A couple weeks ago, I had the opportunity to go on a school field trip to the Gaya Theme Park in Gimhae (near the Busan airport). I had never been on a school field trip before, and while some of you may be thinking, ugh a day of corralling screaming kids outside, my unenviable position as foreigner gave me a bit of a pass on kid wrangling and a lot more freedom to indulge my sightseeing urges.
The Gaya Theme Park is a strange combination of history, mythology and recreation. Let’s start with the history part.
What is the Gaya Confederacy?
Korea has not always been a single unified nation. I was not taught Korean history beyond the US involvement in the Korean war at any point during my education, which is vastly disappointing since I studied East Asia at University. I’ve been trying to fill in the gaps since arriving here. There’s not much history in any part of the BCE. There’s some fossils and pottery and a legend about a kingdom that dates back to more than 2000 BCE. The first records seem to be from a Chinese encounter in the 7th century CE, but the seat of that Kingdom and most of it’s stuff was in what is now North Korea, so we may never know any more than what we find in the Chinese records.
Skipping ahead to the first century CE, we get what is known as the Three Kingdoms Period. The three kingdoms were Goguryeo (purple) controlled huge swaths of the north including what is now North Korea and parts of China (it is also where we get the English word “Korea” from, since their word for their own country is hanguk) The south was divided between Baekje (yellow) on the west, and Silla (blue) on the east. Except, there were more than three. The Gaya confederacy wedged it’s way between Baekje and Silla for almost 500 years. And let’s not forget the Tamna, who were a whole other Kingdom until the 1400’s! But, sure, it’s the Three Kingdoms Period.
Between it’s mythic founding 42 CE and it’s surrender to Silla in 562 CE, the Gaya confederate existed in the south central area of the Korean peninsula, just barely missing Busan (where I live) but keeping it’s capital in the nearby Gimhae (where our airport lives). They did some fishing and agriculture, but were most famous for their ironwork. It was a rough confederation of 6-12 different Gayas. When they Japanese invaded Korea in 1910, they claimed that Gaya had been a Japanese military outpost from 300-710 to justify their “return”, but no scholars take this claim seriously today.
Ok. History part done. Let’s get colorful.
6 Golden Eggs
The theme park is located in Gimhae because that is thought to be the historical capital of the biggest baddest Gaya of the confederacy, the Geumgwan Gaya. I was worried about the weather since the heat had been bad a couple of days during the week, but between happy weather gods and the fact that the theme park was up at a higher elevation, it was a stunningly sunny day with blue skies, fluffy clouds and cool breezes.
As we entered the park, the first statue was of a giant golden egg with 5 smaller eggs around it’s base. I was taking pictures of absolutely everything, hoping to figure it out later, so I snapped a shot and kept walking with the group. My co-teacher saw me take the picture and told me that the egg was there because the founding king of Gaya was hatched from an egg that fell from the sky. She also referred to this as “history” although I’m hopeful the last part was just a linguistics flub and that no one here seriously thinks that kings really hatched from sky eggs in the good old days. I could not figure out how to ask this without sounding rude, tho, so I let it go.
The Palace & The Indian Princess
We made our way deeper into the park heading directly for the palace. It’s a replica palace. Very little archaeological evidence of Gaya has been found, although the tomb of Suro (first king of Gaya) is maintained in Gimhae as well. The palace grounds are reminiscent of Chinese palace architecture with familiar canted roofs and wide open courtyards between buildings. The colors and designs are quite unique to Korea, being less the scarlet and gold of China and more earth toned versions of dusty rose, pink, taupe yellow and pea green.
The kids ran eagerly around the courtyards and explored the buildings inside and out. Within each open building were some museum like decorations showing the furniture, art, history and stories of the Gaya king and his Indian queen.
What? Yes, that’s right. His queen was said to be from India. While the king’s building was full of pottery, iron work, carvings and paintings, the queen’s building was a more wistful romance story including a wall where visitors could tie wishes written on paper, a love throne for two, a hall of stars (using mirrors and LED lights to create the illusion of a blue star filled eternity), and the “pasa stone pagoda”. The pasa stones, the sign said in broken English, were red stones from India used to appease the sea gods during her voyage, and later erected in the palace. I have no idea if these stones are actually from an archaeological dig, or from India, or if it’s just a collection of rocks from the area stacked up to look like the ritual rock stacks common all over Asia.
One room had a huge map along a wall showing the queen’s “romance road of Asia”, paths from India to Korea picked out in red and blue. Another sign seemed to imply that the queen had brought Buddhism into Korea, however that is highly unlikely. I suppose she may have brought hers to Gaya (assuming that she was actually Indian) but the northern Kingdom of Goguryeo got it from their Chinese neighbors. I question her Indian origin story because the myth (written originally in the Samguk Yusa in the 13th century, it’s a kind of history/mythology mashup of the Three Kingdoms period) refers to her as being from Ayuta, a “distant kingdom across the sea”, but the name doesn’t correspond to the name of any country or city from that time period in India or any other country.
However, in the 21st century a gaggle of historians and diplomats (including the North Korean ambassador to India) went and did a statue of the queen in Ayodhya, India, believing it to be the “Ayuta” refered to in the Samguk Yusa account of the tale. Although the statue was accepted, the Indian government says there is no evidence of any such person in their historical records or mythology. (citation BBC)
The Story of Miracle Love
We took our time around the palace complex, letting the kids run off some of their excitement after the long bus ride. There were plenty of historical things of interest, but no teachers tried to make the kids focus on learning, nor was there a guided tour where kids were shuffled from one room to another while someone explained things. They did separate out the grades so that no one building became too full, but on the whole, the kids were on their own to enjoy the space.
After a while, we headed out of the palace complex and back toward the main entrance to the theater. Turtle imagery was everywhere. A large mountain with an artificial waterfall towered over the theater building. A gray stone turtle lurked in the pond below and another golden one perched precariously on an outcropping halfway up the mountain! I asked about the turtles, but my co-teacher didn’t know (don’t worry, there’s an answer later).
The theater offered a showing of a musical rendition of the love story of King Suro and Queen Heo (alternatively Hur) called “Miracle Love”. I was a bit nervous of going to see a musical in Korean. I didn’t want to pester my co-teacher to translate while we were watching, so I figured I’d just enjoy the music, costumes and dancing. However, the theater thoughtfully had installed some large screens on either side of the stage where English translations were displayed. It was immensely helpful, if still a little grammatically imprecise.
The story began with two archaeologists stumbling onto a large cache of relics from the Gaya period. Their song explained with some lament how little was known of Gaya before this discovery. Then a cave in knocked our archaeologists unconscious and a hazy dream fantasy of the mythstory of King Suro began in earnest. Dancers dressed as the zodiac animals performed intricate dances on stage as some kind of high priest or shaman character sang of the strife, war and drought in the land, praying to the heavens for deliverance which arrived in the form of 6 eggs. (although all 6 eggs hatched out kings, 5 of them were elsewhere being kings of other parts of Gaya, so aren’t in this story)
The glowing egg hatched to reveal the full grown form of Suro who is proclaimed king on the spot and is expected to wield the power to heal the land. Yay! But it’s not easy being king. The drought continues and his people begin to resent him for not living up to the promise of his celestial birth.
Meanwhile in Ayuta (India?), the princess Heo has a dream that her destined love is in a land far away, and that she must set sail to reach him and fulfill her destiny (lots of destiny). The dancers costumes were reminiscent of saris and there were certainly hints of Indian Bollywood style music and dance moves that were obviously meant to place the princess and her handmaidens in India.
But OH! The villain! Satal, a god of war and a gleefully over the top villain dressed in a skull mask and rough furs and accompanied by evil temptresses dressed in black and red gauzy costumes came on to sing his number about how he would defeat Suro and become the king of Gaya, keeping the kingdom forever in a state of greed, hate, and famine. His musical style was that of classic hard rock and the stage was lit by enormous flames as he and his minions sang and danced.
The princess’s ship is caught in a deadly storm and she is washed ashore in the wreck. It seems the moon itself has saved her just in time to be found by king Suro and they sing a touching love duet in the style of popular Korean ballads. But their happiness cannot last. Satal and his minions kidnap the princess and beat Suro nearly to death in battle. He wants to give up. He didn’t expect this to be so difficult. Where are the heavenly powers he’s supposed to have, after all? But his loyal servant reminds him of the plight of his people and the love of his princess and his resolve is bolstered.
During a rallying all cast dance number, new armor is forged for the king, turning him from a dandy to a warrior. He is told he can receive the remainder of his heavenly powers upon the mountaintop and so newly armored he ascends to greet the powers of heaven, represented on stage as a white dragon flying around Suro to strengthen him. However Suro fights, Satal holds his own and the soaring duet of hero and villain waxes lyrical about the evils of greed, selfishness and divisiveness being defeated by the power of love. In the end, it is not the armor or the power of heaven that gives Suro the strength to defeat Satal, it is the love of Heo, her voice joining the song to call back to their duet and the fact that their love was made in heaven.
Strengthened by love, the king defeats Satal and restores peace, harmony and prosperity to Gaya. Everyone celebrates with this all cast finale that I managed to get a video of. There’s no direct translation, but it’s basically yay we won, isn’t love awesome? Love, love, love.
I haven’t read the Samguk Yusa, but synopses online seem to indicate that the creators of the musical may have taken a few romantic liberties with the story. I also could not help but look at this story of a man who arrives on earth in a giant egg, is nearly defeated by his enemy (another godlike being), retires to his fortress in disgrace before being reminded he has to rescue his true love and re-emerging stronger than ever to defeat General Zod… I mean Satal… and wonder if maybe he’s related to Kal’el?
What’s Up With the Turtles?
After the musical, we escorted the kids back over to the palace where they unpacked tiny picnic blankets and box lunches under the watchful eye of the staff while we enjoyed the cool, fresh mountain air. When the kids were all done eating, they were turned loose in the playground section of the park while the grownups had a lazy lunch of fried chicken next to the lake surrounded by heaps of purple pansies.
On our way out of the park, I spotted a turtle garden with empty shells that kids could climb in and around, as well as a happy, smiling gray stone turtle overlooking the scene. The sign near the stone turtle informed us that the mountain where King Suro’s egg landed and hatched looked so much like a laying turtle that it was named Gujibong (gu meaning “turtle” in Korean). Which explained the mystery of why there were so many turtles around the park.
I also spotted the naked turtles who had apparently left their empty shells for kids to play in. These pink and white polka dotted creatures were caught in embarrassed poses of disrobing and we all got a pretty good chuckle about it on the way back to the buses.
I had never heard of Gaya Theme Park and would not have even known to put it on my list of things to do if the school hadn’t taken me there. Looking at it now, public transit would still only get me to within 2km, though I suppose one could hire a taxi to get up the mountain, I’m not sure how the best way to get back down. My point is, it’s not a hotspot for foreign tourists.
On top of that, Gaya’s history isn’t well known even by Koreans, perhaps because so much of the archaeological evidence was lost until recently. It’s things like this that truly highlight the differences in experience between living and working in a foreign country and merely visiting one. It’s so easy for us to take for granted that our history and culture are spread across the world (first by colonialism and now by commerce and entertainment) that we can forget that every country has a rich historical and mythological tradition of it’s own. I’m grateful to have had this chance to learn about Gaya, and I hope you enjoyed learning about it with me. Please enjoy the rest of the photos of this beautiful day on the Facebook page. Thanks!