t hate men, no I won’t use the term “equalist”, yes I have lots of reasons. This Bustle article sums them up nicely if you want to read more). I’m constantly frustrated by the way in which all the historical artists, musicians, scientists, writers, politicians, philosophers… everything … of any note or record are almost always men. White men. Old. White. Men.

It’s not because old white men are better at these things. It is because the women who did them were suppressed. They were put down in their own lifetimes. Their work was stolen by men who took the credit. Their work was copied by men who took the credit. They were just written out of history. By the men who write history books.

Women are supposed to cook for the family, but only men can be great chefs? Women have historically been expected to spin, weave and sew yet fashion is a man’s business? Art forms that men can’t steal are just demeaned, like embroidery or textile crafting. It’s nice this is finally starting to break down in the 21st century, but we still don’t have enough of a balance in the way we teach and promote artists in mainstream culture. Adding women artists to the public consciousness doesn’t mean removing male artists, and it’s high time we start.

Many of the artists and composers and even authors on my “love it” list are dudes. I’m not going to stop enjoying their work just because I’m adding female artists to my worldview. I don’t know if I would have identified with any female artist growing up simply because I wasn’t ever exposed to any. I don’t think we have room for a limited number of artists in our lives. I think the more art the better. While we’re at it, maybe start adding non-eurocentric art and POC artists too, like Robert S. Duncanson (1821–1872) who was an African-American man who escaped to Canada during the Civil War and taught himself to paint.

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The museums in Paris, in particular the l’Orangerie, have been trying to have more women artists on display. Last time I was there in 2018 it was Helen Frankenthaler. I wasn’t that into her art because I am not a fan of abstract impressionism, but I was really happy to see her in an installation that included Rothko and Pollock. The museum talked a lot about her life and the challenges she faced being a woman in the highly sexist art scene. She was talented, dedicated and prolific yet she’s not discussed when most people talk about this period of art history.

This time, the featured woman artist was much more personally to my liking and I became much more invested in her art and identity. I am only human, and tend to spend more time and energy on the things that personally interest / impact me. If you’ve never seen her work before, then it is my distinct pleasure to introduce you to the art of Marie Laurencin.

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“Marie Laurencin (1883-1956) initially studied porcelain painting, before going on to study drawing at a school in Paris and at the Academie Humbert. She was part of the circle of friends at the Bateau-Lavoir known as the “Picasso gang”, and it was here that she met the poet Guillaume Apollinaire with whom she had a passionate and stormy affair.

Attracted to Fauvism for a time, Marie Laurencin, the “Cubist Muse”, simplified and idealized her forms under their influence. From 1910, she preferred a palette of pastel tones, particularly grays and pinks. She went on to discover the painting of Goya in Spain.

In 1920, she began to paint the willowy, ethereal female figures that she would return to later in paintings with pastel tones, evoking a magical world. She painted portraits of famous Parisian figures, and designed stage sets, for the Ballet Russes in particular. Through this, she became interested in metamorphosis, bringing together two of her favorite themes: young women and animals.”

— Informative sign at l’Orangerie

It’s not that Laurencin or  Frankenthaler have been erased. They have (short) Wikipedia pages and it’s not hard to find their paintings online. Before the internet, however, they were virtually invisible to anyone who was not an art history student. Artists like Pollok and Picasso have had hundreds of books, movies, and t-shirts made about their lives and art. They’re referenced frequently in pop culture and have been made to stand as the premier examples of their art eras.

Picasso was a womanizer, an abuser, a narcissist and highly misogynistic. This isn’t just my opinion. It’s well documented. Yet we treat him and his work as sacrosanct as though it is the ONLY example of cubism in all of history. I’m not suggesting we bury the male artists just because they’re jerks, however I think it’s time we start taking a look around and who else might be worthy of historical preservation and artistic praise.

Honestly looking around the museum that day, there was plenty of Picasso on display. It isn’t that impressive.. OK cubism did all this great stuff for “art” and the advancement of creativity, but he wasn’t the only one. I found his works that day to be coarse and overly focused on women as sexual objects. I’ve had a chance to go back through a photo collection of his body of work and I think that whoever curated that particular display may have been selecting for contrast, and I acknowledge that wasn’t a universal trait. However, that day, it was jumping out at me that he was painting women as breasts with a body and maybe a face attached.

Even though Picasso insisted on referring to her as a Cubist Muse or “Our Lady of Cubism” Laurencin didn’t think of her art as cubist, but rather more impressionist. She’s still classed as a cubist artist to this day because art historians would rather listen to how the men defined her rather than how she defined herself.

Despite all this feminism, Laurencin didn’t paint women for empowerment. She also thought they were beautiful. “Why should I paint dead fish, onions and beer glasses? Girls are so much prettier,” she once said.

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To me it seemed that she focused on their beauty rather than their ability to please a male gaze/touch. Her paintings reached out and grabbed me despite their pastel colors and watery images. The idea that a women could paint women because they are pretty the way flowers or rainbows are pretty rather than because they stir the passions of men. There have been a few queer male artists in the well documented side of history that painted beautiful women in an absence of sexual desire, but mostly you get people like Raphael who literally made up non-existent sex goddesses to paint out of the most attractive parts of the hundreds of ladies he seduced. Really early photo-shopping of models, I guess?

It isn’t to say that Laurencin didn’t sexualize women at all. Apparently she was known for attending sapphic parties “comprised of lesbian and bisexual women socialized and discussed links between female desire and creative production”. If anything she was likely bi- or asexual since her long term relationship with Guillaume Apollinaire is well documented. However, if she did sexualize women in her paintings, it serves to highlight the extreme difference in what a male and female sexual gaze focuses on.

Regardless of Laurencin’s sexual orientation, the sapphic parties weren’t lesbian orgies. The hostess and participants of those parties were early first wave feminists seeking to own their desire and creative power at a time that most women were expected to stay home and raise a family. For context, the suffragette movement in France was happening at the same time (1909-1945).

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It doesn’t surprise me to learn in retrospect that she was a feminist and (probably) queer. I didn’t really know any of this while I was standing agape in the museum wondering how it was that Picasso had been shoved down my throat my whole life while I had never once seen these ethereal and graceful monuments of feminine self-celebration. All I knew was that they were beautiful and yet strong. They were made by a woman for women (Coco Channel, above, was one of her more famous clients) and that they showed beauty within a wholly feminine framework.

For a longer and more comprehensive story of her life, I recommend this website:

https://www.theartstory.org/artist/laurencin-marie/life-and-legacy/

Vincent and Me

/ Gallivantrix / Leave a comment

I know I said I was going to tell you about Ireland, but… We passed through Paris for a few days on the way because CDG is in the middle of everything and I love Paris. Another visit to the Musee d’Orsay got me thinking about the impressionists I love, especially Van Gogh. So, this post isn’t about Ireland OR Paris, it’s about my experience at the Van Gogh Museum in Amsterdam.

In the summer of 2018, I passed through Amsterdam for a single day. You can read about the rest of the day here, but this post is dedicated 100% to the Van Gogh Museum.  It was such an inspiring and emotional experience for me that I paused to take notes about my thoughts and feelings as I was walking through the collection. Usually, I write reflections afterward, but my mind was racing with insights and inspirations so fast, I was afraid I might forget. I mentioned in my essay about the Musee d’Orsay how connected I feel to Vincent, but it wasn’t until I toured this museum in Amsterdam that I really understood the depth of my feelings.

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I didn’t include this in my original stories about that summer because I wanted to watch the movie “Loving Vincent” before I finished writing it. I finally got that chance when it turned up on Netflix for a short run earlier this year. The movie was beautifully hand painted in Van Gogh’s signature style, but I was surprised to find it’s almost entirely about his death rather than his life. The point of view character is charged with delivering a letter and gets caught up in the mysterious circumstances of Vincent’s supposed suicide.

I’ve always loved Van Gogh, and it seems everything I learned about him at that museum only made me love him more.

The Museum

The museum is so crowded. I had the very earliest time slot available and I still felt hemmed in by bodies. I went backwards from his death on the third floor to his youth on the ground level. I’m glad I started at the top because after 3 hours of wandering the displays, I felt all itchy skinned at having to deal with mountains of bodies, mostly focused on their audio tours, and many trying to take photos even though it’s not allowed except at special photo-op areas. Even then, the museum took my photo for me, and sent it later by email.

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That was a big contrast over the d’Orsay. There everyone queued up to snap photos of famous painting (yeah, me too), while in Amsterdam, people are just clumped around, usually plugged into headphones and oblivious to the presence of other visitors. I’m not sure which is better/worse. I think it would just generally be better if it were less crowded. It’s hard to get time with a painting when being jostled and stepped around. I’m glad everyone wants to experience the art but it feels like it looses something to my “oh my God get the humans off me” response. I can’t even imagine how it is during “peak” times.

I’ll talk about the main displays in a moment, but one little fun mention is the tactile sunflowers near the gift shop. Art museums are not usually targeted to the blind or visually impaired, but someone had created  a reproduction of the famous sunflower painting that can be touched. Along with touch, the senses of sound in the form of violin music with amplified sounds of the flower growing, blooming and dying (listen below), and the sense of smell with some sunflowers in a box. Interestingly, it was not only the smell of the flower but the smell of the painting as well. It’s not a part of Vincent’s art, but I thought it was an amazing way to experience art in a new way.

On to Vincent — backwards.

He died July 29, 1890, two days after receiving a bullet wound to the torso, possibly self inflicted.

Auvers-sur-Oise (May–July 1890)

 The works at the end of his life were frenzied like he knew his time was almost out of time, and he had to get as many paintings done as possible. He finished 75 paintings in 70 days, many of which are his most famous works: like Wheat Fields with Crows in Amsterdam, or Church at Auvers in Paris. There is impatience in the brush strokes and they looked massively different from a few feet away and across the room.

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The way he is attracted to the colors of night, the intense deep blue of the sky on days it gets so blue it becomes dark. The blue and pale gold of all his wheat fields that is a color scheme I would live inside if I could. He did scores of these kind of blue and gold themed paintings during his last days, but it wasn’t the first time he hit on the intensity of those countryside colors.

Saint-Rémy (May 1889 – May 1890)

Although Starry Night and Almond Blossoms were both made during this time, the paintings on display for this part of his life are drab compared to his other colors. Almost painfully dominated by brown and dark green with pale skies. He was in pain and unable to escape.

Part of the display in the museum here are audio recordings of some of his letters. We could pick up an ear piece and listen. I was entranced. Listening to his letters I could hear my own thoughts, yearning for something best called “religion”. He says that he doesn’t go to church, but he goes outside at night to look at the stars and the sky that is cobalt blue. He muses about color, that all things appear colorless when looked at too closely (sand, water, air), but that doesn’t make it true. He talks about his friends: that the bonds of friendship are one of the best things in life even if we resent those bonds in our times of depression.

I don’t know the best way to explain it other than to say his words resonated with me on a very deep level. I think we all struggle to be understood in some way and in a moment when you realize someone you admire and respect understands the way you think and feel, what’s more, understood it long before you were born… I suppose it could make someone feel less special or unique, but for me it’s like finding a friend across not just space, but also time.

Arles (1888–89)

This is where Vincent painted the famous Sunflowers, and where many people feel he truly found his voice as an artist, taking what he’d learned and finally becoming free. Van Gogh’s treasured friendships also started here where he sought an artists commune and cultivated a joyful and supportive relationship with several painters. They frequently sent letters, sketches, and even paintings to one another the way that we sent Snapchats and Memes across social media today. There is a painting by Gauguin of Vincent painting sunflowers. It is an imagination since Gauguin was not present when the sunflower paintings were made, but it reminded me of the “taking a picture of someone taking a picture” fashion in modern photography. It seems friends play the same games with images whenever they can.

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Vincent asked Paul Gauguin and Émile Bernard to each send him a portrait of the other. Instead, they sent self portraits but had a portrait of the other hanging on a wall as part of the background.  It’s such a wonderful and lighthearted sense of humor. Sadly, Gauguin was such an arrogant ass that he never granted his true friendship, and instead left Vincent always chasing after his affection and respect, contributing to his anxiety and depression, and to his eventual mental breakdown, self-mutilation, and hospitalization. I don’t like Gauguin for a lot of reasons, this is really just one more.

Gauguin with Bernard
Bernard with Gauguin

On the other hand, Paul Signac, a neo-impresionist I only recently discovered in 2018 and one who has rocketed to the top of my all time favorite paintings list, visited Vincent in the hospital twice while Gauguin was busy avoiding him, so that’s nice to know.

Paris (1886–1888)

Moving to Paris was the best thing he could have ever done. Watching him develop his color palette reminded me of the first time I realized I was allowed to paint whatever colors I wanted. I didn’t have to make it realistic. It was so freeing and I finally started to like some of my paintings. Looking at his early bright-color works they all have an awkward, exploring feeling which is quite different from the bold and confident colors later.

He used a grid for perspective, which was a thing I struggled with, and he spent years doing just drawings because he wanted to focus on shapes and poses. He didn’t only consider them sketches but full works of art which he signed. I did very much the same thing. He also had a brief but torrid love affair with Japanese culture in 1887, and that was the first foreign culture I was drawn to before I really went full globe trotter. I have never been able to afford as much paint and canvas as I want, and the advent of digital photography and graphic design gave me a much cheaper way to pursue my artistic inclinations.909px-Vincent_van_Gogh_-_Bloeiende_pruimenboomgaard-_naar_Hiroshige_-_Google_Art_Project

While many of his artist friends preferred to paint from imagination, Vincent  preferred to paint from life. I wonder what he would have thought of color photography. It’s a way to capture a scene, a moment of light and color. Modern digital effects even allow us to manipulate the colors and light of a captured image. You can make a blue sky bluer, or over-saturate the colors of a cafe at night… I think he might have enjoyed it?

The Netherlands (1881-1885)

At the outset of his artistic career, he was trying to create a look that was popular at the time and that he genuinely admired, that of artists like Jean-François Millet and Jules Breton. Millet and Breton (left) were famous for dark and drab paintings of peasant life. They were very stark and brutal depictions of what life was like for poor and hard working, technically lovely, but emotionally ugly. Of course, art historians refer to this style of painting as revealing “the beauty and idyllic vision of rural existence”. I think that’s only true if you’ve never been poor. VanGogh (right) was determined to be like them.

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He did an enormous body of work sketching local peasants and farm workers, the centerpiece of which is The Potato Eaters (below). It’s all done in the same color palette and mood as Millet and Breton, but the faces look almost cartoonish in his effort to capture feelings over accuracy.

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Seeing his still life of fruit in all brown tones, I was shocked to see it was Van Gogh and not Millet’s or Breton. 

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Just looking at the church in Nunes (left) next to the church in Auvers (right), you can see the change and growth. Yes, I promise, they’re both Van Gogh, but from drastically different stages of his artistic development.

I don’t know if he liked it, but it’s definitely a period of drab and dark colors maybe the landscape was more drab or maybe it was the influence of being near his father. He stayed enamored of Millet (left) for most of the rest of his life, and recreated many of those idyllic, pastoral scenes in his own brightly colored impressionistic style (right).

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Life Before Painting (1853-1881)

It’s said that his mother never recovered from the loss of her firstborn child and that her relationship with Vincent was strained, but he was also recorded as being a “serious, quiet and thoughtful” child. His father was a minister, and two of his uncles were art dealers. He tried both careers with little success. His father was constantly disappointed in his inability to make it as an adult. Perhaps it was his time as an art dealer that made him try his hand at creating art, and why he spent so much time and effort trying to replicate the style and subject of the famous and successful artists of the time.

Reflections

Going backwards was an interesting choice. I realize that I, like most people, love best his works from 1888-1890. It seems like such a brief time span, but he practiced art for less than 10 years before he died. It is astonishing the amount of work he produced. When people say “practice” this is really what they mean. On the other hand, he was constantly trying to improve, so the fact that he clearly did is a testament to his devotion to self cultivation.

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Watching him evolve was a rushing, intimate roller-coaster of creativity and self-expression under difficult circumstances. He didn’t have formal art training, but taught himself by studying others. He experienced enormous frustration that his attempts to imitate the respected artists he was familiar with failed. Eventually, he found a community of like minded people and permission to explore color and shape on his own in Paris. It was the beginning of finding his own true self, and yet it destroyed his mind to the point that he landed in the hospital more than once. And yet, that Parisian community is what would sustain him in the form of letters, art exchanges, and the oh-so-important stability that even distant friends can offer. 

There’s a misconception that great artists are never appreciated in their own time, but that’s simply untrue. Most famous artists throughout history were superstars of their own day, like Hollywood actors and TV stars today. That Vincent never gained any recognition or respect until after his death was likely a contributing factor to his suffering in life.

Did he kill himself? Maybe. I know that the episode of Dr. Who where Amy and the Doctor visit Vincent is one of my favorite. That it helped me process the suicide of my own dear friend to realize that we can do everything right to be supportive and yet mental illness can still take someone away as surely as cancer. “Loving Vincent” made me question his death all over as suspicious information came to light regarding the gun, the wound, and the strange behavior of the people in Auvers. Officially, his death is still ruled a suicide, but his life remains a brilliant and sad mystery in many ways. According to his brother who was there at the end, Vincent’s last words were: “The sadness will last forever”

In some ways I’m glad I did not read about his life when I was younger. If I’d discovered all our similarities at the age of 20 I might have developed a complex. I might have worked less hard to get help and spent more time glorifying what was happening to me. Instead, when I learned that we shared a diagnosis, I was content just to know there was someone else with my brain trouble.

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I remember when things were very bad thinking that if cutting my ear off would make it stop, I would gladly do so, but Vincent had already proven it wouldn’t work. I could understand the feelings that drove him to see the world in colors and swirls, that drove him mad enough to drink and self-harm, that landed him in an asylum and eventually dead. I understood the sentiment, but I didn’t know anything else about him beyond a few paintings and his suicide. Back then, I looked only at his art and at the very most well known facts about his life and felt a connection.

Now that I’ve learned more details, from his family life, to his progress through art, to his views on the universe and human relationships? I’m blown away by it.

I’m not trying to say I’m channeling van Gogh, but I’ve always felt a kinship with him. I didn’t move to Paris and join an artist commune, so I don’t have a tiny fraction of his nearly 1,000 finished works. I probably never will, because I was able to manage my state of mind better, whether from support of my community or improved medical care, who can say. The end result is that I got it under control and now I not only have a lot more responsibilities than Vincent did, I have also avoided multi-year stretches of confinement under a doctor’s care. Despite this divergence, I can say that trying to be “normal”, “acceptable”, or “popular” in his own lifetime was something he desperately wanted and could never achieve is a feeling I know all too well.

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You can see photos of the complete works of Vincent Van Gogh on this wiki.

You can explore the collection at the Van Gogh Museum in Amsteram here.

EU Mobile Data : An Informative Rant

/ Gallivantrix / Leave a comment

While WiFi is becoming more common, and the EU recently passed the free roaming rules, getting mobile data as a non-EU resident is more challenging than it needs to be. I read a lot of blogs before I went and no one really seemed to know what I should do. If you’re an EU citizen, it’s great, because you can travel anywhere in the EU and use your home plan without paying more. As a tourist, it gets … complicated.

Some people (mostly older than me) may wonder why I’m so data dependent. It is really a convenient way to combine your travel guide, phrasebook, map, and camera in one little device. Sure, paper can’t “break down” but it can be heavy to carry all of those things, and they can be lost or damaged, too. I just like being able to look up any and all necessary info on the go while traveling. How and where to get my SIM card is one of the most critical parts of preparing for a trip.

This post is part rant, and part hopefully useful information for future travelers who encounter the same obstacles I did.

Paris:

I arrived in the airport quite late at night and all the shops that might have had SIM cards were closed. Instead, I got my first SIM card the following morning at a little neighborhood shop. I opted to use LycaMobile as my service provider.

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I bought a month worth of data thinking it would work all over Europe. I was wrong. I can’t tell you what you should buy for an EU trip starting in Paris, but I advise that whatever company you chose, start with the minimum purchase and add more GB later if it works. That way if it stops working when you cross a border, you don’t loose as much. Oh, and don’t expect to be able to add data or minutes using any online form of payment unless you’re a resident of the country you bought the SIM card in since they don’t let foreign bank accounts pay online!

Belgium:
My mobile data stopped working as soon as the bus crossed the France-Belgium border. It said I was running with 3G but refused to load anything. I tried to fix it but nothing worked. Brussels has a lot of free WiFi so I survived my arrival, but the smaller towns were not so convenient.

I was stuck going to Ghent without data because it was the only time I could see St. Bavo’s, but the next day back in Brussels I tried to find the LycaMobile shop, thinking maybe they could get my SIM card from France to work.

I walked around aimlessly because I just could not orient myself on the map without mobile data to fill in the blanks. I used to read paper maps, I feel like I’m usually good at maps, but for some reason the streets of downtown Brussels were confusing as heck to me.


Finally I found it and it turned out to be two dudes in a tiny room with one fan and one desk and a lot of people in line. (That photo is from Google Maps, the day I went it was sunny and there were WAY more people in line, but this is about what it looked like.) The line was short when I walked up but it grew fast. LycaMobile is the cheap phone service of choice in the EU which is why I picked it, but I was not the only person having problems. In Belgium you have to register your sim card at an authorized shop and there aren’t many of them. The only other white people in the line were also backpackers.

The guy who helped me really did his best. He tried everything to get it to work and when he couldn’t he took it to his boss. In the end the answer was definitive: LycaMobile France and LycaMobile Belgium aren’t really the same company, just owned by the same company, so this isn’t really our product.

I don’t blame the guys at the shop (well maybe the one in Paris who should have known this was going to be a problem), but I must recommend AGAINST LycaMobile for non-EU residents who want to do multiple countries. They get good reviews online which is why I chose them, but when I went back and looked later, all the good reviews were from EU citizens.
Orange had some bad reviews from non-EU citizens that were basically once they got your pre-paid money, they don’t care if your service works.

Proximus looked like my best option so I went to find the one in the train station. The line was long again but it was a real retail store and not some shady looking box with two guys at one desk in front of a roll up security door the way LycaMobile had been. (this photo is from Proxiumus’ website, but you get the idea)

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When it was my turn the sales person helped me to understand the way the card worked as well as how to top up. For 10€ I got the card and 500Mb. It doesn’t seem like much but they’re is a lot of free WiFi around, so it is enough if you’re careful about uploading and streaming. I asked the sales clerk about the Netherlands and she said she thought it should work but urged me not to buy too much data just in case (refreshing to be urged to spend less!).

Important to note, that while the SIM must be purchased in a regulated shop and registered, top up cards are all over the place. I was told you can only top up online with a Belgian credit card, so once I leave Belgium won’t be able to get more. I was going to be in Belgium technically 2 weeks, one in Brussels and the other in Lanaken, the small town near Maastricht, Netherlands where my Airbnb was located just on the Belgian side of the border. During that week I’d be going across to The Netherlands and Germany, and I figured if the data worked I could buy lots before finally leaving Belgium for good.

One more thing I noticed, when I got LycaMobile in France I had to activate roaming on my phone for it to work… even though I was in France. I thought it was weird but also thought maybe it was a feature of the global plan that it was just always roaming.
My Belgian plan looked like normal data, no roaming needed in Belgium which is more in line with my expectations.

Later that week, on my way to Antwerp, I had another mobile mishap. I didn’t realize I needed the PIN code to restart my phone, sooooo I accidentally locked myself out for the day (the PIN was in my hotel room and I was already at the train station!) In addendum to recommending Proximus, I would urge users to carry their SIM pin on them in case the phone resets.

The Netherlands, Germany, Denmark, Sweden, Norway

Proximus worked smoothly across Lanaken (Brussels), Maastricht (Netherlands) and Aachen (Germany). I decided to buy what I hoped was enough data for the rest of my trip through Germany since I thought I would not be able to top up once I left Belgium.

I had zero issues all throughout the Netherlands (Den Haag, Amsterdam), crossing back into Belgium (Leige), and in Hamburg, Germany. The Proximus service occasionally took a few minutes to adjust to crossing a border while it searched for a new network but it operated exactly as advertised.

I also discovered the happiest of circumstances while in Germany. I accidentally forgot to use my WiFi to upload photos and it ate all my data. I had been told that it would not be possible to purchase top ups outside Belgium without a Belgian bank account, however, the Proximus website had a PayPal option!!!!! I was able to top up my account from Germany using my Korean PayPal. Plus, buying top-ups came with free Mb, so it was actually a very good deal financially. I was able to stop worrying about hoarding my data bytes and just enjoy the trip for the rest of the EU countries.

TDLR? LycaMobile BAD. Proximus GOOD!

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Moscow

I heard that there was tons of free WiFi all over Moscow, so I decided that my 20 hour layover didn’t require a SIM card. I regret this decision.

I was able to use the WiFi in my hostel with no issue, but when I tried to log into the free WiFi at the metro station, I could not get anything to load.

During lunch, I asked the staff of the hotel restaurant if there was any way to log on, but without a room number or Russian phone number it was impossible. They didn’t even have a guest account available for customers of the bar or restaurant. The more places I went, the more I realized this is just the way it works. Even Starbucks, a place famous for it’s free WiFi was inaccessible to anyone without a Russian phone number.

Wi-Fi has already been rolled out on six of the metro's 12 lines.

Eventually, I was able to figure out the public WiFi on the metro; however, two things: it only worked IN the subway cars (not on the platform or in the station), and the internet access was severely limited, allowing me to use Google Search and Google Maps, but not Facebook or Instagram. It did help a little, but it was hard because the service would also stop every time the cars pulled into a station!

So, if someone tells you not to bother with a SIM card because there’s plenty of free WiFi they are both right and wrong. Depending on when your helpful adviser was last in Moscow, there may have been an abundance of free public WiFi. However, just like the EU is changing it’s roaming rules, the Kremlin is kracking down on anonymous internet use. In 2014 the government began to implement laws requiring netizens to have some kind of ID to get online. I’m assuming this is why you have to be a guest at a hotel to use their wifi (the hotel collects your ID), or you have to get your confirmation code via text to a phone number that is also matched to your ID somewhere.

The WiFi is still free to use in the sense that it doesn’t cost money, but you can’t use it without some kind of ID. If I had known, I would have made getting a SIM a higher priority since it seems they are not too hard to find, but by the time I realized that WiFi was going to be impossible, I was more than halfway through my day and had no way to look up where to buy a SIM!

I didn’t receive any kickback for reviewing any of the companies above. This is just my experience and opinion in the hopes that my trial and error may help out a fellow traveler some day. Also, as I noticed myself, the times they are a’changin’, so if you’re reading this post in the distant future, please double check that these policies are still in effect for the time of your trip.

Using Public Transit in Europe

/ Gallivantrix / 1 Comment

I am completely spoiled by Asian transit. In Korea, my transit pass is linked to my bank card and so I just tap to get on any bus/subway/train in any city in the whole country. Tourists can buy a transit card from any convenience store that will work the same way, and also let you buy things at most convenience stores like pre-paid debit cards. I kept my transit card from Japan and used it again 3 years later with no problems. Again, they work on all the transit country-wide. I knew that visiting 8 countries in Europe would mean I’d have to navigate multiple public transit systems, but I had no idea how complex they would actually be.

This post is part rant, and part hopefully useful information for future travelers who encounter the same obstacles I did.

Paris, France:

Paris has a huge subway system, and tickets are priced by zone. It’s a good idea to look at the map and decide what zones you actually need before you buy. Buying tickets one trip at a time is the most expensive way. You can also buy a ticket book for a slight discount, which is what I did my first visit that only lasted 2 days. This summer, I was in Paris for 6 days, and wanted a better option, and one that would include buses, not only the metro.

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In the end, I bought a week long transit pass for cheaper than the 5 day tourist pass. When I asked about it the teller told me there’s no benefit to the tourist pass, that it’s basically there to bilk tourists, and I should stick to the cheaper option. Most cities have some version of the tourist card which includes “unlimited transit” and a few free attractions or discounts, however every single one I checked into was not worth it. In order to actually save money, a person would have to be running around like crazy and do 4+ activities a day!

You can see there’s a spot for a photo there, so it’s a good idea to have one ready when you buy your card. The lady who was working when I bought mine said I could add the photo later, but advised me to carry my receipt with me in case the metro authority asked to see my card and to prove it was not stolen. No need to get a fancy passport photo made, however, you can make a photocopy of your passport or other ID and use that.

Belgium:

In Brussels I got a Mobib Card with ten trips which is cheaper than buying your each trip one at a time. I was able to buy it easily in the subway station nearest to my arrival spot. The tickets are per trip, regardless of distance, and that if you have to go above ground and pass back out of the ticket scanning devices, or use a tram, there’s no transfers. Most of the Metro stations have a way you can connect underground, but be sure you get out on the correct side of the train car, since in some cases one platform leads OUT and the other leads to connecting tracks, while at other stops, it’s all the same.

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It is also worth noting that the doors on the subway cars have to be manually activated. You have to tug the handle or it doesn’t open. I was a little panicked the first time thinking I couldn’t get on, but then I saw someone else open a door and followed suit. When in doubt, watch the locals.

The only downside is that the Mobib Card is exclusively for Brussels, and I needed to figure out transit again and again when I went out to nearby cities like Ghent and Antwerp.

In Ghent I could not find the tram for a while I thought about just taking a taxi from the train station to my boat but I did eventually find it, then realized I had no idea how to use it and no way to look that information up online since the SIM I bought in Paris wasn’t working in Belgium.

I managed to get change from a convenience store and buy a tram ticket at a machine near the stop, but I couldn’t find instructions on how to use it. I got on the tram with my ticket but didn’t see any place to use it so I just sat down. Of course I was doing it wrong but no one challenged me or corrected me. I’m sure if I didn’t look like a middle aged white tourist it could have gone differently. Although I did see a lot of barrier hoping in France….

In retrospect, I think the paper tickets have RF chips in them that you tap just like a plastic transit card. *shrug, they got my money anyway.

At the Ghent train station returning to Brussels, I got confused because it looked like nothing was going back to the “Midi station” in Brussels. It turns out that there are just too many languages in Brussels. Midi is the name I had seen in Brussels, but Zuid is another name for the same thing!!!

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Overall, I think the transit issues in Ghent would have been avoided if I’d had mobile data. I did wonder how people navigated these transit options before smart phones, but I also think the technology of the trans, trams and metros has upgraded from paying cash and paper tickets to having RF chips in tickets dispensed by a machine and read by another machine. It’s great automation until you don’t know how to use it.

In Antwerp I decided to walk. The places I wanted to see were all within 30 minutes walking of the main train station and I wasn’t in a hurry. As a result, I have no idea how the transit inside the city works. On my out, the trains were running late but the kind conductor lady helped me hop off and change to a faster train at one of the stops. The tickets are somewhat flexible as to which trains you use to get to your destination.20180712_124849

The Netherlands:

First, in Maastricht, the bus company that runs the bus between Lanaken and Maastricht is the Belgian company De Lijn, and I was able to buy a ticket at the Maastricht main station. The front of the buses had a space to insert the ticket and a date/time/remaining balance was printed on it each time. I think I ended up with about 0.60€ left unused on the ticket at the end of the week, but it was much easier than trying to buy a ticket every time.

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I needed a different transit card (the OV Card) to get around the city of Maastricht, but at least I was able to use that transit pass to buy my passage into Aachen. Once I figured out the basic system it was not too bad, and the people in the Maastricht station were quite helpful in getting me the best prices when I was getting my cards set up on the first day.

The only complaint is that because Lanaken and Maastricht are smaller towns, the buses do not run often and there is no metro at all. This requires more careful planning to get to and from places, to get back to my room at night, etc. It also requires more walking since bus stops are fewer and farther between than in big cities.

Later, in Den Haag

I need to preface this by saying Den Haag was the single WORST transit system I encountered in Europe. I was not a huge fan of Maastricht because the infrequent bus schedule, and that was not an issue in Den Haag, but what turned my brain completely inside out was the pay structure and it’s deep deep bias against foreigners. In the Netherlands, you can use the OV Card everywhere, so I was able to use the same card from Maastricht, which I thought would be a convenience…. ohhhhhh no.

When you ride in Den Haag, you have to tap in and out every time because the price of your trip is based on distance traveled; however, sometimes it double tapped or didn’t tap at all so I suddenly found myself completely out of credit on my OV card with no way to get more!

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There are almost no recharging kiosks for OV in Den Haag either. I found one in the grocery store near my Airbnb, but it wouldn’t take my credit card and the cashier didn’t seem to care much. She eventually just stopped trying to even speak English which was only annoying because everyone else there had been like “of course we speak flawless English!” So, it seemed a little implausible she is the only one who doesn’t…

I tried to use the OV website to find kiosks in my area, but the website map wasn’t working… of course.

I tried to go out anyway, thinking I’d just buy a ticket on the bus but they don’t take cash and a 1hr ticket is 3.50€! I’d end up paying 7€ to go out and get back? I left the bus with sticker shock and stood around cursing the entire transit system that had robbed my card and left me with no way to top up and charged exorbitant fees to get to a top up place. Finally I decided to take the tram back to the train station and sort it out. Then the ticket box on the tram refused to take my debit card! How is a person supposed to pay for this????

I asked a ticket monitor about it because just at that moment I was feeling too honest to steal a ride. She directed me to the app where I bought a ticket then told me I didn’t need to ride all the way to the station I could just stop at Centrum and use the machine there. Great! Except when I got off to use it, it was out of order. I waited for the next tram and got on as my e-ticket was good for an hour, then realized it was going the wrong way, got off and waited again to go the other way. The only good news is they run every 10 minutes instead of 30 like in Maastricht.

I finally got to the train station and put more money on the card. I looked at my transactions history and realized that one point I was charged 4€ for a trip. If you tap in and don’t properly tap out, it’s 4€ no matter how far you go. That’s right, it costs more to mess up your transit card than to just buy the flat ticket. Gouge much?

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My tram ride back from the station? .90€! It cost me 3.50€ to go using the app, and 0.90€ to go using the card. It’s worth using the OV Card, it’s just hard to use correctly. Eventually, I was able to go online to the OV website and submit a request for a refund of the over-charges and it was granted, although I still had to get to the train station kiosk to actually claim the credit.

I specifically say it’s biased against foreigners because most people who live there have their OV linked to their bank account directly, and can easily contest overcharges or incorrect charges at their leisure without worrying about not being able to pay for a trip. Meanwhile, visitors who front load the cards can still contest overcharges, but have no recourse for getting to a charging kiosk if a mistake has drained our account.

Returning from Amsterdam

The OV card isn’t evil in and of itself. I had very little issue using it in Maastricht and Amsterdam. It was nice to be able to move from city to city without having to invest in yet more transit passes (glares at Belgium and France).

However, the vaunted European train system turned out to be a massive disappointment. I know I’m kinda old, but I remember when the dream was “get a Eurail pass and back pack around Europe for your gap year”. My parents had good things to say about the trains. The trains are 2-3x the cost of a bus in most places there. I expected the trains to be GOOD. It was not true.

I hopped on my train back to Den Haag thinking I’d had a wonderful if over-budget day and then about halfway back the train just stopped.

There was a problem with some other train stuck on the tracks (I heard because of the heat) and we sat there for about 90 minutes. The main problem with this is that I only had a small bottle of water, enough for the anticipated one hour journey but not longer after a long day in extreme heat (it was averaging 35-37C that week), and several alcohol drinks (wine with the cheese tasting, Bols distillery tour, and beer with dinner!). I even thought about buying a larger bottle in the train station and thought “no I’m ok, it’s not far.” FML.

There was a toilet in the train but no potable water. I tried to distract myself with Netflix, but I was getting insanely thirsty. We finally moved backwards to Harlem and I was told to ride to Leiden and transfer there to another train. My ticket would cover all my transfers to get me back to Den Haag, but nothing would make up for the extra hours added to what should have been a short and direct trip. At least I got to watch a beautiful sunset from the unmoving train?

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When we got to Harlem, my first priority was water and I even willing to buy some but by 10:30 at night, most places weren’t open (Europe closes at 8pm) and the one I went to wanted 2€ for a tiny bottle!!! I pulled up my reusable and asked about tap water. It’s safe to drink from the tap in Europe. The sales clerk looked at me like I had suggested eating his grandmother and said “it’s not free” with the most contempt I have ever heard in regards to being asked for water.

A Little Rant About Water

20180705_121804Ok, a business pays fees to have water, but there is no way customers are going to drink a tenth of what you use operating a food stand. Washing a single load of dishes is more water than all your customers could drink if you gave them each a cup. Water is basically free in a drinking capacity, and even if you wanted to charge me for using your tap water, 20-30¢ would way more than cover my water bottle and not be actual extortion. In a record setting heat wave. While the whole country is having train delays.

I know I was raised in the US where the first thing a waitress gives you is water and it’s bottomless and always free, but I’ve traveled a lot and never encountered such water stinginess as exists in Europe. I’ve also lived in places where the tap water is not safe and never had trouble buying drinking water at very reasonable prices, and many businesses still give away clean drinking water and public water fountains are available in parks and public spaces.

I thought France was stingy with the water but at least you could get it if you asked and in France and Belgium I was able to find some public drinking water (the photo above is a public drinking fountain in Paris). The rest of the time I filled my bottle in bathroom sinks… the bathrooms are very clean because there are no free bathrooms.

I just don’t understand the water hoarding going on here. I don’t think it would be hard to install cheap water stations like the paid public toilets to let people refill their own bottles and reduce plastic waste. If you must make people pay for water then keep it affordable. Besides, free water in tourist areas makes people stay longer. In the end the EU is calling for clean drinking water to be a human right, but F.U. if you’re travelling in a heat wave and get stuck when the infrastructure breaks!

End Rant.

Hamburg,  Germany:

I had been using Flix Bus to get between my main cities up to this point, and it’s about as advertised. It’s a cheap bus. There is usually a bathroom, and sometimes WiFi. It’s nothing to write home about, but it’s ok. Additionally, it’s often less than half the cost of the trains. When it came to getting in and out of Germany, however, the costs were suddenly inverted and the train became the cheaper option by half. Germany + trains? That has to be efficient and on time right? Oh, stereotypes, you fail me again. The trains are expensive, overcrowded and often late. Take a bus.

The train ride on DB Bahn from Den Haag was long. It took three trains and I always had to be aware of my stop because there are lots and no one will tell you where to get off. There is no WiFi on the trains in Germany. And outside the main cities I didn’t get good reception either. There was some air-con on the trains but only between stops, so it would get hot again while people got on and off. By the time I got to Hamburg 7.5 hours later I was soaked in sweat and tired. 

The good news is HVV (the transit authority in Hamburg) is great! Although the website is total gibberish, I went to their office in the station as soon as my train arrived, and the kind woman behind the counter helped me figure out what zones the places I wanted to go were in and helped me to save money on the week long transit pass. It was a tremendous relief to have unlimited transit and not have to worry about tapping in and out and possibly running out of credit due to a computer error!

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In fact, there’s no RF readers or tapping in and out at all. The HVV transit pass is just piece of paper in a plastic sleeve that you can show to the bus driver or ticket checker and it’s all good. 

However! The one time I went outside my pass’s zone, I did have to buy a single use ticket. It was supposed to be cheaper this way… it turned out to be a royal pain. I still don’t know the correct way to buy a single use ticket across multiple zones. I thought I got the correct multi zone pass to head out to Blankenese, I got on the first leg ok, but the bus driver at Blankenese refused to let me on, saying I had purchased the ticket in the wrong zone. I don’t know if he was just being a jerk or what, because otherwise it seems I’d have to buy one ticket to get from downtown to Blankenese and then ANOTHER to get around Blankenese. I ended up walking to the beach.

On the way back from Blankenese, I decided to take the ferry, which was an excellent choice. It’s recommended to use the public transit ferry as a cheap tour of the Hamburg harbor and they’re not wrong. At 10.80€, it was certainly more expensive than using land transit, but much cheaper than a cruise up the Elbe with all the same wonderful views.

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Leaving Germany, the last train

The original train I booked with DB Bahn was a single train from Hamburg to Copenhagen on Saturday, but the heat wave in Germany was KILLING ME, so I changed to a Friday ticket instead and left a day early. The new train route had two transfers, each giving me less than 10 minutes to change trains. A situation I would have thought could only be offered if the trains were reasonably on time. Silly me!

My first train was 10 minutes late in arriving, but that was ok because my second train was 15 minutes late departing, so I did at least get on it. However, so did EVERYONE ELSE. I’ve seen less crowded trains in China. Oh, and the platform wasn’t clearly marked so, even though I was standing under the sign for my train, my train actually pulled up at a totally different part of the platform and we only realized it when the hordes of people started running past us to get to it.

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The first several cars were so full that I couldn’t even get in the door. I mean, seats all full, aisles all full, stairs all full, entryway all full, full. I finally found one car I could squeeze into and found myself standing on the stairs (with all my luggage) compressed by bodies. There was an option to buy a reserved seat on the website, but I thought it was just for if you wanted to be sure you and your group had seats together or if you wanted to be sure to get one of the ones with tables. I didn’t realize they oversold the trains by so much that it was the equivalent of the Beijing subway. If you find yourself forced to take a train in Europe, pay the extra 4$ to get a reserved seat or else be prepared to stand.

As the tiny stops went by, and people got on and off, I was shuffled off the stairs and into an actual compartment where a very kind man getting off at the next stop gave me his seat and I was able to rest at last. By about halfway, most of the standing people were gone or seated, but it was still ridiculous.

That train was, of course, also late to my second connection, and I missed my connecting train altogether. The conductor gave us instructions on where to find connecting trains to various destinations and I stepped out onto the platform to wait for the last train of the day. It was going to be about 20 minutes later than my first scheduled train, but I didn’t think that was too bad.

I met a young American lady, just graduated from college and off for her summer in Europe with her Eurail Pass and we got to chatting in the station. When we boarded the next train it seemed that too would be standing room only, and two bicycles blocked off 4 folding seats entirely.  Luckily, as the train filled up, and started moving, a kind lady pointed out that there were two empty seats after all and we rushed over to grab them gratefully.

Copenhagen, Denmark:

The train took 90 minutes longer to arrive than the one I was supposed to be on, and instead of arriving in Copenhagen around 10pm, it was almost midnight. I expected the train to let us out into a train station where I could find shops, an ATM, and ticket machines for the public transit system. Instead, the train let us off basically on the street. I had no idea which building was likely to contain the train station/atm/ticket machine so I began to cast about for any ticket machine at all.

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I found one at the bus stop but as far as I could tell, the only option I could do with a credit card was to buy the Rejsekort transit card. For this you must pay for the card (80kr), then pay a minimum of 100 danish krone as a balance. So it cost me about 24 euro to get a transit card. But it was midnight and I was exhausted so I just bought it and got on the bus. Being extra sure to tap out as I exited and see the fare, I was pleased to note that even the fairly long journey out to the diplomatic quarter was about 12 kr and figured I’d be able to use that 100kr for a while yet (foreshadowing!)

The Rejsekort transit card worked similarly to the Netherlands OV Card in that each trip required a tap in and out and money was deducted from the card. However! There are two types of cards, registered and unregistered. Guess what? Of course since I bought mine from a machine at midnight it was unregistered which meant I had to maintain a minimum balance of 70kr in order to USE the card. Please remember that the trip between our Airbnb and the main train terminal is only 12kr, so that’s a little more than 5 trips in and out of town that I have to load up and NEVER USE. I was not amused.

Gothenburg, Sweden:

The local transit company here is Västtrafik. The transit in Gothenburg is good, but Google Maps has the wrong names for almost everything, so it says “get on the 10 going to abc-Swedish name” but none of the bus stops match that name on the sign. You can’t just guess by which side of the street it’s on because they use bays to remove the transit from the flow of traffic (very cool idea) so the stops are all together on an island in the middle of the roads. They have stop letters, so Google could just say take the 10 from Bay A but no. I blame Google for this failure, not the city of Gothenburg. 

Most of my time in Sweden was in a rental car, but for the time I spent in Gothenburg before getting my car, I was able to use the public transit easily enough by purchasing a three day pass which included unlimited use of buses, trams, and ferries. This is especially worthwhile since the archipelago near Gothenburg are PHENOMENAL.

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Driving in Sweden was great. The roads are in good condition and the signs are very easy to follow. It is likely going to rank in my top 5 all time road trips. 10/10 would do again.

Even with the car, when I was in Stockholm, I opted to leave the rental at the hotel parking lot and take the bus around the city. In a surprising turn of absolute convenience, I downloaded the transit app on my phone and used that to buy my tickets for the day. I’m sure there are longer term options, but I was happy to just get the single use tickets since I was only using it for two trips and it was drastically cheaper than paying for parking.

Olso and Nesodden, Norway:

I was only in Norway because I was flying out of Oslo. My Airbnb was on Nesodden, one of the fjords a ferry ride away from Oslo. A single trip transit ticket is only good for an hour, but would take more than that to reach my Airbnb from the bus station where I arrived. Do I really have to buy two tickets for this? Turns out… no.

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I took the local bus to the ferry terminal, but the buses on the fjord considered anyone getting OFF a ferry to be transferring and did not require an additional ticket. Whew. The ferry tickets were only mildly confusing, and with minor investigative skills I was able to navigate the ticket kiosk at the ferry terminal.

Once the bus dropped me off at the stop closest to my Airbnb, I was truly worried however since it was very rural, with no signs of any ticket machines near the bus stop. I had no Norwegian cash on me and was not walking distance from anything. I tried to use the transit app for Oslo, but it refused to accept my Korean bank card OR my American credit card (which was a much bigger surprise). Unlike the ultra convenient Stockholm app, the Oslo app would only accept payment from a limited number of EU countries.

In the end, I just went to the bus stop when it was time to leave and explained my situation to the driver. Of course he had a solution, and I was able to get to the ferry terminal, then from the Oslo side of the ferry, I was able to walk to the nearest train station that would take me to the airport…. where I promptly bought the wrong ticket.

Bus Terminal in Oslo, Norway (Oslo bussterminal) tickets (billettautomater) for Ruter nettbuss Bus4You IMG 6050

I’m still not sure I completely understand what happened. I went to a ticket kiosk and bought a ticket to the airport, then followed the signs and got on the train. There is no place to have the tickets checked on the way to getting on the train. Once I left the train at the airport, our tickets were checked on the way out. The ticket checker told me I had bought the wrong ticket, and that I’d bought the city public transit ticket, but gotten onto a private company express train (not clearly marked, and don’t check tickets on the way IN?). The money I’d spent went to the city transit authority (Ruter) and there was no way for the private train company to get it. I tried to offer to fix my mistake, but it seems there’s no way to fix it on the back end and she waved me on through exhorting me to pay more attention to the trains in future.

I would never have hopped on the wrong train intentionally, but it wouldn’t hurt if they had some kind of a barrier to scan tickets on the way in?

Moscow, Russia:

Ironically, as in counter to expectations, Moscow had the best running and least expensive public transit. I was only in Moscow for 20 hours, and I got a 24 hour unlimited pass for less than the cost of a single trip ticket in any European city. The ladies at the ticket counter spoke enough English for me to easily get the one I wanted.

I had a little trouble finding my first Metro station (I should have got a SIM card so my Map would work better) but once I realized what to look for in a Metro entrance, getting around Moscow was a breeze. The stations are so well labeled and the metro maps are clear (if you know how to read a metro map). Plus, Moscow is famous for it’s beautifully decorated stations. Even when I got lost because I read the stops wrong there were helpful people to turn me around and help me find my way.

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I also used the airport express train here which was crowded, but reasonably priced and running on time with no surprises. I guess there are some things communism does well?

I have come to realize that I’m a novelist, not a blogger. I think other people would have made each country a separate blog post in order to spread out the words, and get more posts out there. At 5200+ words, I gave some serious thought into dividing this post up into bite size chunks… but tbh, I’m not that thrilled to be writing about transit, and I’m mainly including it because these were hard won lessons that I hope can spare at least one other human my trials and tribulations. I also think it helps sometimes to see that the adventure life is not always one of joy and excitement, and that we must also contend with learning basic life skills over and over in each new place we visit.