Amsterdam: Cheese, Gin & Canals

I chose to do Amsterdam as a day trip from Den Haag. I looked at rooms in Amsterdam, and even the possibility of renting a flat for longer, but the city is just so insanely expensive, I couldn’t justify it. I left Den Haag as early as I could in order to cram as much Amsterdam as possible into one day. I enjoyed the canals, and the beautiful architecture while walking around.  My top priority was the Van Gogh museum (posted elsewhere), but I also enjoyed a cheese tasting class, and a tour of the Bols distillery where I learned the true meaning of Dutch courage, and a nice stroll along the canals.


Landmark Photos

Right outside the Van Gogh museum is the main entrance to the far more famous Rijksmuseum (which I did not have time for on this trip), as well as the “I Amsterdam” sign that EVERYONE needs a selfie with, and a rather large sculpture of an astronaut floating over a nice shallow pool where everyone was playing and splashing on the hot summer day. I don’t have a story because I didn’t try to fight the crowds to climb the letters, but I thought you’d like to see the photos anyway.

 

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Cheese Tasting

Dutch Gouda cheese is famous. Well, cheese famous anyway. I am a cheese-a-holic, and gouda is at very least in my top 10 favorites. I couldn’t visit the home of gouda without doing a cheese tasting. I managed to find something that was a little bit more than just a taste however when I stumbled on to Reypanaer. I signed up for a cheese tasting CLASS.

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This was no mere cheese taste, it was truly a learning experience. The woman instructing us reminded me of Minerva McGonagall if she were Dutch instead of Scottish. We were given a paper to record our impressions of each of the cheeses, and we were taught to recognize common notes in cheese like “wood”, “grass”, “caramel”, “alcohol”, “salt”, “butter”, “cream”, “vanilla”, and “nutty”.

Each cheese was paired with an appropriate wine or port to enhance the experience. Our teacher had us examine the color first, while she would tell us about the cheese itself. When we sliced, we were told to slice thinly, not because the shop was being stingy with samples, but because thin slices of cheese allow you to taste the more complex flavors more fully (we were allowed as many slices as we liked until it was time to move on to the next flavor, but really they were so rich I couldn’t eat much and didn’t feel like I needed to). Next we were asked to smell the cheese and think about what kind of smells we got. Finally we were allowed to taste it and asked to think about both flavor and consistency as we took our notes.

When everyone had tasted and jotted down some basic impressions, we talked about what we had experienced and our teacher guided us toward a better understanding of the complex flavor experiences of each cheese. I think a lot of the people in the room just wanted to eat cheese and drink wine, but I very much enjoyed the classroom environment and the chance to learn more about the traditions of Dutch cheese making. I think the informative instruction enhanced my experience of the flavors and textures of the cheeses by making me more aware of what I was consuming and how I was perceiving it.

Our first cheese was a chèvre affiné, a 4 month aged cheese made from goats milk. My mother thinks she hates goat cheese because she’s never eaten this. It was not the most amazing cheese I’ve ever eaten, but I could eat it regularly with a side of sliced fruit and not be sad. It had notes of butter, grass, and bread. The color was almost pure white, and the texture was quite smooth while still being firm.

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The next cheese was a chèvre gris, a 10 month old goat cheese with notes of hay, caramel, and bread. The color was nearly identical, but the texture was more crumbly and there was some presence of salt crystals (as cheese ages, salt crystals form in the cheese, no extra salt is added, this is a natural process as the moisture slowly evaporates over time). The flavor was strong enough that I would choose to eat this in moderation, or as a meal finisher with some nuts.

From here we moved back to cow’s milk cheeses in the Gouda family.

Taste #3 was a 6 month old Gouda the color of a fall harvest full moon. It was very creamy and highly munchable. Another great option for a finger food platter or a sandwich cheese.  Taste #4 was the Reypanear 1 year aged Gouda. It was recorded in my notes as “zomg spicy zingy full on wow”. It was amazing how much another 6 months on the shelf could change the flavor of the cheese. Salt crystals were beginning to form, the texture was a little dryer and the flavor was a million miles higher.

If I thought taste #4 was amazing, my tongue was not prepared for taste #5, a 2 year aged Gouda from the Reypanear fromagerie. I really believe my taste buds died and went to heaven and reincarnated back into my mouth. I recorded the color as “smokey topaz”, the smell as “caramel, alcohol, chocolate, nuts, and vanilla”, the taste as “all the flavors on a magical journey”, and my overall impression as “could eat it forever”. It’s strong, with a crumbly texture and visible salt crystals, and it is one of the most amazing things I’ve put in my face.

And lest you think I was just getting a cheese high and every taste was better and better, I did come back from the edge of ecstasy on the last cheese of the class: #6, the 3 year old Gouda. I still enjoyed it very much, but it was far more sharp with almost a citrusy overtone, and something I would only eat occasionally. While everything else was served with wine or port, this was appropriately served with scotch whiskey.

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Not all Gouda are produced alike. Please don’t read my reviews and get some random 2 year gouda and then get mad when it doesn’t change your life. Like most foods, the quality of ingredients count for a lot, and in the case of aged foods, the environment has a big impact.

Reypanaer uses as much grass fed cows milk as they can to get the best tasting milk. Much like Cantillon, Reypanaer allows the curds to rest in trays and collect unique wild microbes from the environment that will be crucial to the flavor of the finished cheese. In addition, their cheese is aged in old-fashioned warehouses where the only controls for temperature and humidity are opening and closing various doors around the space. The warehouse itself is considered a micro-climate because of it’s long tradition of aging cheeses and the accumulation of special bacteria, fungi and molds that add to the flavor of these naturally aged cheeses.

Cheaper, mass produced cheeses use sterilized climate controlled rooms to age the cheese and get a fast, inexpensive, and easy way to get a consistent product. The old fashioned techniques at Reypanaer are labor intensive since cheeses must be checked regularly during the aging process and the warehouse environment must be carefully balanced by humans instead of machines. In the end, there’s nothing wrong with using a factory produced cheese on your sandwich, but the difference in quality and gustatory experience is so significant that I must recommend to every cheese lover to try such a traditionally made cheese at least once in your life. Take my word, I’m officially an expert in cheese tasting 😉

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I got a steep discount by purchasing my Reypanaer and Bols tour tickets together, anb after the cheese class, I took a nice walk to clear my head and my palate. On the way, I passed an enormous and imposing building that I thought must surely have been some kind of castle or government building, but it turned out to be a shopping mall… Europe has too much extra architecture!

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Bols

Ever wonder where the expression “Dutch Courage” comes from? Well, I found out at the Bols Distillery.  Upon presenting my ticket at the main counter, I was given an audio guide, a little vial of liquid, and a token.

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This tour was totally self guided and I could play, pause, skip or repeat portions of the pre-recorded audio guide as I wanted. The first room was a timeline history of the distillery and the evolution of their product over time.

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As you might guess from the photo, the history starts in 1575 when the Bols family started making flavor infused liquor with cardamom, orange and cumin. In 1664, the family started producing Genever, a kind of distilled spirit made of “long fermented rye, wheat, and corn”. By 1700, Bols became a major shareholder in the Dutch East India trading company, giving them access to so many spices from around the world, and leading to the development of more than 300 unique flavors, as well as untold post-colonial damage to the cultures that originally grew those spices. It’s still weird to me how proud the Dutch are of their role in that part of history…

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In the 1800’s they got really good at making a totally unique version of Genever with a proprietary distilling technique and the addition of a secret recipe of botanicals – mostly juniper berry, but also anise, ginger, hops and angelica (an herb described as “earthy, herbal, and reminiscent of wormwood, so no I don’t know what that tastes like either). Later that century they began to also age the Genever in oak barrels. During the Anglo-Dutch wars, British soldiers would drink Genever before battle to steady their nerves and it became known as “Dutch Courage”. When the war was over, they missed the beverage and English Gin was born. Although the original Bols recipe was discontinued for a while, it was resurrected in 2008, so you can still taste it today.

The next room was filled with a display of tiny delft pottery houses. The Dutch Royal Airline (KLM) gives out these collectible and limited edition bottles to their first class passengers since the early 1950s.

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Once the history and art lessons were past, the museum took a decidedly sensory turn. Instructions on the wall as well as in the audio file told me to enter one of the small experience rooms and to keep my flask at hand. It was time to use the little bottle of liquid I’d received at the beginning of the tour. I couldn’t help but feeling a bit like Alice holding a “drink me” bottle, but I figured if it wasn’t safe, then it wouldn’t be legal either. Once in the room I was given a countdown and told to consume the whole bottle’s contents (it was a large swallow, nothing crazy) when the counter reached zero. With trepidation and a leap of faith, I did as instructed and was rocked to my core with a whole body multi-sensory experience. 

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As soon as the timer hit zero, the experience began. I slugged my liquid and the whole room erupted in sound, light and vibration. The vial was not alcohol, but pure flavor. It started berry fruity, went on a trip through spicy, and finished with citrus and mint. As I was tasting these intense flavors, my eyes were treated to a series of colors, my ears were regaled with changing sounds, and my body tingled from the vibrations of the floor coming up through the soles of my feet. It was like someone just flipped the ON switch for all my senses at once.

And lest the sense of smell feel neglected (though that liquid was so strong, I’m pretty sure it came up my sinuses anyway), the next room on the tour was a rainbow smelling room. The Bols Distillery was starting to seem less like a museum and more like an alcoholic version of the Wonka factory! More than 30 smells were ranged on the wall, and by squeezing the bulb, a puff of scented air would come forth. The bottles were labeled by number, and the name of each flavor was revealed if you lifted the number. It was fun to play sniff and seek, trying to guess each one of the Bols flavors as I went, and it also gave me a good idea of which ones I liked the best, so I could choose my cocktail later on.

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The final display room got into more details about the ways in which infused liquor is made. I’ve actually had the chance to play with making my own infusions with fruit, spices, and vodka, so I knew a little, but it was a very thorough display. There were jars of spices and fruit peels on display, as well as a mad scientists laboratory worth of glass jars, copper pipes, and mysterious floating things.

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You can see “maceration” and “percolation” in this photo because the main goal of this display was to show the ways that flavor is extracted from fruits, nuts, herbs, and spices and turned into delicious drinks. Maceration is just soaking your stuff in the alcohol (this is what I did at home). Percolation is basically how coffee is made, you drip the liquid through the ingredient. And because no mad scientist lab would be complete without a big red button…

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Don’t worry, it doesn’t do anything sinister. Once the tour shenanigans were over, I was released out into the Bols cocktail bar where I was able to redeem my token for one free cocktail. I ordered the Spring Amour, a lavender colored, floral, lemony drink. I had been intrigued by the fragrance of the Parfait Amour in the smelling room, and this drink seemed to be a good mix: 40ml original Genever, 15 ml Parfait Amour, 30ml lemon juice, and 10ml simple syrup, with a sprig of fresh mint. I chose the Parfait Amour based solely on my olfactory experience on the tour, but later I found this description, “a beautiful dark purple liqueur flavored with flower petals and vanilla, together with orange peel and almonds. The Parfait Amour liqueur flavor is centuries old and probably one of the most fascinating and complex of all the Bols liqueurs.” I chose well.

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Walking Around Amsterdam

After my Bols tour, I tried to walk to the antiques area but it was all closed up by the time I got there. It really is amazing how much of Europe closes up at 6pm. When I read about the quaint area of Nieuwe Spiegelstraat, the blogger I read recommended going in the evening to see the shops lit up, but I think they must have gone in the winter when the sunset / street light time is before closing rather than 3 hours after it. Summer days are looooong. 

I had also planned to do a walk from Nieuwe Spiegelstraat through the Red Light District on my way to the train station but I was pretty wiped out from heat, walking, and day drinking. I looked at a lot of restaurant menus before I managed to find a place to eat for less than 15€. Amsterdam is, as I may have mentioned before, insanely expensive. I wasn’t looking for a fancy meal, just a simple sandwich and beer! In the end, I was very happy with my choice. I tried a local specialty of ossenworst, an Amsterdam local raw beef sausage. It’s beef spiced with salt, pepper, cloves, nutmeg, mace and lightly smoked. OM NOM NOM.

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After dinner, I walked through what should have been the Red Light District according to my maps, and while I did see more ads for clubs and sex shows and smelled a lot more pot fumes, I was either on the wrong street or it was too early. I’ve heard it only comes alive after sunset and during the summer dark is not until around 11pm. At 7-8 in the evening, I didn’t see anything risque. I did find China Town and closed Buddhist temple, and took plenty of photos of the beautiful Amsterdam canals before returning to the train that would eventually get me back to my Airbnb in Den Haag.

 

 

 

 

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Nazi History from Inside Germany

Everywhere I went last summer had been impacted by WWII, but I mostly avoided war memorials so my encounters were more side-notes like, “people hid in these caves”, or “the Allies / Nazis used this tower / bombed this building”, or “here’s where we smuggled Jews out”, but everyone else had the by-line “we were invaded, it’s not like we wanted the Nazis here”. Since the Nazis originated in Germany, you can imagine the story isn’t quite the same, and yet Germany is (rightfully) not proud of it’s role in the war. I always take photos of the signs in museums to help me write later, but in this case, I’ll be quoting those signs rather than summarizing them because I feel like the way that the Germans handled the history is much more significant to this post than the history itself. You can read about the events of WWII on Wikipedia, but you can’t hear the voice of Hamburg unless you go there.


Church Days
It started out like many other historical museums of ruins, the various buildings and rebuildings of the church over 900 years. There was some information about the reformation and the change from Catholicism to Lutheranism… normal church history stuff accompanied by some statues, stained glass, and other relics from the history of the building.

The history of St. Nikolai began in 1195 when Count Adolf donated to the cathedral a plot of land on which a chapel was to be built. This chapel was dedicated to St. Nicholas, the patron saint of seamen and merchants.

Over the following centuries St. Nikolai gradually grew to become one of Hamburg’s largest parishes. Growth of the parish as well as natural disasters called for the constant enlargement of the building. In 1527 the change brought about by the Reformation movement made itself felt as well. Johann Zegenhagen became the first Lutheran Senior Minister.

St Nikolai was destroyed in the Great Fire of Hamburg on 5 May 1842. It was only four years later that the cornerstone was laid for the new neo-Gothic church designed by British architect George Gilbert Scott. The spire, finished in 1874, is still the fifth highest sacred building in the world.


Propaganda Machine!

Since the days of the Hanseatic League, Hamburg has played a major role in German politics and economy. Because of its importance for trade and industry, the Hanseatic city was given the title of a Führerstadt (Fuhrer City) in the 1930s. Adolf Hitler personally was strongly involved in Hamburg’s urban development plans. A large part of the population sympathized with Hamburg’s role as the new Reich’s ‘gateway to the world’.
Hamburg’s population had been prepared for a possible air war at an early stage. The construction of air-raid shelters and ARP training were meant to boost confidence in the system. A wide range of propaganda measures aimed at strengthening the Volksgemeinschaft (national community). 

Hamburg’s citizens were meant to cope with the challenges of aerial warfare in a ‘soldierly’ manner. Propaganda Minister Goebbels even hoped for a positive effect on the coherence of the community. The air war, he said, could tear down class barriers and create the true Germany.

*ARP stands for “Air Raid Protection”

Air War: Entertainment for Young and Old

Right from the beginning, the Nazi regime had pretended that civil air defense was perfectly normal. A board game called Luftschutz tut not! (Air raid precautions are essential!) introduced entire families to the everyday life of air war. Entertainment and war was not a contradiction in terms.

The Fascination of Bomb Craters

Given the initially ‘successful’ German campaigns, war seemed to be a long way off. Early air raids on Hamburg were considered a rarity. Bomb craters and destroyed houses became popular sites for outings that people could then talk about.


Increased Air Bombings Used by Nazis to Further De-Humanize Jews/Minorities

The history preceding the events of summer 1943 began no later than on 1 September 1939 when Germany invaded Poland. The decision of the Allies to area-bomb the city of Hamburg was also a response to earlier German air raids. The massive destruction of Warsaw, Rotterdam, and Coventry by German bombers fleets was paid back to the German “home front” in the shape of a firestorm.

The Nazi regime had begun long before 1943 to prepare the population for bombing. The systematic exclusion from the air-raid shelters of specific categories of people again demonstrated the regime’s contempt for humanity.

The relatively successful operations of German forces represented a massive challenge to the Allies. Political and military developments led to a fundamental change in strategy. After targeted raids had been made against Hamburg’s industry, Operation Gomorrah was intended to break down support for the Nazi regime from the German population. In the city on the Elbe the Allies’ area-wide airstrikes exacted the highest toll of casualties so far in the bombing war.

As the bombing increased leading up to 1943, it only fueled the Nazi desire to punish the Jews and other “unwanteds” living in Hamburg.

As in all parts of Nazi society, Jews and other marginalized minorities were excluded from official ARP. At most, they were permitted to seek refuge in self-made makeshift shelters.

As the war advanced, discrimination and exclusion intensified. In the wake of the first major air raids on Hamburg the Gauleiter, Karl Kaufmann, turned to Hitler asking for help. He intended to deport Jews to benefit those who had been bombed out.

With Hitler’s approval, thousands of Jews were deported. Their homes and part of their possessions were distributed among bombed-out ‘Aryans’.

Some citizens applied specifically for such homes and quite knowingly benefited from the deportation of the Jews without showing the slightest trace of a sense of guilt or wrongdoing.

On display were the actual records of items that had been taken from imprisoned and deported Jews and auctioned off to loyal ‘Aryan’ citizens.

The Story of the Ledermann Family

The preserved letters of Anita Ledermann, a Jewess, shed light on her life and that of her family during the air war. All in all, 72 letters to her friend Gunnar Schweer, and his family were preserved. She reported about the increasing oppression by the Gestapo, her experiences during and after the bombing, her futile attempts to leave the country, and finally her farewell before being deported to the concentration camp in Theresienstadt.

Anita and her parents were later killed in Auschwitz. Only her sister survived as a forced labourer in Saxony. Auction files document that Hamburg citizens acquired the abandoned possessions of the Ledermanns at a bargain price.


Operation Gomorrah

Attack on Hamburg

Operation Gomorrah began on the night of 24/24 July 1943. Over the next ten days, British and US bomber fleets destroyed a large part of Hamburg. About 34,000 people lost their lives.
This catastrophic event made a deep impression on the population. Nevertheless, each individual experience offered a unique and very different perspective. Both the pilots carrying out orders and the population seeking refuge in – sometimes only makeshift – air-raid shelters were scared to death.

During those days and nights Hamburg was permanently on alert. With their suitcases packed, citizens waited for the next air-raid warning. Only a few of them found places in the shelters that were thought to be safe. Jews and foreigners and forced labourers were automatically refused entry. Many of them searched in vain for shelter in the burning city.

Those persecuted by the regime feared for their lives, but at the same time hoped for liberation.

The City of Hamburg also used prisoners of the Nuengamme concentration camp for clearance work. In constant mortal danger and under dreadful conditions, they were forced to clear rubble, retrieve bodies and look for unexploded ordnance. The people of Hamburg could see them and occasionally came into contact with them.

Recovering bodies not only caused extreme psychological stress, but was also highly dangerous because parts of buildings came crashing down. Some boroughs in the east of the city had to be declared restricted zones because the danger of an epidemic loomed.

Stories of what was going on in Hamburg, oppression and exploitation, evidence of such things which actually made me cry because the stories are so personal. This person was taken away and their home and goods were redistributed to “good party members” whose homes were lost to air raids.

The propaganda. The division of classes. The way that those not deemed worthy were denied safety. I was struggling. This was the reason I didn’t want to go to an actual war memorial. If this little underground museum is so full of pain, what is it like at the ruins of Dachau?

And then I watched a film about the Firestorm in 1943 that destroyed 90% of the city including the church I came to see. It was insanely graphic and personal. Nonetheless, I had trouble feeling sad for the people who suffered and died as these were the people who had been complicit in the cruelty and deaths of those featured in the first section of the museum.

True they were mostly civilians, but they happily benefited from the system of oppression and tyranny. This isn’t the same video I watched. The one in the museum had a narration telling us of the horrible suffering of those caught in the fire who burned or suffocated while trapped in collapsing buildings; however it was the most similar visually, if you feel the need to look.

There was a section that was more or less neutral with photos of places around Hamburg before, during, and after the war and reconstruction. Normally I cringe to see the aftermath of bombing yet when the photos showed Nazi structures being destroyed and rebuilt it didn’t feel like destruction so much as it felt like the surgical removal of a cancer.


In War, Everyone Suffers
Finally the last section was about Germans who escaped the Firestorm and fled the city. They were almost all children at the time of the war, and they again told deeply personal stories.

A Ticket to Get Away

My husband had given me those Atikah cigarettes and so I said to my sister, ‘You know, we’ll take these; who knows, they might come in handy.’ Barmbek was still intact at the time, so we got through all right. Everywhere there were treks that also wanted to get out of Hamburg. We walked through this bombed city, by no means could we ride our bicycles, because the streets were so utterly destroyed, and sometimes the houses were still burning. Above all this there hovered a terribly undefinable stench. It was the smell of corpses. I don’t know what dead bodies smell like, but that was how I had imagined it. 

Then at some point we were on an outward road near the Berliner Tor. Everywhere there were crowds of people with all sorts of wheels to which everything was attached that they wanted to save and take along. We also waved at people. But nobody wanted to take the bikes as well. But after all, they were worth a fortune. How could one have got hold of a new bike later on? All of a sudden we had this idea about the cigarettes: We’ll hold up the cigarettes and everybody prepared to take us on board will get cigarettes. It didn’t take long and someone stopped and we said first of all, ‘But you’ll also have to take the bikes.’ ‘Yes. That’s all right. Where are you heading for?’ ‘Lüneburg.’ ‘Okay, get up then.’ They got their cigarettes and we were permitted on to teh vehicle. At eleven at night we arrived at the market square in Lüneburg. We were tired to death and absolutely knackered.”

–Inga Bonn, born 1920

Inga would have been 19 when Germany invaded Poland, and 23 when this story took place.

The First Step into a New Life

“There we were, left with nothing. We had absolutely nothing. The first saucepan that my father bought after we had been bombed out, well, I still take great care of it even today. It is a small old iron saucepan, and every year on Christmas I use it to render goose drippings. My daughter has told me ten times already, ‘I would have chucked it out long since.’ ‘Nah’, I say, ‘it means a lot to me.’ This was the first new item than my father got. That was in 1943. My father died in January 1944. He was gone.”

–Eva Kralle, born 1931

Eva would have been only 8 when Germany invaded Poland, and only 12 when the city of Hamburg was destroyed.

Barefooted Through the Phosphorus

“We walked through cellars. Until then we didn’t know what the world outside looked like. Then we climbed out somewhere. Whether it was a window or a door, I don’t remember. In the morning at eight, a storm, a firestorm. And the sky was red and black, no daylight. And the storm. We put blankets over our heads so nothing was peeking out. Us girls one after the other and the lieutenant always in front. Then the houses crashed down, those to the left and right. There were only ruins left. Well, we had to scramble over rubble, over tram rails that had already bent. Then I lost my shoes and I walked on in my bare feet.

For hours we walked on to the Dammtor. I had been burnt by phosphorus, because I was barefoot, you know. On arrival I was immediately seen to. There was a paramedic there and she said, ‘You have phosphorus burns.’ Do you think I could remember that it was painful? I can’t remember at all. Then she bandaged my feet and asked me if I had any shoes. ‘I have straw shoes’, she said. ‘I can give you those, then you have at least something for your feet.’

—Esther Angel, born 1925

Esther was 14 when Germany invaded Poland, and 18 when Operation Gomorrah destroyed her home.

My Brother

“My brother died on this path near Frankenstaβe. He had a briefcase and was allowed to take it to grammar school. I was the little brother, going to primary school with a satchel. Satchels were something terrible. I had always envied my brother that briefcase. And as luck would have it, the briefcase needed to be repaired. Something had to be sewn. And our cobbler, well, he lived at Raboisen and was not bombed out.

One day he came and brought us my brother’s briefcase which I got then. For years I used that briefcase to go to school. It was one of the few keepsakes of my brother’s which were of incredible value to me.”

—Andreas Hachingen, born 1930

Andreas was 9 at the invasion of Poland and only 13 when he lost his brother in the bombing of Hamburg.
I realized that however much I might hold the adults complicit, children can’t be held to the same standard. It makes you ask where is the line, when does someone become old enough to own the fact that part of their culture is hatred and murder?


What is the Right Way to Remember?
The language used for the displays is deeply personal and vivid but also very matter of fact. “This is what we did. This is what was done to us. Draw your own conclusions.” It’s very emotional. It’s also very different from every other country even Japan who tend to want to forget their own role in bringing the air raids to their shores. Or America’s memorials about slavery which tend to be “oh, yes we did horrible things but we figured it out and got better” (not 100% true).

At the museum of St. Nikolai, it feels like, “this horrible thing happened here and we want to remember it happened because we did horrible things first”. There is controversy on how to honor those who died.

The Hamburg firestorm literally burned its way into people’s memory. Only a few days after the bombings, the Nazi Gauleiter denounced the ‘Anglo-American bombing terror’.
After the end of the war this crude propaganda was replaced by complex and divergent memories. Each decade chose its own way of remembering. Often specific interests governed the format and contents of commemoration.

After the end of the war the anniversaries were observed on a highly regular basis. Many different memorial sites were created, ranging from a modest clay tablet on a new building to artist-designed monuments. At Ohlsdorf cemetery there is a mass grave of bomb victims. This is where in 1952 Gerhard Marcks’ memorial was inaugurated.

On the 60th anniversary of the Hamburg firestorm Jörg Friedrich’s book “Der Brand” (the Fire) triggered a heated debate on the air war. Many people were wrestling to find a proper way to navigate through the culture of remembrance. Some even declared the bombing war a ‘taboo’ topic.

In fact, the bombing in general and the Hamburg firestorm in particular have never been a taboo issue. Furthermore, the debate on the right form of commemoration is as old as the bombings themselves.

The commemorations are not only for the victims of the Nazis, but the ordinary citizens of Hamburg who likely felt themselves “not involved in politics”. If only the children, at least some who died here were innocent, and all who died here had loved ones. Yet the firebomb was not a random act of aggression. There were not “very fine people on both sides”. German invasion and aggression had to be stopped. However horrific the Firestorm was, we still see it as justified because it was used to stop the spread of Nazis.

I can’t tell you what to think any more than the museum seeks to. I can only encourage you to explore history, to seek truth and perspective, and to never grow so complacent that you think it can’t happen again if we forget.

The Ordeal was created by the Hamburg artist Edith Breckwoldt for the memorial site of Sandbostel, Lower Saxony. Sandbostel is the place where until 1945 one of the Nazi’s biggest prisoner camps was located. More than 50,000 people from many countries met their death here. The sculpture’s pedestal is built from the original stones of the prisoners’ barracks which were collected by pupils of Sandbostel on the ground of the camp. Sandbostel was also the final station for about 10,000 prisoners from the Neuengamme concentration camp in Hamburg.

Cantillon Brewery: Lambic

My travel style is about 10% famous tourist sites and about 90% “what’s that?”. I’m not going to claim that I broke new ground here, because obviously, it’s a tourist site that exists to serve tourists, but it’s definitely less well trodden and a bit unique. At some point in life, every beer lover goes on a brewery tour, just like every wine lover goes on a winery tour (mine was in Reims, France and involved Roman ruins). I like beer, but I didn’t want yet another hops/grains/cook/ferment story. When I learned about the Cantillon Brewery in Brussels, a small local brewery specializing in lambics, I knew that was the one.


As usual, the English language tours are far less frequent and often at odd times of the day. In this case, I was going to a beer tour in the morning. But not just any beer, LAMBIC! If you aren’t familiar with this wonderful, tart, Belgian brew, I recommend heading down to your local purveyor of imported beers and finding some. The main difference between lambic and other beer is in the yeast that is used to ferment it. Most brewers cultivate or buy yeast and add it to the wort in order to get that lovely fermentation and alcohol content. Lambic is made by exposing the wort to the open air of the very limited geographical region in and around Brussels in order to get wild yeast to do the job.

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In the past, I drank a Framboise (raspberry) lambic produced by Lindemans, or other fruit flavors, when I was living in America and was quite excited to dig more into the traditional brewing methods. Cantillon is the last lambic brewery in Brussels, and the website describes it as “a family brewery where Lambic, Gueuze, Faro and Kriek are made and where nothing has changed since 1900 when it was founded”. As a 5 generations family owned “brewery museum”, they are allowed to use old brewing techniques which are not allowed in the modern breweries.

Once our group was assembled, we went into room that looked like a pub complete with tables and a bar, where the guide gave an introduction to lambic and the process. He talked about spontaneous fermentation (that’s letting the wild yeast come and play) and the micro climate that exists in the river valley which creates the perfect environment for the unique combination of microbes that give lambic it’s distinctive flavor.

We talked a little about pollution and climate change as well. I was not the only person curious about how weather events like the heat wave we were experiencing could impact the micro-climate of the yeast. Not to mention the pollution of modern cities impacting the life cycle of microbes and impacting the wort during the open air exposure. Our guide said that yes, it was a concern for them, but because the brewery only brews when the weather is between 5 and 13 C they can be reasonably assured of a good quality of the wild yeast/bacteria balance. Although the number of viable days is shrinking.

He also told us about hops. In regular beer, fresh hops are often used to give a large amount of foam (head) and to give a strong bitter flavor (often but incorrectly described as ‘hoppy’). At Cantillon, they used dried aged hops to reduce the foam and bitterness and highlight the more subtle floral flavors of the hops.

Finally, he previewed the aging process which uses wooden barrels and can last up to three years! This particularly surprised me, as I’ve always thought of beer as a more “fresh served” kind of fermented beverage. I’ve even been warned in the past that letting beer sit too long can ruin the flavor. Apparently that’s only true for lagers, pilsner, and other lighter styles. Stouts, dark ale, and sour beers can all benefit from aging. The more you know.

Inside the Machinery

Once the introductory talk was concluded, we headed off into the guts of the brewery itself to see how the magic was made. Sadly, it was WELL outside the safe temperature range to actually see the brewery in action, but in many ways that worked out as an advantage because we could see the machinery up-close quite safely.


We toured three floors and learned about the process of making first mash and then wort from malted barley (sprouted barley) and wheat. On the first floor, the brewery has it’s own mill to grind the grains which poured directly into huge tanks to soak in hot water. Here the grain is ‘mashed’ around to extract the sugar cooked to reduce the complex carbohydrate chains to simple sugars. The solid remains of the process are sold to farmers as high protein livestock feed. Why do the farmers pay top dollar for brewery dregs? In Belgium, dairy farmers get paid by the protein content of their milk, not the mere volume of liquid produced, so it’s important to feed the cows well.

On the second floor, the liquid remains of this process are then mixed with aged dried hops and heated again to infuse the hops, kill unwanted bacteria and evaporate excess water. These two processes take only a few hours each.


Once it’s hops infused and bacteria free, the liquid is filtered again and poured into the giant shallow copper pan to expose it for 15 hours to the open air and local yeast. The open air pans are on the third floor where the roof has special panels that open to let the air circulate when it’s desired, or seal shut when not in use.


While we took turns looking in the small room with the copper pans, our guide passed around a bag of dried aged hops for us to smell and taste. I was really amazed by the top floral notes. I know it’s a flower, but hops is a flavor I think of as only bitter so it surprised me. Once I got past the petals and into the body, the bitter ‘hoppy’ taste was strong. It was a little like eating beer concentrate. I had to have some water to swallow it. He told us it’s very antibiotic so I hope it didn’t damage my gut flora. (the dried aged hop flower from Cantillon, and a living hop flower on a vine I spotted in Sweden)


From the tippy top to the bottom, we headed all the way into the basement to see the aging barrels. Usually they get barrels from other industries to reuse. They use wood instead of metal to allow oxygenation as part of the long fermentation.

The longest age is three years which produces a flat or still lambic (no bubbles). If they’re making a fruit blend, they mix the fruits in at 2 years and then often remix those with a combination of 1, 2 and 3 year ages, and then bottle it. This creates an environment where some fermentation continues inside the bottle, similar to the process of champagne. The end result is bubbles, but much more like a sparkling wine than a frothy beer.

The tour concluded with a tasting, of course. We tasted an 18 month old plain still lambic as a sample of the basic process. It’s not something I would drink often, but it was good to taste it almost like tasting an ingredient before the finished product. It’s still quite drinkable, with good flavor, a nice amount of sour (sour is the hallmark of lambic flavor) and very little bitter, proving the real success of those aged hops.

I tried a raspberry next, and I was surprised at how not sweet it was. The raspberry lambic I drank commonly in America was sweet and thick. The raspberry lambic from Cantillon was light and tart.
Because the corked bottles don’t keep after opening, only a few flavors were available as single glasses (2 included on the tour ticket). There were so many fascinating options on the menu, but I didn’t think I could really drink a whole bottle alone. I couldn’t even buy a bottle to take away since most of the brews on offer had to be opened and consumed on site, which was challenging for any one or even two people given the size. 37.5cl.


Thankfully, a couple who were also in my tour group invited myself and another solo traveler to go in on two bottles so we could all taste more. We got an elderflower and a rhubarb (nath). They were both quite tasty. Light, barely hoppy, and well flavored without being sweet, plus that nice lambic sourness. I don’t usually like sour beer but I am a steadfast lambic fan. I couldn’t drink it every day, but I’m so glad I had this chance.

I ended up chatting with the others a long time over our two bottles and discovered the other solo traveler is also an English teacher, working with EL Learners in the US in immigrant populations and working to standardize the early education to prepare them better for integration into schools and University. My we had lots of language/teacher geek out moments and decided to get lunch together afterwards. Turning strangers into friends is my favorite part of traveling. Even if we never meet again, I treasure the lives that come into mine.

Stories Around Hamburg

My week in Hamburg was cut a little short because of the insane heat wave going on last summer. I spent an unfortunate amount of time simply being too hot and trying to recover from that. 37 C with no AirCon or even fans is treacherous. Plus, my Airbnb was up 5 flights of stairs, no elevator. I still had some interesting and unique experiences while I was there, most notably the ruins of the Cathedral of St. Nikolai, the Hamburg Harbor, the Miniature Wonderland, a wonderful ferry down the Elbe to see some old shipwrecks on the shore, a live music fountain light show in the park, and an interactive haunted history adventure!


Monday Madness

Monday was the single busiest day I had in Hamburg. I started the day with a trip to the ruins of the church of St. Nikolai because I love ruins. The spire stands as the highest point in the city of Hamburg and is quite distinctive sticking up above the surrounding trees and buildings.

bove ground, you can explore the ruins of what remain after the Firestorm of 1943, see some beautiful artwork, and take the elevator all the way to the tippy top of the tower for 360 degree views of the city.

It’s really quite delightful, and included in the elevator ticket price, is entrance to the museum located in the former cellar of the church. I’ve never been one to turn down a museum, but the experience was vastly more than I bargained for, and is getting its very own blog post. Let me just preface by saying, wow, the German’s don’t pull punches when it comes to discussing their role in the Nazi disaster.

After the memorial museum, I continued on toward the warehouse district where I had scheduled a combo harbor tour and Miniature Wonderland experience which I previously shared. I really have no idea what the tour guide said as it was 100% in German, but the harbor is really pretty, and I did get to see sunset from on the river Elbe which was a real treat.


Tuesday Too Hot
Tuesday was the hottest day. I went out for food and the restaurant was lovely but sweltering without Air-con or fans. I decided beer is hydrating. It’s certainly more available than water. I had the most tender pork and wonderful sauerkraut.


I thought I could find a cafe like Starbucks to enjoy AC and iced latte until it was time to go to the park in the evening but if they had AC it couldn’t compete the weather. One cafe that actually had a visible ac was out of ice for drinks.

In the end, I had to give up on everything and head back to my room where at least I could get ice and a cold shower. I’m genuinely worried for the people in Europe if climate change continues to serve up these super hot summers in towns without the infrastructure or social awareness to handle them. Even something as simple as putting a 3/4 full water bottle in the freezer in preparation of a hot day out was a complete novelty to my German hostess. In future, I’m not planning to return to the mainland of Europe during the summer months ever again.


Shipwrecks on the Beach, Cruises on the Elbe, it’s Wednesday!


Way down the river at Blankenese there are some slightly famous shipwrecks. Old craft that were simply not ever cleaned up, yet are so close to the shore that they are completely exposed at low tide. It sounded cool… or… at least interesting, even if the weather was still too hot. Sadly, I had the only day of difficulties with the Hamburg transit that day. The 50 minute journey took 2 hours and I got to the wrecks 45 minutes after low tide instead of 15 minutes before. Despite this setback, I did get to see them mostly out of the water and in the shade with the wind it was a nice place to sit and rest and watch the tide come in.


I don’t much like swimming alone at larger beaches. I seem to be good with smaller places, I was fine in the Philippines in the rivers, but not the beaches. I like swimming in the ocean if I’m snorkeling, but not just wandering into the water from the shore unless I’m with a group. Whatever the reason, I didn’t go swimming in the Elbe that day, but once I cooled in the shade, I was content to sit and watch the river and enjoy the breeze.


On my way to the ferry terminal, I saw a marker on Google Maps called “magic tree” so of course I had to stop and look. I have no idea what it was or how it got labeled on the map, but it was pretty?


This ferry ride was everything I wanted. Very few humans, a seat in the shade with a breeze and a nice view. They even got close to a few points of interest since it’s a tour ferry. Much better than the overfilled boat tour I’d taken as a combo with the Miniature Wonderland ticket.


The ferry dropped me off downtown at St. Pauli’s, a famous bustling cultural hub in Hamburg. I had a delicious salmon sandwich at Pier 10 then went to the night market. It was a little less “market” and more “outdoor bar” with some food trucks but still cool. I drank a beer and got some specialty cheese.


Thursday: Fountains and Flowers and Music oh my!
Another extremely hot day. I stayed in all day, drenching myself in cold water and holding a frozen water bottle to my neck. When the sun got lower and the temperatures dropped back below 30C, I went out to the botanical gardens. I decided to go out before sunset despite the heat because I wanted a chance to see the actual gardens, but my main goal was to see the fountain and light show with live music accompaniment that is a nightly feature at the gardens in summer. I walked slowly, taking my time to enjoy the flowers and take lots of pictures.

The gardens were stunning, if slightly wilted from heat. More locals came out to enjoy the relief of the relatively cooler evening air and to eat some ice cream by the lake. I even ran into a swing dancing group cutting a rug in an open pavilion in the park.

Then, when I was ready for a rest, I sidled up to the in-park restaurant for dinner. I decided to finally try currywurst. I’d seen it all over the place but hadn’t eaten any yet because I was trying to enjoy what I thought of as “traditional German” food. In the end, I gave in because currywurst was so ubiquitous I had to accept it as a local specialty. I’m not really sure it’s related to curry. It’s a wurst (sausage) with sauce that may be tamarind since it tasted a bit fruity and tart, I think it was sprinkled with turmeric powder. It was nice but somehow nether Indian nor German. I don’t know the fascination but at least I can say I’ve tried it.

For the concert, I found a spot by the water early on as the lawns around the lake began to fill up with families on picnic blankets. I watched ducks and geese be unbelievably blase about humans even as toddlers chased then around the grass.

I’ve been to a lot of fountain shows, I love them all, but what makes the Hamburg show so unique is that it’s all live. The music is performed live, and the person controlling the fountains and lights is activating all of it live. It’s not a pre-programmed computer controlled performance, so it’s not as perfect or technically marvelous as some, but it has the tremendous advantage of being totally unique every time, and of involving live performance artists. I was sitting so close to the edge I got sprayed by the fountains from time to time which was a welcome respite from the day’s heat. One day, I’ll buy a better night time camera, but here’s a little snippet to give you an idea of the show.


Hamburg was an up and down experience going from extreme heat and misery to wonderful, captivating experiences when the heat eased off. I wish I could have experienced the city more fully in better weather because I really loved everything I was able to experience while there.

It’s basically impossible for me to fit a whole city into one post, and Hamburg is no exception. I’ve already published the story of Miniature Wonderland, and following this post will be the deeply emotional ride through the St. Nikolai WWII memorial museum, and finally the thrilling conclusion of my last adventure in Hamburg: The Dungeon!!!!!!

More Moscow: Izmailovo Kremin

If possible, in every place I go, I like to find at least one less well known but still terribly interesting place to go. Atlas Obscura has become one of my best research and planning tools for this particular goal. In Moscow, I settled on a place called Izmailovo Kremlin. The website described it as “an unexpected, fairytale-like cultural wonderland” so of course I had to go. It was a bit of an adventure just finding the locale, and the weather was not especially co-operative, but it was definitely an entirely unpredictably unique experience. Plus, I got some bonus political commentary fodder at the airport on the way out!


Getting Lost and Found

Without any WiFi, even in restaurants or cafes, I was totally unable to look up the route to travel there. I found myself standing in the Revolution Square (red square) metro station with no idea how to get to my goal. I racked my brains trying to remember how in the world I had navigated complex subway systems before my life was data-plan dependent and finally remembered the existence of metro maps!

metro_map

I knew the name of the station (Partizanskaya) I wanted to go to, but I couldn’t find the station on the subway map. I didn’t even know which color line to look at. Finally, I fell back on the most low tech of options… I asked the person at the information desk. It’s not that I mind talking to humans, I like talking to humans quite often, but I have become rather dependent on my map apps and had nearly forgotten how I used to do this when I didn’t have a smart phone. Thankfully she was able to pull out a Metro pamphlet with English and show me where I wanted to be in relation to where I was.

Armed with this knowledge I set off into the subway. It turns out the one place you can maybe sometimes get actually free WiFi is ON the subway (not in the station, but in the subway car). This WiFi did allow me to pull up maps and do basic google searches, but it blocked me entirely from any and all social media platforms. It was also very hit or miss and dropped out quite often, but I grasped it like a lifeline to verify my travel directions.

At this point it is important to note that I cannot read Russian letters. I picked up a couple just looking around. The thing that looks like “P” is really “R”, and П is “P”, and the thing that looks like Greek “theta” is “F”, and the thing that looks like a backward N is “i”… and I just do this because reading is such an important part of my world that my brain needs to make sense of the symbols it knows are words. Whenever I saw English and Russian side by side I’d try to piece it together. But, mostly, I was relying on the English transliteration of these words to find the right Metro stop because, bless, they are all written in both alphabets at all the stations and on the maps.

Anyone who has ever tried to learn a complex new word or name in a language quite different from your own will understand how all our mental tricks for remembering are totally useless! If it’s more than two syllables, I’m going to need to hear, say, write and read it several times to really remember. So, when I’m looking for a shortcut to help me identify things like metro station names, I tend to look at the first sound and last sound (or letter cluster) in a word and forget the middle. So “Partizanskaya” became “P -something – kaya” in my head. Most of the time this works very well.

Most of the time.

On the blue line in Moscow, there is another stop that is “p-something-kaya”, Pervomayskaya, that is only two stops over. Now that my linguistic brain has had more time to look at the map, I realize that “kaya” is basically “station” or “platform” and ALL the stops end this way. Instead of getting the beginning and end of the station name, I actually was looking for “P-station”. No wonder that didn’t work out well. In hindsight, I can see several other mnemonic aids that would have been far more effective, but alas, at the time, p-something-kaya seemed like such a great idea.

I actually rode outside the brown circle during this trip. There’s a wall or fence there. The metro comes out from underground and you get to see some scenery. I’m a little tripped out by the fence. The first time I saw it I thought maybe it was the edge of a park (because I was looking at the wrong part of the map), but on my way back in, with proper spacial orientation, I realized that it lined up with line 14, the Moscow Central track, the edge of the city proper. Unsurprisingly, I wasn’t able to find any official information on whether this fence goes all the way around or covers just a part of the area, but I did find an interesting article on fences in Russian culture.

I got off the metro at the wrong P-something and was staring intently at the signs and street names trying to orient myself on a Google Map that refused to tell me where I was (GPS doesn’t need data or WiFi, but still worked very sporadically in Moscow). There were some people handing out pizza coupons at the metro entrance and I asked them if they knew where the Izmailovo Kremlin was. I was hoping that even if they didn’t understand my English that my pronunciation of “Izmailovo Kremlin” would be decent enough to get the idea across, but they were flummoxed. Thinking I was going to just have to pick a direction and start walking, a young lady asked timidly in accented English if she could help.

I accepted gratefully and she was able to explain to me my mistake with the P-something station names and directed me to go back two stops and that it would be quite obvious from there. One more reason to get unlimited metro travel if it’s possible is the almost inevitable need to back track, or side track or otherwise take more trips than would be necessary if you weren’t a lost tourist.

Fairy-tale Skyline

When I did make it to the right stop, it was fairly obvious which way to go as soon as I got to the main intersection. Izmailovo Kremlin’s distinctive fairy-tale buildings are visible a good way off, and gave me the almost immediate impression that I was walking into the Russian version of the magic kingdom.

Not really knowing anything about this place, nor being able to read the signs, I just followed the road into the large and colorful gate. The gray skies were a disappointment since bright sunlight would have brought out the color more, but I was determined to make the best of it. However, just as I entered the main gate, a torrential downpour that had more in common with an Indian monsoon than a European rain began. It was even more intense than the rain that had fallen while I was walking around the real Kremlin. The concrete pathways of the nearly empty market became ponds and rivers within a few moments.

Recalling how quickly the earlier deluge had subsided, I huddled up next to an empty stall under the wooden awning and exchanged “what can you do?” looks with the vendors nearby. It took about 15-20 minutes to calm down and even then, walking was precarious.

At first I thought these were simply vendors lining the entrance of the park. It’s fairly common to see the souvenir shops at the entrance/exit of any attraction, but as I walked more, I realized that the entire space I was in was nothing but market, and more than 90% was empty. I have seen pictures online where it looks full, but I have to think that was just a really creatively aimed shot because it is huge. I stopped and spoke with several vendors selling matryoshka (nesting) dolls. I had one when I was a child and I thought that some authentic Russian dolls from Russia would be nice gifts for my niblings.

If you are in the market for unique matroyshka, this is the place. While there were plenty of vendors offering the same factory mass produced dolls as every souvenir stand in Russia, there were also many vendors who had exclusive deals with local artists or were themselves artists. I spoke with one man whose wife painted the dolls he sold. They were exquisite. Each set, he said, took her 10+ days to paint and he was selling them for 40-60$ US. You can’t GET original hand-painted art of that quality at that price most places. After even just a few booths it became obvious which styles everyone had and which styles were unique among the vendors. I wish I’d been in the market for some art because I was honestly blown away. Some sets had more than 10 layers and the smallest doll was only the size of a lentil. In the end, I settled on some of the lower cost, but still unique styles to send to my sister’s kids so they could have something special, but not too special to play with.

Ghost Town

Once I moved in past the opening cluster of booths (which were still less than half occupied) the whole place turned into a ghost town. Row after row of empty, disheveled booths. Perhaps once grandiose decorations in a state of discoloration and disrepair. Gardens and their statues overgrown and wilting. And everything empty and silent. It was eerie, but more than that, it was bewildering. Where were the fairy tale buildings? Where were the museums? Where was all the stuff that was not market?

I could slightly see some interesting looking buildings that were off to one side of the market area but had no idea how to get to them. I followed path after path that led me to soggy, deteriorating and empty spaces for displays or cafes. A huge covered space of tables and benches stood abandoned, no restaurant in sight. I don’t know if it was the rain or the season that led to the strange emptiness of the park that day.

Finally, I met up with a group of Spanish tourists who were also trying to find a way into the “other side” of the park. They were looking for a place to eat as well as the advertised attractions. In the end, we found a single bridge that went from the gardens at the back of the market up and into a much more active looking area. Alas, the bridge was flooded. The sides of the structure went from footpath to handrail in one seamless block, allowing no spaces for air or water to escape. Instead of being built, as most bridges are, with a slight arch that would sweep water off the ends, this bridge sagged in the center and allowed a positive lake of rainwater to collect across more than 3 meters of the path. I was so focused on crossing, I forgot to photo the flood, but here’s more eerily empty shopping stalls!

We searched for an alternative route in vain. None of us were wearing waterproof shoes, and I had so underestimated the rain in Moscow that I packed my rain-covers in my checked luggage! The idea of spending the rest of the day, the whole flight back to Korea, and the bus ride to my home with damp socks was not appealing. I was just about to give up and head back to the main entrance when one of the guys figured out the secret: walk on your heels! He carefully walked, stiff-legged, placing only the heel of each shoe into the water gently so as not to splash and made it to the other side with dry socks.

Slowly the rest of us followed suit with someone I assumed was the “dad” of the trip laughing and filming the girls who were walking across as I did. I expected to feel the cold seeping wetness in my socks at any moment, but I did make it to the other side dry. I’m sure I looked like a perfect idiot, but I’ll take looking silly over wet socks any day.

Crossing into the Secret Place

Finally we were in the fairy-tale realm. It was still astonishingly empty, especially compared with the huge crowds at the real Kremlin in Red Square. I bustled around taking pictures and exploring the space. There were several places to get food and drinks, although I was still happy after my Metropol meal. Most of the museums were either closed or thinly veiled gift shops. And there was an excess of brides. I think there is actually a chapel there, but definitely a wedding photography studio. I can understand why people would love to have wedding photos taken against the dramatic background, but I felt sorry for the brides that day who had gray and rainy skies. One of the Spanish tourists told me that in Spain it’s actually good luck to have rain at your wedding, so maybe they brought some of their cultural luck with them that day.

I meandered into the church of St. Nikolas and up the stairs of the central hall. It wasn’t open that day either, but I think the interior is used for parties or receptions. There seemed to be a stage in front of an especially colorful building, but no performances listed. I don’t know what the experience would have been like if it had been fully open and bustling, but I rather enjoyed the silence and stillness after the rush and crowds elsewhere. I felt like it was my own little private discovery I was sharing with only a few other people that day. I also felt like it gave me a view of Russia behind the curtains.

I think every country wants to show it’s best face on websites and tourism videos. I know for a fact that LA doesn’t really look the way tourists expect it to. However, I find that some countries try harder to keep tourists in the “pretty” places than others. China, for example, works very hard to create an image in tourist areas that you have only to walk a few blocks away from to realize isn’t really accurate. Most tourists never do, though. Moscow felt like that to me. Because I used the public transit, got lost a couple times, and went to this out of the way attraction on what seemed to be a rather slow day, I saw parts of the city and the culture that I would have missed on a well managed tour.

Of course, there’s only so much I could see on a 20 hour layover no matter how lost I got, so I know that my impressions are only cursory. Nonetheless, I’m glad I chose to set out solo and take my chances, even if that meant taking some lumps along the way.

Toward the end of my time in Izmailovo Kremlin, the sun came partway out, creating a dynamic sky of dark clouds with golden light. It made me happy, standing on the top floor balcony and looking over the church and square below, to get this little sliver of sunlight as my farewell.

On my way back out, I paused at one more puddle to take a reflection photo. This requires squatting down to get the camera lens as close to the level of the puddle as possible, and some other tourists stopped to watch me. When I stood up again they politely asked what I had been doing and I showed the mother and her two tween girls the effect of using a simple rain puddle as a reflecting surface. One of the girls was instantly enchanted and dropped down to try it out for herself. After very few pointers, she had it down pat, and even got a beautiful shot with one of the brides walking away. I missed my chance at that one because I was looking over her shoulder playing teacher, but I think it was a worthy trade.

I took a lot of photos that day, so here’s a little video montage with the rest of my best shots from Izmailovo Kremlin.

Pravda in the Airport

The airport express from central Moscow to SVO is, like all the public transit in Moscow, quite efficient. It was a little crowded, but affordable and on time with no unexpected troubles. It did let us off a very long way from the international terminal, but that gave me a chance to get some coffee and new earbuds for the long flight back.

I’m very glad I was already checked into my flight and had a boarding pass. The lines for customs and security check were ridiculous. I had finished my coffee and of course emptied my water bottle during this process and had no recourse but to buy water from the airport vending machines. I still haven’t found a single source of free drinking water in the Moscow airport.

Last but not least, while waiting for the boarding line to shrink enough to be worth standing in, I noticed one of the large TVs was rolling trailers and advertising for one of Russia’s major news networks…. Russia’s state sponsored “news” networks.

As an American who actually remembers the USSR and the cold war, I grew up with some ideas about Russia that were surely American propaganda, but one of the things I learned about that was not was that the Soviet’s state run newspaper was called “Pravda” which means “truth”. It was anything but. Between the end of the cold war and the beginning of the cyber war, there was a short but glorious time where we were able to get some relatively accurate information about the Soviet state.

I didn’t bother much with Russia when I was studying my MA because I very foolishly thought we were allies now. Oh, past me, how optimistic you were. I did, however, study the entire history of nuclear weapons and nuclear non-proliferation activities which MOSTLY involved us and the USSR / Russia so I had to learn a modicum of Russian history and culture as part of that. Let me just say, when the Guardian called the Russian state run media “a propaganda machine”, I don’t feel like they were exaggerating. On a scale of 1-10, I’d say it’s on the propaganda side of Breitbart, well past Fox News, and can’t even see the BBC with a telescope.

And yet, because of what it is, it cannot help but spew propaganda, especially to a captive audience in the airport. In English, so we know it was directed at us and not the locals. Putin uses any and all foreign media bashes on Russia to bolster his own popularity and prove the greatness of Russia, but unlike Trump who throws angry temper tantrums on Twitter when he doesn’t like what other countries (or his own’s) free press has to say about him, Putin and the state sponsored media are using … sarcasm.

“The more people watch, the angrier Hillary gets.”

“Warning! Propaganda Machine in action!”

“Missed a flight? Lost an election? Blame us!”

…and several more I failed to make note of. Other than remarking on a fascinating and somewhat frightening public communication tool, it had little effect on me, but seeing the way that these English slogans were written and presented in Russia made me take a serious think about some of the slogans coming out of the MAGA faction on social media, where the Russian trolls and bots live. Especially that one about making Hillary angry. I mean, why would Russians care if she’s mad? The only people still chanting “lock her up” are at Trump rallies.

Russia may have beautiful scenery and nice people, but that final interaction before boarding my flight was a chilling reminder that they are not now and possibly have never been our allies. The competition between “the West” and “the Soviet” has always been one of ideology, fought in the shadows with science and spies. When I look at things like “post truth” or “alternative facts” it seems like their ideas are creeping in like mold under paint.

I’m a big fan of multiculturalism and respecting cultures different from my own. I don’t know if it was my cold war upbringing, or if it’s a more objective analysis that things like “facts” and “free press” and “transparency” (glasnost) are necessary for a happy and healthy society, but either way, I just can’t accept the notion that Soviet ideology is the right way forward. I’m grateful to have had the chance, however brief, to visit. It helps me to remember that the people in each country are mostly kind and just want to live happily the same way we do. Whatever I think of their leaders or government policies, I hope I can always remember the regular people I met on the streets and in the subways who helped me when I was lost and shared the beautiful things in their city with me.

Adventures in Maastricht

The Netherlands offered more challenges to me as a traveler than any other country I went to last summer. Despite the host of obstacles in weather, transit, and basic cultural snobbery, I still had several positive experiences while I was there. I chose Maastricht after reading a fellow blogger’s rave reviews, and I can just about imagine that if I went there in better weather… and had my own transport (rental car, scooter, heck even a bike) it would have been a significantly more magical experience. The highlights of Maastricht for me were the caves (because if it’s underground, you know I’m going), the beautiful cathedral converted into a bookstore, and the tiniest Cafe in the Netherlands.


Fort Sint Pieter

The caves I found are part of the Fort of St. Pieter and are such an extensive series of tunnels that it is not permitted to enter without a guide lest one become lost and die. Seriously. I signed up for a combo tour to include the fort, which turned out to be well worth it. Even though you can climb up to the fort and see the outside unaccompanied, the guide has the keys to get inside and also a million interesting stories.

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In 1673, D’artagnan and his army invaded Maastricht under the orders of Louis XIV. Yes, THAT D’artagnan. At the time, there was no fort atop the mountain, and the French army used that mountainside as an attack point to break down the city walls. Later when the Dutch reclaimed the town,  they decided to never let that happen again. Maastricht was a highly contested and often invaded territory for several hundred years, but eventually advances in weaponry made city walls obsolete, but the fortress atop the mountain remained.

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I was surprised at how dark and gloomy the interior of the fortress actually was. I think I expected it to be more like a castle, but the guide pointed out the necessity of thick walls and arched passages to withstand artillery fire. We got to walk though the tunnels and see the different ways soldiers would communicate in such a large space as well as some arrow slits and cannons. The communication was done by means of drums placed in such a way as to take advantage of the building’s acoustics. A leader could issue orders from the center of the building and have a drummer beat out code that would be heard all over. It was quite dark in most places, so I don’t have very good photos.

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The very top part of the fort was used by Nazis in WWII to watch for Allied aircraft, but the tunnels underneath the fort that honeycombed the surrounding countryside for miles were used to smuggle people into free Belgian territory at the same time.

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The caves themselves were originally quarries, but became shelters where fathers could bring families and livestock to hide during invasions, and we’re used from Roman vs Viking times up through WWII for that purpose. There were places to cook and sleep like little apartments carved into the tunnels. They also grew mushrooms and chicory, which my guide was surprised to learn Americans brew into coffee (New Orleans!).

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Now the tunnels are full of art.

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The guide stressed the importance of staying with the group since people still can easily get lost without a guide because there are hundreds of km of tunnels. He told a story of a couple of young men who just barely escaped death because they happened to find a “chimney” or vertical tunnel that led up to a field. A farmer heard them and a rescue was organized, but it was pure luck.

Going underground was probably the highlight of my day/days because it was only 11°C underground, which was a wonderful relief from the 30°C+ weather of the day. Surprisingly, despite the drought, a million beautiful wildflowers grew around the fort and caves which made for a lovely scene to walk to and from the bus stops with.

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Downtown Maastricht

During my week in Lanaken/Maastrict, I was having the worst week of my holiday due to some serious personal emotional stuff, so I spend a goodly amount of time in the Airbnb trying to stay cool both thermally and mentally. I also did more than average day trips away from the city including the Fort and Caves above, the amazing Carolus Thermen Spa in Aachen, and the oddly Disney-esque town of Valkenburg. On my last day, I decided to try out the city of Maastricht one last time.

When I arrived downtown, there was a large flea market in the nation square and it was mostly full of the kind of antiques and knick-knacks I found endlessly fascinating as a child, but don’t really know what to do with now. I mean buckets of old spoons? Art made from driftwood? It’s neat to look at but no room in the luggage. I did buy a nice summer dress, lightweight and a soft gray that reflected the bright blue sky. I changed into it as soon as I could and it made a world of difference. It was easily the best purchase of the trip.

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After exploring the market, I set off to find the bookstore in a cathedral, which is dead cool as a concept. I read about it in other blogger’s “things to do in Maastricht” and decided I would check it out if I was able. I am so glad I made the time! Bookstores are already a little bit sacred space for me, so to combine the deliberate awe-inspiring architecture of a Gothic cathedral with thousands of beautiful books! Stunning.

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Because cathedrals have such incredibly high ceilings, the bookstore installed multiple levels almost like balconies, allowing more book space but keeping the room open and the architecture continuously observable. I’d been in other converted churches that lost a lot of what made the cathedral “style” by breaking it up into usable space. This was by far the best combination. It was awesome to climb the central column of books and see the high vaulted ceilings up close. I got a little vertigo but worth it.

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Not only was it beautifully constructed, it was also a great bookstore! Well stocked and diverse. I saw several books I wanted to make better friends with as well as lots of old favorites. I was amazed by the number of people inside, not just admiring the architecture but loaded down with books to buy. There’s even a small cafe in the back and a kid’s section! If you have to live in a city that has a plethora of leftover cathedrals, I think this might just be the best way they can be put to use in the modern era.

On my way to my next stop I encountered another unique street performance. I was growing used to seeing buskers performing for money on the streets, but this couple decked out in ballroom gear waltzing around accompanied by live, tux-clad musicians definitely stood out!

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Finally I headed over to have vlaai and koffie at the smallest cafe in the Netherlands. Vlaai is a kind of pie that’s popular in the Netherlands. It’s not a specific flavor (I had several flavors while I was there) but more the fact that the construction is mid-way between pie and tart that I can’t really say it’s exactly like any other dessert I’ve had. It does tend to be thicker in crust than either of those treats, which was startling at first, but the more I ate, the more I liked them. The vlaai I had that day was apricot, and so cool and fresh you could believe they just picked the fruit this morning. It was the exact balance of sweet and tart I look for in a perfect apricot, somehow even capturing the texture of perfectly ripe.

In addition, “cafe” doesn’t only mean “coffee shop”. This place has a full menu of food, beer/wine/cocktails, dessert and coffee. It’s also very popular. The indoor seating is nearly non-existent, but the patio seating seemed quite generous, even though it was completely full. I ended up sitting on a cushion on a curb next to the building with a tiny table lower than my knees. It was under a tree and so I had shade, and didn’t mind at all. By the time I finished there was a line even for those small curbside spots!


In the past I’ve read and repeated that the first and last things you do on a holiday define the experience. While Lanaken/Maastricht was in the middle of my summer, and in many ways represents the most difficult things I had to overcome, I’m glad I had these positive experiences on my last day there. It leaves me with a sense of what could be if I hadn’t been so ambushed by my health and the weather that week, and it reminds me that even in the midst of dark times, there are still wonderful adventures to be found and enjoyed.

The Ruins in Ghent

Although I only stayed overnight in a handful of cities last summer, I often made day trips to nearby smaller, quainter European towns along the way. While travelling in Belgium, everyone says “go to Bruges, go to Bruges” and I thought about it, but that damn heat wave… Instead, I went to a similar quaint, canal-ridden, castle-bearing, sleepy little sidewalk-cafe-having town called Ghent. There I had one of the most stunning photographic opportunities and most memorable experiences of the whole trip.


I prioritized Ghent over Bruges for my small town detour for one main reason: the ruins of the Abbey of Sint Bavo. As I learn more about the history and development of churches and cathedrals in Europe, I’ve come to realize that there are not that many styles. About 7 (I’m not counting Revival and Modern, fite me). And of those 7, I’d say that 3 are the most common and distinct in the places I visited: Romanesque, Gothic, and Baroque. They’re stunning! High arches and flying buttresses, lots of fiddly bits on the architecture and beautiful decorations. However, churches within the same style are not overly unique unless you are an architectural scholar. I have now seen nearly a dozen Gothic style cathedrals, and I would be hard pressed to tell them apart without other landmarks.

Am I jaded? I don’t think so, because I do still think they’re stunning, I just don’t feel the need to prioritize another Gothic or Romanesque cathedral. I’ll go and admire one if I’m going to be in the neighborhood, but I don’t put it on my “to-do” list anymore. I might still go see a few more Baroque ones before I’m tired of that style, and I’m quite looking forward to seeing more Byzantine. What I do love is finding the cathedrals (or other historical landmarks) that are unique in some way, that bear the mark of history, of a life lived.

The Abbey of St. Bavo promised to be just that. Ruins left unrestored yet maintained, and only open to the public a few hours a week to prevent them from being damaged further. I was fascinated and determined to go. I found the opening hours and even emailed the caretakers to be sure I didn’t need a reservation, and then set about making sure I would be in Ghent on a day I could go inside.

This turned out to be a Sunday, which meant Ghent was even sleepier than normal. I’ve been living in Asia so long that I forgot about Sunday as an off day in the West. Although, to be perfectly honest, I think that western Europe closes down even more than America on Sundays. Live and learn.

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I looked into transit options (oh how I gnash my teeth at the transit of EU countries, but that’s another post) and found a “hop on hop off” boat! I’ve done hop on hop off buses before, but this would combine my desire to take a canal tour with my need to get around town. For the moment, lets just skip the challenges involved with getting from my Airbnb in Brussels to the main boat jetty in Ghent. Wave your magic wand, and there we are. The last bus of the series let me off directly in front of Gravensteen Castle where my day of “quaint European town” began.

Gravensteen Castle

I studied the boat tour schedule. It only had 6 stops and it was an hour between boats so I wanted to be sure I knew where to go and when to be back to get on for the next leg of my journey. I wanted to start at the castle, hoping to explore it before the boat even started running that morning. For those of you who imagine European castles as these lonely stone fortresses in the middle of rolling green hills and woodland, let me disillusion you. The Lord’s Castle was the center of town. Back in the feudal days, serfs worked the land around a castle, but the markets would be held within the castle’s courtyard. Also during times of war or bad weather, people would move in bringing families and livestock with them to be safe behind the walls while Vikings or whoever attacked.

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In some cases, those castles and farms were left empty for long enough that you get the Disney picturesque castle in the middle of nature. For many places, the castle continued to function as the center of town as the town got bigger and bigger around it, eventually turning into a modern city. In Ghent, it’s a giant fuck off castle in the middle of everything. You can’t actually get far enough away for even a proper photo because it’s so surrounded by traffic and other buildings. It dramatically changes the atmosphere of the public square to have a giant castle overseeing the open air restaurants and sidewalk cafes, though.

Canal Boat Bus

I checked into the boat bus and grabbed some coffee. I also topped up my water bottle at a decorative public drinking fountain. I saw these in several places during the summer. They look like a small artistic fountain, similar to what you might put in your back garden at home if you’re feeling fancy, but they dispense potable water (they have signs, don’t drink out of fountains without signs). Additionally, there is usually a little bowl at the bottom so dogs out for a walk can get a drink, too. It’s a wonderful way to provide a public service of free drinking water (not common enough in Europe if you ask me) while still beautifying the park or public street.

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The canals in Ghent are truly beautiful and the hop on/off tour goes father through the canal infrastructure than than most of the other boat tours on offer. Our driver was young and friendly and spoke English well. Perhaps because it was Sunday there were not many other tourists, so we chatted about Game of Thrones and Harry Potter as well as the city itself.

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I skipped several of the stops because I was still worn out from Paris and the heat wave, but I chose 3 to get off and have a look around. My sightseeing was somewhat hindered by the massive stages being constructed all along the main street and public squares. My guide informed me that the following week would host a huge festival in town. I’m not actually sad I missed it, since I never had enough energy that trip for crowds, so it worked out for the best.

Saints, Dragons and Devils!

I visited St. Peter’s cathedral, which was very predictable and yet still pretty. There was a woman with two children sitting just inside the door and begging. She was not the first begging immigrant/refugee I saw during my travels by any means. I tried to give when I could, although I still struggle with giving money. I’ve read a number of ethics debates about this topic and still can’t decide, so I gave them the food I had in my bag that I’d been planning to eat for lunch.  

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Having given away my picnic, I went in search of another snack, but nearly everything in Ghent was closed on Sunday afternoon.  I was attracted by a nearby sign advertising waffles, waffles I never found. Instead, I ran into an art installation of dragon skeletons which was far more interesting. While I was taking photos, someone came by and asked me if they were real and almost didn’t believe me when I said “no, they’re dragons”, until he read the small informative sign. They were part of a display for a children’s museum. 

 
Continuing through the inner courtyard, I emerged behind the cathedral at the abbey where I found the orchards and vineyards and a less obscured view of the buildings.

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From the boat I got a good view of the castle of Gerald the Devil. I was initially disappointed that I didn’t get to go inside, but it turns out that nowadays the building is not actually interesting on the inside. Gerald himself was nicknamed “the devil” (Duivelsteen in Belgian) because of his dark complexion and hair color. He didn’t do anything remotely devilish to earn the moniker. Additionally, while the building has an interesting history ranging from a meeting place for knights to an insane asylum, it was most recently used to house the national archives. According to Wikipedia, it’s not even good at doing that, and has been on the market since 2010. Cool name, though.

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Lunch Stop, the Soda that Yodels

I got off the boat again at the stop nearest St Bavo’s and immediately set about finding lunch. This was a bit extra challenging since I was also suffering from mobile data issues that day (another post is forthcoming). I can usually get Google Maps to work just on GPS, you can’t plan a route, but you can usually see where you are but suddenly I had no map at all! No where in my plan did I account for this. You can say what you like about guidebooks or paper maps, but suddenly having my GPS not work is no different than loosing your map or guide book unexpectedly.

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I had given away my picnic lunch already, and I should have just gone into a Carrefour to replace it for a similarly low cost meal, but I was freaking out about my map, since I needed it to find St. Bavo’s, and I really wanted to sit somewhere cool and comfortable after so much walking in the hot sun.

I found a burger place called Jack’s. I splurged on the set and got fries and a drink and tried a drink I’ve never heard of before. It was described as “an herbal drink” and the best way I can describe it is as an herbal infused sparkling lemonade. I have since researched the drink Almdudler and learned that it is the national soft drink of Austria, that it is named after yodeling in the alpine pasture, and that it no more has a description of it’s flavor than Dr. Pepper. Seriously, try and explain what that tastes like to someone who’s never had it. Anyway, I liked it more than Dr. Pepper.

The burger and fries were huge and the cashier gave me some extra sauce because I couldn’t make up my mind about the flavor. I did start learning to love mayo on fries while in Belgium, but I think that’s because their mayo was so much better than Hellman’s. It took me a long time to finish eating, and I wrapped half the fries up for later.

I drastically overspent on lunch, since a good deli sandwich and a drink can be had from any grocery store around for close to 5€. It’s another lesson in planning. I did get to use the WiFi and the restroom, which are otherwise pay-to-use in most public places in Europe. (oh how I missed the free public restrooms in every subway station in Korea)

Sint Bavo’s Abbey

My map came back to life in the restaurant’s WiFi and I was able to plot the route from Jack’s to St. Bavo’s before leaving.  When I crossed the last bridge (canal towns have a lot of bridges), I could see what I was pretty sure was the right place but no visible way in. It looked to be completely surrounded by a fence. I walked clear around the perimeter in search of the entrance. Tragically, I went the wrong way and went nearly all the way around before finding it. On the way out later, it was obvious that if I’d headed straight to the square white building, I would have found the gap in the fence right away. You know, in case you end up going some day.

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At first I was surrounded by a maze of tall rectangular trees. Completely befuddled I took a few pictures in hope of solving the mystery later (spoilers, I did). In many of my travels, I don’t worry too much if I don’t know what something is at the moment I encounter it. I just try to take enough reference pictures amid my artistic ones to do more research later. Research is how I make the holiday last longer. I visited this abbey in July, and here it is the end of November while I do the last of my research about it.

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The ruins themselves were everything I hoped and more. Inside the walls of the Abbey was a rambling network of crumbling walls and once-rooms bring reclaimed by nature. I forgot my physical discomfort almost at once and began to take photo after photo, pausing between sets to admire the details of centuries old carvings and stonework.

I walked through courtyards and down hallways and found spiders and snails and bumble bees in the flowers, and the wild berries. I found where stone carvings had fallen from walls or been pried from floors and were laid side by side on display. There were beautiful corridors with arched ceilings, rooms that had lost their ceilings and now we’re indistinguishable from courtyards.

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There was a Roman style bath area with a secret winding staircase up the short tower where the remains of an art installation collected dust. Someone had done a project through social media about communication online and all the responses were published in newspaper form. Perhaps once they were there for visitors to take away, but the layers of dust and cobwebs told me it had been a while since anyone had looked at them. 

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About halfway around the space, I met up with a table of volunteers who had informative booklets in many languages. One helpful lady explained a little about the places I’d seen and then showed on the map where I would go from there. I thanked her very much and took the booklet off to a bench in the shade to look through it and to take pictures of the articles for reference.

I didn’t read the whole thing at the time but I did discover the purpose of the tree maze out front was to outline walls of the original church, now long gone. While reading the history of the abbey, I was approached by a black cat who very desperately wanted to be friends. Sadly I’m allergic and had to decline the offer for pets, but I took pictures instead.

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When I finished skimming and recording the brochure information, I headed up a far less secret stairwell and went inside a space that had retained all its walls and ceiling. I was greeted by a huge and looming partial crucifix. The cross and arms were gone, leaving only the faded wooden head and body of the suffering Jesus gazing down the stairs at those who entered.

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Monastic chanting was piped through a hidden sound system, giving an appropriately medieval and gloomy air to the dark and gutted room. The walls were lined with rescued stone carvings of saints and martyrs, but rather than being the main display, they served as the walls upon which a modern photography exhibit was mounted. It was a strange contrast to see the brightly colored photos against the dark and crumbling remains of the abbey’s old artwork, all topped off with the eerie and Gothic music.

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Moving back into the sunlight I continued to be awed by the variety of spaces. Wild grapes growing along one wall, pieces of statues littering the grass or reassembled in part and mounted wherever space allowed. I wandered until my feet couldn’t take it, then I sat until I could walk again. Even with many other visitors it was overwhelmingly peaceful and stunningly beautiful. Only when I felt like I’d explored every possible inch did I out to catch the last boat back to the town center and my train back to Brussels.

I took so many beautiful pictures that afternoon, please enjoy the video slideshow.

A Short History Even Shorter

The binder I was given had a map of the grounds, and 8 typed pages of information. About half of that was a detailed description of the rooms, including architectural style, building materials, and original use. I am not an architect, I couldn’t actually follow most of this part without my eyes glazing over. The second part was more interesting to me, since it encompassed a brief history of the abbey. I am not going to try to replicate the same level of detail here. If you REALLY need to know, comment, and I’ll post the photos of the pages I took, but for everyone else, here’s the very short ‘short history’.

7th century: Missionaries showed up to convert people. They built an abbey with the backing of the Merovingians. A rich nobleman became a monk and went off to live as a hermit, taking the name Bavo. After his death, his remains were transferred to the abbey which subsequently bears his name.

9th century: Vikings! Not yet converted Nordic types were still raiding the land, and loved to raid churches cause people donated like mad, and also decorated with lots of silver, gold and other valuable things. Way to put your money far away from the soldiers, guys. Vikings burned it all down. Twice.

10-12th century: The Roman Empire finds Ghent is on it’s side of the river and offers Imperial protection at last (meanwhile poor St. Peters which I visited earlier that day was left on the French side!) Under the shining eye of Rome, the abbey was not only safe, but experienced a period of growth, getting lots of beautiful Romanesque architecture which makes up the majority of the stone ruins seen today.

16th century: Charles V is rude. He pulled off a bunch of shenanigans to embarrass and shame the locals of Ghent, culminating in the ordered destruction of the abbey, and the use of it’s building materials to create a military citadel. The citadel was completed in 1545, but was destroyed in 1577 by the Calvinists, then rebuilt again in 1584 by the Spanish. It underwent nearly constant de- and re-construction until it was finally abolished in the mid 19th century.

19th-20th century: Conservationists had to fight against industrialists for the space. There’s a whole sordid affair over the meat merchants’ iron grip on Ghent during the 19th century and they managed to claim the abbey land for an abattoir at the height of their power. After much cajoling by conservationists, the abbey ruins were given to the city of Ghent on the condition a museum was established on the site in 1887. In 1936 the ruins were made a historical monument by Royal Decree; however, the abattoir remained in operation until 1989.

Now: The Neighbors of the Abbey formed in 2007 as a volunteer group to upkeep the museum and to organize visits for tour groups and solo travelers like myself.

A Day of Art in Paris

It was with deep sadness that I had to forgo the museums on my first trip to Paris. I didn’t know enough about buying advance tickets, and since I only had one day in the city on that trip, I wanted to make the most of it with free and quick events. This time, I put three museums on my must-do list. You’ve already read about the Arts Forains, but my other two museum forays were more typical. Not the Louvre, but the less well known and therefore less crowded Musée d’Orsay and L’Orangerie. I managed to get a discount buying a combo ticket and WOW was it ever worth it!


I was using City Mapper to find my way around Paris and the route from my Airbnb to the museum didn’t involve the nearest metro station, but rather a bus stop across the river. It’s a beautiful walk through the gardens and over the bridge. Although it is not the famous lock bridge, the sides are still lined with padlocks in many colors and street vendors hang out selling more locks as well as balloons and ice cream.

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My first impression on entering the Musée d’Orsay was that even the building was a work of art. The central arena looks like a beautiful baroque train station, and there are many floors and side rooms filled with some of the most amazing art you’ll ever see.

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During my visit, there was a temporary exhibit of Baltic artists. I slid from these rooms into halls and halls of displayed paintings. The main floor is covered in white marble and bronze statues. I saw more Rodin than I ever thought I would and realized that other than his famous sculpture of “The Thinker” and the larger work from which it derives, “The Gates of Hell” (below), I don’t actually care for his work. I also can’t find any reasonable discussion of why he felt the need to use fig leaves this late into the modern art movement.

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I discovered some artists I didn’t even know about like Gustave Moreau who’s painting Galatée (below) completely captivated me.

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Many of the classical artists in the ground floor created stunning details to the point where one could spend a long time finding each hidden treasure. Room sized paintings with dozens of people had near photo realism on each face. Getting up close to these just unfolded more and more details to delight the eye. I got lost in Paul Chenavard’s Divine Tragedy (below) for a long while. It’s 4m high and 5 across (13x16ft more or less) and is chock full of tiny little details and insane imagery. Apparently people hated it when it came out, but I loved it. Reading more about the symbolism just made me love it more.

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I was so entranced by the main floor that I almost forgot the reason I came, to see the impressionists!

My First Impression?

I went on a quest following the signs and found Renoir (not pictured) and Monet (below) then stumbled across the museum restaurant. It wasn’t yet time for a snack, so I paused just long enough to take a photo from the back side of the clock before moving on.

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Finally, I found it. Impressionism and neo-impressionism.  I love impressionism. I knew I thought fondly of Monet, but somehow I forgot how much I really enjoy it. Books and online photos cannot live up to seeing these beautiful works in person.

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Neo-impressionism was a real delight as well.  While the paintings on the first floor captured even the tiniest details in the smallest focus, impressionist paintings just become meaningless blobs of color the closer you get, and it’s only when you step away there is a picture. The picture is made in your mind as a way to make sense of these random dots. Not only do I love the colors and the movement implied by the direction of the bush strokes, but I love the idea that these images only exist in my brain and not in the canvas.

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I took pictures mainly of things that stood out to me at the time or that I want to read more about later. I think I found some new favorite artists too: Georges Seurat, Henri-Edmond Cross (above 2), and Paul Signac (below) were all featured but Signac stole my heart! I actually returned to these paintings for a second look before leaving for the day. I spent a tremendous amount of time with them, changing my perspective by moving closer and farther and side to side. The texture of the paint alone is captivating, but the effect of the whole is pure magic.

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Chat Noir

Still searching for van Gogh I stumbled into a display about the Chat Noir Theater. I am sure you, like I, have seen the Chat Noir poster on t-shirts, hip bags and other products without realizing where it came from. The Cabaret was quite eccentric, filled with art works and strange objects of interest. Musicians like Debussy and Satie would come and play the piano sometimes. The main attraction, however, was the shadow theater.

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Cut out figures made first from cardboard and later from zinc were back-lit to create silhouettes. The host would tell the story as the figures moved on set, often improvising commentary to include current political and social witticisms. The mechanism for the productions became extremely complex over time, and the Cabaret was famous for these elaborate, and above all entertaining shadow plays. The museum tells the whole story of the art form and displays some of the more interesting figures used in the performances.

Vincent at Last

20180706_124406I finally found my way to the van Gogh. I have loved him since I first saw his distinctive style, and came to love him more when I learned we shared a bit of atypical neurology. I planned on going to his museum in Amsterdam, but I couldn’t pass up the chance to see his works in Paris, too.

Seeing the van Gogh up close was amazing. The paintings are roped off, but they are not hidden behind glass and the “stand behind this line” marker is less than a foot from the painting. It’s possible to stand at the edge and see the detail of texture and brush stroke. I felt only slightly bad doing so as everyone wanted to take pictures of the whole painting and being up close put me in the way. The museum rope was much closer that the camera ideal range and so while I tried not to walk in front of anyone about to shoot, I was not about to give up my chance to see the details so people could take photos that look the same as any print. Yes of course I took photos too, but I also took up close detail photos.

I don’t know if other people feel the way about the color blue that Vincent and I do. I can’t get enough of his blue blue skies, most especially when combined with the golden hay of a late summer field. One that particularly struck me was a simple painting of farmer’s napping called “La Meridienne” (below).

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The blue and gold are so stunning that the simplicity of the subject matter is almost irrelevant. I looked it up when I got home and discovered that van Gogh copied it from a pastel work by Jean Francis Millet (below). It’s obvious that it is an homage, but the difference in the style is amazing.

La Méridienne - Jean-François Millet - Museum of Fine Arts,Boston

Van Gogh created it while he was in the asylum. He often copied artists he admired while he was learning to paint (although in the beginning he tried to copy their style as well). While incarcerated he went through another phase of copying, but more frequently by adding his own unique colors and brush style. I think he copied more from Millet than any other artist.

Polychromatic Rainbow

Another seasonal exhibit at the museum was a display on polychromatic statues. While most statues from history have come to us as plain white marble or unadorned bronze castings (this turns out to be wrong, but the perception remains), there was a brief but vibrant period in three dimensional art to include more color. By the 18th and 19th centuries, the high-brow art scholars all considered color in statues to be very low-brow. Imagine how you feel about cheap porcelain dolls mass produced and badly painted being displayed as art? They felt that way about any statue or sculpture that did not maintain monochromatic purity. Of course color in sculpture existed, but it was just crass popular entertainment for the uncultured lower classes.

Then in the 19th century, some artists got the notion to challenge this rigid class system and began to explore the world of polychromatic statues with renewed fervor. The two styles were natural, made by combining natural materials of different colors such as colored stones or differently hued metals, and artificial, made by painting or lacquering the finished product. The results were absolutely amazing. I was possibly more entranced by these rooms than anything else in the museum.

While the painted statues were beautifully executed, I was more interested in the natural style. The amount of effort and planning it must have taken to combine various types of stones, and then blend those with cast metals! Artists had to collaborate to make such works as very few could work the stones and metal with equal skill.

I was struck by the fact that this was also the only place in the museum I encountered African faces. Some incredible works in the polychrome display were of a man from Sudan (not pictured) and a woman from Algeria (above). They were depicted in poses of joy and power with clothing styles that reflected wealth.

Two of my favorite pieces include a miniature of a woman at her embroidery frame which used stained glass as the tapestry she was creating:

And a larger than life statue of a woman that combined a wide range of colored stones including a richly marbled agate to make the pattern of her dress, as well as lapis lazuli and malachite to make her belt.

As the movement of mixed media and 3-D color persisted, it moved away from a mimic of classical and renaissance styles and began to explore symbolism.

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Ceramics became more popular, allowing for colorful glazes. There was even a brief flirtation with incorporating this polychromatic art into building exteriors in the form of architectural ceramics.

Finally, the display drew to a close with the most dramatic end result of the movement by setting Degas’ “Little Dancer Aged Fourteen” and Hans Bellmer’s “The Doll”. Both incorporate materials in an unusual and even extreme way. Degas statue is primarily bronze, but includes real horse hair, a real corset, wax coated ballet shoes, and a cotton skirt. At the time it was considered to be quite the edge of the envelope in terms of modern art.

While the dancer is no longer unsettling to modern viewers, I think “The Doll” will always be creepy. It’s also mixed media: wood, papier mâché, real socks, shoes and hair. Degas was an impressionist, but Bellmer was firmly surrealist, and his disturbingly erotic imagery was an act of defiance against the Nazis in 1931 Berlin when he created this work.

Lunch

After three or four hours of museum, I was both tired and hungry. Art may be a feast for the eyes but it does not fill the stomach. There aren’t a lot of lunch choices near the museum so I decided to go ahead and try the 5th floor restaurant. It is a bit pricey as expected for a tourist attraction eatery, but the food was excellent, living up to the standard of French cuisine I cherish. I had a ricotta and spinach ravioli with Gorgonzola sauce, walnuts and chives. Heavenly. Plus a glass of my favorite French wine: viognier, and a lovely cafe creme for afters. Like most French food, I thought the portion looked small when it arrived, but it turned out to be quite generous and incredibly rich. I think the meal was about 24€, so not bank breaking, but definitely a luxury.

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I got distracted on the way back down from the restaurant, checked in on Signac again as well as discovering a whole set of rooms I missed on my first trip through which had yet more paintings of enormous size as well as some furniture on display for it’s elegant design. I stared rather longingly at the beds on display, and didn’t leave until 3:30 I spent a total of five and half hours in the museum and no more than one hour at the restaurant. I still didn’t see everything on display.

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Lilies at L’Orangierie

The heat wave that gripped Europe during the summer was in full force by the time I stepped outside, and the simple walk from d’Orsay to l’Orangerie was a far more hot and sweaty affair than I would have hoped. Even with the climate control needed to protect the paintings, the museums were struggling to keep up with the combination of extreme summer weather and high season crowds. Nonetheless, it was a pleasant relief to step inside once more.

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L’Orangerie is famous for being the permanent home of Monet’s “Water Lilies”, a series of paintings that I have enjoyed as long as I can remember. It’s one of my mother’s favorites and we’ve had small versions around, or I’ve had replicas pointed out to me whenever we passed one by for my whole life. They are beautiful, but I did not understand the true scale of the work until I stepped into the first of the two viewing rooms that afternoon.

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The Water Lilies are huge! Two giant rooms of huge panels. It’s like drowning in Monet. The panels look a bit like the backdrop for a play in community theater where you just want to suggest a like pond and Willow trees in the moonlight but don’t care about details. I know Monet was making some statements about the nature of realism and symbolism in art, but … it still reminds me of a theater set.20180706_174842

I did the stereotypical museum thing and just sat with the art. In part, I was grateful for a rest after all the walking I’d done that day, but mostly, I just wanted to bask. There is no way photos or even films can capture the feeling of raw art, especially when it’s that big. The rooms were packed with people, some sitting as I was to take in the art, some taking photos and selfies, some just taking a break.

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It’s easy to be judgy when we see people at famous landmarks or museums just sitting on the phone, but I can tell you that it can be overwhelming. Sometimes it’s nice to just narrow your focus back to a screen or a page. I also used my phone to take notes about my experiences and feelings, and to share those feelings with my friends on Facebook or Instagram. I don’t feel like having the phone detracted from my experience at the museum. Sure, I could have used a notebook for notes, a regular camera for photos, and a book to decompress, and a music player, and… you get the idea?

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When the sheer amazing wonder shock started to fade a little, I got up and began to examine the canvases up close. Like all impressionism, the closer you get, the less it looks like anything but blobs of color. It’s still fascinating to me to see the texture and shapes at work and watch the optical illusion as you move from the close to the far and the blobs resolve into the magical dance of light on water and floating flowers.

More than Monet

Although the Water Lilies are the star of the museum, they are not it’s only occupants, and after a good long while, I headed on to the other rooms where I encountered a plethora of abstract art. I respect art, even the art I don’t understand because I think it’s all part of the process of learning and exploring what it means to be a sentient, self aware being in an infinite universe. I don’t like abstract art.

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Abstract impressionism is no exception. I love impressionism and neo-impressionism and just hours before I had that love reaffirmed in the d’Orsay. L’Orangerie hosted the next stage of abstract impressionism. While impressionism seeks to deconstruct the notion of reality by using color and shapes to suggest forms, abstraction casts aside all pretense of shapes or images in favor of “feelings”. It just does not speak to me. Impressionism is an illusion. It looks like a familiar or real image, but is actually nothing. Abstract… is actually nothing and looks like nothing. I can stare at a Mark Rothko (above) or a Jackson Pollock (below) all day and not “feel” anything, but one glance at Paul Signac will steal my heart.

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The good news is, this was a temporary exhibition at the museum, and it’s already gone. The non-Monet portion of the building changes. I lucked out at d’Orsay with a temporary exhibition I found enchanting, so I can’t be too upset the summer show at l’Orangerie was not to my taste. I did look around and read several of the informative panels, and I found one of the rare women artists of the time was featured, Helen Frankenthaler (below). I read about how influential she was on the art movement and wanted so much to like her work, but abstract expressionism still makes no sense to me… even knowing that’s kind of the point.

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Closing Up

I was trying to time my departure to get a few minutes in the Monet rooms right before closing time, hoping to get a few wide shots that weren’t full of sweaty tourists, but I discovered that they take closing time very very seriously. A good 15 minutes before the end of business, the museum security started shooing everyone out of the rooms, and would not let me into the second Monet room at all! I could have easily taken photos and been out in 5, but I was barred from entering. I am glad that I spent a goodly amount of time in each room before I went to the abstract exhibit, or I would have been very sad indeed. As it was, I only missed out on photo ops and I’ve already noted photos cannot do it justice. Be warned, however, the museum starts booting people out 15 minutes before “closing” so if you haven’t seen it all, or like me you want that last photo, get in a little earlier than you think is necessary.

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The Best Hot Chocolate

Angelina’s isn’t a museum, but they are artists. Chocolate artists. I wasn’t sure about the idea of drinking hot chocolate in the summer, but I read so much about this little cafe, and it was close to the museum, so I decided to stop in on my way out to the metro. I had a hard time deciding because the reviews for everything were so good, but in the end, my chocoholic side won out. It was so entirely worth it. Probably the most expensive hot cocoa I’ve ever had, but it was rich, thick, delicious, choco-gasm inducing and very generous. I could have shared this pot with another person. I could not have had a whole pot and any kind of dessert without exploding.

No mere “cocoa”, this beverage is mostly melted chocolate with milk and cream and more whipped cream on the side, you know, in case it isn’t creamy enough. It pours more like syrup than milk. I sat in the shade and welcome air conditioning sipping my chocolate bliss, mixing cup after cup with various amounts of cream for effect. Despite the fact that I hadn’t eaten since lunch, I left Angelina’s full and happy.


The weather in Korea is turning cool. It’s even gotten below freezing a few nights this week! It’s almost hard to remember hating the hot weather so much when I’m curling up with my heated mattress pad and fluffy blankie. The hot chocolate here isn’t a patch on Angelina’s but my memories will keep me warm. I hope you enjoyed this foray into the art world with me. For those who can’t make it to the museums, a little walk thru tour. For those who have never thought of going before, I hope I’ve given you cause to reconsider. As always, thanks for reading! 

Miniatures

I have always loved tiny versions of regular things. As a child, I was most fascinated by toys like my tiny working blender where I could make about 2 oz of chocolate milk at a time, my tiny Barbie spoon which I would use to make a dish of ice cream last longer, and a series of miniature fuzzy animals. Living in Japan in 3rd grade may have been the most ridiculous overexposure to the cute and the tiny since I was easily able to get tiny art supplies, tiny erasers shaped like tiny food, and tiny key chains shaped like tiny everything. As an adult, I have stopped acquiring stuff so much, but I cannot help but squee at the sight of well reproduced miniatures. Thus, when I found out that Europe has a proliferation of miniature theme parks, I was captivated. After careful consideration, I chose to visit 3: The Mini-Europe in Brussels, The Madurodam in Den Haag, and the Miniature Wonderland in Hamburg. I was not disappointed.


Mini-Europe, Brussels

The weather this summer was insanely hot, and the northern Europeans are simply not prepared. It cut into my outdoor activities severely, and I almost didn’t make it to this park. Lucky me, there was a single cloudy and cool day during my week in Brussels. It doesn’t make the best photos, but overcast skies certainly make a happier me.

The park is right next to the Atomium a huge statue constructed for the 1958 World’s Fair. I honestly believe that nearly every strange structure in a city can be attributed to this cause, not the least Seattle’s own Space Needle and the Eiffel Tower in Paris. You can go inside. I did not.

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General admission is not too expensive at 15.5€ and it’s so full of amazing things that I felt it well worth the cost. I recommend bringing snacks and drinks since the on-site Cafe is overpriced.

Once inside, there is a winding path through a whirlwind tour of Europe. It is seriously all of Europe. The most famous buildings and historical sights of each country (at least as decided by the Belgians). It’s enormous.

While ogling the array of tiny architectural marvels from a distance, I came across a series of informative signs at the front. They were… interesting. Among other things it gave credit to UK for modern democracy (as an American my response is, “um excuse me?”) and also represented rampant European colonialism as “the spirit of adventure”. I know each culture teaches history in their own way, but… I suppose if the history can’t be accurate, at least the architecture is pretty spot on. (top: mini Brussels, bottom: real Brussels)20180710_14411620180711_111548

Some vignettes were reproductions of old villages, but most were modern familiar and famous sights. At the starting point for each nation, there was a button to push that played what I’m fairly sure were the national anthems. Some exhibits were also animated, many activated by another button. As you can imagine, kids raced along to be the first to push each button.

Because they’re miniature and placed on the ground, most exhibits are at eye level or below. I took some bird’s eye photos, but my favorites are the ones where I was able to get level with the model ground, as though I were standing inside. I used the selfie stick a lot to get better angles, and wished I had a better zoom since many of the amazing details were hard to capture. The three I loved most were Galileo testing his ideas at Pisa, Don Quixote and Sancho in la Mancha, and a tiny blue TARDIS in London.

I was blown away by the level of detail, the cathedrals especially. It’s hard for me to say how accurate they all are. I found the models of places I’ve been before to be a bit lackluster, while I found the ones I haven’t seen in person to be amazing. I visited several of these cities after Brussels, so you can see for yourself how they stack up. (top: mini Copenhagen, bottom: real Copenhagen) 

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More than anything, it reminded me of the “bigatures” that were used in the LOTR movies. These models were often gigantic, the size of a sofa or even a car, yet because the originals are multi-story, towering masterpieces, it still counts as “miniature”. (left: mini Maastricht, right: real Maastricht)

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It took me hours to navigate the entire park, and I am ashamed to admit there were one or two countries in the mini-EU I hadn’t heard of before. Overall, it was an amazing visual experience, and a fun photography day since I got to do a lot with experimental angles and effects. I took hundreds of photos, but here are the 50 I think are best.


Madurodam, Den Haag

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The Madurodam is far more focused than the Mini_EU. It is exclusively about the Netherlands, while Mini-EU covers all of Europe.  The attempt at being interactive was really more of a pain than an enhancement. Mini-Europe had a plethora of buttons that played music or activated moving parts. Most of the animations at Madurodam were coin operated so cost extra, and the informative audio clips, while free, required you to scan a card to hear it and see the educational video. I was constantly having to rearrange my camera and sunbrella (umbrella for sun) to dig the card out of my pocket. 

Despite this inconvenience, I did enjoy the miniatures. The quality of the constructions was high, and I liked the fact that there were more scenes of neighborhoods or city blocks rather than just a single monument in isolation. It’s hard for me to speak to the accuracy, and I didn’t recognize as many landmark buildings, since my travels in Holland were somewhat limited. Photography was if anything more fun since I was able to get much closer to the buildings and there were more interesting and active scenes, rather than stark and empty buildings (although both styles have an appeal). The one building I did get to see for real was the Dom Tower at Utrecht (left: mini, right: real life).Utrecht Dom Tower.jpg

One thing that Madurodam had that Mini-EU lacked were the shows. There were several locations where one could go into a small theater and watch a kind of puppet/animation show about some aspect of Dutch history. The shows reminded me of 80’s Disney animatronic entertainment, and some used puffs of air or sprinkles of water to create realism. 

One was about the namesake Maduro, one about the rebellion against the Spanish with William of Orange, and one about the founding of New Amsterdam. The performances were lovely, and I’m grateful that they were all available in English as well as Dutch, but the content left me feeling very uneasy.

George Maduro was a military officer who fought in WWII and eventually died in Dachau. His parents donated the money to start the park as a living memorial to their son. I’m quite sure that the video of his heroics is hyperbolic, but it is the one I mind the least, since it is after all a monument to his memory. Nonetheless, it does seem he was an extraordinary young man, who became a leader at a young age, escaped a German prison, became part of the resistance smuggling Allied troops through Spain, and finally perished in a concentration camp. The presentation was a panoramic movie screen that used a combination of actors in historical dress, photos of historical events, and shadow animation to give a sense of the battles and prison experiences of Maduro’s life.

The Rebellion against the Spanish was part of the 80 Years War, or the War of Dutch Independence. It was a combination of religious rebellion (Catholic vs Protestant) and of course the tangled web of European nobility and the right to rule (collect taxes). The Dutch were tired of being controlled by the Catholic Spanish, and William of Orange provided a central figure to rally around. The presentation was captivating. We entered a war room of the mid 1500, decorated with all appropriate trimmings. We sat at a large table and the video projected a revolutionary leader apprising us of the dire situation, and of the need to go to war for Prince William. We were made in large part to feel like active participants in the planning of the rebellion.

The last performance I visited was the most elaborate. We started off by going in a dark ship’s hold. The space was decorated with ship’s stores and some animals and it swayed slightly to represent the waves at sea. A ship’s captain narrated the journey of the Dutch pilgrims to the Americas, including a small storm with special effects. When the “ride” was over, we emerged into the harbor of New Amsterdam where we stood on the quayside and watched the invasion of the British. Well before the American war for Independence, this battle was fought between the Dutch and English for control of the colony, and the port city later named New York, after the English won. We were encouraged to take up “firelighters” to ignite the cannons before us and try to sink the English ships. Very fun and interactive, but sadly historically inaccurate and loaded down with propaganda.

I didn’t have the best cultural connection with the Dutch. While I found the individual Dutch people I met to be courteous and friendly, the culture as a whole felt to me like one of wealth and entitlement. Madurodam was far from the only place I encountered these attitudes while there. Basically every Dutch written info blurb or tour guide about this country did this at least a little, but the shows at Madurodam were best at putting them in a clear and succinct way that helped me identify my unease.

They’re rich and proud of it, but more they know they got rich with the Dutch East India trading Co. and rampant colonialism and they’re proud of that. Like ‘we are so awesome cause we built better ships than those horrible English and we got billions of euros of equivalent wealth by exploiting “unexplored” regions of the world’. Oh and ‘we invented democracy a 200 years before America when we fought a revolution against the Spanish (for King William) and we are responsible for everything good about New York, which was completely devoid of people (Indigenous People don’t count, right?) when we arrived to build it’.

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I did not know anyone was still bragging about colonial wealth. A lot of people (mostly white and Western) benefit from it, but most of us at least try to acknowledge it was a horrible atrocity. They seriously brag about it here all the time. At Madurodom, it was laid on so thick I felt like I was drowning in it. Holland and I are not destined to be friends until this country gets woke about it’s role in global wealth inequality and gets rid of the saying, “God made Earth, but the Dutch made the Netherlands.”

The miniatures were of excellent quality, and it was a cute park. Despite the colonial superiority complex, I still took a million pictures, which I have winnowed down to the top 50 in this video.


Miniature Wonderland, Hamburg

The miniature museum was astonishing. It is completely different from the other two miniature parks. Both Mini-EU and Madurodom were outdoor parks that focused on reproducing famous architecture in miniature with great detail. Miniature Wonderland is an indoor attraction (climate control!), and focuses on the tradition of model trains. If someone had told me “model trains” I would not have gone, and I would have missed out. I don’t know what most people think of when they hear “model trains” but I think of the train, the tracks and maybe some engineering specs with a side note of mini-landscapes. At Miniature Wonderland, the landscapes the trains travel through are far and away the stars of the show. The trains are fun, but in many ways, merely an added detail. Although, I did see the Hogwarts Express pass by once, and that was a nice touch. I took so many more pictures here than at the other two parks I couldn’t actually narrow it down to 50 photos, so there are 2 videos. Here’s the first one.

Famous places were replicated, but in the style of a model train set, rather than a single building. As a consequence, there were many reproductions of famous landscapes, as well as cities, and towns. There was so much detail not only in the buildings but in the humans! There were thousands and thousands of tiny miniature humans engaging in every activity imaginable. There were passengers in the trains and people inside the buildings. I even found some nude bathers in a secluded lakeside retreat!

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In addition, everything moved and lit up, not only one or two attractions, but nearly everything. Every building and car had working lights. Of course the trains moved, but also ski lifts, and airplanes, and dolphins in the sea! Some were button activated, others on a timer. It was enchanting. Moreover, the lights would change from day to night and different things would be visible. At night, all the buildings lit up and you could see the delicate window dressings, or be a peeping tom and see what people were doing inside. During the day, the landscapes and building exteriors were on display, while the insides of buildings were dark and hidden. 

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The museum spans two floors in a large warehouse building near the water. Although there is a gift shop, and a restaurant, most of that space is dedicated to the models. There’s also a central control area where several employees monitor the trains movements and other activities around the scenes.

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My only complaint is that many of the viewing areas were cul-de-sac, so once you got in to see the point of interest, you were sort of trapped fighting the tide to get back out. Mini-EU had a single path with easy to follow arrows that kept the flow of people moving and avoided clumps or jams. The Wonderland was much harder to move around.

A local woman visiting with her husband noticed I was on my own and took it upon herself to point out the curious and interesting details around the various sets. She would run off and then come back to show me something else, and before she left she made sure that I wouldn’t pass by the Lindtt Chocolate factory which gave out actual pieces of chocolate!

I watched Mt. Vesuvius explode and pour lava made of light down onto a tiny replica of ancient Pompeii.

And we all flocked to the airport whenever a plane was ready for landing or departure.

There was even a miniature miniature park!

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Tickets are sold for an entry time, and you can stay as long as you like afterward (until closing). Early morning and late night tickets are cheaper, and I got a deal on a combo harbor boat tour. I enjoyed the boat trip, but seriously underestimated the amount of time I would want to spend inside the miniature display, and while I was shuffling out as the exhibits were being shut down for the night I felt I had still seen less than half of the stunning hidden delights tucked away in the extraordinary displays. Here’s 50 more of my top photos from the second half of the displays.

Fairground Museum Paris

My travel tastes tend to range from the classic bucket list items to the hipster “you went where?” items. On my first trip to Paris, I visited the major must-dos like the Eiffel Tower, Notre Dame Cathedral, the Arc de Triomphe, the Champs-Élysées, the Sacre-Coeur, and the Père Lachaise Cemetery. At that time my “off the beaten track” experience was going to see my friend perform Burlesque at La Féline Bar. Sadly, I never had the chance to write this trip as my life in 2015 became rather hectic shortly afterward. I did upload my photo albums, however, so you can still see those on the Facebook Page by following the links on each location above.

For my second trip to the city of lights, I made it to the Catecombs, a couple art museums, and a bike tour of the hot spots, which I’ll be writing about later. My more obscure find was a tiny museum of Fairground Arts, the Musée de Arts Forains. It’s actually not a public museum, but the private collection of Jean Paul Favand. It includes object d’art from fairgrounds around Europe in the 19th century. The museum has done extensive restoration on the artworks, and patrons are free to ride and play many of the “exhibits” on display. It was enchanting beyond all expectations and lasted just under 2 hours.

No Bag Storage? Starbucks!

Since the collection is private, the museum doesn’t keep regular opening hours, and tours are by appointment only. I was slightly desperate to go, but the only time a tour was available during my 6 days in Paris was the afternoon of my very last day, the day I was planning to catch a bus onward to Brussels. I had no choice but to choose that day, and move my bus to a later time. I’m so glad I did.

I had to check out of my Airbnb by 10am, and my host did not offer any variety of luggage storage. Neither does the museum offer any sort of cloak room or bag-check room. I checked a few websites for storage options, but it turns out that there are only a few places around town where it’s even possible and they are mightily expensive. I was travelling light (backpack only, yes, that is my actual luggage for the whole 7 week trip), but it was still at least 10-12 kilos, which can become tiresome to carry for many hours.

My tour was at 2pm, and I didn’t want to walk around Paris with all my luggage, so I headed straight to Bercy where both the museum and the bus would be found. I zeroed in on Starbucks for a clean bathroom, an iced latte, and a place to sit while waiting. This long haul travel is giving me some new appreciation for the use of American stand-bys. I’ve become addicted to iced lattes in hot weather, and the French seem to think that ice in coffee is anethema. Even McDonald’s McCafe failed at providing iced coffee options, but Starbucks is the same world wide with a few exceptions for seasonal specials.

I love French coffee, and I could have sat at a cafe the whole time I was waiting. No one kicks you out of a restaurant in Paris. Oddly Starbucks was a cheaper option since a coffee here is a tiny shot of espresso for 2€ or maybe a small cafe creme for 3.5-4€. At Starbucks, I got a Venti iced latte for 4.65€. I don’t want to be the tourist who goes abroad and only visits American chain stores, but sometimes, especially on a long trip, it’s nice to have the choice. Free clean bathrooms, cheaper large (iced) coffee, air-con, and free wifi do make it an ideal place to kill time if you have to.

Getting There

The museum was easy to find, although it looked a little foreboding from the outside. The grounds are covered in fences and the buildings all have shuttered windows. The tour guides only speak French, but they were kind enough to make an English language pamphlet that contained the pertinent information about each area of the museum we would visit. I read through it while waiting for the group to assemble, hoping that it might help me follow along.

When we finally assembled and began the tour, my feelings were primarily childlike glee. My joy wasn’t the only childlike feeling I had. Standing in the courtyard listening to the guide talk in French I had a sudden flash of understanding of how every kid must feel when tour guides talk and there’s nothing to look at or do. I tried to listen, but he talked so fast I couldn’t catch much. Fortunately, as he pointed out to us, it’s really a visual tour. The courtyard was pretty and I enjoyed the gargoyles and decorations amid the trees and flowers, but I was impatient to get inside.

The Giant of Bercy

This is the story he was telling while we were standing outside. I found the English version later. According to legend, Kind Louis XIV came to Bercy to attend mass at a nearby cathedral. Of course, all of his subjects were expected to kneel before their king during his royal visit, but when the time came for this obeisance, one man remained standing. When the guard were sent to investigate, it turned out the man was kneeling after all, but he was a giant who loomed above the crowd even in genuflection. The giant was a vintner named Martin, who used this unique chance to meet the king to talk about the taxes on wine merchants in Paris.

Charmed by the giant and amused by his complaints, the capricious king decided to grant the Pavilions of Bercy a tax exemption. The 106 acre region became closed off behind walls and ware houses with railroad tracks leading to the Seine where wine shipments could be transferred by boat. The buildings that now house the Musée d’Arts Forains were at one point warehouses and market buildings.

It wasn’t all wholesale business, however, and Bercy was also known for it’s wine bars and guiguettes where patrons could sip by the glass or by the bottle in convivial company.  Such an atmosphere prompted festivals, fireworks and other fun, giving Bercy it’s reputation as a joyful place.

The Venetian Rooms

As soon as we stepped inside I realized the photos I found online do not come close to representing the atmosphere of this place. Beautiful pieces of art displayed around a centerpiece of a merry go round from a classic Venetian style carnival. There was no roof, as a modern carousel might have, and most of the seats were elaborate gondolas and carriages with a few ornate animals with saddles. Our guide invited us to hop in for a ride and we whirled around to a recording of the original music.

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After the ride, we stayed seated but turned to face a wall which was decorated as the Grand Canal. The lights dimmed and we were treated to a beautiful light show that had clearly been made just to fit the size and shape of the room. We went from outer space, to under water, to a cityscape, a gondola ride on the river, a ballroom and a theater as the lights and sounds created this beautiful illusion.Image may contain: night, bridge, outdoor and water

The adjacent room was an animatronic opera with singers mounted around the room on the walls just below the ceiling. The lights and speakers moved as different characters (including Columbine, Harlequin, and Cassanova) sang and the robots moved. It was like Disneyland’s tiki room or hall of presidents.

It was easy for me to wander away from the group or start behind as they moved on and get photos of the rooms with no people. Since I couldn’t really understand, I didn’t feel like I was missing out. Sadly, the rooms were so dark that most of my photos are only any good for jogging my memory of the experience.

The Carousel-Salon

In the 19th century, the Fairground was quite popular, and the Carousel-Salon was a style of fairground that included the pipe organ, the carousel, a ballroom for dancing, and of course, a bar.

Our guide cranked up the pipe organ, which was stunningly loud, and I took the time to get a closer look at some of the statues and carvings around the room. The detail of craftsmanship in these pieces was impressive. It was clear that the fair or carnival was much more than it is today. When I think of the clunky state-fairs of my childhood covered in bare bulb blinking lights and cheaply airbrushed panels on easily disassembled rides and booths, I can see how much we’ve lost in the last century of fairgrounds.

Once the pipe organ ended it’s song, we were invited to ride again. This time, a more familiar carousel with the faux tent roof and a few horses that trotted up and down as the ride goes around. My only complaint is the the tours allow more people than there are seats. The guide ran the ride twice but I didn’t get to ride a moving horse either time. Despite this small disappointment, I had tremendous fun riding the antique carousel inside a room filled with similarly antique carnival rides, games, and decorations.

Vue d'ensemble du manège de chevaux de bois du Musée des Arts Forains

We rode a pedal powered carousel as well. It was made up of a circle of large brass bicycles. This carousel was all about the thrill of speed. When the device was in use, warnings had to be issued that if a patron should lose their footing, they should not try to catch the pedals. Apparently the speed and force of the pedals resulted in more than one lost foot. The cycle carousel was capable of reaching 40mph (65kph) which in 1861 was dizzyingly fast! Once upon a time it also ran on electricity or steam, but the museum’s ride was purely pedal-powered. Don’t think that makes it less impressive. With every seat filled, the cycles seem more like a roller coaster ride than a carousel.

Vue d'ensemble du Manège de Vélocipèdes du Musée des Arts Forains

There were many other oddities, pieces from other rides, and classic fairground games to look at as well. German swing boats, card tables, shooting galleries, and exotic animals lined the walls around us. Electric lights and moving pictures will still a novelty often found only at such public shows. One of the most famous shooting games is the French Waiters. I’ve seen similar racing games in most modern carnivals and fairgrounds. Shooting at your target advances your waiter and the first one to the finish is the winner.

The Theater of MarvelsMusée des Arts Forains (2015-07-30 02.59.30 by Laika ac)

Next we entered a room full of oddities and treasures. It was Jean Favand’s own Cabinet of Curiosities including oddities such as a tree that could grow a leg and a dwarf in a boot. The center piece was made to look like the balloon of Baron Munchausen made by the collector himself. Esmerelda, the patroness of the funfair is depicted dancing. There was a huge papier-mâché elephant with a glamorously dressed rider, and Unicorn Cave is made from petrified wood, preserved plants, and mythical creatures.

Musée des Arts Forains (2015-07-30 03.03.52 by Laika ac)                              Musée des Arts Forains (2015-07-30 03.34.26 by Laika ac)
Our guide showed us a game called Palio di Sienna that was played by spinning a top through arches to hit a bell,and we all got to participate in a racing game that seemed like a combination of skee-ball and the shooting racer. Instead of hitting a target, you roll a ball into numbered holes for points, and your racehorse advances a little or a lot depending on how many points you got. The group played four times and I sat only one. It was very popular!

We ended the tour with a waltz in a music room. A self playing orchestra like the ones I would later see in Utrecht played a waltz comprised of 12 different musical instruments. Members of the tour group paired off and danced joyously around the dance floor while waxwork oddities looked on. Great historical figures like Victor Hugo and Thomas Edison stared down, dressed in disguise, and an unimaginably queer unicornitaur (like a minotaur, but the head of a unicorn?) stood by a grand piano ready to deliver a song that would never play.

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The fall in Korea has been keeping me busy. I volunteered to teach a debate club this semester and I’ve been trying to get out to a few more local social groups, maybe join a book club or two. We’ve also had a lot of school holidays. Last year, the three main fall holidays came together for one glorious 10 day vacation, but this year they’re spread out across three weeks. Counter-intuitively, this has actually made more work for me, and given me less time at my desk to work on this blog.  I would also like to shout out to the beautiful photogs who donate to Creative Commons because they saved my bacon from my tragically dark-derpy camera, and provided beautiful royalty free images for me to share. As always, thanks for reading, and I hope you enjoyed this hidden gem of Paris.