Zanzibar: Stone Town

May 11, 2023 / Gallivantrix / Leave a comment

Stone Town is an architectural love child of Indian, Arabic and Swahili cultures. The narrow maze-like streets car-free (though not cart-free) and stuffed from end to end with life. “Get lost in Stone Town” is another top 10 Zanzibar activity. The whole neighborhood is less than 2km², bordered by the sea on the west, the Darajani Market on the east, and some fairly uninspiring highways on the north and south. GPS sort of works, but because the streets are so close together and none of them are clearly labeled (or possibly even named) you can only get a general idea of where your destination is. You will get lost trying to get there.

A Brief Historical Context

Zanzibar is an interesting and unique geographical gateway between central Africa and the Arabic and Indian cultures. The trade winds carried ships from India and Arabia then trapped ships on the islands for about 6 months at a time before they were able to sail back. Unlike many other trade centers, where the sailors and foreign merchants were in and out of port in days or weeks, the Indian and Arab merchants who came to the islands of Zanzibar were obligated by the wind to stay for half a year at a time, and so they often married local women, built homes, and had families. Though there is archaeological evidence that the island of Zanzibar was involved in trade with other mainland African cultures, the intercontinental trade seems to have started around the 9th century. There was about 600 years of cultural mixing between the Indian, Arabic, and Swahili people that had ups and downs of who was in charge and who was converting who and who was selling who into slavery, but this is the brief history, so we fast forward to roughly 1500 when Portugal hit the scene.

The 1490s are a bit famous for that trip Columbus took, but he was far from the only European out to find wealth in “unexplored” parts of the world. Vasco de Gama was the first European to reach India by sea, a trade route that required stops along the eastern African coast. Portugal was one of the big European colonial powers and they had their fingers in pretty much every exploited continent. Zanzibar was not only a good resting stop en route to Calcutta, but a source of rare spices and human slaves from the African mainland, which were the big moneymakers in those days. The Portuguese ran Zanzibar for about 200 years, until the late 1690s when the Omani Sultanate took it (possibly at the request of the local Swahili people who thought an Arabic overlord would be better than a European one). Somewhere between 1830-40, the Sultan of Oman moved the capital city from Muscat to Stone Town, and when he died in 1856, he split the empire between his two sons, giving Zanzibar to one and Oman to the other. In a move that surprises no one, they fought about it, but then in a shocking twist, they allowed the will to be arbitrated by the British general protector of India. The Age of Empires remains confusing.

Zanzibar continued as a separate Sultanate until the British decided that actually, slavery was morally reprehensible after all, and that everyone should stop now that they had decided to stop. This didn’t happen all at once, but from about 1822-1873 the British put increasing economic and military pressure on the Sultanate to stop trading in slaves, including trade embargos and the raiding of slave ships. Freetown in Sierra Leone was created to rehome the slaves who were liberated by the British during this time. By 1890, Germany and Britain decided between them that Zanzibar would be a “protectorate” of Britain (which is like colony lite). Finally, in 1963, around the time Britain was being forced to give up on the whole Empire idea, Zanzibar got full independence as a constitutional monarchy. They promptly had a revolution to oust the royals in favor of a representative government, and one year later, merged with the mainland country of Tanganyika to form the modern nation of Tanzania. Despite this unification, Zanzibar remains a separate autonomous region (like Hong Kong and China) with it’s own flag, president and taxes.

First Impressions

My first week in Zanzibar, I decided to stay at a hostel in the heart of Stone Town since it seems to be where a lot of the action on the island is. My ride from the airport (a comedy of errors) tried to just leave me in a random parking lot with a random guy. It felt very sketchy, but I have since learned this is pretty normal and that Stone Town is actually very safe for tourists. In Stone Town, “lost” is a relative term. The streets are close and narrow, but there’s a fair amount of order. There’s the main arterial market streets which are loaded with shops, there are the quiet side streets where locals hang laundry and kids play after school, and there’s the waterfront. You’re only really going to get “lost” in the quiet side streets, and even then only for a few blocks until you’re spit back out to one of the main areas or reach the edge.

I was initially overwhelmed by the number of people talking to me. Unlike Senegal where French is the colonial language, English is the colonial language in Tanzania, and they love greeting tourists with spatterings of friendly Swahili as well. The shopkeepers call out as you pass by, inviting you to look, asking where you’re from, and generally being friendly. Of course they want to sell things, but they don’t physically invade your space and they don’t get mean or angry when you say “no thanks”, they just say “hakuna matata, maybe next time”. There are free range sales people who are arranging tours and excursions and they’ll just walk with you and chat. I got some advice about what to avoid doing and eating while in town, and although I never ended up booking with any of the street tour guides, I quickly came to not mind their chatty presence in my walks through Stone Town the rest of the week.

A Guided Tour

I opted for an Airbnb Experience, again hoping that a more personalized touch would be better than a company tour. It seems like Airbnb in Zanzibar is really just a front for businesses. This may also be related to the rules about tourism and taxi licensing. My spice tour guide explained that it takes a couple years minimum to get the licensing to drive tourists around. Walking tour operators don’t have that concern, but they still have to be able to produce papers if they’re questioned by authorities while leading a group of tourists around. The result is that Airbnb isn’t random locals sharing their culture for a small fee, it’s actual real businesses, and you just have to hope they’re not shady. Reading the reviews helps, but as I learned with my Blue Safari trip is not a guarantee. Thankfully, my Stone Town tour was a win. The other person/people who had booked it never showed up, so I had a totally private tour. The friendly guide was happy to adjust the pace, the amount of time spent at each place, and even the places we went to my personal tastes. He also relaxed and opened up a lot more about the details of life in Zanzibar and Tanzania.

The entirety of Stone Town is a UNESCO Heritage site, and there are a couple buildings in particular (like the House of Wonders) that have their own special status. As a result, everything is always under restorative construction, all the time. UNESCO standards require that repairs must be done in the original work methods with the original construction materials in order to receive funding. This is great in lots of parts of the world, and keeps ancient cultural heritage styles of art and construction alive in places where the local economy might have driven them to extinction. However, in Zanzibar, the original construction was often quick and cheap, and the regular monsoons erode the limestone and coral structures. Walls made of old coral are constantly being replaced and the House of Wonders has been closed for more of the last decade than it’s been open.

In addition to the issue of materials and labor, the currency exchange and corruption are eating away at restoration efforts. The UNESCO funds are issued in Euro but the materials and labor must be purchased in Tanzanian Shillings, so exchange rates affect budgets and cost estimations. In addition, the government officials skim way more than what most countries would consider acceptable graft. My guide expressed a tolerance for “reasonable government corruption” by saying that out of a 20million Euro repair budget, the officials can take up to 2million, but should leave 18 for the work. This 10% skim was his idea of good corruption, but he clarified that in reality the take is much much higher, meaning that most of the UNESCO money goes to lining bureaucratic pockets rather than actually restoring the historical heritage sites.

Doors, Windows, & Walls

The Zanzibari Doors are one of the most famous and easiest things to see on your own while wandering around. Each one is hand carved and unique. They seem to have been a Swahili tradition that was adopted and embellished by the Indian and Arab traders. Most of the accounts of Zanzibari doors I found online seem to have been written by people like myself, visitors who went on the tour, so I’m not sure how historically accurate the information is in details. There’s a serious lack of accessible written history of African cultures. Almost all written records were made by colonizers and traders, and those were generally taken away to live in the basement of libraries and archives in the home countries of those colonizers and traders where they remain in dusty obscurity to this day until a few scholars (also likely not from Africa for economic reasons) decide to sort through them for a PhD dissertation which is itself read only by their peers and advisors, never reaching the general public. Is there a dissertation somewhere on the details of the symbolism of Zanzibari Doors? Possibly? But I can’t find it.

The main differences that everyone knows about are: the Indian style doors which may have round arches and usually have brass spikes, originally used in the Punjab as elephant deterrents, later evolved to a status symbol. The Arabic style doors may have a peaked arch or be square topped, and generally also have some stylized Arabic script, protective prayers from the Quran, engraved on the lintel. The Swahili designs include vines, fish, flowers, and later coffee beans and cloves. My guide told me that pineapples and grapes were a later addition, somewhere around the 1850s, which tracks as 1856 being the year that Zanzibar became a separate Sultanate from Oman.

Though everyone used the doors to signify wealth, each culture had different decorative values otherwise. Arab Muslims were (and in many parts of the world still are) not into external displays of wealth on the home. Exteriors of Arab built homes in Zanzibar are very plain. Windows and balconies are built to protect those inside from the eyes of passersby, and there were even covered bridges between homes to allow the secluded women and children to visit one another without stepping into the public view. The Indians, in contrast, loved to be seen. The exteriors of Indian built homes have flourishes and colors, windows and balconies allow the homeowners to show off their wealth and fashion to the public without going outside.

Modern day buildings and newer doors often incorporate traits from all three main cultural influences for both aesthetic and blended heritage reasons. Architecture isn’t the only thing that blends in Zanzibar. Although Islam is an import from the Arabian peninsula, Zanzibar is currently majority Muslim (while mainland Tanzania seems to be majority Christian). However, the cultural blending of Zanzibari history means that in addition to all the major branches of Islam being represented, Zanzibar also hosts Hindu and Jain temples (of Indian descent) as well as a variety of Christian churches including Catholic, Anglican, Lutheran, Adventist, and Pentecostal. I enjoy this photo op of the mosque and cathedral sharing the skyline.

The Freddie Mercury Museum

The tour stops out front of the the Freddie Mercury Museum. This is one of the big hot-spots of Stone Town. They are really excited to have a globally famous rock star trace his origin to their town. Freddie was born in Stone Town to Persi-Indian parents. He didn’t actually live there much, since he was in India as a small child, then England for boarding school, but Stone Town claims his birthright. This tiny little museum costs 8$US to enter and takes 15-45 minutes to view depending on how much you want to read and how slow a reader you are. The displays are mostly childhood and family photos as well as album covers. They have an impressive collection of lyric notes, which is kind of cool. There is also a tiny side room that has his famous Wembley concert jackets (the yellow as well as the white with red buckles). I have no idea if anything in the museum is authentic since replicas of these items are pretty easy to get online.

The museum is not what you’d call impressive. I’m biased because I lived with the Seattle EMP (now Mo-Pop) for decades, but even diehard Queen fans would likely feel underwhelmed. Nevertheless, I am happy I spent my money there and I hope more people do because Tanzania is still a place where being queer is illegal, punishable with fines and prison time (up to a life sentence). Freddie is a queer icon. As a bisexual man, his sexuality is often subject to erasure. In the West people tend to forget that he was BI and not GAY, ignoring his relationships with women. In the museum in Zanzibar, there is no mention of his relationships with men, and his relationship with Mary Austin is the only romantic reference. Despite this erasure, I think their pride in Freddie can act as a wedge to allow a discussion of LGBTQ+ rights to take place in Zanzibar and eventually on the mainland, so they can have my tourist money.

“[Queen is] just a name…It had a lot of visual potential and was open to all sorts of interpretations. I was certainly aware of the gay connotations, but that was just one facet of it.”

“I’m as gay as a daffodil, my dear!”
-Freddie Mercury

The Museum of Black Civilizations

January 25, 2023 / Gallivantrix / Leave a comment

Happy 2023 and year of the Rabbit! I am sad to say my holidays were marred by an illness of unknown cause, a risk of travelling to any new geography where one’s own immune system is naïve to the local microbes. However, I’m bouncing back and getting my new year groove. My first tourist visit for the year was to Le Musée des civilisations noires, and now I’m here to share it with you.

If I could describe the Museum of Black Civilizations after my visit in one word, it would be: aspirational. The museum itself is an enormous building with — as one might say to a child who’s pants need to be rolled up — room to grow. I was initially disappointed with the experience because it has so much hype, but after doing some follow up research online about the history, I’m a little more impressed, and a lot more sad.

It opened in late 2018 with a substantial contribution from China to the tune of $34 million (an especially revealing number since the estimated construction costs were 30mil?) and was built with over 150,000 ft² (14,000m²) of space over 4 floors to display more than 18,000 exhibits (I have no idea how they reach that number given the varity of size and display needs, but that’s what they say). In 2019 it was hailed on TIME’s list of the World’s 100 Greatest Places.

The museum was built in large part to give a big middle finger to the French (and other colonial countries that … I tried to find a nicer word, but … r*ped the continent). For context, there’s a lot of pushback from European museums about returning the looted treasures and artworks of colonized African cultures. They argue that without sufficient quality display areas like climate controlled museums that it would be irresponsible to return the fragile artworks to the countries they were stolen from. This is a real hot-button issue with lots of discussion about what constitutes ownership and stewardship, especially when discussing artifacts that affect all of humanity like early hominid remains or artifacts that were looted by rival tribes/kingdoms well before they were stolen by colonial masters, but the way I see it, if you just took that thing from someone’s great-grandpa less than 200 years ago and his family is still there, it really should not be a debate.

Regardless, the construction of Museum of Black Civilizations was meant to allay all the concerns that the artifacts would not be properly cared for or displayed in Senegalese stewardship, and France made some conciliatory noises that they would work on giving stuff back. Then before that could be finalized, “ohhhh global pandemic, hands are tied, guess we can’t now”. Fast forward to 2023 and that museum is like a grocery store after a storm alert – empty.

The Ground Floor

The first thing you see (aside from the vast empty space) is “The Saga of the Baobab,” a metallic tree by the Haitian artist Edouard Duval-Carrié in the center of a display about the cradle of humanity aka the “Out of Africa” hypothesis which shows strong evidence that modern day humans evolved in and migrated from the African continent something like 300,000 years ago. There’s debate about this too (I don’t mean creationism) because some fossil evidence has been shown that other versions of humans existed in other places around the world as much as 1.8m years ago. I get a headache when I try to follow the scientific debate because all the versions of hominid are based on bone fragments and mitochondrial DNA. I don’t blame the museum for sticking to a single scientific hypothesis in their presentation, but I was a little let down by the presentation itself.

The vast majority of the exhibit is printouts and blocks of text (French only!) on the walls with a few scraps of skeletal remains under glass. I strongly doubt that these are actual remains since it is the standard practice of museums everywhere to put replicas on display because of the delicate nature of the bones. It’s a cool story to tell, from the origin of the first bipedal apes through “Lucy” and on to the Neanderthal and Cro-Magnon, but it didn’t seem especially unique. One thing I was really fascinated by was this Neanderthal skull because it clearly shows that the front teeth are rounded instead of edged. I remember being taught that our front teeth were made for cutting (cone shaped teeth are for puncturing, gripping, tearing hence why all the carnivores have them) and our molars which are more square are for grinding. It made me really curious about the unique tooth shape of the Neanderthal and what that means about their diet. It was neat to see up close.

The other feature(?) of the first floor was the contribution of African cultures to science and technology. When the greeter at the door told me about this I was really excited. I feel like this is a very under-taught area of global history, and I strongly hoped to learn some things. Even after this, I still hope there are things to learn. However, the exhibit was a real let down. While the cradle of humanity section was maybe 60% wall of text and photos, the “science and technology” section was easily 99%. In addition, other than the origin of smelting iron (a huge contribution to human culture, no doubt) most of the rest of it was limited to Egyptian contributions which could be argued to be a part of the Greek Classical world. I stan negritude and black excellence, but I want to see more than “Egypt did a lot of cool stuff” when we talk about the history of African contributions! Also a museum heralded as one of the best in the world and maybe the best on the continent needs more 3d models. Printing a Wikipedia page on the wall does not a museum exhibit make.

The Next Floor

The elevator lets you out at a room full of recovered pan-African artifacts. Which is… cool? I guess? I know it’s the museum of “black civilizations” so all of Africa and the diaspora included, but I am curious as to how many of the countries whose artifacts are on display gave them willingly? With all the controversy about France putting stolen Senegalese artifacts on display in their museums, I expected more Senegalese focus here. I also would have liked to see some “graciously donated by…” or “on loan from…” signs on those foreign artifacts to reflect the value of only displaying other culture’s property with permission. I was also let down by the lack of context for the items on display. Most of them only came with a card saying something like “mask from Nigeria” with the materials and size listed. Nothing about when it was made, what it was used for, how it related to the culture at the time or now or anything. It was fun to look at, but it left me with a bit of an empty feeling.

A-bamp (Baga bird) Guinea Conakry, Baga wood, lime, black, red, white pigment Height: 176cm
Botchio, fon fetish Benin, Porto-Novo Various materials (leather, iron, cowries, fabrics, clay, cow tails, etc.) Height: 70cm
Nkisi Nkondi Mayombe Region Democratic Republic of the Congo wood, horns, iron, nails, glass, fabric, and vegetable fiber rope Height: 245cm
Bedu Mask Ivory Coast, Boudoukou-Koulango wood and polychromy Height: 186cm, width 176cm
Traditional “Dozo” hunter outfits Mali, bambara Cotton (bogolan), mirror, pearls, skins, charms, horns and cowries Variable size
Traditional “Dozo” hunter outfits Mali, bambara Cotton (bogolan), mirror, pearls, skins, charms, horns and cowries Variable size
Traditional “Dozo” hunter outfits Mali, bambara Cotton (bogolan), mirror, pearls, skins, charms, horns and cowries Variable size
dance crest; Chiwara Mali, bambara wood and iron variable size
buffalo helmet-mask Cameroon, Bamileke wood, white and red pigments Height: 30cm, length 75cm, width 43cm
Yoruba coffin Nigeria Wood, lime, black pigment Height 67cm, width 190cm
Idiok Ibibio Mask Nigeria wood, imported pigments yellow, green, red ocher

The next section was called “Les Appropriations 2022-2023” and was about the presence of monotheism (Judaism, Christianity and Islam) in Africa. I am interested in this kind of thing, but it was hard for me to get through when again 70%+ of the display is a printed a Wikipedia article on the wall in French. The most interesting part of the exhibit on Judaism was a photo of African (black) men in yarmulkes. Christianity was mostly about Egypt (the Coptics) with a few references to the African officiants appointed by the Catholic Church. I was most interested in the Islam section since I know sub-Saharan Islam is quite different from Arabic/North African Islam. I even captured all the French text to peruse at my leisure later with Translate to help me, but it was still really basic. I actually think the Wikipedia entry on Sufism has more information. Also, since Islam is pretty iconoclastic there was an even higher ratio of wall-text to object display in that section. There was a whole wall dedicated to the teachings of Sheik Ahmadou Bamba who is a really fascinating historical figure in the fight for Senegalese independence, but if I had not known that about him before going to the museum, I wouldn’t have figured it out from the display.

ART

The next section was the highlight of my experience at the museum. However disappointing the first floor was, the modern art section made up for it in spades. The “Africa Now 2022-2023” exhibit was stunning. Everything I dreamed of for a beautiful modern African art exhibit was turning it out. Art that really made me feel things and think things and go WOOOOOW.

The very first painting at the entry was just a punch in the gut, but so beautifully done.

Yrneh Gabon BROWN, Troubled Waters, mixed medium

I enjoyed a range of colors, materials, styles and subject matters, and as with all modern art, I didn’t “get” all of it. I tried to capture a few of the ones that either reached out to me or just were photogenic. The huge wall mural was only ‘meh’ to me until I got up close and realized it was made of a mix of African print fabric scraps and garbage, which made it suddenly a huge statement about the trash problem I’ve been noticing literally every time I walk outside. Trash isn’t only a local problem. A lot of the “developed” aka rich countries in the world export their trash to poor countries, so basically there are places around the world being paid (not much) to become our landfills. The practice is slowing down mostly because the countries receiving the garbage are saying “no more”.

There was also a field of oversized cotton made of metal and … cotton. I know it’s oversized because I used to live in a place where I drove through cotton fields on the regular, I know how tall it grows. This cotton was enormous and I think the choice of size and material really spoke to the impact of the cotton industry on the slave trade and the decimation of Africa as well as to the diaspora.

“Oldies and Goodies” Olanrewaju TEJUOSO mixed medium encouragement prize from the Minister of Culture Dak’Art 2018
“Oldies and Goodies” Olanrewaju TEJUOSO mixed medium encouragement prize from the Minister of Culture Dak’Art 2018
Cotton Field Soly CISSÉ installation (iron and cotton)
Cotton Field Soly CISSÉ installation (iron and cotton)

If there is ONE artist you look up after reading this let it be Malaika Dotou Sankofa. I don’t know why these jumped into my soul the way they did, but these photographs are amazing. The juxtaposition of African prints and western clothes, the angel in broken and shabby environments, and sure the model is easy on the eyes too.

Environmental Awareness

The last section of the museum was a corner dedicated to environmental awareness called l’incivisme or “incivility” that opened in December of 2022. It had informative displays and photos about environmental preservation projects like the great green wall (a multinational effort to plant trees and ground cover along the border of the Sahara desert to keep it from expanding). There were displays about pollution, garbage, over harvesting lumber, lack of clean water, traffic congestion, noise pollution, and public hygiene. It suggested a strong sense of self-reflection and a desire to improve living conditions in Senegal and on the continent in general. It makes me happy to know that there’s a local movement about it, but also a bit sad that it’s relegated to a tiny space at the top corner of the displays.

I also went up to the third floor just to see if I could. It looked like maybe it was used for meetings or celebrations. It was quite empty, but I could see a stage and risers as well as a lot of blank walls that hoped to receive more art someday. There was a nice balcony with a cute view, but it felt very surreal being in this vast space that remained totally unused 4+ years after the museum opened.

Like most of Dakar, Senegal, and West Africa that I’ve experienced so far, the museum of black civilizations was a mixed bag – I’m glad to have the experience, but most of the feelings I come away with are difficult and heavy. I’ve been to a lot of museums in my life from the Smithsonian to tiny hole-in-the-wall unairconditioned rooms in the backwaters. I know that money can go a long way, but in the end the displays need to be unique, interesting, and educational. I am glad that Dakar has this building because it’s the first step in the reclamation of their historical treasures, but right now, the museum is more a testament about what black civilizations have lost rather than a display of their achievements. Hopefully it will live up to it’s aspirations someday.

Memorial Day Weekend: Korea Edition

June 3, 2022June 20, 2022 / Gallivantrix / Leave a comment

Yes I’ve been radio silent almost a year. Maybe I’ll write about why someday, but the important thing is, I’m ok and I’m slowly starting some new adventures. Thanks for being here always!

In Korea, Memorial Day (현충일) is June 6th, a week later than my American friends and family celebrate the memory of our soldiers with lavish summer backyard barbeques, overt displays of patriotism, and caring about disabled vets for a few days out of the year. I’ve never really noticed any block party style celebrations of Memorial Day in Korea, as it seems to be a more solemn day, but of course, everyone loves a three day weekend, so I expect there will be lots of people going out and enjoying the beautiful weather we are having. There are also official memorial ceremonies at military graveyards and Korean War Memorial sites. But why after 6+ years of living in Korea am I just now choosing to write a Memorial Day post?

*(UN Memorial Cemetery in Busan, Gallivantrix 2016)*

Connected to my last several posts and my year long absence from the blog, I have recently been digging into my own family history. I’ve always known that my paternal grandfather was an ace pilot, and that his general age range put him as “probably served in Korea?” but I never had any facts. My grandfather died when my father was only 10, and as a result, my father has shared fairly limited information about him with me. Since Korean Memorial Day is all about those who fought and died for the Republic of Korea, that means that the vast majority of the focus is on the Korean War (1950-53), so I’m going to tell you about my grandfather, Captain Kenneth D. Chandler.

My grandfather was actually born in Canada, which came as a surprise to me, in 1923. Then his family lived in Arizona and southern California, answering some questions about my father’s family diaspora. Even though they moved around with the military, and I know they were stationed in Hawaii in 1948, because my dad was born there, it seems my grandfather never stopped loving the American southwest. My grandmother lived in Arizona until she died and my dad took me on trips all over the southwest on our family vacations.

I knew that his family was Mormon (LDS) and that he had left the church because when I was driving across America with my father to move to Seattle, we stopped in Salt Lake and found his name in the big Mormon Book of Families (not actually what they call the book). I remember feeling that it was very strange, since he had chosen to leave, and yet the church insisted on praying him into heaven after his death. I suppose that’s kinder than praying his soul into hell, but still kind of creepy. On more than one occasion, the LDS Chandlers have sent me mail. They still track out family tree, but since I have no kids, and I’m my father’s only child, there’s really nothing left here for them to track.

On October 25, 1942, my grandparents were married. Kenneth was 19, and Rose was 16. I can only assume they rushed an early wedding so that Kenneth could could go to war and Rose would not be left with nothing if he died because my grandfather’s military career also began in 1942. I haven’t yet found details of his military record for WWII, but I do know that he was a fighter pilot and flew in Europe. When he returned alive, he and Rose had three children (1946 uncle B, 1948 dad, 1950 aunt M) two of whom I have never met. I’m told that he was a fairly distant father, which is a bit sad, but hardly surprising given that something in his childhood caused him to cut ties with the church and by implication the rest of his family, and that fact that he likely already suffered some form of PTSD by the time his first child was born, and definitely by the time he returned to his family after the Korean War. (I did say I was doing this research for generational trauma healing purposes, right?)

I had already known he was an ace pilot in the Air Force, because my father’s own air force career (not a pilot) was inspired by his father’s. The Air Force family way of life was a pretty big deal in both my homes growing up, as my step-father was also Air Force. I went to air shows, and military parades, and there’s really nothing quite like the 4th of July on a military base. I also had the benefit of travelling widely as a child, and getting early exposure to different cultures and value systems. Although I decided the military was not for me, I think it had a strong impact on who I am as a person, both in my globetrotting tendencies and in many of my morals and ethics. It’s hard to imagine nowadays, but I was instilled with the ideals as a kid, and that sort of thing stays with you.

I had further suspected that my grandfather fought in the Korean war, but had no details. The internet, however, provides a near endless resource of information and human connection. Koreanwar.org is a website that connects survivors, veterans, and civilian aides from the war. When I searched for my grandfather’s name, I found a message from 2006, practically next door to where I was living that year. Yun-Kuk (Ted) Kim wrote:

City and State: Edmunds WA
Service or Relationship: friend of a veteran
Comments: Captain Kenneth D. Chandler shot down a MIG-15 in North Korea in December 1951 over Cho-do area. His aircraft, however, was disabled by a MIG’s debree [sic] ingested into his F-86’s engine, knocking it out. He bailed out over the off-shore island of Cho-do. I was stationed there with a US Air Force combat intelligence unit as an interpreter. I happened to be on the beach that day, supervising unloading of a US Navy landing craft. When I saw a Sabre pilot bail out over the Cho-do Bay, I and another Korean airman rowed out into the bay in a row-boat and waited for him. When Capt. Chandler (probably) fell into the water, we grabbed him and pulled him into the boat. We rowed him to a waiting US Navey [sic] helicopter and delivered him to safety and home. I am looking for Capt. Chandler if he is the one I rescued and if he is still alive. (He should be between 85 to 90 years old now.) Appreciate any help. Ted Kim, Edmonds, WA.
Entry 57095 May 10, 2006
https://www.koreanwar.org

Fam, I was shook, and strangely involuntary tears came to my eyes as I read the words of this man who had pulled my grandfather from the sea. It’s not quite as time travellery as that my father would not be born without him, since my father was 3 years old when this happened. Nonetheless, to see that there was a Korean man who touched my family so closely had lived so near to me (I was in Seattle at the time, and regularly drove in and out of Edmonds which is a part of the greater metropolitan area), and that here I am now in Korea looking at his words. I wish I could visit Cho-do bay, but sadly it’s north of the 38. Also, sadly, there’s no email for Ted (김윤국), and I can’t extend to him my multigenerational thanks. Luckily(?) someone replied to Ted later that year to let him know about Captain Chandler’s death.

Thanks to the extra research of a friend after reading this post the first time, I now know that he flew alongside Colonel Dayton Ragland, the only African American to shoot down a MiG-15 in the Korean War. On November 18, just a few weeks before he was pulled from the sea, my grandfather and then Lieutenant Ragland strafed an airfield destroying at least 4 MiGs and damaging 4 more. Although at the time, the destroyed MiGs were all credited to Captain Chandler, I suspect that’s not entirely accurate. Ten days later Ragland shot down the MiG that earned him his only credited shot, and was himself shot down and taken prisoner. Ragland’s story is infinitely amazing, if you want to read more, check out this twitter thread by @hankenstein.

A handful of years ago, when I was visiting my father, he showed me a shadow box he had made of his and my grandfather’s side by side military careers and told me the story of when my grandfather won the Bendix Trophy race.

The Air and Space Museum in D.C. claims that they have the original trophy on display, but my dad says that’s not true, because during the year that it was in his house (1957), my age 9 dad-to-be broke it. One side of the propeller was broken off, and my grandmother had it brazed back together leaving a small bump.

When my then-adult dad had a chance to visit the museum, there was no trace of the damage and repair, so he reasoned it can’t really be the original. A few more tidbits about the race I learned later in my own research: He broke the race’s speed record that day, the previous record was 666 mph, and he flew 679 mph. He was also a wingman to Chuck Yeager in the movie “Jet Pilot” where he flew the plane of the plane of the Russian character Lieutenant Anna Marladovna (Janet Leigh). I don’t know if the two men were friends, but they certainly were colleagues and comrades in arms.

Captain Chandler and 1st Lieutenant Frank Latora, both of the 343d Fighter Group, were killed when their Lockheed T-33A Shooting Star jet trainer crashed 12 miles (19 kilometers) north east of Parker, Colorado, while on a ground-controlled approach to Lowry Air Force Base on the night of Friday, 28 March 1958. Captain Chandler’s remains are buried at Rose Hills Memorial Park, Whittier, California.
Bryan R. Swopes, 2018 http://www.thisdayinaviation.com

My grandmother held on to the Bendix trophy for the next 2 years. She refused to surrender it until there was another winner. There was no official race in 58, 59, or 60, and so no winner was named. I suppose it was a piece of her husband that she didn’t want to relinquish after his death, and she was so determined about it that the race authorities threatened both to remove Captain Chandler from the official record and to put my grandmother in jail before she finally gave up the trophy. Even though she turned it over, the trophy never lived with another family, as it was retired before the next official race in 1961.

My grandfather died tragically at the age of only 33. My dad says he never really got to know his father, who tended to show more interest in the eldest son. Perhaps if he had lived a little longer he would have shepherded his middle child into adulthood, or perhaps he would merely have contributed a different legacy to our family’s generational trauma, but regardless there is no denying that Captain Chandler would certainly have been proud of Colonel Chandler, and I hope of Professor Chandler as well.

This Memorial Day, I remember Captain Kenneth D. Chandler: WWII & Korean War veteran, ace pilot, Bendix Race winner & record setter, and my grandfather. May your memory be a blessing.

*Captain Kenneth D. Chandler, with the Bendix Trophy. (Jet Pilot Overseas)*

Northern Ireland: Game of Thrones

August 17, 2020July 29, 2020 / Gallivantrix / Leave a comment

Regardless of your feelings about the series finale, one cannot argue that Game of Thrones failed to leave a lasting mark on the collective TV viewing audience around the world. Even if you are not a Game of Thrones fan, I think you can still enjoy the photos and descriptions here since I’m telling my story, not JRR Martin’s. I enjoyed the books a lot (wish he’d finish!) and I like most of the TV show as well, even many parts that diverged greatly from the books. However, this is not a blog about a TV show, it is about Ireland: the museum exhibit in Belfast, and the outdoor landmarks which would are enjoyable on their own, minus the CGI and regardless of their attachment to the show.

Game of Thrones Touring Exhibition: Belfast

At the time I was in Ireland, the GoT Touring Exhibition was in the TEC in Belfast. I understand that it was in Belfast from April – September of 2019. I was told that there will be some part of the exhibit which will permanently stay in Belfast due to it size, but as I write this, there’s zero information on the TEC website because it’s all closed due to Covid-19. Additionally, the exhibition’s tour schedule is currently suspended for the same reason. I’d love to be able to tell you where to go to see it, but I can’t.

Warning: there are SPOILERS. If for some reason you are living under a rock and haven’t seen season 8 (or already had it spoiled for you) and still want to experience that… uh, experience, then maybe just look at the pictures or skip to the outdoor part of the GoT sightseeing.

I booked tickets well in advance because I was warned it might be sold out and we were on a bit of a schedule. There’s plenty of parking at the TEC and a place to get a cup of coffee and a snack in the lobby. It was such a relief to have an indoor activity on a rainy day. I got there before opening because I wanted to be in the door before the crowds arrived. There weren’t actually that many people there, but I’m still glad I went early because it was filling up by the time we left about 3 hours later.

The exhibit hall was enormous. It was divided into smaller rooms by theme and there was a suggested path to follow. There was a plethora of information about every item on display as well as knowledgeable staff everywhere, most of whom had worked on the show when it was being filmed and had personal on set anecdotes to share about the actors or scenes. Generally all of them were happy to have had the experience which made it nice to have the staff share fandom and enthusiasm.

Photos were allowed everywhere, but flash photography was forbidden and the lighting was very low, so most of my photos did not turn out terribly well, I’m afraid. Honestly, you can see wide shots of the costumes and props in the show, so the impressive part of the exhibit is being able to look at the close up details involved in the dresses, jewelry, weapons and other props that are never seen on screen, or shown for only fractions of a second. There are so many more things in the exhibit than I can show here, in part because no one wants to see that many photos and the rest because so many of my photos turned out blurry or dark or both.

The display starts by introducing the houses of Westeros and their relationships and fealty with a dazzling array of flowcharts accompanied by a variety of common or popular character costumes for the main houses.

It moves next into an area that replicates the Stark family crypt at Winterfell. I was told by the guide for this portion that these statues would not be moving on with the exhibition tour since they were too large and fragile. The room was dark and the statues lit moodily as though by torch light. It was a fun effect to walk through, but a frustrating one to photograph.

The third module gets into the further houses such as those of Dorne and the Iron Islands as well as Stannis Baratheon’s unholy union with Melisandre.

The fourth section is arguably the best. It’s a room full of dragon skulls, the very same ones Tyrion finds while under the palace in Kings Landing that belonged to the Targaryans of days past. I have rarely been so sad about low lighting, but it did make the skulls feel a little creepy and alive, and lived experience is always better than a photo. The skulls are seriously dinosaur sized. The smallest one could probably bite me in half, and the largest could swallow me whole. Standing up. Without opening it’s jaw all the way. So incredibly cool.

Following the dragon skulls were all things Mother of Dragons. Daenerys’ most iconic costumes and jewelry as well as models of the dragon eggs and baby dragons.

There’s an interactive display of the temple of the Faceless Men. Arya trained there, learning deep ancient secrets of how to assassinate people and then NEVER USED THEM. *sigh The display is still cool. You can pose for a photo and have your face digitally added to the wall of faces.

Next up is the Wall where John Snow joins the Night Watch to protect the realms against the coming of the Night King and his horde of walking dead that kill all the Dothraki and then… shatter?… when Arya stabs him, not using her Girl Has No Name skills in any way… ugh. Look at the shiny costumes!

The final display is the Iron Throne in King’s Landing with some of the later season costumes arrayed around it. In addition to all the beautiful set pieces and costumes, there are several interactive stations where you can pose with Arya’s sword Needle, John’s sword Longclaw, the Wall (a cute trick with mirrors to make it look like you’re holding on to a rope for dear life), and the Iron Throne itself. You can walk both forward and backward through the display, so I was able to double back and have a closer look at a few things. All in all, a lovely experience combining museum quality displays and fantastical world building.

On the way out, one of the staff told us to keep an eye out in the parking lot for the King’s Landing set. He implied that one day it might be open to the public as part of a permanent exhibit, but not yet. I tried to find any information about it online, but again, since tourism is closed, there’s no telling if or when the full size set that was used to film the burning of King’s Landing in season 8 will ever be a public attraction or not.

The Film Locations

A large number of the stunning landscapes of the show are part of Northern Ireland. There are scads of websites dedicated to helping people find and enjoy GoT filming locations. Many of the locations are empty fields where this or that battle was filmed, while others had significant CGI added in post production. There are specialized tours where you can play dress up and act out scenes from the show. There’s even a very expensive opportunity to spend some time with the actual animals who played the Stark children’s direwolves.

*The photos that follow are a mix of screenshots from Game of Thrones and my own photos of the locations I visited for comparison and contrast.*

Dark Hedges

This was probably the shortest stop and yet the most beautiful. The Dark Hedges were a popular site in Northern Ireland even before the show. They also have the honor of being one of the only locations that was not CGI enhanced and are therefore quite recognizable as the King’s Road in seasons 1 and 2, as well as the place where Arya Stark escaped from King’s Landing.

From the outside, the dark hedges just look like a little stand of trees in between two large fields. The short stretch of road runs through a private farm, and although the patient farmer has to put up with tourists on the public road, he also seems to have a good sense of humor about the situation. Busloads of tourists come through both on Game of Thrones themed tours and on regular tours of the area because it’s famous for more than just it’s show appearance. As a result, parking is scarce. There was supposedly a parking lot some distance away, but everyone simply parked on the side of the road that ran perpendicular to the hedges. There’s not supposed to be any cars on the hedge road itself, but of course there are always people who think the rules don’t apply to them.

It’s a short stop for most tours, so if photography is your goal, you might want to go on your own. I only spent about 30 minutes there and took a lot of photos which I was eventually able to parlay into a version that makes it look totally empty! Yay, photoshop? Otherwise, it’s very easy to see how true to life this set is between the show and the reality.

Downhill Demesne & Mussenden Temple

Here is the filming location of Dragonstone in Season 2. Downhill Strand is the place where the seven gods of Westeros were sacrificed by Lady Melisandre. Dragonstone was the ancestral home of House Targaryen and current stronghold of the Stannis Baratheon. The scene in question is filmed at night on the beach below, so there’s no real way to see it in the show. Nonetheless, it seems that the tourism board has installed statues of the seven on the beach for eager fans to see. I didn’t make it down to the beach, but rather came through the Downhill Demesne gardens and grounds. If you want to see the beach, I think the A2 road goes there pretty directly.

We entered via Bishop’s Gate and enjoyed the gardens with a variety of flowering bushes and trees, water features and stonework. Following the trail, we came upon an open area where the ruins of the old manor stood. Finally, walking all the way to the cliff edge, I found Mussenden Temple. Contrary to it’s name, it was never a temple, merely modeled after one. It was in fact a library. It is possible to enter the “temple” during the day, but by the time we arrived it was locked up for the night.

Dunluce (again)

I did not actually realize it at the time, since it didn’t show up on my initial searches for GoT locations, but Dunluce Castle was also Pyke Castle of House Grayjoy on the Iron Islands. I had to look it up and it turns out this is one of the locations that was extreme CGI. I would say more that Dunluce was the inspiration rather than the location, but hey, you gotta start somewhere. I wrote more about Dunluce in my description of the Causeway Route.

Castle Ward

This was one of the places I was most looking forward to seeing, and turned into the greatest disappointment. It’s advertised as “the real life Winterfell” and while it was technically the place where Winterfell was filmed… CGI.

In all fairness, one of the reasons I did not enjoy the stop was that we were experiencing some of the hardest and most vicious rain of the entire trip that day. Ireland kind of always rains. For some reason, I thought that was like Seattle rain which is really just heavy mist and no native Seattlite owns an umbrella (at least not for rain). I had a travel umbrella and I had rain booties to keep my shoes dry and I thought that would be enough. Mostly it was. There was one terrible soaking I got while on a ferry, but other than that, I’d been mostly dry or at least only merely damp.

Not so this day. The rain was opaque. It was as though the sky was trying to be the sea. In addition, the signage for where to go and park in the sprawling acreage of Castle Ward is not clear. I followed the signs for Winterfell and wound up in a very small parking lot which in retrospect might have been staff parking, but we were so lost by then that I just gave up and parked anyway. (Now I know we should have parked at the Shore Parking Lot, but it was not obvious in any way when we drove in that day) It turned out to still be a long walk from the trail head to the actual “Winterfell” area, and on a beautiful day, or even a merely drizzly day it probably would have been a lovely walk through the National Trust. It’s still very pretty, but it was harder to appreciate while wet.

Another reason I think I was disappointed is that I’ve been to Hobbiton in New Zealand. There are plenty of LOTR locations you can visit there that are just unchanged landscape and like Northern Ireland, they are beautiful and worth seeing, just… not like the movies. Hobbiton, on the other hand, was purpose built (twice) for the LOTR and Hobbit movies. Although the farmer who owned the land originally didn’t want permanent structures, after seeing the huge influx of tourism money, he decided to keep them after all.

Thus, walking around Hobbiton, you feel like you are THERE. I knew that most of the locations I visited for GoT were not altered for the show or for tourism, but Winterfell was so highly advertised as this great experience, like being in Winterfell, stepping into the show, that I imagined it would be at least a little like Hobbiton, and give me a sense of being at the Stark family home.

When I finally arrived at “Winterfell” I felt very let down. It looked like a reconstructed historical village, the kind that kids take school field trips to see. I expect that it was meant to be a replica of the original Castle Ward. It wasn’t ugly or anything, it just wasn’t at all like Winterfell.

There are a ton of pay to play style activities at the Winterfell center. You can take an archery class, an axe throwing class, rent a bicycle and tour the park while wearing a cape and a special GoT messenger bag that purportedly takes you to 20 different filming locations within the grounds, most of which are “this tree” or “that field”. I don’t want to diminish from anyone who enjoys this kind of experience. If that is your jam, rock on. For me, a place has to be cool for more than just being the canvas on which CGI was painted. In addition, I was traveling with an older person who simply wasn’t up for lots of hikes or bikes.

I wanted to simply see the grounds and enjoy the castle. The thing is… it’s not really there. The closest you come is one short tower and part of a wall that kind of look like Winterfell if you squint. In the courtyard there were a dozen or so cars and a huge tent, which made getting decent photos of the type that are shown on the website nearly impossible. This is the closest angle of any building that I found to resemble the castle on the show (show: top, reality: bottom). The resemblance is there, but the feel was lacking.

In addition to the experience selling shops, there was a small art gallery and a gift shop. I spent a long time hiding in the replica ruins of an old mill waiting for another torrent to pass long enough to walk again. The rain was so extensive that the ground was almost entirely underwater.

It just goes to show that managing expectations is extremely important. I think I would have been able to overlook the disappointment of either the weather or the failure to be anything like Winterfell, but I wasn’t able to overcome them both and I left feeling profoundly damp in shoes and spirits.

Inch Abbey

Thankfully, that day I had one more GoT location to visit, and it was the ruins of an old abby, which it’s almost impossible for me to feel let down by. The scene is where Robb Stark’s bannermen rallied to their leader after taking victory (and Jaime Lannister prisoner) at the Battle of the Whispering Wood. While Winterfell had made the cut onto my list because of my (mistaken) belief that it would be a grand immersive experience, Inch Abbey made the list just for being old ruins.

The first traces of a sacred building on this site go all the way back to 800 C.E., although it is thought that the monestary of Inis Cumhscraigh (as it was called at the time) was mainly earth and wood, so little of it remains today. The beautiful stonework remains that makes this site stand out were not built until 1180-88. It remained an active catholic monastery until 1542 when Henry the Eighth left the Catholic church because he wanted a divorce and then forced everyone under his rule to become Church of England.

The rain had eased back significantly, and one of the local tour bus drivers even offered us spare ponchos as his passengers were offloading. The tour group was rather amusing, and seemed to be having an absolute blast. They were equipped with cloaks and replica swords which appeared to be blunt steel, not plastic or wood. The tour guide, like many of those working on GoT tourist sites, had been an extra on the show and enjoyed telling stories from being on set.

They all gathered together and, at the guide’s prompting, everyone bent the knee to one lady, swords aloft and shouted “the queen in the north!”, echoing the original scene in which Robb was named such for the first time, but with a nod to the fact that Sansa (at that time) had taken up her brother’s title. I didn’t reach the group in time to catch that pose, but I did happen to get another that shows off their costumes and props. Once the group photos were over, they had a few minutes to go and take individual poses around the ruins before being herded back onto the bus.

At one point the guide expressed a thought that had not occured to me as a fan, and I want to share that as well. I think a lot of fans were disappointed by the final battle of Winterfell because it was SO DARK (among other things, so many other things). The guide for the group that was at Inch Abbey that day had been an extra in the final battle and talked about the extreme conditions that the cast and crew worked in: not sleeping, being wet and cold all the time, running up and down over and over again until they were just physically wrecked. It was something he put a lot of work into and it was really hard for him to turn around and face the criticism online.

I still think the shows writers, producers, and cinematographers FAILED in every way for that scene, but I now I also think about all the people who didn’t have any creative control, or any idea what the final product would look like who were just excited to work on such a popular and groundbreaking show. In addition, the tragedy that is season 8 has not stopped most fans from continuing to love the series, the characters, and the world of Westeros. We complain a lot online, but I think it’s important to use fan voices to say thanks as well. So, thanks to all the cast and crew who worked their asses off and had no control over what happened in the scripting and editing process.

The group didn’t stay long, and soon we had the ruins to ourselves and I was able to tramp around with impunity, my umbrella enough to keep the now light rain off. The ruins themselves are stunning, and I think that the rain brought out the beautiful contrast of the stones and the grass that would not have been as strong on a sunny day. The stones themselves are fascinating as you can see the remnants of interior structures long since crumbled and it was exactly the kind of film location I had been hoping to see combining real life beauty with my fandom.

Inch Abbey was the final stop on both my Game of Thrones self-tour, and the Northern Ireland portion of the road trip. We tried to go to Newgrange on the way back to Dublin, but there was a series of unfortunate events involving Germans and cars (why is it always Germans I have car problems with?) that only Lemony Snicket could possibly narrate which prevented us from doing so. I did learn that you have to go there and put your name on the wait list in person. You can’t make reservations ahead of time and you can’t go without signing up… so. This seems like an event that it might be easier to do with a tour group than on your own. Maybe next time? Meanwhile, I hope you enjoyed my sojourn through Northern Ireland, and I hope you’ll continue to join me as the story takes me back into the south.

Art, Food, and Parks in Paris

October 25, 2019October 15, 2019 / Gallivantrix / Leave a comment

The majority of the August 2019 was spent in the Irelands, but I decided that I wanted to spend a few days in Paris on the way. You can’t really fly direct from the US to Dublin (without forking over a fortune). Connecting flights go through Heathrow or CDG. Any excuse to visit Paris. I know it’s very stereo-typical, but apparently I’m more basic than I want to admit: I love Pumpkin Spice Lattes and Paris is one of my favorite cities on Earth.

Where All Good Food Goes When It Dies

Pardon my mangling of Oscar Wilde’s famous quote, but this was the thought I had the first time I had a meal in France (not actually Paris yet, since I was on a road trip from Prague and my first stop was in Metz: photo album). I have not had any disappointing food experiences in France at all. I have been trying to figure out how to afford to live and work in France doing nearly anything just so I could have daily access to the food. Since I haven’t yet figured that out, I am having to make do with an annual pilgrimage to see my favorite art and food stops.

I was only able to spend a few days in Paris this time around, so it was mostly a food oriented excursion. I wanted to get a full range of food experiences from fine dining to street food. The first dinner was at a beautiful souffle-centric restaurant called Le Souffle which serves a three course menu of entirely souffles. I was a bit apprehensive that it might be textually monotonous, but they serve each course with some sides like salad or croquette, and the main course was a mild cheese souffle with the beef bourguignon in a side dish so you could pour the meat and sauce into the souffle, breaking up the taste and texture. For dessert, I was torn between chocolate and creme brulee… I love both, but the idea of a creme brulee souffle was too intriguing to pass up. My only regret was an inability to finish everything.

I got to have just “regular” (amazing) French food in a nice neighborhood bistro. I got to have breakfast at my favorite chocolaterie: Angelina’s. This place has arguably the best hot chocolate, and the breakfast pastries were exquisite. I got some “fast food” at Paul’s, and a picnic lunch from the Marche d’Aligre which included this fantastic “blue” cheese. It’s actually a Tomme duBerry a la lavande. It’s a mild, uncooked, pressed cow’s milk cheese that’s colored blue and flavored with lavender and rosemary. With some lemon olives, fresh bread, ripe apricots, and a lemon tart for dessert it was a magical meal in the park.

I could go on and on about the food in Paris. Many people have. I was going to say I have, but it turns out that for some reason I never actually wrote about my first time in Paris, and when I wrote about the second trip, I wasn’t very food focused because of the extreme heat wave going on at the time ruining my appetite. Perhaps the next time I go, I’ll actually dedicate myself to taking good food photos and notes so I can do a proper foodie write up of all my favorite places.

Let’s Go For a Walk

Since I never actually wrote about my trip in 2015, all the main Paris attractions that I did on the first trip never actually made it into the blog: Eiffel Tower, Père Lachaise cemetery, Sacré-Cœur, the Champs-Élysées with Arc de Triomphe, the Place de la Concorde and the beautiful Tuileries Garden.

If you happen to be in Paris when the weather is nice, these are all wonderful places to go. In 2018, I went on a cycling tour and I have almost no photos and less memory about what we saw because it was 37°C and I didn’t bring enough water. The moral here is, don’t force yourself to see the beautiful outdoor attractions if you aren’t going to be able to enjoy them. There’s plenty of museums and indoor / covered activities like street markets. I made it to the March d’Aligre on this last visit which not only had plenty of wonderful fresh food on offer, but also had a rambling rummage sale of old and lost things.

I personally think that places like the Eiffel Tower (photo album), the Champs-Élysées, the Arc de Triomphe (photo album), and the Place de la Concorde are all things you could go and see one time for a few minutes and check that off the Paris bucket list. They just aren’t that exciting… Although, it was fun to realize that I’ve now seen the matched set of obelisks that reside in Paris and Luxor respectively. The one in Paris was given to France by Muhammad Ali Pasha, Ruler of Ottoman Egypt in exchange for a French mechanical clock in 1832. It’s twin still stands outside the temple of Luxor.

Notre Dame (photo album) is a place that I would have recommended as a one and done, however, since the fire, I’m not sure this stands true any more. I personally will be interested to see how it looks in a few years. Regardless, unless gothic architecture is your jam, it’s not worth more than a couple hours one time. It is totally worth that, because it’s a very beautiful structure, but it can be very crowded and I think it’s a little overhyped since there are a few hundred (thousand?) churches around Europe that are very very similar. But you’re in Paris, so you might as well.

The Père Lachaise (photo album) could easily be several days of wandering through a stunning gothic mausoleum laden park taking endless photos of the natural and the macabre. Plus, lots of famous graves like Oscar Wilde and Jim Morrison. If you’re really into the dead, I think the Catacombs are a great indoor option, although I highly recommend a skip the line ticket because when we went, people were waiting 3+ hours for a tour. Also, while the above ground cemetery is definitely good for repeat meandering visits, I think that the catacombs are a single visit attraction unless you REALLY love bones.

The Sacré-Cœur (photo album) as a church is on my “one and done” list, but as a beautiful part of Paris is on the repeat visit list. The views from the top of the hill are absolutely stunning, and the culture around Sacré-Cœur is fascinating: from the roving “vendors” selling anything and everything on the steps to the famous Place du Tertre where local artist are painting and selling beautiful original works of art direct to the public.

Last but not least, the Tuileries Garden is a large green space between the Louvre and the Musée de l’Orangerie. It’s a beautiful place to have a stroll any time of year. There’s wide open green spaces, chairs placed freely around the fountains, shady tree lined pathways, little bistros and of course a bit of a fun park at one end with a giant ferris wheel. I love to come here when I need a break between sights to enjoy the day and people watch.

Paris Art & Feminism

I wrote a broader piece about my experiences in these two museums (d’Orsay & l’Orangerie) from my visit in 2017. In this essay, I’m going to focus on a temporary exhibition in the l’Orangerie about cubism and the unexpected feminist moment I found there.

In case it was never obvious before, I do consider myself a feminist (no I don’t hate men, no I won’t use the term “equalist”, yes I have lots of reasons. This Bustle article sums them up nicely if you want to read more). I’m constantly frustrated by the way in which all the historical artists, musicians, scientists, writers, politicians, philosophers… everything … of any note or record are almost always men. White men. Old. White. Men.

It’s not because old white men are better at these things. It is because the women who did them were suppressed. They were put down in their own lifetimes. Their work was stolen by men who took the credit. Their work was copied by men who took the credit. They were just written out of history. By the men who write history books.

Women are supposed to cook for the family, but only men can be great chefs? Women have historically been expected to spin, weave and sew yet fashion is a man’s business? Art forms that men can’t steal are just demeaned, like embroidery or textile crafting. It’s nice this is finally starting to break down in the 21st century, but we still don’t have enough of a balance in the way we teach and promote artists in mainstream culture. Adding women artists to the public consciousness doesn’t mean removing male artists, and it’s high time we start.

Many of the artists and composers and even authors on my “love it” list are dudes. I’m not going to stop enjoying their work just because I’m adding female artists to my worldview. I don’t know if I would have identified with any female artist growing up simply because I wasn’t ever exposed to any. I don’t think we have room for a limited number of artists in our lives. I think the more art the better. While we’re at it, maybe start adding non-eurocentric art and POC artists too, like Robert S. Duncanson (1821–1872) who was an African-American man who escaped to Canada during the Civil War and taught himself to paint.

The museums in Paris, in particular the l’Orangerie, have been trying to have more women artists on display. Last time I was there in 2018 it was Helen Frankenthaler. I wasn’t that into her art because I am not a fan of abstract impressionism, but I was really happy to see her in an installation that included Rothko and Pollock. The museum talked a lot about her life and the challenges she faced being a woman in the highly sexist art scene. She was talented, dedicated and prolific yet she’s not discussed when most people talk about this period of art history.

This time, the featured woman artist was much more personally to my liking and I became much more invested in her art and identity. I am only human, and tend to spend more time and energy on the things that personally interest / impact me. If you’ve never seen her work before, then it is my distinct pleasure to introduce you to the art of Marie Laurencin.

“Marie Laurencin (1883-1956) initially studied porcelain painting, before going on to study drawing at a school in Paris and at the Academie Humbert. She was part of the circle of friends at the Bateau-Lavoir known as the “Picasso gang”, and it was here that she met the poet Guillaume Apollinaire with whom she had a passionate and stormy affair.

Attracted to Fauvism for a time, Marie Laurencin, the “Cubist Muse”, simplified and idealized her forms under their influence. From 1910, she preferred a palette of pastel tones, particularly grays and pinks. She went on to discover the painting of Goya in Spain.

In 1920, she began to paint the willowy, ethereal female figures that she would return to later in paintings with pastel tones, evoking a magical world. She painted portraits of famous Parisian figures, and designed stage sets, for the Ballet Russes in particular. Through this, she became interested in metamorphosis, bringing together two of her favorite themes: young women and animals.”

— Informative sign at l’Orangerie

It’s not that Laurencin or Frankenthaler have been erased. They have (short) Wikipedia pages and it’s not hard to find their paintings online. Before the internet, however, they were virtually invisible to anyone who was not an art history student. Artists like Pollok and Picasso have had hundreds of books, movies, and t-shirts made about their lives and art. They’re referenced frequently in pop culture and have been made to stand as the premier examples of their art eras.

Picasso was a womanizer, an abuser, a narcissist and highly misogynistic. This isn’t just my opinion. It’s well documented. Yet we treat him and his work as sacrosanct as though it is the ONLY example of cubism in all of history. I’m not suggesting we bury the male artists just because they’re jerks, however I think it’s time we start taking a look around and who else might be worthy of historical preservation and artistic praise.

Honestly looking around the museum that day, there was plenty of Picasso on display. It isn’t that impressive.. OK cubism did all this great stuff for “art” and the advancement of creativity, but he wasn’t the only one. I found his works that day to be coarse and overly focused on women as sexual objects. I’ve had a chance to go back through a photo collection of his body of work and I think that whoever curated that particular display may have been selecting for contrast, and I acknowledge that wasn’t a universal trait. However, that day, it was jumping out at me that he was painting women as breasts with a body and maybe a face attached.

Even though Picasso insisted on referring to her as a Cubist Muse or “Our Lady of Cubism” Laurencin didn’t think of her art as cubist, but rather more impressionist. She’s still classed as a cubist artist to this day because art historians would rather listen to how the men defined her rather than how she defined herself.

Despite all this feminism, Laurencin didn’t paint women for empowerment. She also thought they were beautiful. “Why should I paint dead fish, onions and beer glasses? Girls are so much prettier,” she once said.

To me it seemed that she focused on their beauty rather than their ability to please a male gaze/touch. Her paintings reached out and grabbed me despite their pastel colors and watery images. The idea that a women could paint women because they are pretty the way flowers or rainbows are pretty rather than because they stir the passions of men. There have been a few queer male artists in the well documented side of history that painted beautiful women in an absence of sexual desire, but mostly you get people like Raphael who literally made up non-existent sex goddesses to paint out of the most attractive parts of the hundreds of ladies he seduced. Really early photo-shopping of models, I guess?

It isn’t to say that Laurencin didn’t sexualize women at all. Apparently she was known for attending sapphic parties “comprised of lesbian and bisexual women socialized and discussed links between female desire and creative production”. If anything she was likely bi- or asexual since her long term relationship with Guillaume Apollinaire is well documented. However, if she did sexualize women in her paintings, it serves to highlight the extreme difference in what a male and female sexual gaze focuses on.

Regardless of Laurencin’s sexual orientation, the sapphic parties weren’t lesbian orgies. The hostess and participants of those parties were early first wave feminists seeking to own their desire and creative power at a time that most women were expected to stay home and raise a family. For context, the suffragette movement in France was happening at the same time (1909-1945).

It doesn’t surprise me to learn in retrospect that she was a feminist and (probably) queer. I didn’t really know any of this while I was standing agape in the museum wondering how it was that Picasso had been shoved down my throat my whole life while I had never once seen these ethereal and graceful monuments of feminine self-celebration. All I knew was that they were beautiful and yet strong. They were made by a woman for women (Coco Channel, above, was one of her more famous clients) and that they showed beauty within a wholly feminine framework.

For a longer and more comprehensive story of her life, I recommend this website:

https://www.theartstory.org/artist/laurencin-marie/life-and-legacy/

Vincent and Me

October 4, 2019September 20, 2019 / Gallivantrix / Leave a comment

I know I said I was going to tell you about Ireland, but… We passed through Paris for a few days on the way because CDG is in the middle of everything and I love Paris. Another visit to the Musee d’Orsay got me thinking about the impressionists I love, especially Van Gogh. So, this post isn’t about Ireland OR Paris, it’s about my experience at the Van Gogh Museum in Amsterdam.

In the summer of 2018, I passed through Amsterdam for a single day. You can read about the rest of the day here, but this post is dedicated 100% to the Van Gogh Museum. It was such an inspiring and emotional experience for me that I paused to take notes about my thoughts and feelings as I was walking through the collection. Usually, I write reflections afterward, but my mind was racing with insights and inspirations so fast, I was afraid I might forget. I mentioned in my essay about the Musee d’Orsay how connected I feel to Vincent, but it wasn’t until I toured this museum in Amsterdam that I really understood the depth of my feelings.

I didn’t include this in my original stories about that summer because I wanted to watch the movie “Loving Vincent” before I finished writing it. I finally got that chance when it turned up on Netflix for a short run earlier this year. The movie was beautifully hand painted in Van Gogh’s signature style, but I was surprised to find it’s almost entirely about his death rather than his life. The point of view character is charged with delivering a letter and gets caught up in the mysterious circumstances of Vincent’s supposed suicide.

I’ve always loved Van Gogh, and it seems everything I learned about him at that museum only made me love him more.

The Museum

The museum is so crowded. I had the very earliest time slot available and I still felt hemmed in by bodies. I went backwards from his death on the third floor to his youth on the ground level. I’m glad I started at the top because after 3 hours of wandering the displays, I felt all itchy skinned at having to deal with mountains of bodies, mostly focused on their audio tours, and many trying to take photos even though it’s not allowed except at special photo-op areas. Even then, the museum took my photo for me, and sent it later by email.

That was a big contrast over the d’Orsay. There everyone queued up to snap photos of famous painting (yeah, me too), while in Amsterdam, people are just clumped around, usually plugged into headphones and oblivious to the presence of other visitors. I’m not sure which is better/worse. I think it would just generally be better if it were less crowded. It’s hard to get time with a painting when being jostled and stepped around. I’m glad everyone wants to experience the art but it feels like it looses something to my “oh my God get the humans off me” response. I can’t even imagine how it is during “peak” times.

I’ll talk about the main displays in a moment, but one little fun mention is the tactile sunflowers near the gift shop. Art museums are not usually targeted to the blind or visually impaired, but someone had created a reproduction of the famous sunflower painting that can be touched. Along with touch, the senses of sound in the form of violin music with amplified sounds of the flower growing, blooming and dying (listen below), and the sense of smell with some sunflowers in a box. Interestingly, it was not only the smell of the flower but the smell of the painting as well. It’s not a part of Vincent’s art, but I thought it was an amazing way to experience art in a new way.

On to Vincent — backwards.

He died July 29, 1890, two days after receiving a bullet wound to the torso, possibly self inflicted.

Auvers-sur-Oise (May–July 1890)

The works at the end of his life were frenzied like he knew his time was almost out of time, and he had to get as many paintings done as possible. He finished 75 paintings in 70 days, many of which are his most famous works: like Wheat Fields with Crows in Amsterdam, or Church at Auvers in Paris. There is impatience in the brush strokes and they looked massively different from a few feet away and across the room.

The way he is attracted to the colors of night, the intense deep blue of the sky on days it gets so blue it becomes dark. The blue and pale gold of all his wheat fields that is a color scheme I would live inside if I could. He did scores of these kind of blue and gold themed paintings during his last days, but it wasn’t the first time he hit on the intensity of those countryside colors.

Saint-Rémy (May 1889 – May 1890)

Although Starry Night and Almond Blossoms were both made during this time, the paintings on display for this part of his life are drab compared to his other colors. Almost painfully dominated by brown and dark green with pale skies. He was in pain and unable to escape.

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Part of the display in the museum here are audio recordings of some of his letters. We could pick up an ear piece and listen. I was entranced. Listening to his letters I could hear my own thoughts, yearning for something best called “religion”. He says that he doesn’t go to church, but he goes outside at night to look at the stars and the sky that is cobalt blue. He muses about color, that all things appear colorless when looked at too closely (sand, water, air), but that doesn’t make it true. He talks about his friends: that the bonds of friendship are one of the best things in life even if we resent those bonds in our times of depression.

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I don’t know the best way to explain it other than to say his words resonated with me on a very deep level. I think we all struggle to be understood in some way and in a moment when you realize someone you admire and respect understands the way you think and feel, what’s more, understood it long before you were born… I suppose it could make someone feel less special or unique, but for me it’s like finding a friend across not just space, but also time.

Arles (1888–89)

This is where Vincent painted the famous Sunflowers, and where many people feel he truly found his voice as an artist, taking what he’d learned and finally becoming free. Van Gogh’s treasured friendships also started here where he sought an artists commune and cultivated a joyful and supportive relationship with several painters. They frequently sent letters, sketches, and even paintings to one another the way that we sent Snapchats and Memes across social media today. There is a painting by Gauguin of Vincent painting sunflowers. It is an imagination since Gauguin was not present when the sunflower paintings were made, but it reminded me of the “taking a picture of someone taking a picture” fashion in modern photography. It seems friends play the same games with images whenever they can.

Vincent asked Paul Gauguin and Émile Bernard to each send him a portrait of the other. Instead, they sent self portraits but had a portrait of the other hanging on a wall as part of the background. It’s such a wonderful and lighthearted sense of humor. Sadly, Gauguin was such an arrogant ass that he never granted his true friendship, and instead left Vincent always chasing after his affection and respect, contributing to his anxiety and depression, and to his eventual mental breakdown, self-mutilation, and hospitalization. I don’t like Gauguin for a lot of reasons, this is really just one more.

Gauguin with Bernard

Bernard with Gauguin

On the other hand, Paul Signac, a neo-impresionist I only recently discovered in 2018 and one who has rocketed to the top of my all time favorite paintings list, visited Vincent in the hospital twice while Gauguin was busy avoiding him, so that’s nice to know.

Paris (1886–1888)

Moving to Paris was the best thing he could have ever done. Watching him develop his color palette reminded me of the first time I realized I was allowed to paint whatever colors I wanted. I didn’t have to make it realistic. It was so freeing and I finally started to like some of my paintings. Looking at his early bright-color works they all have an awkward, exploring feeling which is quite different from the bold and confident colors later.

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He used a grid for perspective, which was a thing I struggled with, and he spent years doing just drawings because he wanted to focus on shapes and poses. He didn’t only consider them sketches but full works of art which he signed. I did very much the same thing. He also had a brief but torrid love affair with Japanese culture in 1887, and that was the first foreign culture I was drawn to before I really went full globe trotter. I have never been able to afford as much paint and canvas as I want, and the advent of digital photography and graphic design gave me a much cheaper way to pursue my artistic inclinations.

While many of his artist friends preferred to paint from imagination, Vincent preferred to paint from life. I wonder what he would have thought of color photography. It’s a way to capture a scene, a moment of light and color. Modern digital effects even allow us to manipulate the colors and light of a captured image. You can make a blue sky bluer, or over-saturate the colors of a cafe at night… I think he might have enjoyed it?

The Netherlands (1881-1885)

At the outset of his artistic career, he was trying to create a look that was popular at the time and that he genuinely admired, that of artists like Jean-François Millet and Jules Breton. Millet and Breton (left) were famous for dark and drab paintings of peasant life. They were very stark and brutal depictions of what life was like for poor and hard working, technically lovely, but emotionally ugly. Of course, art historians refer to this style of painting as revealing “the beauty and idyllic vision of rural existence”. I think that’s only true if you’ve never been poor. VanGogh (right) was determined to be like them.

Breton

VanGogh

Millet

VanGogh

He did an enormous body of work sketching local peasants and farm workers, the centerpiece of which is The Potato Eaters (below). It’s all done in the same color palette and mood as Millet and Breton, but the faces look almost cartoonish in his effort to capture feelings over accuracy.

Seeing his still life of fruit in all brown tones, I was shocked to see it was Van Gogh and not Millet’s or Breton.

Just looking at the church in Nunes (left) next to the church in Auvers (right), you can see the change and growth. Yes, I promise, they’re both Van Gogh, but from drastically different stages of his artistic development.

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I don’t know if he liked it, but it’s definitely a period of drab and dark colors maybe the landscape was more drab or maybe it was the influence of being near his father. He stayed enamored of Millet (left) for most of the rest of his life, and recreated many of those idyllic, pastoral scenes in his own brightly colored impressionistic style (right).

Millet

VanGogh

Life Before Painting (1853-1881)

It’s said that his mother never recovered from the loss of her firstborn child and that her relationship with Vincent was strained, but he was also recorded as being a “serious, quiet and thoughtful” child. His father was a minister, and two of his uncles were art dealers. He tried both careers with little success. His father was constantly disappointed in his inability to make it as an adult. Perhaps it was his time as an art dealer that made him try his hand at creating art, and why he spent so much time and effort trying to replicate the style and subject of the famous and successful artists of the time.

Reflections

Going backwards was an interesting choice. I realize that I, like most people, love best his works from 1888-1890. It seems like such a brief time span, but he practiced art for less than 10 years before he died. It is astonishing the amount of work he produced. When people say “practice” this is really what they mean. On the other hand, he was constantly trying to improve, so the fact that he clearly did is a testament to his devotion to self cultivation.

Watching him evolve was a rushing, intimate roller-coaster of creativity and self-expression under difficult circumstances. He didn’t have formal art training, but taught himself by studying others. He experienced enormous frustration that his attempts to imitate the respected artists he was familiar with failed. Eventually, he found a community of like minded people and permission to explore color and shape on his own in Paris. It was the beginning of finding his own true self, and yet it destroyed his mind to the point that he landed in the hospital more than once. And yet, that Parisian community is what would sustain him in the form of letters, art exchanges, and the oh-so-important stability that even distant friends can offer.

There’s a misconception that great artists are never appreciated in their own time, but that’s simply untrue. Most famous artists throughout history were superstars of their own day, like Hollywood actors and TV stars today. That Vincent never gained any recognition or respect until after his death was likely a contributing factor to his suffering in life.

Did he kill himself? Maybe. I know that the episode of Dr. Who where Amy and the Doctor visit Vincent is one of my favorite. That it helped me process the suicide of my own dear friend to realize that we can do everything right to be supportive and yet mental illness can still take someone away as surely as cancer. “Loving Vincent” made me question his death all over as suspicious information came to light regarding the gun, the wound, and the strange behavior of the people in Auvers. Officially, his death is still ruled a suicide, but his life remains a brilliant and sad mystery in many ways. According to his brother who was there at the end, Vincent’s last words were: “The sadness will last forever”

In some ways I’m glad I did not read about his life when I was younger. If I’d discovered all our similarities at the age of 20 I might have developed a complex. I might have worked less hard to get help and spent more time glorifying what was happening to me. Instead, when I learned that we shared a diagnosis, I was content just to know there was someone else with my brain trouble.

I remember when things were very bad thinking that if cutting my ear off would make it stop, I would gladly do so, but Vincent had already proven it wouldn’t work. I could understand the feelings that drove him to see the world in colors and swirls, that drove him mad enough to drink and self-harm, that landed him in an asylum and eventually dead. I understood the sentiment, but I didn’t know anything else about him beyond a few paintings and his suicide. Back then, I looked only at his art and at the very most well known facts about his life and felt a connection.

Now that I’ve learned more details, from his family life, to his progress through art, to his views on the universe and human relationships? I’m blown away by it.

I’m not trying to say I’m channeling van Gogh, but I’ve always felt a kinship with him. I didn’t move to Paris and join an artist commune, so I don’t have a tiny fraction of his nearly 1,000 finished works. I probably never will, because I was able to manage my state of mind better, whether from support of my community or improved medical care, who can say. The end result is that I got it under control and now I not only have a lot more responsibilities than Vincent did, I have also avoided multi-year stretches of confinement under a doctor’s care. Despite this divergence, I can say that trying to be “normal”, “acceptable”, or “popular” in his own lifetime was something he desperately wanted and could never achieve is a feeling I know all too well.

You can see photos of the complete works of Vincent Van Gogh on this wiki.

You can explore the collection at the Van Gogh Museum in Amsteram here.

Viking Country 3: Road Trip Treasures

May 2, 2019 / Gallivantrix / Leave a comment

One of the more endearing things about the road trip in Sweden was the sheer volume of cool stuff to see that is really close to the main highway. I feel a deep cultural attraction to “the road trip” which I’ve always sort of assumed was part of my American heritage. After all, as a child, my father took me on summer road trips in the RV to all the beautiful national parks of the West. My mom took us on weekend road trips up and down the coast or the town next door. When I got a car, I took repeated road trips with my friends. Loading up on road snacks, blasting your road music and pulling over when some random sign says “world’s largest ketchup bottle” is a basic part of Americana that thrives in my soul no matter how long I’m away.

Sweden is the only other country I’ve been to that I feel really gets it as far as road trip culture goes. Don’t get me wrong, I loved driving across Germany. Those people have amazing gas stations. The New Zealand drive was great and I loved having my own wheels in Bohol. The main difference is that, however beautiful the roadside scenery was in all those places, the road was just a way to get to places that public transit didn’t go. In Sweden, they not only have great gas stations, but also STUNNING rest stops that are basically parks and attractions on their own, AND they have the most wonderful series of roadside attractions.

On the day I fled the not-a-murder-house-we-promise, I found a cool viking church, another old-timey village replica, the most beautiful rest stop I’ve ever seen, and a giant statue by Pablo Picasso.

Viking Church

The Swedish people were late to the Christianity conversion party. After all, the religion’s spread originated in Rome, and the Roman Empire never quite managed to get a foothold in the land of the ice and snow. Vikings were worshiping Odin and co. right up to the 12th century, and even when they finally did “convert” it was… very halfhearted. A lot of the viking cultural and artistic trappings stayed almost entirely the same but with a little “for Jesus” footnote.

I stopped in at Glanshammar Church in Örebro to see a little bit of how the Viking and the Christian met in the middle. I have to say, I wasn’t much impressed by the exterior of the building. There was an interesting watchtower construction, but the church was remarkably plain for something supposedly Catholic. I mean, think of all those Romanesque arches and Gothic cathedrals in Europe. What was this little white nub of a building?

Fortunately, I stuck it out and found the door. The interior of the very plain white building is filled end to end and top to bottom with highly intricate artwork that uniquely combines the traditional Christian art and architecture from the continent with the Swedish styles seen in earlier Viking tradition.

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Outdoor Museum of Provincial Life

Next, still in Örebro, I stopped by the 18th century village reproduction called Wadköping. According to the sign, many of the buildings were actually transplanted from their original home to create the open air museum. I began to wander the town, noticing once more the extreme prevalence of red buildings. I saw some ladies doing needlework with laundry drying, and I went into buildings for kids that had plaster animals and pretend food.

I found the home of Hjalmar Bergman (Ingred Bergman’s father), a famous if often misunderstood writer who wrote about a mythical town of Wadköping as a kind of Anytown, Sweden representing a middle class provincial life. The recreational is named after his literary invention as there was no such village in reality.

There was a replica school house which showed a typical education plan for students including Christianity, native language, arithmetic, “knowledge of nature” (the natural sciences), gymnastics, gender segregated crafts, and drawing.

There were a startling number of little artisan shops inside the buildings. Some were simply souvenir and ice cream shops, but others included traditional arts like woodcarving and a silversmith. The Historiska Butiken was particularly filled with the kind of beautiful Norse styled witchcrafty goodies that I know at least 30 people in my immediate friend group would have loved to fill their homes with. Even I had a hard time resisting. Tiny luggage space saves me money again!

A Fully Functioning Castle?

My last stop in Örebro was the Örebro Castle. This was the only place I ever really had trouble finding parking since the castle is quite central and Örebro is not a tiny village. After a few drives around the block, I found some street parking and headed over. It was mainly an exterior photo-op because the castle is not decorated in antique royal furniture the way so many of the castles on the continent were. A small part of the castle was set up as a kind of tiny museum, and much larger parts of the castle are actually used as government and business offices. The governor even lives there. Functional castle!

While exploring, I also found a hiking trail sign that indicated a “walking with death” level of trail difficulty, and a dramatically oversized park bench, just for fun.

Roadside Picasso

Waving good by to Örebro, I hit the highway for another longer stretch in search of the Picasso. That’s right, there’s an original Picasso standing out in the Swedish countryside… or… lakeside anyway. I’m not actually a big Picasso fan, for complicated reasons involving art history and feminism, but this seemed like the Swedish equivalent of “the world’s largest bottle of ketchup” and I could not drive so near it without stopping by. It was a long slow drive down a thin, low speed limit road, but it was such a beautiful day, and the road ran along the waterfront. A worthy side-trip.

On my way, I paused at one of Sweden’s many beautiful and amazing roadside rest stops. This one was a small lake surrounded by beautiful evergreen trees. The water was so still that the perfect blue and fluffy white of the sky were reflected like a mirror. I ate my sandwich and watched the beauty, just feeling overwhelmed by Sweden.

When I finally arrived at the Picasso, I was not disappointed. It’s clearly his work, and it’s GIANT. I wandered all around taking photos from various angles before I realized that the absolute best angle for the late afternoon sun also contained a couple having a nice fika (cup of coffee & snack) on a bench below the statue. I tried my best to shoot around them, hoping they might finish and move, but in the end I had to go in for politely asking if they would mind stepping away from the bench for just a moment so I could get the best picture. I do hate asking people to move their picnic, but it’s not like I’m going to be back again any time soon. They were quite gracious about the request, and I got my “shot”.

Fine Dining

I had reserved a cabin in a campground for the night, but was slowly learning to plan dinner before checking into the more remote accommodations. With no desire for another grocery store dinner, I decided to stop in Karlstad for a nice restaurant meal. Thanks to Google, I found a place called Elektriska. It’s built in the remains of an old electro-technical plant and focuses on high quality, sustainable, local, ethically sourced food cooked with an eye for haute cuisine. It is not cheap, but it was just inside my price range, and sounded right up my alley. Not to mention, it was in an adorable neighborhood.

Their cocktail menu alone could have kept me happy. In the end I chose a lingonberry Gin and Tonic made with Stockholms Branneri Pink Gin, lingonberry, grapefruit, and Mediterranean Tonic. ($15)

The appetizer menu also looked like something I could just happily graze my way through, but the waitress advised that even the larger sampler was unlikely to be quite enough for a dinner. I settled on the “16 Ampere” appetizer platter which included rainbow trout with dill and vinegar, truffle salami with ricotta and sunflower, and wild boar with plum and tellicherry. ($17) The menu is seasonal and based on what’s available, so don’t go expecting to get exactly the same.

The wild boar sausage and the wild trout sashimi were entirely delicious, but the star of this dish was absolutely the salami. I would never in 10 million years have thought to combine salami, ricotta cheese, AND sunflower butter. I love all three of these, and I have probably had salami and ricotta together, and might have tried ricotta with sunflower seeds in a salad or something, but… wow. I can’t even explain how amazing this flavor combo is. Get u sum.

My main course was more rainbow trout, and if you like fish you know you just can’t go wrong with fresh caught local rainbow trout in season. This was skin fried rainbow trout with root vegetables, sundried tomatoes, and crayfish tails in a buttered crayfish broth. (28$)

I included the prices because this was the MOST expensive meal I ate on holiday, and I kind of wanted to put in perspective what that means for me. A high quality meal and cocktail at a fancy restaurant is not something I do often, but I’d been saving by eating in grocery stores and local delis, and this was a splurge that was 100% worth it. Amazing food isn’t cheap, but it sure does make the pleasure centers in my brain light up like Christmas and New Year’s all at once.

Cabin In the Woods

I got to my “campsite” in Värmland after dark and had a little trouble finding the bathrooms, but fortunately I was the only one there, and I’m not afraid to pretend to be a bear. The cabin itself was very plush with wall to wall carpet and a sort of beach house all white linen decor, as well as excellent WiFi. Despite being an actual cabin in the woods, the whole vibe of the campsite was homey and friendly which was a nice change after the farmhouse fright night.

The next morning I was able to easily find the bathroom and kitchen, make myself a cup of coffee and prepare a bit of breakfast from my grocery supplies. Traveling in a car means I can stock up on food for most meals and snacks more easily than when I’m traveling by bus and train. I was in no particular hurry to hit the road, and enjoyed a leisurely breakfast at the little table and chairs out front of my cabin while watching the sheep across the road.

Once I felt full and rested, and put all my bedding in the laundry room, I hit the road once more. The cabin rules had included a rather extensive list of guests cleaning responsibilities and it wasn’t the first time I encountered such. The Langholm hostel had similar rules instructing guests not only to strip the sheets for the laundry staff, but also to take out the trash and sweep the floor before checking out! I try to be a good guest and never leave a big mess behind, but for me that usually means putting all my waste IN the garbage and cleaning up any big spills. I know pretty much all US hotels/hostels have housekeeping that have to clean the rooms between guests, but I’ve never seen the need to make extra work for them. Still it was a stretch even for me to be told that I had to go to the main building and get the vacuum cleaner, haul it over to the cabin and vacuum, then take it back, and also fold all the bedding after removing the duvet covers. I guess I’m just saying if you go to Sweden, expect to be your own housekeeping.

Winging It and Winning

I was getting used to following the roadsigns to roadside attractions by this point in my road trip and I happily turned off to explore Borgvik and Hyttruin without really knowing what I’d find. Hytta means “foundry”. Hyttruin is therefore the ruins of a foundry. I’m not a person who is typically interested in ironwork, and I think if the sign had said “iron foundry” I might have kept driving, but then I would have missed these wonderful ruins, and you know how much I love ruins.

Looking at the size of the defunct forge, I could imagine mythical dwarves making Thor’s hammer there. It was enormous, but it’s not from the days of antiquity, it’s just from the 1800s. Alongside the ruins ran the waterfall that was created to supply the foundry with hyrdropower. There were signs around the place explaining the history of pig iron, and the ins and outs of manufacture, but it turns out I’m still not interested in iron production. Very cool ruins, though.

Art & Lunch

Next I popped into a little art gallery nearby (still in Borgvik) called Sliperiet. It turned out to be a restaurant/art gallery and I opted to do both. Being hungry, I started with the restaurant and once again indulged my salmon habit. It was another highly artisan place with only a few chef chosen dishes on the menu each day. The salmon and veg were perfectly lovely, but what made the dish sing was the lemon cream. I don’t know how he made this stuff, but it was absolutely lemon and cream in the best possible way. Both are great with salmon but together it was heaven. I could eat that lemon cream every day on everything.

While I was eating, the staff brought me a booklet with little biographies of all the artists on display in the gallery which gave me a chance to think about what I was going to see. I decided to do the museum as a break between lunch and dessert, and I was pleasantly surprised by the variety and quality of art on display in what was really the “middle of nowhere”. I took photos of absolutely everything, but I’m only going to share some of my favorites here.

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In case you want to follow up on any of these fine creators, I’ve tried to include relevant links: Albin Liljestrand, Kjell Engman, Stephan Westling, Ann Lillqvist, Rodney Smith, Christian Coigny, Nino Ramsby, Ylva Ceder, Tim Flach, Sara Nilsson, Jonas Rooth, Eka Acosta

After a lovely dessert of crème brûlée, I asked the very kind and helpful staff people where to go next. I had planned a day “in Varmland” but had no idea what was there, and had been going off of roadside stands and Google Maps markers with some success so far, but it never hurts to ask a local. They told me about an artist commune called NotQuite and I resolved to include it as my last stop in Varmland for the day.

An Artist Commune

NotQuite is an artist community built in an old paper factory in the middle of nothing. The art on display is far more experimental and boundary pushing than anything else I’d seen that summer, and not all of it was good, but all of it was sure trying to BE something. I wandered into the abandoned factory floor where art installations were scattered around almost as though they had been abandoned along with the paper. Small bright displays stood alone in large concrete rooms, and almost all of the signage was only in Swedish.

I found a mattress with some cobbled together VR goggles and a vague sort of “play me” note. It was an odd distorted and block color reality with a voice over in English of a person of indeterminate gender exploring the concept of sexuality. Very much everything you might stereo-typically think of when you think of experimental art commune.

It was mostly empty, but I’m not sure if that was because of the time of day or time of year. After spending a while wandering through the factory buildings and trying out the art, I headed back to the main gates. I stopped in at the gift shop on the way out where some of the more polished and “ready for home consumption” kind of art was on sale. I had a chance to ask a few questions about the place to the lady behind the counter. She explained that while a few people did choose to live on site, that most simply came there to work, and that they were funded by a grant from the government to support the arts. You can learn more on their website.

Sweden still makes me sigh with longing when I think of these days. Staring now down the barrel of planning another summer holiday, I’m deeply tempted to return and explore a new part of the country. While I’ve enjoyed my time in Korea these past few years, it lacks the freedom, the nature, and the stunning variety of culture and food that I yearn for. Still, until I have a stable landing pad for my next “home base” I guess I’ll take what I can get in the holidays.

Viking Country 1: The Journey Begins

April 5, 2019March 19, 2019 / Gallivantrix / Leave a comment

By the time I got to Sweden, I was feeling much refreshed by my visit to Copenhagen and the chance to spend time with some friends, both old and new. Although Sweden had been experiencing 30ºC + weather through July, when I arrived in August, the regularly scheduled Swedish summer weather had returned: cool and rainy. The locals frequently lamented that I’d “just missed all the nice weather” and I had to reassure them that, no, this wonderful sweater-weather was everything I wanted in life. Plus, the rain was desperately needed after the droughts and wildfires in the country. It felt like I was arriving with the return of life, and the land was celebrating. I am officially in love with fjords and fika. This started as a single post, but Sweden is just to amazing that it’s now 4 parts. Enjoy!

My bus took me to Gothenburg, a city on the south-west end of Sweden. I had a full day there before I was scheduled to pick up my rental car and the local transit pass included unlimited ferry travel, so I opted to spend the day meandering from island to island in the beautiful southern archipelago. The bus system took a little getting used to, but the ferries were actually quite easy to figure out, and since my ticket was unlimited, it didn’t matter too much if I got on the wrong one. I decided to go all the way out to the end of the line at Vrångö and work my way back.

It was heavenly. I got off the boat at a tiny little dock with one adjacent cafe and set off down a nature trail at once. I was wearing my jeans and a sweater that had spent the entirety of the summer living at the bottom of my back pack. Before coming to Sweden I had almost decided to ship the heavier cool weather clothing back to Korea ahead of me! Plus, the rain stopped for most of the afternoon and left me with a beautiful sunny sky filled with flocks of fluffy clouds. The natural beauty of the tiny island was overwhelming. Although the fjords are stark and do not harbor lush greenery on a large scale, the beautiful detail in the small flowers and lichens that covered every inch of ground that wasn’t sand or solid rock was simply stunning.

When the path emerged to the seaside again, I sat and watched the beautiful shifting blue-green tones of the ocean beyond the rocks for ages, basking in the wonderful, welcoming cool, clean and beautiful natural world around me. I hadn’t felt so deeply welcomed by a landscape since New Zealand, and it was only my first day!

When I finished the long and winding trail around half the coast and back up through the little town, I was starting to get hungry and checked the map to see which island would have a good local cuisine type of lunch place. I headed up to Styrsö Bratten but the restaurant I wanted to eat at was closed for a private party. It started to rain, too, so I took a break under a patio while I waited for the next ferry to come take me on.

I backtracked to Donsö where I was able to find Isbolaget, a local restaurant with some truly superior smoked salmon. Although the fish itself was likely from the Norway side of the water, the smokehouse where it was cooked was just up the road. They offered a sideboard with crisp bread and various spreads as an appetizer. The fish came with fried julienned veggies, roasted potatoes and pickled onions. It was amazing. While I was eating, the chef brought some still-hot-from-the fryer potato chips around to everyone. For dessert I tried Banoffee pie for the first time. I know it’s British and not Swedish, but it was a new experience: toffee, banana cream, and chocolate together? Much better than the traditional American banana cream pie with vanilla cookies.

After dinner, I walked slowly on my very full tummy back to the ferry terminal and was able to take in the famous little red fishing huts in the golden light of sunset. The only sad part was realizing I’d put down my sweater someplace and never picked it up, so as the sun went down I was actually COLD for the first time all summer.

Road Trip Begins

The next day, I bid farewell to my hosts and headed downtown to pick up my rental to begin my road trip. Of course, when you’re on a deadline is the best time for the weather to act up, right? Loaded down with all my luggage, I battled out the driving rain to catch the buses and trams I needed to pick up my car on time. Why was I so worried about being on time? Surely they would not give my reservation away. No, but the rental office WOULD be closing at 2pm that day, so I couldn’t wait for the rain to stop. Of course, the moment I arrived at the shop, the sun came out, but I couldn’t complain because I knew how badly the country needed the water.

With my brand new hybrid model little red rental car, I hit the road toward my first destination, Vadstena and the castle therein. My decisions about where to stop and what to see in Sweden were more or less determined by what was near the main roads along my chosen route. I drove from Gothenburg to Stockholm via the 40 & E4 south of the lakes, and then back to Gothenburg going around the north side of the lakes. I looked at a lot of driving tour ideas before deciding this was going to be my best bet to get the beautiful natural landscapes that I wanted.

On my way, the rain came back and I pulled off into a little roadside rest stop to discover to my delight that rest stops in Sweden are NICE. While I was standing around taking photos of the scenery, a young lady stepped out of the little cafe and beckoned me in out of the cold and wet. We chatted for a really long time, and I learned some interesting facts about the culture and culinary traditions in Sweden, most particularly that it’s based on what latitude one is in, since the south of Sweden can support temperate, more mainland European crops and animals, but the land gets less hospitable the farther you go, changing a strong vegetable and beef diet for a fish and dairy diet, to a reindeer and berries diet. It was quite eye-opening to someone like me whose whole knowledge of Swedish food comes from IKEA.

She also told me a little bit about the native people of Sweden who lived in the far north. I had always thought of Sweden as basically European, and also the home of the pasty white viking types, so it was a bit of a shock to realize that there ARE indigenous tribes-people in Sweden. They’re called the Sami, and while they are pasty white, they are very culturally distinct from the mainstream Swedish population which gets it’s culture from Dutch and German immigrants and of course from the Christian conversion which came up from the south and mainland Europe as well. I never went far enough north to encounter any Sami on my trip, but it’s certainly something I’d like to go back and learn more about someday.

It was like having my own personal Sweden tour and lecture, and I stayed for a couple hours just talking and learning from the very friendly cafe hostess at this rest stop in the middle of nowhere. I finally pried myself away and got back on the road because I wanted to make it to Vadstena before it was too late to see the castle that was the actual goal for sightseeing that day.

I made it to the castle with a little daylight to spare. The cloud cover was still fairly thick, but the rain had receded to the occasional droplet, and I was able to park the car and stroll around the grounds. The castle’s moat connects to the larger lake via a short canal, and locals park their boats not only along that canal, but actually inside the castle moat! I had fun playing with taking photos using the reflection in the beautifully still water, and paused to ask some locals what they were fishing for. It seems the moat is full of crayfish and the right to forage on public lands is strongly protected in Sweden. Locals were out in force with little nets and traps hauling up tasty crustaceans while enjoying the day.

After a full circuit of the castle, I walked down to the lakeside, and over to the ruins of the abbey. I was simply enchanted by the fact that these old castle ruins were an integral part of modern life. There was a large park where children had spent the day decorating the paths with colored chalk and there were a few shops and restaurants within a short distance from the castle walls. I saw high school students out and about, lounging around with headphones and backpacks, and was pleased to see that there were a good mix of dark skinned hijabis being included by groups of local kids. My hostess in Gothenburg was also hosting a refugee teen-girl who I met briefly, and I’d seen others around the city. Sweden is going through some political disagreements about how to handle refugees, so it was nice to see teenagers playing happily and inclusively in this small town.

The abbey was closed by the time I got there, but I could still see the outside which included a kind of reconstruction of the original living and working quarters. The walls were all knee-high, but in their original place. It was startling to see how small the space occupied by 60 nuns and 25 monks actually was. In the summer months they might have had the freedom to be outdoors, but the Swedish winters are bitter, and it would have been quite cramped. I was also pleased to see a Pride flag flying in front of the church. July is Pride Month and I’d seen plenty of flags and even some vendors giving Pride discounts throughout my travels in big cities, but to see the rainbow outside this church in this small town was very encouraging. Between this and the refugees being welcomed, it gave me a real reason to reconsider my assumptions about urban vs rural cultures and some solid hope that we can have loving social equality wherever we live.

Plan? What Plan?

I had a plan, of course, but my Airbnb host for that night cancelled rather last minute. I don’t blame them, apparently they had some kind of an accident and had to deal with personal stuff. These are the risks with Airbnb. I found another host in Norrköping at the last minute and pulled in quite late at night. It was like a little piece of my hippie Seattle community had just cloned itself in the middle of my Sweden road trip. My hostess was an artist and her home certainly reflected it. There were sparklies dangling all around the door, gauzy curtains decorating the walls, and for the first time in ages I was somewhere with recycling and compost again! She made me a chamomile and cardamon tea before bed.

Then next morning we had breakfast together and I really enjoyed talking with her. She was surprised to learn that Viking gods had gained popularity in parts of American culture and we compared notes about art culture and liberal politics in our respective countries. Finally she suggested some local stop offs for me to try on my way east: a bronze age rune stone sight and an insanely quaint little town called Soderköpping (pronounced “soda shopping”).

3,000 Year Old Viking Art

The Viking rune stones were there in Norrköping (also pronounced “nor shopping”, I’m still not sure what’s going on with this “k” suddenly sounding like “sh”). It was a little challenging to find since it’s not a tourism hot spot. If you want to find it on Google Maps, it’s Hällristningar. I got a little confused at the turn off from the freeway and ended up at Hällristningsmuseet which is on the opposite side of the main road. Not yet realizing my error, I parked the car and explored the little red houses, my curiosity of the prevalence of this color also rising. It was closed, which I thought at first might be because it was Sunday, but looking closer, it did not look like the museum had been open for a very long time. I also saw no signs at all about runestones.

In desperation, I politely interrupted a group of people walking their dog to ask where the runestones were. They spoke English well but were confused by what I meant by “runestone”, and I tried to explain a bit, and eventually managed to get the impression across, but I was left mystified as to what these stones would be called locally since they’re super common in the Swedish countryside. Plus, my Swedish host who had recommended them to me had used the English “runestone”. In case you’re wondering, Hällristningar just means “rock carving”.

With that minor confusion of locations cleared up, I hopped back in the car and navigated the underpass for the freeway to get to the huge open grassy meadow on the other side, somewhere within lay these wonderful bits of history. It became immediately apparent I was in the right place since the signage was much better here. The rain from the day before had gone away again, and I was in a lush green field with stunning blue skies and enormous white clouds. I could not stop taking pictures and just going “wow” under my breath a lot.

When I reached the rock carvings, they were not what I expected, but were wonderful nonetheless. The rocks were flat in the ground. I had been expecting tall rocks, either glacial boulders left from the last ice age or something like a henge where large rocks were quarried and dragged in. In any case, I expected verticality. These rocks flat on the ground were a new idea. Apparently, archaeologists think that the runes were carved for the gods to see, looking down. I was also expecting actual runes because of my hostess’s chosen description, and instead what I encountered were a series of pictures and symbols.

According to the signs, which were helpfully bilingual, there were more than 650 images spread out on the rocks, most of which were ships, animals, and weapons. I’m glad there were signs because I think I would have been hard pressed to identify quite a few of the images without them. I’m pretty sure the red is a retouching, since I can’t imagine it staying so bright for 3,000 years, but I’m also sure it’s accurate since modern science would be able to detect tiny flecks of color on the stones even with so much weathering.

The Most Famous Ice Cream In Sweden?

Back on the road again, I headed up to Soderköpping. My hostess’s first suggestion had been such a success, I decided to ditch my other plans for the day and follow her advice. This town is beyond quaint and adorable. It’s right on the Gota Canal, which was on my list of things to see. The far bank of the canal is made up of high bluffs, but the town nestles neatly on the waterfront.

I walked around and found a beautiful public park with comfortable hammocks and a tiny outdoor library box so people could read and lounge even if they’d forgotten to bring a book. I took some more photos in the park’s gardens including a very co-operative little ladybug, then had a rest in one of the hammocks enjoying the warm sunshine and cool breeze.

Finally, I headed into the town center to find the town’s most famous stop, the Glassrestaurang Smultronstället. If you want to faint from looking at photos of amazing ice cream concoctions, please follow this link. I didn’t really understand how an ice cream shop could cause so much fuss, but it is a pretty amazing set up. I ordered a moderately sized sundae and it was still three flavors of ice cream plus chocolate mousse, whipped cream, chocolate curls, and passion fruit. I had eaten a healthy breakfast at my Airbnb, and had munched on delicious smoked meats and fresh fruits for lunch on the road, but for dinner, it was all ice cream.

Valkenburg: Catacombs, Castles and Vlaai

March 28, 2019March 5, 2019 / Gallivantrix / Leave a comment

The week I spend in the Lanaken/Maastricht area had spikier ups and downs than usual. One of the ups was this day trip to the small, picturesque town of Valkenburg. There’s not much here, but the whole town feels a little like main street Disneyland. I could not stop the opening music from Beauty and the Beast from running through my head every time I walked around. Aside from it’s rustic village charm, Valkenburg is also home to a strange and unique personal museum: a private replica of the Catacombs of Rome. I’m a sucker for weird museums, and during the crazy summer heat wave, any underground activity floated to the top of my to-do since it was the closest thing to air conditioning I could get.

The transit out to Valkenburg was a little tricky in terms of timing. Once you’re outside the big urban centers the public transit is much less frequent. Nevertheless, I made it to the catacombs in time for the 2pm tour. The tours are only offered once an hour, so I’m really glad that I made it because there is nothing to do in easy distance of the museum, and I was getting pretty fed up with walking under the scorching sun.

Not only is Valkenburg too small to have reasonable buses, most places in town only take local (Netherlands bank) credit cards, their old card machines can’t handle fancy foreign credit cards. It’s really a time capsule! Thankfully I grabbed extra cash on my way over.

I had seen posts online about the “Roman Catacombs” in Valkenburg so I went there thinking “hey the Romans used to live here, they probably built stuff”. Nope. Well, yes, Romans did live in large parts of what is now Europe, including the Netherlands all the way up to Utrecht, and Valkenburg was well inside the Imperial borders. But, no, these catacombs in Valkenburg were in no way built by Romans.

Our guide explained that what we were going to see is a replica of the catacombs in Rome. Back in the Victorian/Edwardian days, rich people were supposed to spend part of their wealth investing in public parks, gardens, museums, and other public displays of art and education to enrich the lives of those less fortunate. A large number of Europe’s parks and museums were built this way. The “Roman Catacombs” of Valkenburg are no exception.

The richy rich guy who commissioned these was Jan Diepen. The museum was opened in 1910 and although it’s gone through some closings and re-openings, it’s now Valkenburgs main claim to tourist fame. Despite it’s lack of originality, it’s still massively interesting since it’s a faithful reproduction of the catacombs of Rome that were visible at the time of construction. It’s now the only place we can see some of the displays that have since closed in Rome, and because of it’s obscure location, the art generally in better shape than it’s Roman counterpart and you don’t have to share it with as many tourists. Yeah, I’ll probably still go to the real ones if I ever get to Rome, but this was a good visit.

The air was nice and cold underground, the frescoes and history were interesting, and my guide patiently reexplained everything to me in English even though I was the only non Dutch speaker in the group. He said sometimes he has to do it in as many as 4 languages.

I sadly did not write any of the stories down that day, so looking back on my photos I have a general sense of “that was fun and interesting”, but no real ability to tell you about the pictures in detail. It felt a little like we were traveling through time as well since the replicas were arranged chronologically.

We started with areas of the Catacombs that actually did predate Christianity, and saw the way that the Romans buried and revered their dead, and then the gradual shift in artwork and symbolism as Christianity took over and moved in. It was quite fascinating to see the artwork of the early Christians that still incorporated a tremendous amount of Pagan imagery from Rome’s pre-Christian culture. By the end we’d moved all the way up to medieval art styles of statue and fresco.

At one point our guide pointed out this particular image as being representative of a trend to depict Jesus as fair skinned with long flowing hair. Although previous generations of artists had each picked a different look for the central figure of the Christian religion, it seems this one endured and still remains the most popular depiction.

Although there were several stone replicas of tombs and grave markers, there was one statue that struck me particularly, that of Saint Cecelia. She was an early adopter of Christianity before the Roman Empire made it the official state religion. Back then, Christians actually were persecuted by the state, and Cecelia was married off to a pagan nobleman against her wishes. When she refused to give up her beliefs, she was beheaded… almost? The legend is that she was struck in the neck three times with a sword yet did not die… right away. Her ability to withstand the pain and her prolonged life were seen by Pope Urban I as a holy sign. More than 1300 years later when the Roman Empire was long gone, but Christianity was having a great time ruling the Western world, it is said that her body was exhumed from it’s tomb and found to be intact with no signs of decay. Another miracle! Oh, and that’s not a necklace, it’s the wound from those three sword blows and a little blood oozing out. Martyr art.

At the end of the guided tour we were turned loose at a small museum that displayed the tools and techniques that had been used to replicate the catacomb art. I admit I was a little tempted to go back and look at some of the art again, but I didn’t want to get lost by taking a wrong turn. After the main event, I did a little wandering around the town square. It is insanely quaint. There’s a whole area of shops and restaurants that looks like it’s out of a story book.

I walked all around the ruins of the castle but declined to go inside. I think I was just too tired for an above ground tour that oh so hot day. And if you think I talk about the heat wave too much, believe me, I’ve cut out most of the references to my heat-borne misery from my notes… it was soul sucking.

As an antidote to heat misery, I stopped off at a little cafe for some vlaai. Vlaai is kind of like pie. I had strawberry that day. It was cool, sweet and refreshing. The base was more like a cookie than a pie crust. It was quite thick but neither cake nor pastry. There was a thin layer of chocolate, a creamy layer and fresh strawberries in a pie gelatin. Clearly fresh berries from the flavor and texture. Served with a little shot of whipped cream and a cup of coffee. Stopping for vlaaii and coffee is a must do in the Netherlands.

When the sun moved to take away my shade for the 5th time that afternoon, I gave up on staying cool and headed back to the bus stop. No part of the town failed to be cute so I distracted myself from the weather by taking more photos and singing Disney songs under my breath until the bus arrived to take me back.

Amsterdam: Cheese, Gin & Canals

March 22, 2019March 5, 2019 / Gallivantrix / 1 Comment

I chose to do Amsterdam as a day trip from Den Haag. I looked at rooms in Amsterdam, and even the possibility of renting a flat for longer, but the city is just so insanely expensive, I couldn’t justify it. I left Den Haag as early as I could in order to cram as much Amsterdam as possible into one day. I enjoyed the canals, and the beautiful architecture while walking around. My top priority was the Van Gogh museum (posted elsewhere), but I also enjoyed a cheese tasting class, and a tour of the Bols distillery where I learned the true meaning of Dutch courage, and a nice stroll along the canals.

Landmark Photos

Right outside the Van Gogh museum is the main entrance to the far more famous Rijksmuseum (which I did not have time for on this trip), as well as the “I Amsterdam” sign that EVERYONE needs a selfie with, and a rather large sculpture of an astronaut floating over a nice shallow pool where everyone was playing and splashing on the hot summer day. I don’t have a story because I didn’t try to fight the crowds to climb the letters, but I thought you’d like to see the photos anyway.

Cheese Tasting

Dutch Gouda cheese is famous. Well, cheese famous anyway. I am a cheese-a-holic, and gouda is at very least in my top 10 favorites. I couldn’t visit the home of gouda without doing a cheese tasting. I managed to find something that was a little bit more than just a taste however when I stumbled on to Reypanaer. I signed up for a cheese tasting CLASS.

This was no mere cheese taste, it was truly a learning experience. The woman instructing us reminded me of Minerva McGonagall if she were Dutch instead of Scottish. We were given a paper to record our impressions of each of the cheeses, and we were taught to recognize common notes in cheese like “wood”, “grass”, “caramel”, “alcohol”, “salt”, “butter”, “cream”, “vanilla”, and “nutty”.

Each cheese was paired with an appropriate wine or port to enhance the experience. Our teacher had us examine the color first, while she would tell us about the cheese itself. When we sliced, we were told to slice thinly, not because the shop was being stingy with samples, but because thin slices of cheese allow you to taste the more complex flavors more fully (we were allowed as many slices as we liked until it was time to move on to the next flavor, but really they were so rich I couldn’t eat much and didn’t feel like I needed to). Next we were asked to smell the cheese and think about what kind of smells we got. Finally we were allowed to taste it and asked to think about both flavor and consistency as we took our notes.

When everyone had tasted and jotted down some basic impressions, we talked about what we had experienced and our teacher guided us toward a better understanding of the complex flavor experiences of each cheese. I think a lot of the people in the room just wanted to eat cheese and drink wine, but I very much enjoyed the classroom environment and the chance to learn more about the traditions of Dutch cheese making. I think the informative instruction enhanced my experience of the flavors and textures of the cheeses by making me more aware of what I was consuming and how I was perceiving it.

Our first cheese was a chèvre affiné, a 4 month aged cheese made from goats milk. My mother thinks she hates goat cheese because she’s never eaten this. It was not the most amazing cheese I’ve ever eaten, but I could eat it regularly with a side of sliced fruit and not be sad. It had notes of butter, grass, and bread. The color was almost pure white, and the texture was quite smooth while still being firm.

The next cheese was a chèvre gris, a 10 month old goat cheese with notes of hay, caramel, and bread. The color was nearly identical, but the texture was more crumbly and there was some presence of salt crystals (as cheese ages, salt crystals form in the cheese, no extra salt is added, this is a natural process as the moisture slowly evaporates over time). The flavor was strong enough that I would choose to eat this in moderation, or as a meal finisher with some nuts.

From here we moved back to cow’s milk cheeses in the Gouda family.

Taste #3 was a 6 month old Gouda the color of a fall harvest full moon. It was very creamy and highly munchable. Another great option for a finger food platter or a sandwich cheese. Taste #4 was the Reypanear 1 year aged Gouda. It was recorded in my notes as “zomg spicy zingy full on wow”. It was amazing how much another 6 months on the shelf could change the flavor of the cheese. Salt crystals were beginning to form, the texture was a little dryer and the flavor was a million miles higher.

If I thought taste #4 was amazing, my tongue was not prepared for taste #5, a 2 year aged Gouda from the Reypanear fromagerie. I really believe my taste buds died and went to heaven and reincarnated back into my mouth. I recorded the color as “smokey topaz”, the smell as “caramel, alcohol, chocolate, nuts, and vanilla”, the taste as “all the flavors on a magical journey”, and my overall impression as “could eat it forever”. It’s strong, with a crumbly texture and visible salt crystals, and it is one of the most amazing things I’ve put in my face.

And lest you think I was just getting a cheese high and every taste was better and better, I did come back from the edge of ecstasy on the last cheese of the class: #6, the 3 year old Gouda. I still enjoyed it very much, but it was far more sharp with almost a citrusy overtone, and something I would only eat occasionally. While everything else was served with wine or port, this was appropriately served with scotch whiskey.

Not all Gouda are produced alike. Please don’t read my reviews and get some random 2 year gouda and then get mad when it doesn’t change your life. Like most foods, the quality of ingredients count for a lot, and in the case of aged foods, the environment has a big impact.

Reypanaer uses as much grass fed cows milk as they can to get the best tasting milk. Much like Cantillon, Reypanaer allows the curds to rest in trays and collect unique wild microbes from the environment that will be crucial to the flavor of the finished cheese. In addition, their cheese is aged in old-fashioned warehouses where the only controls for temperature and humidity are opening and closing various doors around the space. The warehouse itself is considered a micro-climate because of it’s long tradition of aging cheeses and the accumulation of special bacteria, fungi and molds that add to the flavor of these naturally aged cheeses.

Cheaper, mass produced cheeses use sterilized climate controlled rooms to age the cheese and get a fast, inexpensive, and easy way to get a consistent product. The old fashioned techniques at Reypanaer are labor intensive since cheeses must be checked regularly during the aging process and the warehouse environment must be carefully balanced by humans instead of machines. In the end, there’s nothing wrong with using a factory produced cheese on your sandwich, but the difference in quality and gustatory experience is so significant that I must recommend to every cheese lover to try such a traditionally made cheese at least once in your life. Take my word, I’m officially an expert in cheese tasting 😉

I got a steep discount by purchasing my Reypanaer and Bols tour tickets together, anb after the cheese class, I took a nice walk to clear my head and my palate. On the way, I passed an enormous and imposing building that I thought must surely have been some kind of castle or government building, but it turned out to be a shopping mall… Europe has too much extra architecture!

Bols

Ever wonder where the expression “Dutch Courage” comes from? Well, I found out at the Bols Distillery. Upon presenting my ticket at the main counter, I was given an audio guide, a little vial of liquid, and a token.

This tour was totally self guided and I could play, pause, skip or repeat portions of the pre-recorded audio guide as I wanted. The first room was a timeline history of the distillery and the evolution of their product over time.

As you might guess from the photo, the history starts in 1575 when the Bols family started making flavor infused liquor with cardamom, orange and cumin. In 1664, the family started producing Genever, a kind of distilled spirit made of “long fermented rye, wheat, and corn”. By 1700, Bols became a major shareholder in the Dutch East India trading company, giving them access to so many spices from around the world, and leading to the development of more than 300 unique flavors, as well as untold post-colonial damage to the cultures that originally grew those spices. It’s still weird to me how proud the Dutch are of their role in that part of history…

In the 1800’s they got really good at making a totally unique version of Genever with a proprietary distilling technique and the addition of a secret recipe of botanicals – mostly juniper berry, but also anise, ginger, hops and angelica (an herb described as “earthy, herbal, and reminiscent of wormwood, so no I don’t know what that tastes like either). Later that century they began to also age the Genever in oak barrels. During the Anglo-Dutch wars, British soldiers would drink Genever before battle to steady their nerves and it became known as “Dutch Courage”. When the war was over, they missed the beverage and English Gin was born. Although the original Bols recipe was discontinued for a while, it was resurrected in 2008, so you can still taste it today.

The next room was filled with a display of tiny delft pottery houses. The Dutch Royal Airline (KLM) gives out these collectible and limited edition bottles to their first class passengers since the early 1950s.

Once the history and art lessons were past, the museum took a decidedly sensory turn. Instructions on the wall as well as in the audio file told me to enter one of the small experience rooms and to keep my flask at hand. It was time to use the little bottle of liquid I’d received at the beginning of the tour. I couldn’t help but feeling a bit like Alice holding a “drink me” bottle, but I figured if it wasn’t safe, then it wouldn’t be legal either. Once in the room I was given a countdown and told to consume the whole bottle’s contents (it was a large swallow, nothing crazy) when the counter reached zero. With trepidation and a leap of faith, I did as instructed and was rocked to my core with a whole body multi-sensory experience.

As soon as the timer hit zero, the experience began. I slugged my liquid and the whole room erupted in sound, light and vibration. The vial was not alcohol, but pure flavor. It started berry fruity, went on a trip through spicy, and finished with citrus and mint. As I was tasting these intense flavors, my eyes were treated to a series of colors, my ears were regaled with changing sounds, and my body tingled from the vibrations of the floor coming up through the soles of my feet. It was like someone just flipped the ON switch for all my senses at once.

And lest the sense of smell feel neglected (though that liquid was so strong, I’m pretty sure it came up my sinuses anyway), the next room on the tour was a rainbow smelling room. The Bols Distillery was starting to seem less like a museum and more like an alcoholic version of the Wonka factory! More than 30 smells were ranged on the wall, and by squeezing the bulb, a puff of scented air would come forth. The bottles were labeled by number, and the name of each flavor was revealed if you lifted the number. It was fun to play sniff and seek, trying to guess each one of the Bols flavors as I went, and it also gave me a good idea of which ones I liked the best, so I could choose my cocktail later on.

The final display room got into more details about the ways in which infused liquor is made. I’ve actually had the chance to play with making my own infusions with fruit, spices, and vodka, so I knew a little, but it was a very thorough display. There were jars of spices and fruit peels on display, as well as a mad scientists laboratory worth of glass jars, copper pipes, and mysterious floating things.

You can see “maceration” and “percolation” in this photo because the main goal of this display was to show the ways that flavor is extracted from fruits, nuts, herbs, and spices and turned into delicious drinks. Maceration is just soaking your stuff in the alcohol (this is what I did at home). Percolation is basically how coffee is made, you drip the liquid through the ingredient. And because no mad scientist lab would be complete without a big red button…

Don’t worry, it doesn’t do anything sinister. Once the tour shenanigans were over, I was released out into the Bols cocktail bar where I was able to redeem my token for one free cocktail. I ordered the Spring Amour, a lavender colored, floral, lemony drink. I had been intrigued by the fragrance of the Parfait Amour in the smelling room, and this drink seemed to be a good mix: 40ml original Genever, 15 ml Parfait Amour, 30ml lemon juice, and 10ml simple syrup, with a sprig of fresh mint. I chose the Parfait Amour based solely on my olfactory experience on the tour, but later I found this description, “a beautiful dark purple liqueur flavored with flower petals and vanilla, together with orange peel and almonds. The Parfait Amour liqueur flavor is centuries old and probably one of the most fascinating and complex of all the Bols liqueurs.” I chose well.

Walking Around Amsterdam

After my Bols tour, I tried to walk to the antiques area but it was all closed up by the time I got there. It really is amazing how much of Europe closes up at 6pm. When I read about the quaint area of Nieuwe Spiegelstraat, the blogger I read recommended going in the evening to see the shops lit up, but I think they must have gone in the winter when the sunset / street light time is before closing rather than 3 hours after it. Summer days are looooong.

I had also planned to do a walk from Nieuwe Spiegelstraat through the Red Light District on my way to the train station but I was pretty wiped out from heat, walking, and day drinking. I looked at a lot of restaurant menus before I managed to find a place to eat for less than 15€. Amsterdam is, as I may have mentioned before, insanely expensive. I wasn’t looking for a fancy meal, just a simple sandwich and beer! In the end, I was very happy with my choice. I tried a local specialty of ossenworst, an Amsterdam local raw beef sausage. It’s beef spiced with salt, pepper, cloves, nutmeg, mace and lightly smoked. OM NOM NOM.

After dinner, I walked through what should have been the Red Light District according to my maps, and while I did see more ads for clubs and sex shows and smelled a lot more pot fumes, I was either on the wrong street or it was too early. I’ve heard it only comes alive after sunset and during the summer dark is not until around 11pm. At 7-8 in the evening, I didn’t see anything risque. I did find China Town and closed Buddhist temple, and took plenty of photos of the beautiful Amsterdam canals before returning to the train that would eventually get me back to my Airbnb in Den Haag.

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