The majority of the August 2019 was spent in the Irelands, but I decided that I wanted to spend a few days in Paris on the way. You can’t really fly direct from the US to Dublin (without forking over a fortune). Connecting flights go through Heathrow or CDG. Any excuse to visit Paris. I know it’s very stereo-typical, but apparently I’m more basic than I want to admit: I love Pumpkin Spice Lattes and Paris is one of my favorite cities on Earth.
Where All Good Food Goes When It Dies
Pardon my mangling of Oscar Wilde’s famous quote, but this was the thought I had the first time I had a meal in France (not actually Paris yet, since I was on a road trip from Prague and my first stop was in Metz: photo album). I have not had any disappointing food experiences in France at all. I have been trying to figure out how to afford to live and work in France doing nearly anything just so I could have daily access to the food. Since I haven’t yet figured that out, I am having to make do with an annual pilgrimage to see my favorite art and food stops.
I was only able to spend a few days in Paris this time around, so it was mostly a food oriented excursion. I wanted to get a full range of food experiences from fine dining to street food. The first dinner was at a beautiful souffle-centric restaurant called Le Souffle which serves a three course menu of entirely souffles. I was a bit apprehensive that it might be textually monotonous, but they serve each course with some sides like salad or croquette, and the main course was a mild cheese souffle with the beef bourguignon in a side dish so you could pour the meat and sauce into the souffle, breaking up the taste and texture. For dessert, I was torn between chocolate and creme brulee… I love both, but the idea of a creme brulee souffle was too intriguing to pass up. My only regret was an inability to finish everything.
I got to have just “regular” (amazing) French food in a nice neighborhood bistro. I got to have breakfast at my favorite chocolaterie: Angelina’s. This place has arguably the best hot chocolate, and the breakfast pastries were exquisite. I got some “fast food” at Paul’s, and a picnic lunch from the Marche d’Aligre which included this fantastic “blue” cheese. It’s actually a Tomme duBerry a la lavande. It’s a mild, uncooked, pressed cow’s milk cheese that’s colored blue and flavored with lavender and rosemary. With some lemon olives, fresh bread, ripe apricots, and a lemon tart for dessert it was a magical meal in the park.
I could go on and on about the food in Paris. Many people have. I was going to say I have, but it turns out that for some reason I never actually wrote about my first time in Paris, and when I wrote about the second trip, I wasn’t very food focused because of the extreme heat wave going on at the time ruining my appetite. Perhaps the next time I go, I’ll actually dedicate myself to taking good food photos and notes so I can do a proper foodie write up of all my favorite places.
Let’s Go For a Walk
Since I never actually wrote about my trip in 2015, all the main Paris attractions that I did on the first trip never actually made it into the blog: Eiffel Tower, Père Lachaise cemetery, Sacré-Cœur, the Champs-Élysées with Arc de Triomphe, the Place de la Concorde and the beautiful Tuileries Garden.
If you happen to be in Paris when the weather is nice, these are all wonderful places to go. In 2018, I went on a cycling tour and I have almost no photos and less memory about what we saw because it was 37°C and I didn’t bring enough water. The moral here is, don’t force yourself to see the beautiful outdoor attractions if you aren’t going to be able to enjoy them. There’s plenty of museums and indoor / covered activities like street markets. I made it to the March d’Aligre on this last visit which not only had plenty of wonderful fresh food on offer, but also had a rambling rummage sale of old and lost things.
I personally think that places like the Eiffel Tower (photo album), the Champs-Élysées, the Arc de Triomphe (photo album), and the Place de la Concorde are all things you could go and see one time for a few minutes and check that off the Paris bucket list. They just aren’t that exciting… Although, it was fun to realize that I’ve now seen the matched set of obelisks that reside in Paris and Luxor respectively. The one in Paris was given to France by Muhammad Ali Pasha, Ruler of Ottoman Egypt in exchange for a French mechanical clock in 1832. It’s twin still stands outside the temple of Luxor.
Notre Dame (photo album) is a place that I would have recommended as a one and done, however, since the fire, I’m not sure this stands true any more. I personally will be interested to see how it looks in a few years. Regardless, unless gothic architecture is your jam, it’s not worth more than a couple hours one time. It is totally worth that, because it’s a very beautiful structure, but it can be very crowded and I think it’s a little overhyped since there are a few hundred (thousand?) churches around Europe that are very very similar. But you’re in Paris, so you might as well.
The Père Lachaise (photo album) could easily be several days of wandering through a stunning gothic mausoleum laden park taking endless photos of the natural and the macabre. Plus, lots of famous graves like Oscar Wilde and Jim Morrison. If you’re really into the dead, I think the Catacombs are a great indoor option, although I highly recommend a skip the line ticket because when we went, people were waiting 3+ hours for a tour. Also, while the above ground cemetery is definitely good for repeat meandering visits, I think that the catacombs are a single visit attraction unless you REALLY love bones.
The Sacré-Cœur (photo album) as a church is on my “one and done” list, but as a beautiful part of Paris is on the repeat visit list. The views from the top of the hill are absolutely stunning, and the culture around Sacré-Cœur is fascinating: from the roving “vendors” selling anything and everything on the steps to the famous Place du Tertre where local artist are painting and selling beautiful original works of art direct to the public.
Last but not least, the Tuileries Garden is a large green space between the Louvre and the Musée de l’Orangerie. It’s a beautiful place to have a stroll any time of year. There’s wide open green spaces, chairs placed freely around the fountains, shady tree lined pathways, little bistros and of course a bit of a fun park at one end with a giant ferris wheel. I love to come here when I need a break between sights to enjoy the day and people watch.
Paris Art & Feminism
I wrote a broader piece about my experiences in these two museums (d’Orsay & l’Orangerie) from my visit in 2017. In this essay, I’m going to focus on a temporary exhibition in the l’Orangerie about cubism and the unexpected feminist moment I found there.
In case it was never obvious before, I do consider myself a feminist (no I don’t hate men, no I won’t use the term “equalist”, yes I have lots of reasons. This Bustle article sums them up nicely if you want to read more). I’m constantly frustrated by the way in which all the historical artists, musicians, scientists, writers, politicians, philosophers… everything … of any note or record are almost always men. White men. Old. White. Men.
It’s not because old white men are better at these things. It is because the women who did them were suppressed. They were put down in their own lifetimes. Their work was stolen by men who took the credit. Their work was copied by men who took the credit. They were just written out of history. By the men who write history books.
Women are supposed to cook for the family, but only men can be great chefs? Women have historically been expected to spin, weave and sew yet fashion is a man’s business? Art forms that men can’t steal are just demeaned, like embroidery or textile crafting. It’s nice this is finally starting to break down in the 21st century, but we still don’t have enough of a balance in the way we teach and promote artists in mainstream culture. Adding women artists to the public consciousness doesn’t mean removing male artists, and it’s high time we start.
Many of the artists and composers and even authors on my “love it” list are dudes. I’m not going to stop enjoying their work just because I’m adding female artists to my worldview. I don’t know if I would have identified with any female artist growing up simply because I wasn’t ever exposed to any. I don’t think we have room for a limited number of artists in our lives. I think the more art the better. While we’re at it, maybe start adding non-eurocentric art and POC artists too, like Robert S. Duncanson (1821–1872) who was an African-American man who escaped to Canada during the Civil War and taught himself to paint.
The museums in Paris, in particular the l’Orangerie, have been trying to have more women artists on display. Last time I was there in 2018 it was Helen Frankenthaler. I wasn’t that into her art because I am not a fan of abstract impressionism, but I was really happy to see her in an installation that included Rothko and Pollock. The museum talked a lot about her life and the challenges she faced being a woman in the highly sexist art scene. She was talented, dedicated and prolific yet she’s not discussed when most people talk about this period of art history.
This time, the featured woman artist was much more personally to my liking and I became much more invested in her art and identity. I am only human, and tend to spend more time and energy on the things that personally interest / impact me. If you’ve never seen her work before, then it is my distinct pleasure to introduce you to the art of Marie Laurencin.
“Marie Laurencin (1883-1956) initially studied porcelain painting, before going on to study drawing at a school in Paris and at the Academie Humbert. She was part of the circle of friends at the Bateau-Lavoir known as the “Picasso gang”, and it was here that she met the poet Guillaume Apollinaire with whom she had a passionate and stormy affair.
Attracted to Fauvism for a time, Marie Laurencin, the “Cubist Muse”, simplified and idealized her forms under their influence. From 1910, she preferred a palette of pastel tones, particularly grays and pinks. She went on to discover the painting of Goya in Spain.
In 1920, she began to paint the willowy, ethereal female figures that she would return to later in paintings with pastel tones, evoking a magical world. She painted portraits of famous Parisian figures, and designed stage sets, for the Ballet Russes in particular. Through this, she became interested in metamorphosis, bringing together two of her favorite themes: young women and animals.”
— Informative sign at l’Orangerie
It’s not that Laurencin or Frankenthaler have been erased. They have (short) Wikipedia pages and it’s not hard to find their paintings online. Before the internet, however, they were virtually invisible to anyone who was not an art history student. Artists like Pollok and Picasso have had hundreds of books, movies, and t-shirts made about their lives and art. They’re referenced frequently in pop culture and have been made to stand as the premier examples of their art eras.
Picasso was a womanizer, an abuser, a narcissist and highly misogynistic. This isn’t just my opinion. It’s well documented. Yet we treat him and his work as sacrosanct as though it is the ONLY example of cubism in all of history. I’m not suggesting we bury the male artists just because they’re jerks, however I think it’s time we start taking a look around and who else might be worthy of historical preservation and artistic praise.
Honestly looking around the museum that day, there was plenty of Picasso on display. It isn’t that impressive.. OK cubism did all this great stuff for “art” and the advancement of creativity, but he wasn’t the only one. I found his works that day to be coarse and overly focused on women as sexual objects. I’ve had a chance to go back through a photo collection of his body of work and I think that whoever curated that particular display may have been selecting for contrast, and I acknowledge that wasn’t a universal trait. However, that day, it was jumping out at me that he was painting women as breasts with a body and maybe a face attached.
Even though Picasso insisted on referring to her as a Cubist Muse or “Our Lady of Cubism” Laurencin didn’t think of her art as cubist, but rather more impressionist. She’s still classed as a cubist artist to this day because art historians would rather listen to how the men defined her rather than how she defined herself.
Despite all this feminism, Laurencin didn’t paint women for empowerment. She also thought they were beautiful. “Why should I paint dead fish, onions and beer glasses? Girls are so much prettier,” she once said.
To me it seemed that she focused on their beauty rather than their ability to please a male gaze/touch. Her paintings reached out and grabbed me despite their pastel colors and watery images. The idea that a women could paint women because they are pretty the way flowers or rainbows are pretty rather than because they stir the passions of men. There have been a few queer male artists in the well documented side of history that painted beautiful women in an absence of sexual desire, but mostly you get people like Raphael who literally made up non-existent sex goddesses to paint out of the most attractive parts of the hundreds of ladies he seduced. Really early photo-shopping of models, I guess?
It isn’t to say that Laurencin didn’t sexualize women at all. Apparently she was known for attending sapphic parties “comprised of lesbian and bisexual women socialized and discussed links between female desire and creative production”. If anything she was likely bi- or asexual since her long term relationship with Guillaume Apollinaire is well documented. However, if she did sexualize women in her paintings, it serves to highlight the extreme difference in what a male and female sexual gaze focuses on.
Regardless of Laurencin’s sexual orientation, the sapphic parties weren’t lesbian orgies. The hostess and participants of those parties were early first wave feminists seeking to own their desire and creative power at a time that most women were expected to stay home and raise a family. For context, the suffragette movement in France was happening at the same time (1909-1945).
It doesn’t surprise me to learn in retrospect that she was a feminist and (probably) queer. I didn’t really know any of this while I was standing agape in the museum wondering how it was that Picasso had been shoved down my throat my whole life while I had never once seen these ethereal and graceful monuments of feminine self-celebration. All I knew was that they were beautiful and yet strong. They were made by a woman for women (Coco Channel, above, was one of her more famous clients) and that they showed beauty within a wholly feminine framework.
For a longer and more comprehensive story of her life, I recommend this website:
https://www.theartstory.org/artist/laurencin-marie/life-and-legacy/
In the weeks leading up to the event, Facebook groups circulated ads, support, rumors and questions as it became murky as to whether the festival’s organizers were in fact granted the required permits to host vendors, performers and the ever important march through the crowded streets of Haeundae. There was some fear that the vendors would be denied a permit and a rallying cry for them to show up anyway and risk arrest for the cause. (Thankfully, that didn’t seem to be necessary).
We passed booths promoting awareness, selling pride pins, flags, t-shirts, art and books. We bought a few small things, more to support the vendors than anything else. One booth was just for birth control awareness, which is a major issue in Korea since it is still very stigmatized and difficult for women to use it regularly without facing harsh judgement from friends, family and even medical professionals.
While the booth selection was not as big as the Seoul event, the protesters weren’t as bad as their Seoul counterparts. There were far fewer of them, and they didn’t have any giant trailers with loudspeakers or competing musical performances. Most of them simply held their signs quietly. A few shouted slogans, but the only one shouted at me was “Jesus is love” which is not bad as protest slogans go… I mean, really it’s the same reason why enlightened Christians think marriage equality is right… love is love, man.
When the sign wavers got too close, the police gently moved them back. There was no force or violence, but the police would form a blockade and firmly move the problem folks back out of range. One man was so transported by his prayer, he knelt as close to the event as he could get, clutching his sign and praying feverishly, eyes screwed shut and knuckles white.
Frantically trying to IM another friend in the parade to figure out which way to go, we walked up and down the street lined with protesters holding signs about sin and Jesus and homosexuals out out out. When the marchers finally arrived, we found ourselves on the wrong side of the police line! We stood among the protesters who waved their fists and signs and chanted their message of opposition. From this vantage point we saw the giant rainbow flag at the head of the procession and we cheered as loud as we could to drown the voices of those around us and support the marchers we had been unable to join in time.
As the parade moved closer to us, the police moved the line of protesters further and further back to prevent clashes. We pointed somewhat frantically at our own rainbow pins and flags as we asked the officers if we could cross the line and join the group inside. Finally, realizing we were not a threat, they let us through and we joined the group of hundreds (possibly thousands) dancing and singing along to the K-Pop blaring from the backs of the trucks that had lead them on the brief march around the block.
I’m not sure what the actual parade route was, but I know it must have been short for it was scheduled to start at 4, and was more or less over by 4:30. By 4:45 everyone had dissipated and the plaza was being swiftly converted for whatever event had reserved the space for the evening hours. I also cannot report on the turn out at this time, as there has not been any English language media follow-up reporting on the numbers of attendees, counter-protesters, or police. If I get some information later, I’ll update it here.
I wasn’t sure I was going to make it this year. Some people weren’t sure there was even going to be a Pride this year. Of course, every single year since the first festival/march in Seoul in 2000 the conservative religious zealots have tried to stop the Korean Queen Culture Festival (KQCF aka Pride) from happening. They try to file legal objections. They try to file use of space applications for the same day. They throw temper tantrums and accuse foreigners of bringing homosexuality and AIDS into Korea (because there would of course never be any gay Koreans if we hadn’t infected them!). This year, the issue was with the grass.
We woke up in our slightly fancy downtown hotel, lounged around, had a leisurely breakfast and finally headed over to the plaza a little after the 11am start time. We passed rows and rows of police buses parked along the side streets. Last year, I came up from the subway and the first sight that greeted me was a veritable army of uniformed officers lining the street and crosswalk. This year, we walked in from another direction and saw a little of the behind the scenes police preparation as well as walking through some of the protesters who were stationed next to the festival exit and a subway station. I knew what to expect going in from last year, but my friend said that walking past all the police and protesters made her feel anxious about the day. The reported police presence was about 6,000 officers.
The protesters outside are entirely Christian, but there are plenty of Korean Christian churches that came inside too, eager to point out their own perspective on the Bible and love (hint: it’s about inclusion, acceptance, and more love!). One group had even made a pamphlet that deconstructed the most common biblical arguments against homosexuality and explained the verses in historical context. But mostly they just wanted to show that the church can be accepting too. There was more than one Jesus costume at the event as well, and while the one making the rounds in the media seems to be a white guy (*sigh), I found this Korean one first. His sign is surprisingly excellent when you look closely at the comparison of Christianity hope.ver and armageddon.ver.
There was also spiritual representation from the Buddhists! I accepted a pamphlet from one nun, which after some time spent translating seems to give the following basic message: while Buddhism condemns sex in general as being one of the things that ties you to the material world (monks and nuns are supposed to refrain entirely, but lay people are expected to do it in moderation, like alcohol consumption or meat eating) that there is no specific teaching about who you have have sex with or what type of sex you have (they listed 3 choices: vaginal, anal, and oral). The takeaway for me was that Buddhists should not condemn queer sex because of it’s queerness. One should regard all types of sex equally (while still bearing in mind things like adultery and unchecked lust are bad for everyone, too). If you’re going to accept that regular folks get into loving relationships and have sex while straight, you have to accept the same for all other flavors too. This was the first year a representation from any Buddhist temple came to the festival. It was glorious.
Later on, we spotted Wonder Woman and a jedi (maybe young Aniken?) facing off on the stage, but I only made it close enough for a couple pictures at the end. I’m still not sure what they were doing, because that’s a serious genre clash. Once I was up near the stage, surrounded by people with much nicer cameras than mine, I got lumped in with the more official press (since our press badges weren’t different) and was ushered right up to the edge of a small clearing where I got a front row seat to watch the LGBTQIA traditional Korean drum performance. This is the classic drum and cymbal parade that accompanies every event and festival in Korea and it’s great to see the traditional cultural arts merging into the new cultural milieu.
When I first found out about the festival in March, I was excited to see it. When I found out it was the 17th annual one, I was blown away. Try as I might to keep up with real news and world events, I still had a solid perception that LGBTQ+ rights platforms were the domain of the West (and that America might actually be the farthest behind in that race) while the rest of the world lagged far behind in tackling this important civil rights issue. I saw things like Russia banning LGBTQ+ at the Olympics and China striking down gay marriage as signs that the East just wasn’t doing that much.
Korea just recently had, for the first time, two (famous) men 
Previous years’ festivals have seen large groups of protesters who have screamed at, spat at, taken pictures of, and occasionally engaged in greater displays of violence and harassment toward the festival goers. They’ve reportedly lay in the street to block the march, and even engaged in physical violence against the police to try to get at the Pride participants. Protesters have tried to shut out Pride by booking up the space, nearby spaces, and hotels to keep people out. This year, the conservative anti-gay Christians tried to petition the courts to shut down the festival on the basis of public indecency, but they were denied. However the Korean culture may feel about LGBTQ+ currently, at least the government respects everyone’s right to peaceful assembly, which is awesome. More than merely respecting it, the government issued stern warnings to the protesters to refrain from violence, because violent protests are illegal.
My Busan Bestie and I headed to Seoul Friday after work, arriving after midnight and experiencing the very beginning of the Seoul public transportation headache. We managed to find the right bus, but missed our stop and got stuck on the wrong side of the bridge, which I guess technically people walk across, but it was the middle of the night and we had luggage, so we thought, oh hey, we’ll just take a taxi… nope. Scarcely any to be had and none for us. We finally found another bus and got back on the right side of the bridge but didn’t make it to our hotel for almost 2 hours after our train arrived. Why didn’t we take a taxi from the train station? Well, the line for real taxis was 30 people deep and no taxis were coming, the bus ride was only supposed to be 30 minutes, and as we found out later, there are plenty of fake-out taxis waiting to charge you an arm and a leg for a 15 minute drive.
When we finally emerged from the station, we were greeted by a huge wall of police. I saw the protesters well before I saw the festival. They were set up across the street with a giant stage where they were having speeches, performances, and blasting Christian music in an attempt to drown out the Pride music. The streets around Seoul Plaza were lined with police standing shoulder to shoulder. When the light changed, they parted to allow us access to the crosswalk by which we entered the park. I have to admit, I was becoming anxious, and not in a good way. My heart was aflutter and my adrenaline was definitely going. I’m in no way anti-police. My sister is a police officer, and I have a lot of respect for the men and women who do a necessary and often thankless job. In the US, if I get pulled over or approached by an officer in public, it does not make me nervous. But something about seeing thousands of officers creating a human wall made me more than a little twitchy.
Speaking of being free to be themselves, the festival also went out of it’s way to make the space especially safe. In the past, protesters used pictures of festival goers to publicly shame them, or get them fired, or even disowned by family. It’s no laughing matter to be Out here. Homosexuality can’t get you arrested, but there are no laws protecting employment yet. Many families feel it’s shameful and will disown children who come out. LGBTQ+ Koreans mostly have to pretend to be cis-het to get by. A few have managed to make enough money that they aren’t afraid to come out, like the filmmaker who petitioned for a marriage to his lover, like the small community of drag queens that simply make their living as performers. But the average person is hiding. This festival is a chance to be among people who accept and understand, but the attendees probably have to go back to homes and offices where they have to pretend again, and thus, having their pictures plastered on the internet can be scary and damaging.
The festival made it clear that anyone taking pictures for anything other than strictly personal use (eg, keep it on your phone and never show it to anyone) must get a press pass and sign the agreement. I like sharing my pictures, so my first stop upon entering the park was to the press booth. I read a multi page contract that stated the rules for taking and sharing photos. It was heavy on permission. (yay consent!), and very strict about not posting anyone’s face you didn’t get permission from. I asked people all day, and handed out cards to the site so they really understood where the image was going. They also collected our IDs, so they can hold us accountable should someone take issue with my following the rules. I told my school where I was going that weekend because I don’t like lying, so I personally am not worried about it ‘getting back’ to my employer, but I know it’s a real issue for many Koreans and I’m glad the festival took such pains to protect them.
After securing our press passes and verifying our reservations for the after party, we slowly started to explore the booths that lined the plaza. Unlike events in the US, there was very little corporate representation. And unlike events in Korea, there was a lot more than endlessly repetitive booths of food and trinkets. Most of the booths were operated by groups trying to raise awareness and understanding for some aspect of the LGBTQ+ community. There was a group called “Dignity for Soldiers”, another booth was from the first (and only) NPO that does outreach and support for at-risk LGBTQ+ youth in Korea. There were booths for just about every shade of the rainbow including Trans, Poly, Pan, Ace, Bi, BDSM… I think maybe the only sexual type not represented were Furries. But it’s ok, I found one in the parade later on.
ady in rainbows and feathers who, when I asked if I could take a photo, told me she was with the US Embassy. It turned out there was a whole row of Embassy booths there, each country sending official representatives to support LGBTQ+ rights (and promote tourism, let’s be honest). And for just a few hours, I was really proud of my country for making this public, overt, international, diplomatic, and above all enthusiastic statement of support for LGBTQ+ and gentle pressure for Korea to catch up. (
rain, they dancers just put on some plastic ponchos and kept right on dancing. I heard later that some of the protesters had apparently been praying for rain to ruin our day. I can only imagine their frustration when we didn’t let it dampen our spirits. If anything, it was a refreshing cool down during the summer heat!
The “parade” did have some “floats”, but it was not what we tend to think of as parades these days. There were a few trucks out in front with banners and people in costume on display in the truck beds, but the majority of the affair was much more akin to a political march than a celebratory parade. The walking area had us leaving the plaza, going up several blocks and around a big loop before returning to the plaza. It was around 3km, so not a huge hike, but definitely enough to attract attention, which was the point after all. The trucks out front 
had a few decorations, mostly pink triangles and rainbows, and the people on the trucks were holding pro-love signs and dancing to encourage the crowd. There was nothing like a “parade float” in sight. Actually, that’s not totally true, the protesters had some pretty swanked up gear on the side of the road, but they didn’t march with us.
There were plenty of protesters right at the start of the route near the plaza, but as we went on, their number dwindled and the amount of supportive bystanders increased. I’m so incredibly proud of the marchers that day.
marchers yelled back “I love you”. We echoed their “hallelujah”s and smiled at them and blew them kisses. I’m personally a big fan of meeting hate with love, but it’s 
As the protesters fell away, we began to notice people on the sidewalk holding signs of support or waving and smiling and giving us thumbs up signs. Restaurant owners leaned out of their second and third story windows to wave down at us. A group at Starbucks had clearly planned ahead, because not only had they gotten seats right by the window, but they all held up rainbow signs reading “support equality”.
The location for the party was stunning: a man-made island in the river. The buildings were huge and fun to look at with sweeping shapes and color changing windows. The party itself was a little lackluster for my tastes, but the one great thing about it was that it was about 98% Koreans. I sound like a broken record, but a lot of events I’ve gone to have had a large expat attendance and that’s fine for fun fun festivals, but this is more than that, it’s a civil rights movement with some party trappings and there can’t be a movement if the people of the country aren’t behind it, so it made me really happy to see so many Koreans there being openly gay in a way they can’t be in their day to day lives yet.
There were some vendors in the main hall selling snacks and t shirts. The VIP lounge was quite classy, but the line for the bar was insane. The mojitos were outstanding, however, and there was a classical quartet performance as well. The dance floor was roomy and the DJs were fun, but he dancing was very Korean. This meant that groups of people got up on the stage and danced the moves to K-pop songs while the audience/dance floor did their best to keep up with the same moves… that they all knew… to all the songs. This is an aspect of Korean culture I may just never get used to.
That lasted until Monday morning when I opened my Facebook.
This Monday was the same way. I read the news, several times. I even went to google to find an actual journalistic report or 20 and not just some Facebook posts. I got dressed, cooked breakfast, went to work. Explained to my co-teachers that I might be a bit emotional that day because there was a horrible mass shooting in my home country and proceeded to get ready to teach classes. I think I made it through 2 classes before I actually started crying. I didn’t know anyone involved. I’m somewhere beyond “colleagues” yet well inside of “lookie loos” on circle of tragedy in 
Love and belonging are the third tier of Maslow’s hierarchy, only overshadowed by the need for food and safety and integral to achieving esteem and self-actualization. They are NOT OPTIONAL for humans.
America is fascinated, hypnotized, enslaved to the idea that every issue has two and only two sides which are so opposed to one another that any form of compromise or middle ground is simply unthinkable. I don’t mean uncomfortable to think about, I mean, people’s brains are actually incapable of thinking the thought. Thought rejected. This is known as the “
Even in this way, Americans are dichotomous. You love it 
And while we’re at it, a side note on false equivalencies. , such as this lovely comparison of Obama to Hitler. Both were in favor of a policy, therefore they are the same? No. Obama =/= Hitler. 
We need to stop buying into A or B. We need to ask “why” about everything over 
In America, when someone says something insulting (about your faith, your lifestyle, your weight, appearance, gender, orientation, skin color, etc) the result is all too often “You’re an adult, suck it up”. The expectation is that adults should just be able to deal with being insulted or having their feelings hurt (even though arguably many of these insults are signs of bigotry and oppression and not just about hurt feelings).
America is overly negative. I definitely feel like America is turning (has turned?) into one big crab bucket. People tell me all the time “every place has problems” as a way of minimizing the problems in America or somehow trying to equate them with problems in other places. People tell me all the time, “not everyone can just leave” as a way of reasoning out why they can’t.
Gallivantrix 